Strange Relations 3
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The Inventory of the Fred Astaire Collection #767
The Inventory of the Fred Astaire Collection #767 Howard Gotlieb Archival Research Center /' Astaire, Fred July, 1980 #767 I. SCRAPBOOKS (All include tearsheets and newsclippings of advertisements; reviews and related stories; newsclippings on Adele Astaire, then Lady Charles Cavendish, and correspondence, Most printed items from U,S, newspaperst some English and AustralianJ Package //1 A. Black leather scrapbook: "Flying Down to Rio" and "Dancing Lady" 1933 0 7 telegrams, 1 TLS incl,: Berman, Pandro telegram Dec, 8, 1933 Brock, Louis (screenwriter) 2 telegrams Nov, 28, Dec. 23, 1933 TLS Nov, 13, 1933 Hayward, Leland (agent, producer) 2 telegrams Nov. 10, Dec. 29, 1933 "Hollywood on the Air". Mimeo typescript. Nov. 4, 1933. 16 p. Schwartz, Arthur (producer, composer) telegram Dec. 25, 1933 Package /12 B. Black scrapbook with tan leather spine: "Follow the Fleet" 1936 Package #3 C. Black leather scrapbook: "Gay Divorce" 1932-1933 (stage production) includes publicity clippings, reviews, photos of theatres (Wilbur in Boston and Ethel Barrymore in New York), box office statement, sheet music, playbills, Theatre World magazine December, 1933, news- clippings on FA's marriage and correspondence. 21 telegrams, 6 TLS, 2 CTL, 1 ALS, incl.: Astaire, Ann (mother) telegram July 13, 1933 Dietz, Howard (librettist) telegram July 12, 1933 Ephraim, Lee 12 telegrams ~fuy 3, May 11, May 23, May 29, May 31, June 3, June 6, June 10, June 19, June 27, July 4, July 11, 1933 5 TLS April 18, May 2, May 12, June 1, June 10, 1933 Fred Astaire Page 2 Package /13 c. "Gay Divorce" 1932-1933 correspondence (cont.) Ephraim, Lee To Claire Luce telegram May 26, 1933 FA to Lee Ephraim CTL May 18, 1933 with Luce, Claire CTL to Fred Astaire May 16, 1933 Hayward, Leland telegram May 18, 1933 Po~ter, Linda (Mrs. -
MUSIC BOX THEATER, 239-247 West 45Th Street
Landmarks Preservation Commission December 8, 1987; Designation List 197 LP-1359 MUSIC BOX THEATER, 239-247 West 45th Street. Built 1920; architects C. Howard Crane & E. George Kiehler. Landmark Site: Borough of Manhattan Tax Map Block 1017, Lot 11. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Music Box Theater and the proposed designation of the related Landmark Site (Item No. 55). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty -one witnesses spoke or had statements read into the record in favor of designation. One witness spoke in opposition to designation. Representatives of the two co-owners appeared at the hearing and indicated that neither had formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Music Box Theater survives today as one of the his to r ic playhouses that symbolize American theater for both New York and t h e nation. Constructed shortly after the end of World Wa r I, the Music Box was built by producer Sam Harri s to house Irving Berlin's ~usic Box Re ~ues . Sam Harris was a legendary Broadway producer, who first reached fame through his successful partnership with George M. Cohan, and the n collaborated with Irving Berlin and later with Kaufman and Hart. Irving Berlin is among the greatest and best-known Ame rican s ongwriters of t his cen t ury. -
On the Beat Can’T Buy Me Love Originated
Page 18 Thursday, August 10, 2000 The Westfield Leader and THE TIMES of Scotch Plains – Fanwood A WATCHUNG COMMUNICATIONS, INC. PUBLICATION Arts & Entertainment Star Gazing Cant Buy Me Love Screenwriter Michael Swerdlick Brings Pride Pen and Ink By MICHELLE H. LePOIDEVIN To Former Hometown of Scotch Plains The Strife Is Over! Robert Downey, Jr. By JOSH HAMERMAN receiving a law degree from Slayer,” in a supporting role. Finally Gets Jail Release He Deserves Specially Written for The Westfield Leader and The Times Pepperdine University and pass- Can’t Buy Me Love was released SCOTCH PLAINS — “He went ing the bar exam, he began work later that year and grossed $40 Now that Cell No. 17 at the California Substance Abuse Treatment from like, totally geek...to totally as a lawyer only to find that it was million in the United States and Facility in Corcoran, Calif. is void of actor Robert Downey, Jr., the world chic.” Sound familiar? That line not for him. $100 million worldwide. The Times is a better place to live. Welcome was uttered in the 1987 teen angst He then became employed by of Scotch Plains-Fanwood ran a ARTIST OF THE WEEK back to the actor who, despite his movie Can’t Buy Me Love which the William Morris Agency, one of front page story in honor of Mr. troubled past which he has con- included rising stars Patrick the largest talent agencies in the Swerdlick’s accomplishments on quered with flying colors, has de- Dempsey, Amanda Peterson and world, at its Los Angeles office first September 10, 1987. -
John Ford Films at Museum
The Museum of Modern Art *>• ** FOR IMMEDIATE RELEASE 11 West 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart EARLY JOHN FORD FILMS AT MUSEUM Twenty-four early films by one of America's greatest directors, John Ford, will be shown from August 21 through September 28 at The Museum of Modern Art. Dating from 1917 to 1937, the pictures, some of which have not been seen publicly since their original release, have been selected from the Museum's film archive by Adrienne Mancia, Associate Curator, and Larry Kardish, Assistant Curator, Department of Film. John Ford directed more than 130 feature films between 1917 and 1966. He won four Academy Awards for best direction and was honored four times by the New York Film Critics. His credits include "The Iron Horse," "The Lost Patrol," "The Informer," "Stagecoach," "The Grapes of Wrath," "The Long Voyage Home," "My Darling Clementine," "How Green Was My Valley," "Rio Grande," "Mogambo," "Mister Roberts," and "The Man Who Shot Liberty Valence." Among the actors and actresses in "John Ford's Stock Company" were Maureen O'Hara, Henry Fonda, Jane Darwell, Ward Bond, George O'Brien, Anna Lee, Mae Marsh, and a young stunt man named Michael Morrison whom Ford later renamed John Wayne. The Museum's program focuses on Ford's early films, particularly those made for William Fox, which the Museum has preserved by arrangement with 20th Century- Fox. These include his first feature, "Straight Shooting" (1917) and his first Fox picture, "Just Pals" (1920), both films signed "Jack Ford." Also to be shown are "Cameo Kirby" (1923), the first film signed "John Ford"; "Four Sons" (1928), a story of mother love told against the background of World War I; "Up the River" (1930), with Humphrey Bogart and Spencer Tracy at the beginning of their careers. -
The History of the Hartman Theatre, 1938-1963
This dissertation has been microfilmed exactly as received 69-11,698 RODGERS, Charles Andrew, 1932- THE HISTORY OF THE HARTMAN THEATRE, 1938-1963. The Ohio State University, Ph.D., 1968 Speech-Theater University Microfilms, Inc., Ann Arbor, Michigan THE HISTORY OF THE HARTMAN THEATRE 1938 - 1963 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Charles Andrew Rodgers, B„Sc0, M.A„ ****** The Ohio State University 1968 Approved by p/ p s Adviser PREFACE The popular, even the scholarly, concept of the American theatre has tended to center about theatrical ac tivities in New York City0 Only recently, with increasing emphasis placed upon educational, community, and summer theatre, has there arisen increasing recognition of the theatrical world outside New York. And though the ex istence of the road has long been acknowledged, a substan tial part of that theatre history--made when the theatre’s most important personalities in their original roles were criss-crossing America--still remains to be written. In the professional theatre of the nineteen sixties the road is confined to a relatively small group of larger cities privileged to view Broadway successes and mediocrities Columbus, Ohio is one of these cities. Over the years Columbus has had many legitimate playhouses (Market House, Comstock's Theatre, The Great Southern Theatre), but the Hartman Theatre, since its opening in 1911, has been the busiest and most important theatre in central Ohio. From its opening until the present except for a period of dark ness between 1963 and 1964, the Hartman has made profes sional theatre available to Ohio audiences. -
BARRYMORE THEATER, 243-251 West 47Th Street, Manhattan
Landmarks Preservation Commission November 4, 1987; Designation List 194 LP-1313 BARRYMORE THEATER, 243-251 West 47th Street, Manhattan. Built 1928; architect Herbert J. Krapp. Landmark Site: Borough of Manhattan Tax Map Block 1019, Lot 12. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Barrymore Theater and the proposed designation of the related Landmark Site (Item No. 9). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-one witnesses spoke or had statements read into the record in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The Barrymore Theater survives today as one of the historic theater interiors that symbolize American theater for both New York and the nation. Built at the end of the 1920s, the Barrymore was among the numerous theaters constructed by the Shubert Organization, to the designs of Herbert J. Krapp, that typified the development of the Times Square/Broadway theater district. Founded by the three brothers Sam S., Lee and J.J. Shubert, the Shubert organization was the dominant shaper of New York's theater district. Beginning as producers, the brothers expanded into the building of theaters as well, and eventually helped cover the blocks east and west of Broadway in Midtown with legitimate stage theaters.