OCTAVARIUM

I. SOMONE LIKE HIM II. MEDICATE (AWAKENING) III. FULL CIRCLE IV. INTERVALS V. RAZOR’S EDGE

MUSIC BY:

ARRANGED BY: BOBBY KUNKLE OCTAVARIUM: I. SOMEONE LIKE HIM DREAM THEATER Freely Continuum               Lap Steel            

Synthesizer                       Pad                                                 Piano            9 Cont.                                               Pad                         14 Cont.                               Pad                  Arranged By: Bobby Kunkle 2 19      Cont.                                                   Pad                       

 24              Cont.                    Pad        

 26      Cont.                                         Pad                        

 30             Cont.                                   3 3                    Pad                           3 34         Cont.                                     Pad                     39 Cont.           

Stl. Gtr.                              Pad                         45  Stl. Gtr.                                                      Pad                            49      Stl. Gtr.                                                   Pad                                4 54  Stl. Gtr.           

Synth.                                 Pad                        60        Synth.                                          Pad                  q = 66  65       Synth.             3            Pad             (12-String Strum)    Fl.                 71     Fl.                         76 (12-String Pick) Fl.                      5 83 Fmi Dbmi               Pno.                      88 Fmi Abmi(,7) Eb Abmi6                         Pno.                              92 Cmi9/G D/F# Bmi7(b5)/F A/E C#mi                           Pno.                                                96 D9 A/E C#mi C(#11)                         Pno.                                         99 Emi9 Bb Dmi Db(#11)                     Pno.                                      102 Bb Dmi F#mi9                           Pno.                                6 105 Fmi Dbmi Fmi                                 Pno.  3                            

 108 Abmi(,7) Eb/Bb Fmi/Ab                           Pno.                             111 Eb/Bb Abmi Eb/G Abmi Eb/G                            Pno.                               116 D/F# Bmi7(b5) A/E C#mi/G#                   Pno.                                  119 Dmaj9 A/E C#mi/E C(#11)                        Pno.                          7 122 Emi Bb/F Dmi/F Ab                       Pno.                         

 125 Bb/F Dmi/F Ab E/B A/B                            Pno.                                                   129 E/B B E/B A/B                        Pno.                                    

 133 Emi/B B Bb(#11)/F                    Pno.                          

 137 D/A F#mi/C# Ami/E                   Pno.             8

Seuge into "II. Medicate (Awakening)"... 140 Emi D F(#11)                        Pno. rit.                   OCTAVARIUM: II. MEDICATE (AWAKENING) DREAM THEATER

q = 127 A Fadd13 A                            Piano           

14 F(#11) A F(#11)                                  Pno.              

20 A F(#11) A                                     Pno.          

26 Fadd13 F#mi F(#11)                                       Pno.             

32 Dadd4 F(#11) A                                      Pno.                   D 38 Fadd13 A                                           Pno.                    Arranged By: Bobby Kunkle 2 F#mi 44 A F(#11)                                    Pno.                   F(#11) 50    A  F(#11)                                       Pno.                   F#mi 56   D5 A                                      Pno.             

62 Fadd13(#11) A Fsus                                          Pno.            

68 A F A                              Pno.        

74 F(#11) A Fadd13                                     Pno.                    3 80 F#mi F(#11) Dadd13                            Pno.           

F(#11) 86   A                                Pno.               Asus 91 F(#11)   F(#11)                                            Pno.                         F#mi 96    A F(#11)                                 Pno.           

102 Fadd13(#11) A F(#11)                                           Pno.            Seuge into "III. Full Circle"... 108 F#mi D5                                   Pno.             OCTAVARIUM: III. FULL CIRCLE DREAM THEATER q = 128 1.   Percussive Patch                                            Synth                    Ahh Choir           q = 128   1.          Electric Organ          2. 3          Syn.                               6 6 5                      Syn.                 6 6 7  3          Syn.                          9      Syn.                          

11             Syn.                           6 6  Arranged By: Bobby Kunkle 2 13  6            Syn.                 6   15 6   6      Syn.                                17  6          Syn.                       6     6 6 6 6 19     Syn.                               21           Syn.                               

24      3              Syn.                    6 6   6

26  6   Syn.                                   

28    6              Syn.                      6

30   6      6  6     6  Syn.                    6     3 32    3 6   Syn.            3    6       6 34  6      Syn.                    6

35  6         Syn.               6 6 6    37       Syn.                                     40      3            Syn.              3    3       3

43  6 3 Syn.                      6           45 6   3 3 Syn.                   3          46  6 6 6  Syn.                         47    Syn.                4 49 3x           Syn.                   E. Org.                                                 53        E. Org.                                                         57       E. Org.                                                              61       E. Org.                                                              65     E. Org.                                                               69    E. Org.                                73 1., 2., 3. 4. E. Org.                                              77         E. Org.                                                        82     E. Org.                                                       5 87       E. Org.                                                 92      E. Org.                                                         97       E. Org.                                              101 1, 2, 3 E. Org.                                          105 4. Perc. P.                4.                E. Org.                           108 Perc. P.                                   111     Perc. P.                              114      Perc. P.                                117       Perc. P.                                      120      Perc. P.                                     6 124  Perc. P.                                                        Ahh                               130                                    Ahh                                     137   Perc. P.                                                Ahh                                    142 q = 165    Perc. P.                           (Guitar 2x)                E. Org.                 146                              E. Org.                                     7 153        Syn.                               155       Syn.                      156          Syn.                       

157                    Syn.                       159         Syn.                    

160                Syn.                    8 161        Syn.                              163       Syn.                     164          Syn.                       

165                    Syn.                      

167         Syn.                    

168              Syn.                           9 170                      Syn.                   172                            Syn.                  

174     Perc. P.                                    Syn.               

177           Perc. P.                   Syn.                     q = 125 181          Perc. P.                         5 5 5 5 Syn.               184 E. Org.                                                 10 187 E. Org.                                                190    E. Org.                                           

194 E. Org.                                     

198 1. 2.E E. Org.                                        202 A/E E Bm/F# E. Org.                               

205 Harmony           Syn. Lead          E A/E E. Org.                       

208                       Syn.                    11 212                             Syn.                            214    Seuge into "IV. Intervals"...                      Syn.                              OCTAVARIUM: IV. INTERVALS DREAM THEATER q = 125                                             Electric Organ                                    6 Fm Bbm/F Eb/G Gº F5 F5                                                  E. Org.                                          13 Aº Bbm Bbsus F5 Fm Bbm/F Eb/G Gº F5 F5 Aº                                E. Org.                                 22 Bbm Bbsus F5 F5 Bbm/F Eb/G Gº F5 F5 Aº Bbm Bbsus                               E. Org.                           31 F5                                                                       E. Org.                                      

1. 35            E. Org.                               Seuge into "V. Razors Edge"... 36 2.     E. Org.                                                   Arranged By: Bobby Kunkle         OCTAVARIUM: V. RAZOR'S EDGE DREAM THEATER

Free Time  10:8        3 Synthesizer                            F5              Organ                 Strings            Horn                     Piano             

Arranged By: Bobby Kunkle 2 3 In Time q = 65

Synth.                   Org.                Str.                                                     Pno.                 

6    Str.                                  

                         Pno.                                   

10   Str.                                                                    Pno.                                                  3 15         Str.                                     Pno.                                                 19  Str.                                                     Pno.              12                              23      Str.                        Pno.                              

26           Str.                                                            Pno.                                               4 29      Str.                                         

                                 Pno.                                  

33    Str.                                     

                              Pno.                           6 6 37    Str.                                 6                              Pno.                        5 6 40 3      Str.                                         3                                        Pno.   6                     

3 3 3 3 6 44               Str.                                 

3                                 Pno.                     3 3 3 3 3 3 3 3 47                      Str.                                                 Pno.                     6 3 3 3 3 6 6 49 3          Str.                                                Pno.                              51                      Str.                               rit.          Pno.               55     Str.       

Hn.       

      Pno.                NOTES:

. Dream Theater owns all of the rights to the music of Octavarium.

. Most of this music was not transcribed by Bobby Kunkle. I used many different files (midi, transcriptions, online conservatory, etc.) to arrange this song.

. Files work best and are in the best quality when opened with Adobe Acrobat Reader.

. There may be many corrections that need to be made to these files. Please send me suggestions for what should be fixed. Thank you.

. I would personally like to thank Dream Theater for their great contributions to music and especially to the genre of . They have revolutionized this genre, and the song Octavarium shows all of these incredible additions to the world of music.