RIVOU Rogers, Dick Powell and Way on I | I | MONDAY Monday Top Pat O’Brien

Total Page:16

File Type:pdf, Size:1020Kb

RIVOU Rogers, Dick Powell and Way on I | I | MONDAY Monday Top Pat O’Brien . ' ■■■— -,T»»- -,.-t-■ ,-wa^ — IMM ■■ I M——1^_ 1| With B Brownsville 51 and ° Valley 51 Theaters 11 * « ‘HELL CAT* STARS STARS SCORE BURNS, ALLEN I NEW TRIUMPH IN DIZZY FILM “It Happened One Night," the widely-touted romantic screen com- George Bums, masculine half of edy co-starring Clark Gable and the famous stage, screen and radio Claudette Colbert, together on the Bums and Allen la •creen for the first time in their team, rapidly distinguished careers, will show acquiring a reputation as the cruel- 8unday and Monday at the Queen eat t»*»n in America, and he’s happy theatre, Brownsville about it? The reason for this strange Gable, today, Is undoubtedly the state of affair* is Burns' belief tit most popular masculine stellar the phenomenal stagr success figure on the screen. He scored a Burns and Allen is due to the meteoric rise to film prominence growing conviction that Oracle Is with outstanding portrayals in “The actually ’’looney" and that he Is Easiest Way," "Strange Interlude", mistreating her. They are featured Hell Divers," and others, but his with Guy Lombardo and His Royal in “It Happened One Canadians in Paramount’s "Many esrformancelght" is said to top them all for Happy Returns" opening Sunday at artistry and effectiveness. the Rivolt theatre. San Benito, far Miss Colbert enjoys nearly as a two day run. _ peat a following as Gable's, for Millions of radio and film fans. her work in recent pictures has Bums asserts, have taken the team Doomed her stock immensely, and t to their hearts under the delusion she’s that streaking upward like a sky- they are protecting a slightly rocket. demented lady from the irate fu- Joan Crawford, Franchot Tone and Mary Forbes In a scene from Vina “It Happened One ries of her teammate and husband. Night" tells Delmar's sensational story, "Sadie McKee”, with Gene Raymond, show- the story of a young newspaper Nobody thinks Grade is a come- ing 8unday and Monday at "your” Capitol Theatre, Brownsville. man en route from Miami to New Clark Gable, Claudette Colbert and Walter Connolly In “It Happened dienne/ says Mr. Bums. "They’re York by bus. On the road he re- One Night", romantic comedy drama, showing Sunday and Monday at convinced she's nutty as a fruit cognizes Ellen Andrews, a run- the Brownsville. cake. The sympathy of the audien- j Queen Theatre. ” away heiress, for whose return her I WHICH WOULD YOU CHOOSE? ces Is all with her father Once has offered a huge reward, Robert and Ann Sot hem a, month for fourteen loe Armstrong in "The Hell Cat" new dramatic girl is totally spoiled and un- i months. Grade has received a letter *bie thriller, showing Wednesday only. 4, at “your” IN to care for herself so he July Capitol Theatre, RADIO ROMANCE from a well-intentioned fan takes Brownsville. urging ner under his wing, protects her! her to put up with no more of Mr. r fr°m mashers and bluffs off others Bums’ nonsense. Every letter cllsee \ intent on securing the reward. He with an invitation to her to come treats the girl with indifference, THINGS ARE LOOKING UP and share the lady's home In Des f tells her she s spoiled, worthless and Moines any time she decides to ^ut nevertheless Insists leave George for good. on taking her to her newly-ac- In "Many Happy Retume," quired husband In New York. George Bums and Grade Allen are They lose baggage and money and the central figures in a dizzy rocU me forced to proceed north on edy. Miss Allen is rapidly eonvffPPl root, sleeping in strawstacks and tng a successful department store lft pawning their belongings for enough into a bird sanctuary when her to provide meals. They fall in father, the owner of the store, re- of love, course—but that's telling just a turns from Europe. In order to bit too much about the plot. The preserve his own sanity he marries supporting cast includes Walter Grade of' to the announcer in his Connolly. Roscoe Kams. George radio station. George Bums, and * Breakstcm and a score of other promises him ten dollars for every well-known players. mile they go on the honeymoon. The only pause in u*ir careening voyage is a stop in Hollywood, where the dizzy pair make a movie, but wreck the studio In doing It. BtBmam The use of liquod carbonic gas, for soda water, was introduced in- — TODAY — to this country in 1888 by Jacob Baur of Terre Haute. Ind. Dick Powell. Ginger Rogers and Pat O’Brien who form the starring “After triumvirate of “Twenty Million Sweet hearts”, showing Sunday and Tonight” Monday at the Arcadia Theatre. Harlingen, with CONSTANCY BENNETT Kay Francis and Warren William seem to contemplate the heavens In Constance Bennett. Franchot Tone and Tulllo Carmlnatl tn ‘Moulin Cartoon — Musical this scene from "Doctor Monica", Warner Bros.’ dramatic triumph with NEW a romantic musical, STAR Rouge**, showing Thursday and Friday at "your** a cast including Jean Muir and Verree Teasdale, Brownsville. showing Tuesday only, Capitol Theatre, at “your* Capitol Theatre, Brownsville. RADIO ROMANCE Admission 10c — 15c -- living embodiment of Sadie Mc- leading thespians of the stage, put Adds Vital Kee. ; a high polish on their parts as Opal. IS TOLD IN FILM Joan Crawford And the cast is. as we supporting Joan's friend, and Phelps, eccentric have remarked, magnificent. Fran- butler, respectively. Zelda Sears, chot Tone, with all the grace, ease New Characterization To the writer, is in the cast as a board- Million Sweethearts." the Surprise Hit T and charm that are so “Twenty naturally ing house landlady Earl Oxford. of the Year his. Michael, romantic male First National romance of the play's Gene Austin, the singer, and Akira lead, to the hilt. This, incidentally, will shown the first Tamiroff who gave even Garbo radio, be for Screen in ‘Sadie McKee9 marks the first time that Tone, competition as the valet in “Queen time at the Arcadia theatre, Har- • 1 in love in wins lucky private life, Christina” are here, and excellent. lingen. Sunday. cL* Joan Crawford in the final se- The In of the theatre. Brownsville. story, serialized in a national spite lively competition I “your” Capitol quence. The production is said to be magazine before being published in 3f a cast which is one of the best Miss Crawford, always a vital and Gene Raymond and Edward Ar- a distinct innovation in film en- book form, is in brief a 9 1 powerful a her- nold the other two tertainment, giving as it does, the GABLE for motion play important »ver assembled pic- glittering personality, proves dramatization of the average girl. male parts in this of a behind the scenes picture of radfo :ure, Joan Crawford easily walks 1 self a dramatic actress of no mean story girl Sadie McKee is the and three As the daughter of a etertainers and their task of i off with the acting honors in "Sa- men. charming, cook in small pleas- diauAeitb stature in the new film. As pretty a town. Eloping with with i ve- weakling crooner. Tommy, Ray- ing the public. The story deals lle McKee” her new starring a crooner who soon deserts Sadie McKee, authoress Vina Del- mond is excellent. And his singing her. she the intimate romances of the radio ilcle for Metro-Goldwyn-Mayer finds herself alone and friendless voice easily matches his in folk, with their joys and tribula- i showing Sunday and Monday at mars famous character. Joan gives expert New York. Her problems, delineation of the tragic character. tempta- tions. their struggles and successes. COLBERT her most convincing performance. tions and struggles, before she | Never was there a more roistering, While the picture is satfl to com- The finds success and happiness, are the r/L problems, struggles and subse- rowdy and engaging drunkard than bine drama, comedy and romance problems, temptations and quent triumphs, of a small town Arnold, as Millionaire Bennan. who struggles in a well-defined plot, it is inter- of the average comely young girl. Radio Star "li girl alone in a great city which has 117.000.000 and loves good li- spersed with catchy songs written Biggest rise to Warren and Dubin and other )f crescendo as scene by scene .loves it a too well for by quor"., little pi.ane passengers Happened jj unrolls, is given credence and his own good. As Joan's husband- music which give it color as well Passengers who departed as One Show of All Time! brought to life by the star's superb for-a-time. the scenes between these by plane adding to the liveliness of the Cecilia Parker sinned with Buck lliqht' Saturday for Mexico acting. The spectator watches not two are perfect. morning City entertainment. Scream Comedy || were Jones in the new all-action I. Gonzales. Maria P There a Joan Crawfbrd. the star, but the Jean Dixon and Leo O. Carroll. Gon- is strong cast of players Romance .... zales. J. M. Sanchez, and Mr. and of diversified talents, with Western thriller, ’The Man You’ll these "■ ■■■■ widely love I'—'" -—.. Mrs. B. Jr. Pat O'Brien in the Feagin. Incoming pass- leading role, Trailer", showing Wednesday .wo stars . engers from Mexico City Friday a semi-comic part in which he only, at the Queen Theatre, were R. E. Hultgreen and F. T. plays a fast-talking though some- Brownsville. Plazas. what blundering talent scout for a Today & radio company, who boosts others i Approximately 3.000.000 000 pounds to fame while he himself is left sweethearts who sing for the public of soap is used annually in the out in the cold.
Recommended publications
  • Nothing Sacred (United Artists Pressbook, 1937)
    SEE THE BIG FIGHT! DAVID O. SELZNICK’S Sensational Technicolor Comedy NOTHING SACRED WITH CAROLE LOMBARD FREDRIC MARCH CHARLES WINNINCER WALTER CONNOLLY by the producer and director of "A Star is Born■ Directed by WILLIAM A. WELLMAN * Screen play by BEN HECHT * Released thru United Artists Coyrighted MCMXXXVII by United Artists Corporation, New York, N. Y. KNOCKOUT'- * IT'S & A KNOCKOUT TO^E^ ^&re With two great stars 1 about cAROLE {or you to talk, smg greatest comedy LOMBARD, at her top the crest ol pop- role. EREDWC MARC ^ ^ ^feer great ularity horn A s‘* ‘ cWSD.» The power oi triumph in -NOTHING SA oi yfillxanr Selznick production, h glowing beauty oi Wellman direction, combination ^ranced Technicolor {tn star ls . tS made a oi a ^ ““new 11t>en “^ ”«»•>- with selling angles- I KNOCKOUT TO SEE; » It pulls no P“che%afanXioustocount.Beveald laughs that come too to ot Carole Lomb^ mg the gorgeous, gold® the suave chmm ior the fast “JXighest powered rolejhrs oi Fredric March m the g ^ glamorous Jat star has ever had. It 9 J the scieen has great star st unusual story toeS production to th will come m on “IsOVEB:' FASHION PROMOTION ON “NOTHING SACHEH” 1AUNCHING a new type of style promotion on “The centrated in the leading style magazines and papers. And J Prisoner of Zenda,” Selznick International again local distributors of these garments will be well-equipped offers you this superior promotional effort on to go to town with you in a bang-up cooperative campaign “Nothing Sacred.” Through the agency of Lisbeth, on “Nothing Sacred.” In addition, cosmetic tie-ups are nationally famous stylist, the pick of the glamorous being made with one of the country’s leading beauticians.
    [Show full text]
  • Feel Films / Resen «Cine Clásico Exclusivamente En
    JOAN CRAWFORD EN ASÍ AMA LA MUJER vamente. La gran mayoría de sus films en MGM (SADIE MCKEE) (V.O.S.). UNA PELÍCULA durante la década de 1930, que representan el DE CLARENCE BROWN cénit de su éxito, belleza y popularidad, ni Título: Así ama la mujer siquiera llegaron a estrenarse en España. Los Distribuidora: Feel Films / Resen «Cine motivos de esta omisión son diversos, pero po- Clásico Exclusivamente en V.O.S.» drían resumirse en uno: Crawford fue en esencia Zona: 2 una estrella y un fenómeno 100% norteameri- Contenido: Un disco cano. Formato de imagen: 4:3 / 1.33:1 Sadie McKee no es ninguna excepción a este Audio: Dolby Digital Mono inglés respecto, si bien se constituye como una de las Subtítulos: castellano, portugués cintas más significativas de la segunda parte de Contenido extra: tráiler original su filmografía, ya en la época sonora. La actriz Precio: 15,65 € ingresó en el celuloide, contratada por MGM, en 1925. Tras una serie de pequeñas apariciones, el estudio decidió lanzarla en 1928 como la quin- taesencia de la modernidad, interpretando a la flapper propia de los años 20. El hundimiento de la bolsa de Wall Street en 1929 sumió al país en el desempleo, la pobreza y el hambre, y tanto MGM como la estrella comprendieron que se había acabado la etapa de la «virgen moderna». Debía crearse para ella otro tipo de personalidad, acorde con los nuevos tiempos de la Depresión: la working girl (chica trabajadora), personaje inspirado en su biografía personal y orígenes sociales humildes. El film que inauguró esta ten- dencia fue Amor
    [Show full text]
  • Film Program
    /o^ Ihe Museum of Modern Art vest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart No. 103 Thiirsday, August I8, 1966 FOR imSDflM:^ BELCA3E FILM PRfXaRAM September 1-50, 1966 Series Days Hoiirs, unless otherwise noted (T) THE THIRTIES: U.S.A. Sundays 2:00 Ss 5:30 p.m. Part I: 1930-1955 Mondays 2:00 & 5:30 p.m. (through September 30) Tuesdays 2:00 & 5:30 p.m. Thursdays 2:00, 5:30 & 8:00 p.m. Fridays 2:00 & 5:30 Saturdays 11:30 a.m., 3:00 & 5:30 p.m. (W) WEDNESDAYS AT NOON (continuing) Wednesdays 12:00 noon (A) Fn^ FROM THE ARCHIVE(continuing)Wedne8days 2:00 & 5:30 p.m. Thurs. Sept. 1- (T) DaC3K SOUP (1933); directed by Leo McCarey, with the Marx Broth­ Fri. Sept. 2 ers and Miargaret Dumont. 70 min. Sat. Sept. 3 - (T) ROMAN SCANDALS (1933)> directed by Frank Tuttle, with Eddie Sun. Sept. k Cantor, Ruth Etting, Gloria Stijart. Distributed by Brandon Films, Inc. 92 min. Mon. Sept. 5 - (T) DAVID HARUM (l93^)/ directed by James Cruze, with Louise Tues. Sept. 6 Dresser, Will Rogers, Evelyn Venable. 85 min. Wed. Sept. T **(w) *ANAEMIC (ymmk (1926), by Marcel Duchamp. 7 min. LE MDNDE DE PAUL DELVAUX (l9^), directed by Henri Storck.lOmin. MAGRUTE - THE OBJECT LESSON (I965), produced and directed by Luc de Heusch. English narration by Alan Schmer. 15 min. ALBERTO GIACOMEITI (1966), produced by Sumner Glimcher, directed by S. Chasmar, music by Arnold Ganson. 15 min. (A) BILDDOKUMENTE (1935). A compilation of German newsreels from 1912 to 1918 edited by Frank Hensel during the Nazi regime, if5 min.
    [Show full text]
  • Everything Began with the Movie Moulin Rouge (2001)
    Introduction Everything began with the movie Moulin Rouge (2001). Since I was so obsessed with this hit film, I couldn’t but want to know more about this particular genre - musical films. Then I started to trace the history of this genre back to Hollywood’s classical musical films. It’s interesting that musical films have undergone several revivals and are usually regarded as the products of escapism. Watching those protagonists singing and dancing happily, the audience can daydream freely and forget about the cruel reality. What are the aesthetic artifices of this genre so enchanting that it always catches the eye of audience generation after generation? What kinds of ideal life do these musical films try to depict? Do they (musical films) merely escape from reality or, as a matter of fact, implicitly criticize the society? In regard to the musical films produced by Hollywood, what do they reflect the contemporary social, political or economic situations? To investigate these aspects, I start my research project on the Hollywood musical film genre from the 1950s (its Classical Period) to 2002. However, some people might wonder that among all those Hollywood movies, what is so special about the musical films that makes them distinguish from the other types of movies? On the one hand, the musical film genre indeed has several important contributions to the Hollywood industry, and its influence never wanes even until today. In need of specialty for musical film production, many talented professional dancers and singers thus get the chances to join in Hollywood and prove themselves as great actors (actresses), too.
    [Show full text]
  • MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994
    The Museum of Modern Art For Immediate Release May 1994 MGM 70 YEARS: REDISCOVERIES AND CLASSICS June 24 - September 30, 1994 A retrospective celebrating the seventieth anniversary of Metro-Goldwyn- Mayer, the legendary Hollywood studio that defined screen glamour and elegance for the world, opens at The Museum of Modern Art on June 24, 1994. MGM 70 YEARS: REDISCOVERIES AND CLASSICS comprises 112 feature films produced by MGM from the 1920s to the present, including musicals, thrillers, comedies, and melodramas. On view through September 30, the exhibition highlights a number of classics, as well as lesser-known films by directors who deserve wider recognition. MGM's films are distinguished by a high artistic level, with a consistent polish and technical virtuosity unseen anywhere, and by a roster of the most famous stars in the world -- Joan Crawford, Clark Gable, Judy Garland, Greta Garbo, and Spencer Tracy. MGM also had under contract some of Hollywood's most talented directors, including Clarence Brown, George Cukor, Vincente Minnelli, and King Vidor, as well as outstanding cinematographers, production designers, costume designers, and editors. Exhibition highlights include Erich von Stroheim's Greed (1925), Victor Fleming's Gone Hith the Hind and The Wizard of Oz (both 1939), Stanley Kubrick's 2001: A Space Odyssey (1968), and Ridley Scott's Thelma & Louise (1991). Less familiar titles are Monta Bell's Pretty Ladies and Lights of Old Broadway (both 1925), Rex Ingram's The Garden of Allah (1927) and The Prisoner - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 of Zenda (1929), Fred Zinnemann's Eyes in the Night (1942) and Act of Violence (1949), and Anthony Mann's Border Incident (1949) and The Naked Spur (1953).
    [Show full text]
  • "Drums" Box-Office Music in South!
    R K 0 RADIO PICTURES ~;'{'4dlitli1.l!!.::;:::!:!1:1l11..li1l1111']:t~ Vol. XXII NEW YORK CITY, OCTOBER 20, 1951 No. 15 "DRUMS" BOX-OFFICE MUSIC IN SOUTH! By TERRY TURNER ATLANTA, October 16-With bands aplaying and gals aswaying the real core of the southern campaign for the King Brothers DRUMS IN THE DEEP SOUTH was reached when a street parade of southern beauties from 12 south- ern states, headed by Mayor Hartsfield, Franchot Tone and Barbara Payton, and six high school bands, swung down famous old Peachtree street to the Rialto Theatre with thousands lining the sidewalks. Among those thousands were Maurice and Hymie King, who appeared thrilled and lamented the fact that there were no newsreels present to re- cord the epic event. (Contina.ed on Page Five) SCOREBOARD SPECIAL CITATION "Racket" Prem. The world premiere for THE (our best grosser at the Capitol, BEHAVE YOURSELF! - Much FOR "ON THE LOOSE" f<ACKET has been set for the better than recent engagements toppinq EIFFEL TOWER by at Boston, Davenport, Cedar $2500, which had the benefit of American Youth Institute has Earle Theatre, Philadelphia, on Rapids, San Francisco, Waterloo, a world premiere as well as per- oiven Filmakers ON THE LOOSE October 5th. RKO Radio's usual Seol tle. Oakland (moveover), ccnel appearances of Franchot E; Special Citation for "excellence showmanship treatment for a fea- in faithfully mirroring one of the Philadelphia (held over), Miami, Tone and Burgess Meredith). Four ture of this character will be days topped week's gross on symptomatic causes of America's two theatres, Baltimore.
    [Show full text]
  • Westerns at The
    For immediate release: December 21, 2007 WEXNER CENTER GOES WEST FOR NINE-FILM SERIES IN JANUARY This January, the Wexner Center presents a five-night, nine-film series offering some of the best films from that most American of genres, the western. Though the western has been proclaimed dead or irrelevant numerous times in film history, the recent releases of 3:10 to Yuma, The Assassination of Jesse James by the Coward Robert Ford, and even the Coen brothers’ western update No Country for Old Men suggest that there is still plenty of life and contemporary relevance in the genre (see the New York The Searchers, showing January 10 Image courtesy Warner Bros. Times Magazine cover story “How the Western Was Won” on November 11 for more on this topic). The Western series at the Wexner Center—which kicks off January 10—presents a rare chance to revisit (or see on the big screen for the first time) some influential western classics. It features some of the genre’s iconic stars (including John Wayne, James Stewart, Randolph Scott, and Gary Cooper) in films by some of the genre’s masters (such as John Ford, Howard Hawks, Anthony Mann, and Budd Boetticher). While this series focuses on the postwar western cycle typified by flawed heroes and muddied morals (exemplified by Ford’s landmark The Searchers), it also includes lighter approaches (The Plainsman, Trail of the Vigilantes) and the clearly revisionist Little Big Man. This series was organized by the Wexner Center’s film staff. Tickets for each night of the series are $7 general public; $5 members, students, and senior citizens; $3 children under 12.
    [Show full text]
  • County Chairman’
    Will Rogers Shows at Capitol Theater in ‘The County Chairman’ GENTLEMEN ARE BORN 'WILL PLAYS WILL ROGERS “COUNTY CHAIRMAN” ‘SHE LOVES ME NOT SMALL-TIME POLITICIAN He'f. donp It again, ladles and gen- tlemen. The ace male stir of the screen gives us another triumphant story l Your favorite actor—as well a* our* and the other fellow’s— has turned again to the rural American scene for one of the most human, trirthful and flavorsome films in years. All of which Is Just another w»V of saying thit Will Rogers Is with us once more, this time in the title role of pox Film's "The County Four years of happy, carefree college days come to an end. and theaa CTvilrrmn.” showlr Sunday. Mon- ; eager graduates are sent out into the world to put their c /lege de- d v and at Tuesday "your” Capitol, to the third that's the theme of Flrel Brownsville. grees degree. Incidentally, National's "Gentlemen Are Bom" the new drama showing Wednesday "The Countv Chairman” is a fine at Brownsville. The four ind atmospheric screen version of only "your” Capitol. cap-and_gownerg, reading from left, are Robert Franchot Nick Foran and Rosa the sime name, which thlrtr years Light, Tone, Alexander. a-o made the nave and fame of M?clvn *rhuckle as a «tace star It Is i swift-movin'* and awe-fire s»~ry viewed by a little dancer, who flees to1 musing quiet restored beneath But ifs nresept producer* have been escape held as a material Princeton's wise enou-h to ret->‘n both the ori- Bing Crosby and Miriam Hopkins in Paramount’s hilarious comedy, being wit-, dreamy spires.
    [Show full text]
  • Stage Center Theatre JANUARY 2011
    SEASON 2010-2011 VOLUME 5 ISSUE 3 Stage Center Theatre JANUARY 2011 UPCOMIN G EVENTS MAIN STAGE 7:30PM From the Theatre Archives Reservations: (773) 442-4274 th Early 20 Century Theatre Companies Emma’s Child The Washington Square Players February 17-19, 24-26, March 3-5 Created in 1915 by amateurs, The Washington Square Players began producing one-act plays by Chekhov, Musset, Akins, Moeller and other obscure playwrights of the time in a Bleacher Bums small theatre seating of only 40 patrons. They moved to a 600 seat theatre and produced April 14-16, 21-23, 28-30 O’Neil’s In the Zone. The group disbanded in 1918, but re-formed in 1919 as The Theatre Guild. Some of the actors that performed with The Washington Square Players were Ro- As You Like It land Young, Rollo Peters, Frank Conroy, Helen Westley, and Katherine Cornel l. June 9-11, 16-18, 23-25 You Can’t Take It With The Theatre Guild You Founded in 1919 by Theresa Helburn, Philip Moeller, and Lawrence Langer (among oth- July 21-23, 28-30, August ers), The Theatre Guild was one of the first and most influential “Off-Broadway” theatre 4-6 companies in New York City during the first half of the 20th Century. The Theatre Guild had its heyday between the World Wars (1919-1939). In its first few years the majority of STUDIO SERIES 7:30PM F109 its work was in European expressionism. Later it provided an outlet for the work of such artists as Eugene O’Neil, Robert Sherwood, Maxwell Anderson, and Sidney Howard.
    [Show full text]
  • Films from the THIRTIES: PART II 1935-39
    t% The Museum of Modern Art 1] West 53 Street, New York, N.Y. 10019 Tel. 245-3200 Cable: Modernart No. 83 FOR RELEASE: Friday, August 25, I968 Films from THE THIRTIES: PART II 1935-39 The Museum of Modern Art, will present a retrospective of films from the thirties beginning August 23, and running through October 6. The Thirties, according to Willard Van Dyke, Director of the Department of Film, will consist of 39 pictures, representing some of the richest creative talent in American cinema at a time that has been called "the dear, dead days not beyond recall." Two years ago the Museum presented The Thirties, U.S.A., Part I, covering the first half of the decade. The films being shown now as Part II were made from 1935 ^^ 193 '• Among the pictures to be shown are: Frank Capra's "Lost Horizon"; Paul Muni in "The Life of Emile Zola," the Story of a Northern Jew's lynching in the South; the great thriller "Night Must Fall," an adaptation of the Emlyn Williams play starring Robert Montgomery; and "The Good Earth," a spectacle film in black and white, from Pearl Buck's popular novel, for which Luise Rainer won her second Academy Award, with Paul Muni in the starring role. The latter part of the thirties was characterized by further achievements in the musical film, largely due to the talents of Fred Astaire, who with Ginger Rogers starred in "Top Hat," and "Shall We Dance," both of which are in the retrospective. The most important contributions to the annals of films made in the thirties was the series of "snowball" comedies Hollywood turned out at a time of grim, economic hardships.
    [Show full text]
  • Pontevedrarecorder.Com › Uploads › Files › 20200513-195310
    $10 OFF $10 OFF WELLNESS MEMBERSHIP MICROCHIP New Clients Only All locations Must present coupon. Offers cannot be combined. Must present coupon. Offers cannot be combined. Expires 3/31/2020 Expires 3/31/2020 Free First Office Exams FREE EXAM Extended Hours Complete Physical Exam Included New Clients Only Multiple Locations Must present coupon. Offers cannot be combined. www.forevervets.com Expires 3/31/2020 4 x 2” ad Your Community Voice for 50 Years Your Community Voice for 50 Years RRecorecorPONTE VEDVEDRARA dderer entertainmentEEXTRATRA! ! Featuringentertainment TV listings, streaming information, sports schedules,X puzzles and more! May 14 - 20, 2020 has a new home at ALSO INSIDE: THE LINKS! th Find the latest 1361 S. 13 Ave., Ste. 140 streaming content Jacksonville Beach on Netflix, Hulu & Ask about our Amazon Prime Offering: 1/2 OFF Pages 3, 17, 22 · Hydrafacials All Services · RF Microneedling · Body Contouring · B12 Complex / Lipolean Injections · Botox & Fillers ‘Snowpiercer’ · Medical Weight Loss VIRTUAL CONSULTATIONS – Going off the rails on a post-apocalyptic train Get Skinny with it! Jennifer Connelly stars in “Snowpiercer,” premiering Sunday on TNT. (904) 999-0977 www.SkinnyJax.com1 x 5” ad Kathleen Floryan REALTOR® Broker Associate UNDER CONTRACT ODOM’S MILL | 4BR/3ba • 2,823 SF • $535,000 Here is a fantastic place to hang your heart with a lot of livability. This wonderful home enjoys views of a meandering lagoon and nature preserve, with no neighbors behind. In the heat of the day enjoy your screened pool/lanai that opens to an iron fenced back yard with an access gate to the water for kayak or SUP board.
    [Show full text]
  • The Rollins Sandspur Newspapers and Weeklies of Central Florida
    University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 4-4-1934 Sandspur, Vol. 38 No. 26, April 4, 1934 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol. 38 No. 26, April 4, 1934" (1934). The Rollins Sandspur. 394. https://stars.library.ucf.edu/cfm-sandspur/394 ROLLINS COLLEGE LIBRARY WINTER i-'ARi\, i'LORlDA Attend Chapel ttoiUnsi^Santi0pur VOLUME 38 WINTER PARK, FLORIDA, MAY 9, 1934 Helen Welch and Jeannette WORLD POETS ATIEND RHEA SMITH HAS Houghton Offer Song Recitals SCHRAGE WINS FLASHES Jeannette Houghton, contralto, Helen Welch, soprano, assisted YEAR'S LEAVE assisted by Vincent Canzoneri, vio­ by Virignia Orebaugh, pianist, PRESIDENCY OF From the United Press linist, gave a senior recital Tues­ gave a senior recital Thursday eve­ Popular History Prof to Study day e/aning, May 8th, at tlv! ning. May 3, at the Woman's Club. For Ph. D. Woman'sClub. Mrs. Emelie Dough­ Mrs. Emelie Dougherty accompan­ FRANCE MAY DEFAULT erty and Lillias Parker accompany ied Miss Welch on the piano. The STUDENT BODY DEBT INDEFINITELY led Miss Houghton and Mr. Can­ program was as follows: Rhea M. Smith,
    [Show full text]