List of Fiction Audio Books in CD

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List of Fiction audio books in CD Author Title Author Title Jeffrey Archer The Sins of the Father Anne Murray Birmingham Rose Jane Austen Pride and Prejudice Anne Murray The Bells of Bournville Green Agatha Raisin and the Walkers of M C Beaton Dembley Anne Murray The Narrowboat Girl Maeve Binchy Nights of Rain and Stars Jo Nesbo Police - A new Harry Hole novel Melvin Burgess Billy Elliot James Patterson The 5th Horseman Agatha Christie Endless Night Terry Pratchett Jingo - a Discworld Novel Harlan Coben Darkest Fear Terry Pratchett Thud - a Discworld Novel Bernard Cornwell Sharpe's Sword Terry Pratchett The Fifth Elephant - a Discworld Novel Bernard Cornwell Sharpe's Fury Terry Pratchett Lords and Ladies - a Discworld Novel Patricia Cornwell At Risk Miss Read Village Christmas & the White Robin Patricia Cornwell Body of Evidence Miss Read The Howards of Caxley Patricia Cornwell Scarpetta Miss Read The Christmas Mouse & No Holly for Miss Quinn Patricia Cornwell The Bone Bed Miss Read Winter in Thrush Green Colin Dexter Inspector Morse - Last Seen Wearing Miss Read The Market Square Arthur Conan The Further Adventures of Sherlock Doyle Holmes (written by Bert Coules) Miss Read Tyler's Row Daphne du Maurier Jamaica Inn Kathy Reichs Monday Mourning Daphne du Maurier Frenchman's Creek Kathy Reichs Bones Never Lie Katie Fforde Flora's Lot Ruth Rendell A Sleeping Life Ken Follett Night Over Water Ruth Rendell A Dark Blue Perfume and other stories Clare Francis A Dark Devotion Peter Robinson In a Dry Season June Francis It had to be you Peter Robinson Past Reason Hated A M Homes This book will save your life Peter Robinson The Hanging Valley Cathy Kelly The House on Willow Street J K Rowling A Casual Vacancy Gwen Kirkwood Fairlyden at War Dorothy L Sayers Clouds of Witness Roy Lewis Dragon Head Wilbur Smith The Seventh Scroll Hilary Mantel Bring up the Bodies Sarah Winman When God was a Rabbit Hilary Mantel Wolf Hall List of Fiction audio books in cassettes Author Title Jeffrey Archer The Fourth Estate Jane Austen Emma Dan Brown Digital Fortress Agatha Christie 4.50 from Paddington Patricia Cornwell Unnatural Exposure Colin Dexter Inspector Morse - Infernal Serpent Colin Dexter Inspector Morse - Second Time Around Stephen Fry The Liar John Grisham The Partner P D James An Unsuitable Job for a Woman Jonathan Lynn Yes Minister Volume Three J K Rowling Harry Potter and the Philosopher's Stone Andrew Sachs Fawlty Tower Volume 1 Joanna Trollope A Spanish Lover List of Non-Fiction audio books Author Title Type Mitch Albom Tuesdays with Morrie CD Bill Bryson A short hiistory of nearly everything CD Jung Chang Mao the Unknown Story CD Bryan Cranston A Life in Parts CD Des Lynam Touchline Tales CD Andrew Marr My Trade CD Gervase Phinn The Other Side of the Dale CD Julie summers Stranger in the House CD James Herriot All Creatures Great and Small cassettes .

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The Virtue of the Stereotypical Antagonist in Terry Pratchett's
BY THE STRENGTH OF THEIR ENEMIES: THE VIRTUE OF THE STEREOTYPICAL ANTAGONIST IN TERRY PRATCHETT’S ‘WITCHES’ NOVELS BY CATHERINE M. D. JOULE A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington (2021) 1 2 Abstract The comic fantasy Discworld novels of Terry Pratchett (1948-2015) are marked by their clear and insightful approaches to complex ethical issues. This has been noted in academic approaches from the beginning, with Farah Mendlesohn’s chapter “Faith and Ethics” appearing in the early collection Terry Pratchett: Guilty of Literature (2000) and many others since touching on the issues Pratchett raises. However, this thesis’s investigation into the use of stereotypes in characterisation and development of the antagonist figures within the Discworld novels breaks new ground in mapping the course of Pratchett’s approaches across six Discworld novels. This argument will focus on the ‘Witches’ sequence of novels: Equal Rites (1987), Wyrd Sisters (1988), Witches Abroad (1991), Lords and Ladies (1992), Maskerade (1995), and Carpe Jugulum (1998). Unlike other sequences in the Discworld series, these novels have a strong metatextual focus on the structural components of narrative. In this context, stereotypes facilitate both the humour and the moral arguments of these novels. Signifiers of stereotypes invoke expectations which are as often thwarted as they are fulfilled and, while resulting in humour, this process also reflects on the place of the individual within the community, the nature of right and wrong, and how we as people control the narratives which define our lives and ourselves.
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The Annotated Pratchett File, V9.0
The Annotated Pratchett File, v9.0 Collected and edited by: Leo Breebaart <[email protected]> Assistant Editor: Mike Kew <[email protected]> Organisation: Unseen University Newsgroups: alt.fan.pratchett,alt.books.pratchett Archive name: apf–9.0.5 Last modiﬁed: 2 February 2008 Version number: 9.0.5 (The Pointless Albatross Release) The Annotated Pratchett File 2 CONTENTS 1 Preface to v9.0 5 The Last Hero . 135 The Amazing Maurice and his Educated Rodents . 137 2 Introduction 7 Night Watch . 138 3 Discworld Annotations 9 The Wee Free Men . 140 The Colour of Magic . 9 Monstrous Regiment . 143 The Light Fantastic . 14 A Hat Full of Sky . 147 Equal Rites . 17 Once More, With Footnotes . 148 Mort . 19 Going Postal . 148 Sourcery . 22 Thud . 148 Wyrd Sisters . 26 Where’s My Cow? . 148 Pyramids . 31 Wintersmith . 148 Guards! Guards! . 37 Making Money . 148 Eric . 40 I Shall Wear Midnight . 149 Moving Pictures . 43 Unseen Academicals . 149 Reaper Man . 47 Scouting for Trolls . 149 Witches Abroad . 53 Raising Taxes . 149 Small Gods . 58 The Discworld Companion . 149 Lords and Ladies . 65 The Science of Discworld . 150 Men at Arms . 72 The Science of Discworld II: the Globe . 151 Soul Music . 80 The Science of Discworld III: Darwin’s Watch . 151 Interesting Times . 90 The Streets of Ankh-Morpork . 151 Maskerade . 93 The Discworld Mapp . 151 Feet of Clay . 95 A Tourist Guide to Lancre . 151 Hogfather . 103 Death’s Domain . 152 Jingo . 110 4 Other Annotations 153 The Last Continent . 116 Good Omens . 153 Carpe Jugulum . 123 Strata . 160 The Fifth Elephant .
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The Discworld Novels of Terry Pratchett by Stacie L. Hanes
Aspects ofHumanity: The Discworld Novels ofTerry Pratchett by Stacie L. Hanes Submitted in Partial Fulfillment ofthe Requirements for the Degree of Master ofArts in the English Program YOUNGSTOWN STATE UNIVERSITY May, 2004 Aspects ofHumanity: The Discworld Novels ofTerry Pratchett Stacie L. Hanes I hereby release this thesis to the public. I understand this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies ofthis thesis as needed for scholarly research. Signature: StacieaLL. Hanes, Student Approvals: Date ~ ~ /I /? ,1 ..,-...ff&?7/P;? ?~ ~C~4.~>r ,ClyYL47: Dr. Thomas Copelan ,Committee Member Date 111 Abstract Novelist Terry Pratchett is one ofEngland's most popular living writers; he is recognized, by virtue ofhis Discworld novels, as one ofthe leading satirists working today. Despite this high praise, however, Pratchett receives relatively little critical attention. His work is fantasy and is often marginalized by academics-just like the rest ofthe geme. Pratchett has a tremendous following in England and a smaller but completely devoted fan base in the United States, not to mention enough readers all over the world to justify translation ofhis work into nearly thirty languages; yet, his popularity has not necessarily resulted in the respect that his writing deserves. However, there is considerable support for Pratchett's place in the literary canon, based on his use ofsatire and parody to treat major issues. 1 Aspects of Humanity: The Discworld Novels of Terry Pratchett Introduction Novelist Terry Pratchett is one ofEngland's most popular living writers; he is recognized, by virtue ofhis Discworld novels, as one ofthe leading satirists working today.
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What's Behind a Name? Origins and Meaning of Some of the Recurrent
Yana Manova-Georgieva 2020, Vol. 17 (2), 165-176(284) South-West University Neofit Rilski, Bulgaria revije.ff.uni-lj.si/elope https://doi.org/10.4312/elope.17.2.165-176 UDC: 821.111.09-312.9Pratchett T.:81'367.622.12 What’s Behind a Name? Origins and Meaning of Some of the Recurrent Characters in Terry Pratchett’s Discworld ABSTRACT Nominative symbolism in fantasy is a tool to attribute certain traits to literary characters and thus to convey meaning which enriches the readers’ comprehension of the fictitious personality. Proper names in the English naming tradition are not generally seen as means of alluding to the character of a person, yet they have sometimes been chosen purposefully by writers so as to reveal the idea that a symbolic name tries to convey. The paper therefore aims at investigating the origin and author’s intended meaning behind the names of some recurrent literary characters in Terry Pratchett’s Discworld series from the viewpoint of their structure and the allusions they evoke in the reader’s imagination. The analysis includes five names presenting three different structures: neologisms based on syntactic composition, imitations of borrowed structures that are foreign to the English model of naming, and typical English naming models where name symbolism is due to the lexical choice of the components in the name. Keywords: onomastics, literary onomastics, proper names, allusiveness, literary names, charactonyms Kaj se skriva za imenom? Izvori in pomeni imen nekaterih likov v seriji romanov Plošča Terryja Pratchetta POVZETEK V fantazijskem žanru je nominativni simbolizem orodje za pripisovanje določenih lastnosti književnim likom, simbolni pomeni pa bogatijo bralsko dojemanje fiktivnih likov.
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Terry Pratchett's Tiffany Aching Series from an Arthurian Perspective By
“First Among Shepherds”: Terry Pratchett’s Tiffany Aching Series from an Arthurian Perspective By Freya Sacksen A thesis submitted to Victoria University of Wellington in fulfilment of the requirements for a degree in a Master of Arts. (2018) Table of Contents Abstract 2 Acknowledgements 3 Introduction 5 Chapter 1: Open Your Eyes, Then Open Your Eyes Again 22 Finding the Fisher King 22 Time to Thaw: The Witch as Quester 26 The Whole of the Thing: Mystical Kings of the Disc 32 Open Your Eyes: Tiffany As Reversed Fisher King 41 Chapter 2: The Goode Childe’s Booke of Faerie Tales 52 The Ill-Made Knight 52 The Arthurian Other and Pratchett 62 First Sight and Second Thoughts 71 Chapter 3: Cracked Mirrors and Melting Girls 83 Tennyson’s Inspiration 83 The Artist in the Tower 87 Light and Shadow: A Close Reading of the Lady of Shalott 91 The Melting Girl: Subversion in the Disc 101 Conclusion 114 Works Cited 116 1 Abstract Throughout his career writing on the Discworld, Terry Pratchett employed what he referred to as ‘white knowledge’; a wide spectrum of intertextuality and allusiveness that pervaded the structure of his stories, the dialogue, the narration, and that was even discussed in scenes constructed to comment on the very absurdity of its existence. In my MA thesis, I examine closely the allusive qualities of the white knowledge present in Pratchett’s Tiffany Aching series: The Wee Free Men (2003), A Hat Full of Sky (2004), Wintersmith (2006), I Shall Wear Midnight (2010) and The Shepherd’s Crown (2015).
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The Discworld Novels of Terry Pratchett', This Thesis Embraces Only Six of the Discworld Novels, Novels That Parody Settled, Pre-Existent Narratives and Discourses.3
SUBVERSIONS: OF PRATCHETT A thesis submitted partial fulfilment of requirements for the degree Master ill JLJ.U.f",AAL!.lI. ... in University Canterbury University of Canterbury 1998 CONTENTS PAGE ABSTRACT 1 ACKNOWLEDGEMENTS 2 3 I. s ? 11 or, the subversion of narrative convention in two novels: Witches Abroad and Lords Ladies. CHAPTER II. Who holds Watch tonight? or, looking through monarchy at Ankh-Morporkian society in three Discworld novels that feature the city's Watch: Guards! Guards!, Men At Anns and Feet o/Clay. CHAPTER Ill. Finding Someone's Feet. 87 questions of identity and gender in Maskerade, or: what it really means to be a witch. CONCLUSION 116 WORKS BY TERRY PRATCHETT 120 WORKS CITED 122 1 'Subversions: the Discworld novels of Teny Pratchett' focuses on six of Ten)' Pratchett's twenty-one Discworld novels, which are representative of two . different subject areas of the series: witches and the city of Ankh-Morpork's Watch. While taking a closely analytical approach to Witches Abroad, Lords andLadies, Guards! Guards!, Men AtArms, Feet oj Clay and Maskerade, it also makes some assessments the Discworld novels as awhole. The field specifically to do with Pratchett is cunently a very limited one, of secondary material is brought to bear on the subjects of fantasy, tale, postrnodernist fiction and fiction in general. There is particular ret,ereJnce made to the thought of Mikhail Bakhtin and to vruious critical interpretations. The main concern is to develop a reading of Teny Pratchett that informed by some of Bakhtin' s wide-ranging ideas. At its initial level, the argument combines Bakhtin' s emphasis on dialogue with Pratchett's personal terminology, in claiming that the Discworld novels 'dialogise the diodic'.
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The Witches in Terry Pratchett's Discworld Novels
The Maiden, the Mother and the Other One: The Witches in Terry Pratchett’s Discworld Novels The University of Tampere School of Modern Languages and Translation Studies English Philology Pro Gradu Thesis Spring 2006 Mirka Sillanpää 2 Tampereen yliopisto, Kieli- ja käännöstieteiden laitos, englantilainen filologia Sillanpää Mirka: The maiden, the Mother and the Other One: The Witches in Terry Pratchett’s Discworld Novels Pro gradu-tutkielma, s. 70 kevät 2006 Pro gradu työssäni tarkastelen Terry Pratchettin (1955-) Discworld-fantasiakirjasarjassa esiintyviä naishahmoja, keskittyen niin sanottuihin Lancre-kirjoihin ja niiden pääosassa oleviin noitahahmoihin. Analyysini painopiste ovat naisstereotyypit ja kuinka Pratchettin hahmot samanaikaisesti purkavat ja ylläpitävät näitä stereotyyppejä. Pratchettin noitahahmot - etenkin Lancre-kirjojen kolme päähenkilöä, noidat Magrat Garlick, Nanny Ogg ja Granny Weatherwax - edustavat neljää naisstereotyyppiä neitsyt, äiti, vanha akka sekä noita. Näistä kolme ensimmäistä muodostavat naisen elämänkaaren, noidan ollessa näiden roolien rikkomisen symboli. Discworld-sarjassa noita roolina heijastaa Mary Russon käsitettä "unruly woman", vallaton nainen, joka kieltäytyy mukautumasta annettuihin rooleihin ja tekee itsestään spektaakkelin olemalla liian vanha, äänekäs, ruma tai groteski. Analyysini toinen painopiste stereotyyppien ohella on kysymys identiteetistä ja toiseudesta. Noidat ovat perinteisesti saduissa edustaneet pahaa toiseutta, ja nostaessaan nämä hahmot kirjojensa keskiöön ja sankareiksi, Pratchett
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Magic and Witchcraft in Terry Pratchett's Discworld's
99 ARTIGO http://dx.doi.org/10.12957/abusoes.2016.25722 05 MAGIC AND WITCHCRAFT IN TERRY PRATCHETT’S DISCWORLD’S THE WITCHES NOVELS MAGIA E BRUXARIA NOS ROMANCES DE BRUXAS DA SÉRIE “DISCWORLD”, DE TERRY PRATCHETT Ana Rita Martins Recebido em 01 mar 2016. Ana Rita Martins – Leitora de Inglês no Departamento Aprovado em 27 mar 2016. de Estudos Anglísticos da Universidade de Lisboa (FLUL). Doutoranda em Literatura Inglesa Medieval em Inglês Médio (FLUL, 2011/2012-); Mestre em Literatura Inglesa Medieval (FLUL, 2010). Doutoranda no Centro de Estudos Anglísticos da Universidade de Lisboa (CEAUL/ULICES) e membro do Projeto Mensageiros das Estrelas. E-mail: [email protected] English Lecturer at the English Department of the Universidade de Lisboa (FLUL). She is a PhD student in Medieval English Literature in Middle English (FLUL, 2011/2012-) and holds an M.A. in Medieval English Literature (FLUL, 2010). She is also a PhD student at the University of Lisbon Centre for English Studies (CEAUL/ULICES) and a member of the Project “Mensageiros das Estrelas” (Messengers from the Stars). E-mail: [email protected] Abstract: ‘This is a story about magic and where it goes and perhaps more importantly where it comes from and why, although it doesn’t pretend to answer all or any of these questions’ (PRATCHETT, 1987, p.11). REVISTA ABUSÕES | n. 01 v. 01 ano 01 100 ARTIGO http://dx.doi.org/10.12957/abusoes.2016.25722 Much beloved by audiences around the world Terry Pratchett is the creator of one of the most internationally acclaimed fantasy realms, the Discworld, ‘a sight to be seen on no other world’ (PRATCHETT, 1986, p.7).
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Teaching Literature in the Tenth Grade
Humanities Teaching Literature in the Tenth Grade Terry Pratchett’s Discworld Novels as an Introduction to Classic English Literature ENS001F Thesis for an MA degree in English Valgerður Guðrún Bjarkadóttir January 2009 University of Iceland Humanities English Teaching Literature in the Tenth Grade Terry Pratchett’s Discworld Novels as an Introduction to Classic English Literature ENS001F Thesis for an MA degree in English Valgerður Guðrún Bjarkadóttir Kt.: 120679-5389 Supervisors: Guðrún Björk Guðsteinsdóttir and Birna Arnbjörnsdóttir January 2009 To my family for their support and Inga Sóley for introducing me to Terry Pratchett’s Discworld novels. Summary This thesis suggests that the Discworld novels by Terry Pratchett may be used to introduce tenth graders in Icelandic compulsory schools to classic English literature, in addition to providing a definition of fantasy and how the Discworld novels fit into that definition. I suggest that this can be accomplished by introducing the students to the fantasy genre, to which the Discworld novels belong. The Discworld novels are parodic fantasy novels and through them the students will be exposed to the classic themes, plots and characters of more traditional English literature. The thesis focuses on the use of three Discworld novels: Eric , Wyrd Sisters and Lords and Ladies . These three novels are, respectively, parodies of Christopher Marlowe’s The Tragical History of Doctor Faustus and Shakespeare’s The Tragedy of Macbeth and A Midsummer Night’s Dream , and therefore provide an excellent springboard to these three classic plays. Motivational reading activities, such as classroom dialogue; peer and self-assessments, and task based learning along with video and audio stimulations are used to create instruction guides for teaching each of the three Discworld novels.
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The Pratchett Quote File V6.0
The Pratchett Quote File v6.0 The Pratchett Quote File or PQF is a collection of one-liners, catchphrases, general quotes, pieces of dialogue, and running gags, all culled from Terry Pratchett's novels and other writings (including his Usenet articles). The PQF was started years ago by Leo Breebaart on the Usenet newsgroup alt.fan.pratchett, and is now being maintained by Kimberley Verburg <[email protected]>. New quote submissions are always welcome. The PQF can also be viewed on-line, or downloaded as a text file from the Terry Pratchett Archives, at http://www.lspace.org. Contents Discworld Quotes................................................................................................................................................................3 The Colour Of Magic...........................................................................................................................................................................................3 The Light Fantastic..............................................................................................................................................................................................3 Equal Rites................................................................................................................................................................................................................5 Mort...............................................................................................................................................................................................................................6
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Terry Pratchett's Witches
Which witch is which? A feminist analysis of Terry Pratchett’s Discworld witches University of Halmstad Faculty of Humanities Lorraine Andersson 2006-06-03 Thesis for a Masters of Arts in English Supervisor: Kristina Hildebrand Foreword The researching and writing of this work took place while I was working full time, and so took time away from my family. I would therefore like to give my great appreciation to my husband, Hans, and my daughter, Emelie, who were understanding when mummy had to “go work on the computer”. Many a Pratchett novel was re-read to a background of cartoons, which is perhaps why a couple of cartoon characters made cameo appearances in this essay. Thanks also to my in-laws, Margareta and Arne Andersson, who gave me childfree afternoons when I could concentrate. I would also like to thank the head of the English Department at the time, Monica Karlsson, who allowed me to read the course when it was not officially offered. Thanks also go to Timothy Cox for taking time to read this essay and give helpful feedback. Last but in no way least, a huge thank-you to my tutor, Kristina Hildebrand, who would willingly spend hours talking Pratchett. i Abstract Terry Pratchett, writer of humorous, satirical fantasy, is very popular in Britain. His Discworld series, which encompasses over 30 novels, has witches as protagonists in one of the major sub-series, currently covering eight novels. His first “witch” novel, Equal Rites, in which he pits organised, misogynist wizards against disorganised witches, led him to being accused of feminist writing.
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The Use of Allusion in Terry Pratchett's Discworld. William Thomas Abbott East Tennessee State University
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by East Tennessee State University East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2002 White Knowledge and the Cauldron of Story: The Use of Allusion in Terry Pratchett's Discworld. William Thomas Abbott East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the English Language and Literature Commons Recommended Citation Abbott, William Thomas, "White Knowledge and the Cauldron of Story: The sU e of Allusion in Terry Pratchett's Discworld." (2002). Electronic Theses and Dissertations. Paper 630. https://dc.etsu.edu/etd/630 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. White Knowledge and the Cauldron of Story: The Use of Allusion in Terry Pratchett’s Discworld ———————— A thesis presented to the faculty of the Department of English East Tennessee State University In partial fulfillment of the requirements for the degree Master of Arts in English ———————— by William T. Abbott May 2002 ————————— Roberta Herrin, Chair Sonya Cashdan Doug Burgess Keywords: Terry Pratchett, Allusion, Fantasy, Myth, Folklore, Science Fiction ABSTRACT White Knowledge and the Cauldron of Story: The Use of Allusion in Terry Pratchett’s Discworld by William T. Abbott In the last twenty years, Terry Pratchett’s Discworld series has become very popular.
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