DOCSLIB.ORG

Oceanclub Latenite

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Oceanclub Latenite oceanclub latenite 562 radioeins 27.11.2010 Startzeit: 01:00:00 oceanclub LateNite 562 Endzeit: 05:00:00 gudrun gut g.gut + thomas fehlmann Kostentr: rbb TITEL* INTERPRET* ALBUM BEMERKUNGEN OCEANCLUB JINGLE Begin www.oceanclub.de everytime SKIT j. dilla yancey boys instrumentals www.myspace.com/jdilla when i'm in awe the gaslamp killer w. gonjasufi death gate www.ninjatune.net/brainfeeder new love polar bear w.jyager common ground theleaflabel.com flower pot remix polar bear w.jyager common ground theleaflabel.com leathers bilal airtights revenge www.plugresearch.com OCEANCLUB JINGLE www.oceanclub.de spirit of the planets the reboot joy confession spirit of the planets www.philpot-records.net tell work sam prekop old punch card www.thrilljockey.com misty roses colin blunstone one year von 1971 clay flying lotus pattern + grid world ep warp.net jurassic flying lotus pattern + grid world ep warp.net OCEANCLUB JINGLE www.oceanclub.de s950 recovery soulphiction some things remain www.philpot-records.net man on a string shackleton man on a string prt 1+2 weisspressung NACHRICHTEN b www.radioeins.de OCEANCLUB JINGLE www.oceanclub.de solitary joy tokimonsta ft.shuanise midnight menu www.tokimonsta.com day by day weebeeza void www.third-ear.net boom weebeeza jack yr car ep www.third-ear.net bitter tails sutekh on bach www.creakedrecords.com OCEANCLUB JINGLE www.oceanclub.de homemade chocolades Philogresz Just when you think it’s over www.treibstoff-recordings.de isolated funk ensemble Philogresz Just when you think it’s over www.treibstoff-recordings.de allow Morgan Packard Moment Again Elsewhere www.anticipaterecordings.com/ unveil Morgan Packard Moment Again Elsewhere www.anticipaterecordings.com/ african woman ebo taylor love and death www.strut-records.com OCEANCLUB JINGLE www.oceanclub.de fun over 100 the gaslamp killer death gate www.ninjatune.net/brainfeeder same old man karen dalton va:dylan' scene greenwich village 1971 array wicket sam prekop old punch card www.thrilljockey.com some things remain soulphiction some things remain www.philpot-records.net NACHRICHTEN c www.radioeins.de APPARAT SET www.oceanclub.de circles va: apparat apparat dj kicks www.apparat.net rushed va: 69 apparat dj kicks www.apparat.net lengthening shadows va: telefon tel aviv apparat dj kicks www.apparat.net interlude va: apparat apparat dj kicks www.apparat.net more room va: luke abbot apparat dj kicks www.apparat.net legendary va: oval apparat dj kicks www.apparat.net sub va: patrice baumel apparat dj kicks www.apparat.net miniluv va: martyn apparat dj kicks www.apparat.net echocity va: ripperton apparat dj kicks www.apparat.net tower block va: cosmin trg apparat dj kicks www.apparat.net falling (autechre fr13 rmx) va: scorn apparat dj kicks www.apparat.net i need a life (four tet remix) va: born ruffians apparat dj kicks www.apparat.net welt am draht va: pantha du prince apparat dj kicks www.apparat.net intervall va: phono apparat dj kicks www.apparat.net moth va: burial + four tet apparat dj kicks www.apparat.net the madness of moths va: vincent markowski apparat dj kicks www.apparat.net OCEANCLUB JINGLE www.oceanclub.de tempest va: ramadanman apparat dj kicks www.apparat.net harrowdown hill va: thom yorke apparat dj kicks www.apparat.net lesser people va: spherix apparat dj kicks www.apparat.net tv power va: oval apparat dj kicks www.apparat.net the shrew would have cushionedva: the joy blow orbison apparat dj kicks www.apparat.net NACHRICHTEN d www.radioeins.de UFO HAWAII 49 set www.oceanclub.de Group Autogenics I Books va: Ufo Hawaii set www.lalavoxbox.com Penny Hitch Soft Machine va: Ufo Hawaii set www.lalavoxbox.com Group Autogenics II Books va: Ufo Hawaii set www.lalavoxbox.com Finlandia Mono va: Ufo Hawaii set www.lalavoxbox.com Urstromtal Jürgen Knieper va: Ufo Hawaii set www.lalavoxbox.com D.I.S Soft Machine va: Ufo Hawaii set www.lalavoxbox.com Past The Beginning Of The EndTrentemoeller va: Ufo Hawaii set www.lalavoxbox.com Napolese Ochre va: Ufo Hawaii set www.lalavoxbox.com The German Lesson Soft Machine va: Ufo Hawaii set www.lalavoxbox.com The French Lesson Soft Machine va: Ufo Hawaii set www.lalavoxbox.com OCEANCLUB JINGLE www.oceanclub.de These Days Nico va: Ufo Hawaii set www.lalavoxbox.com Cereal Music Morgan Fisher va: Ufo Hawaii set www.lalavoxbox.com Snodland Soft Machine va: Ufo Hawaii set www.lalavoxbox.com Heartbeat Coloured Music va: Ufo Hawaii set www.lalavoxbox.com.
Load more

Recommended publications
  • Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
    Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A.
    [Show full text]
  • NEW RELEASE Cds 24/5/19
    NEW RELEASE CDs 24/5/19 BLACK MOUNTAIN Destroyer [Jagjaguwar] £9.99 CATE LE BON Reward [Mexican Summer] £9.99 EARTH Full Upon Her Burning Lips £10.99 FLYING LOTUS Flamagra [Warp] £9.99 HAYDEN THORPE (ex-Wild Beasts) Diviner [Domino] £9.99 HONEYBLOOD In Plain Sight [Marathon] £9.99 MAVIS STAPLES We Get By [ANTI-] £10.99 PRIMAL SCREAM Maximum Rock 'N' Roll: The Singles [2CD] £12.99 SEBADOH Act Surprised £10.99 THE WATERBOYS Where The Action Is [Cooking Vinyl] £9.99 THE WATERBOYS Where The Action Is [Deluxe 2CD w/ Alternative Mixes on Cooking Vinyl] £12.99 AKA TRIO (Feat. Seckou Keita!) Joy £9.99 AMYL & THE SNIFFERS Amyl & The Sniffers [Rough Trade] £9.99 ANDREYA TRIANA Life In Colour £9.99 DADDY LONG LEGS Lowdown Ways [Yep Roc] £9.99 FIRE! ORCHESTRA Arrival £11.99 FLESHGOD APOCALYPSE Veleno [Ltd. CD + Blu-Ray on Nuclear Blast] £14.99 FU MANCHU Godzilla's / Eatin' Dust +4 £11.99 GIA MARGARET There's Always Glimmer £9.99 JOAN AS POLICE WOMAN Joanthology [3CD on PIAS] £11.99 JUSTIN TOWNES EARLE The Saint Of Lost Causes [New West] £9.99 LEE MOSES How Much Longer Must I Wait? Singles & Rarities 1965-1972 [Future Days] £14.99 MALCOLM MIDDLETON (ex-Arab Strap) Bananas [Triassic Tusk] £9.99 PETROL GIRLS Cut & Stitch [Hassle] £9.99 STRAY CATS 40 [Deluxe CD w/ Bonus Tracks + More on Mascot]£14.99 STRAY CATS 40 [Mascot] £11.99 THE DAMNED THINGS High Crimes [Nuclear Blast] FEAT MEMBERS OF ANTHRAX, FALL OUT BOY, ALKALINE TRIO & EVERY TIME I DIE! £10.99 THE GET UP KIDS Problems [Big Scary Monsters] £9.99 THE MYSTERY LIGHTS Too Much Tension! [Wick] £10.99 COMPILATIONS VARIOUS ARTISTS Lux And Ivys Good For Nothin' Tunes [2CD] £11.99 VARIOUS ARTISTS Max's Skansas City £9.99 VARIOUS ARTISTS Par Les Damné.E.S De La Terre (By The Wretched Of The Earth) £13.99 VARIOUS ARTISTS The Hip Walk - Jazz Undercurrents In 60s New York [BGP] £10.99 VARIOUS ARTISTS The World Needs Changing: Street Funk..
    [Show full text]
  • Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
    Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
    [Show full text]
  • October 21, 2014 L Uvm, Burlington, Vt Uvm.Edu/~Watertwr L @Thewatertower L Thewatertower.Tumblr.Com
    volume 16 - issue 4 tuesday, october 21, 2014 uvm, burlington, vt uvm.edu/~watertwr @thewatertower thewatertower.tumblr.com by lauragreenwood In front of the gritty backdrop of Burlington noir, we now delve into mysteries by leonardbartenstein Hold your breath, but I have never both sinister and strange, full of lies, deceit, and the most dastardly deed of really liked Halloween. Each year as the all—murder most foul—now, we follow the ongoing detective adventures of: holiday approaches I inwardly groan and begin the arduous process of preparing with Valencé—crooked, like the spine of some- for the nights of debaucheries. Halloween one with scoliosis. And by attending this party weekend painfully elongates those horrid and speaking with a couple of the officers one- hours of getting ready before going out. on-one, without them being suspicious of us, we Moreover, it amplifies those ugly insecuri- might find something out which we might oth- ties everyone has about whether everyone erwise not.” is looking, dressing well enough, and/or “Oh,” said Barton, understanding now. “I impressing everyone in the room based understand, now.” only how witty and culturally-informed They now stood at the ornate doors of the you can appear in under five minutes. It’s police chief’s mansion-like house, which loomed another weekend of the horse-and-pony over them like a ten-foot-tall man would loom show which tends to lead to wandering over two normal-sized men. They waited for a around the nearly post-apocalyptic streets moment for the door to be answered, when the of Burlington in outfits too unfit for this clouds above began to open up, raining on their time of year.
    [Show full text]
  • “Knowing Is Seeing”: the Digital Audio Workstation and the Visualization of Sound
    “KNOWING IS SEEING”: THE DIGITAL AUDIO WORKSTATION AND THE VISUALIZATION OF SOUND IAN MACCHIUSI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO September 2017 © Ian Macchiusi, 2017 ii Abstract The computer’s visual representation of sound has revolutionized the creation of music through the interface of the Digital Audio Workstation software (DAW). With the rise of DAW- based composition in popular music styles, many artists’ sole experience of musical creation is through the computer screen. I assert that the particular sonic visualizations of the DAW propagate certain assumptions about music, influencing aesthetics and adding new visually- based parameters to the creative process. I believe many of these new parameters are greatly indebted to the visual structures, interactional dictates and standardizations (such as the office metaphor depicted by operating systems such as Apple’s OS and Microsoft’s Windows) of the Graphical User Interface (GUI). Whether manipulating text, video or audio, a user’s interaction with the GUI is usually structured in the same manner—clicking on windows, icons and menus with a mouse-driven cursor. Focussing on the dialogs from the Reddit communities of Making hip-hop and EDM production, DAW user manuals, as well as interface design guidebooks, this dissertation will address the ways these visualizations and methods of working affect the workflow, composition style and musical conceptions of DAW-based producers. iii Dedication To Ba, Dadas and Mary, for all your love and support. iv Table of Contents Abstract ..................................................................................................................
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • Make It New: Reshaping Jazz in the 21St Century
    Make It New RESHAPING JAZZ IN THE 21ST CENTURY Bill Beuttler Copyright © 2019 by Bill Beuttler Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to be a digitally native press, to be a peer- reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/ by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, California, 94042, USA. DOI: https://doi.org/10.3998/mpub.11469938 Print ISBN: 978-1-64315-005- 5 Open access ISBN: 978-1-64315-006- 2 Library of Congress Control Number: 2019944840 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Contents Member Institution Acknowledgments xi Introduction 1 1. Jason Moran 21 2. Vijay Iyer 53 3. Rudresh Mahanthappa 93 4. The Bad Plus 117 5. Miguel Zenón 155 6. Anat Cohen 181 7. Robert Glasper 203 8. Esperanza Spalding 231 Epilogue 259 Interview Sources 271 Notes 277 Acknowledgments 291 Member Institution Acknowledgments Lever Press is a joint venture. This work was made possible by the generous sup- port of
    [Show full text]
  • Best of 2014 Listener Poll Nominees
    Nominees For 2014’s Best Albums From NPR Music’s All Songs Considered Artist Album ¡Aparato! ¡Aparato! The 2 Bears The Night is Young 50 Cent Animal Ambition A Sunny Day in Glasgow Sea When Absent A Winged Victory For The Sullen ATOMOS Ab-Soul These Days... Abdulla Rashim Unanimity Actress Ghettoville Adia Victoria Stuck in the South Adult Jazz Gist Is Afghan Whigs Do To The Beast Afternoons Say Yes Against Me! Transgender Dysphoria Blues Agalloch The Serpent & The Sphere Ages and Ages Divisionary Ai Aso Lone Alcest Shelter Alejandra Ribera La Boca Alice Boman EP II Allah-Las Worship The Sun Alt-J This is All Yours Alvvays Alvvays Amason Duvan EP Amen Dunes Love Ana Tijoux Vengo Andrew Bird Things Are Really Great Here, Sort Of... Andrew Jackson Jihad Christmas Island Andy Stott Faith In Strangers Angaleena Presley American Middle Class Angel Olsen Burn Your Fire For No Witness Animal Magic Tricks Sex Acts Annie Lennox Nostalgia Anonymous 4 David Lang: love fail Anthony D'Amato The Shipwreck From The Shore Antlers, The Familiars The Apache Relay The Apache Relay Aphex Twin Syro Arca Xen Archie Bronson Outfit Wild Crush Architecture In Helsinki NOW + 4EVA Ariel Pink Pom Pom Arturo O’Farrill & the Afro Latin Orchestra The Offense of the Drum Ásgeir In The Silence Ashanti BraveHeart August Alsina Testimony Augustin Hadelich Sibelius, Adès: Violin Concertos The Autumn Defense Fifth Avey Tare Enter The Slasher House Azealia Banks Broke With Expensive Taste Band Of Skulls Himalayan Banks Goddess Barbra Streisand Partners Basement Jaxx Junto Battle Trance Palace Of Wind Beach Slang Cheap Thrills on a Dead End Street Bebel Gilberto Tudo Beck Morning Phase Béla Fleck & Abigail Washburn Béla Fleck & Abigail Washburn Bellows Blue Breath Ben Frost A U R O R A Benjamin Booker Benjamin Booker Big K.R.I.T.
    [Show full text]
  • Album of the Week: Flying Lotus' You're Dead!
    Album Of The Week: Flying Lotus’ You’re Dead! An artist known to dabble in experimentation, Flying Lotus manages to take it to a higher level with each release. His new album, You’re Dead! takes you on a multi-dimensional electronic jazz-hop journey into the afterlife as he examines all facets of death the best way he can. It’s quite a treasure and shows that he’s very worthy of being in the same bloodline as jazz legend John Coltrane. Truly being all over the place rhythmically and structurally, at first listen you never know what to expect from Flying Lotus’ new album. The only thing you should expect is that this thing of beauty will absolutely please the senses. Featuring a bunch of collaborations with the likes of hip-hop phenom Kendrick Lamar, the one and only Snoop Dogg, jazz funk virtuoso Herbie Hancock and New Zealand pop sensation Kimbra among others, each track brings something different to the table. One can have some sick guitar riffs in an instrumental track while another one can possess a lot of soul and sensuality. A complete smorgasbord of creativity — pick a song and bask in its greatness. Flying Lotus’ willingness to delve even further outside the box and push his limitations shows how much talent he has and how amazing his new album is. Get ready, get freaky and get crazy. Actually you should just calm down and relax. It’s time for the top tracks off of my album of the week. So take it easy and dive in, you might even learn something.
    [Show full text]
  • Point Blank Music School
    POINT BLANK MUSIC SCHOOL SCHOOL BROCHURE LOS ANGELES 2021/22 www.pointblankmusicschool.com Step inside the music industry ABOUT POINT BLANK 6 LOCAL AREA 8 GLOBAL PERSPECTIVE 10 LIFE @ POINT BLANK 14 MASTERCLASSES 18 INDUSTRY PARTNERSHIPS 20 MACK SENNETT STUDIOS 22 GLOBAL ALUMNI 24 INDUSTRY ALUMNI 28 EXPERT INSTRUCTORS 30 COURSES 35 Music Production Programs 36 DJ Programs 38 Singing & Songwriting Programs 39 VISIT US 40 CONTACT INFORMATION 42 TERMS & CONDITIONS 43 www.pointblankmusicschool.com // 3 WHY POINT BLANK? SEVEN GOOD REASONS… What makes Point Blank stand out? 1- GLOBAL ALUMNI, GLOBAL SUCCESS From headline DJs and superstar vocalists, to hit-making producers and industry heavyweights, our alumni count as some of the biggest Is it our expert instructors, state-of-the-art facilities or music industry recognized courses? Is it our names in music, with the likes of Leona Lewis, Pete Tong, Nicole Moudaber, Claude VonStroke and Aluna Francis all having studied with us. high-scoring quality reviews? While we are proud of these achievements, what separates us from the crowd is our focus on you, the student. 2- INDUSTRY EXPERT INSTRUCTORS: Licensed by the BPPE (Bureau for Private Postsecondary Education), and operating as an Our expert staff come directly from the music industry. With years of real-world experience, you’ll benefit from the know-how, knowledge Ableton Certified Training Center, we are passionate about your journey in music, nurturing your and connections of our dedicated team. It’s important that you learn from those that can do, as well as teach, and our active pro industry creativity and enabling you to turn your dreams into reality.
    [Show full text]
  • Keyfinder V2 Dataset © Ibrahim Sha'ath 2014
    KeyFinder v2 dataset © Ibrahim Sha'ath 2014 ARTIST TITLE KEY 10CC Dreadlock Holiday Gm 187 Lockdown Gunman (Natural Born Chillers Remix) Ebm 4hero Star Chasers (Masters At Work Main Mix) Am 50 Cent In Da Club C#m 808 State Pacifc State Ebm A Guy Called Gerald Voodoo Ray A A Tribe Called Quest Can I Kick It? (Boilerhouse Mix) Em A Tribe Called Quest Find A Way Ebm A Tribe Called Quest Vivrant Thing (feat Violator) Bbm A-Skillz Drop The Funk Em Aaliyah Are You That Somebody? Dm AC-DC Back In Black Em AC-DC You Shook Me All Night Long G Acid District Keep On Searching G#m Adam F Aromatherapy (Edit) Am Adam F Circles (Album Edit) Dm Adam F Dirty Harry's Revenge (feat Beenie Man and Siamese) G#m Adam F Metropolis Fm Adam F Smash Sumthin (feat Redman) Cm Adam F Stand Clear (feat M.O.P.) (Origin Unknown Remix) F#m Adam F Where's My (feat Lil' Mo) Fm Adam K & Soha Question Gm Adamski Killer (feat Seal) Bbm Adana Twins Anymore (Manik Remix) Ebm Afrika Bambaataa Mind Control (The Danmass Instrumental) Ebm Agent Sumo Mayhem Fm Air Sexy Boy Dm Aktarv8r Afterwrath Am Aktarv8r Shinkirou A Alexis Raphael Kitchens & Bedrooms Fm Algol Callisto's Warm Oceans Am Alison Limerick Where Love Lives (Original 7" Radio Edit) Em Alix Perez Forsaken (feat Peven Everett and Spectrasoul) Cm Alphabet Pony Atoms Em Alphabet Pony Clones Am Alter Ego Rocker Am Althea & Donna Uptown Top Ranking (2001 digital remaster) Am Alton Ellis Black Man's Pride F Aluna George Your Drums, Your Love (Duke Dumont Remix) G# Amerie 1 Thing Ebm Amira My Desire (Dreem Teem Remix) Fm Amirali
    [Show full text]
  • Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions
    Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis Abstract: The rise of jazz-R&B-hip hop fusions in contemporary Los Angeles offers an opportunity to Downloaded from http://direct.mit.edu/daed/article-pdf/148/2/23/1831401/daed_a_01740.pdf by guest on 02 October 2021 reflect on the ways jazz matters to black audiences today. Drawing on recent Afrofuturist art and theo- ry as well as on Amiri Baraka’s analysis of the “changing same” in black music, this essay traces out the significance of work by artists as diverse as Kamasi Washington, Flying Lotus, Thundercat, and Robert Glasper, positing that their music tells us that jazz matters not only in itself, but also in its continuing ca- pacity to engage in cross-genre dialogues for musicians and audiences who hear it as part of a rich con- tinuum of African American musical expression. We are, it seems, in an age of Afrofuturism. The release of the Black Panther feature film in Febru- ary 2018 was greeted with a spate of think pieces across a range of media, explaining the term Afro- futurism for an unfamiliar audience. “T’Challa, also known as the Black Panther, the title character of the blockbuster movie, wasn’t the first person to land a spaceship (or something like it) in down- town Oakland, Calif.,” starts one such article.1 Such pieces point back to bandleaders Sun Ra and George Clinton (and sometimes to Jamaican dub artist Lee “Scratch” Perry) to provide background for the film’s mix of the old and the new, technolo- gy and the spirit, space-age Africa, and, eventually, a sense of diasporic culture that travels in both di- rections across the Black Atlantic–in ships in the gabriel solis is Professor of sky rather than the sea–suturing the fissures rent Musicology at the University of by the middle passage, by war, and by colonial mo- Illinois at Urbana-Champaign.
    [Show full text]