Vanguardia Y Propaganda Avant-Garde and Propaganda
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Free Art As the Basis of Life: Harmony and Dissonance (On Life, Death, Etc.) [Extracts], 1908
The works of genius and mediocrity—the latter are justified because they have historic interest. The painting of those who have long since decayed (who they were is forgotten, a riddle, a mystery)—how you upset the nineteenth century. Until the 1830s, the age of Catherine was enticing, alluring, and delightful: pre- cise and classical. Savage vulgarization. The horrors of the Wanderers—general deterio- ration—the vanishing aristocratic order—hooligans of the palette a la Ma- kovsky 1 and Aivazovsky,2 etc. Slow development, new ideals—passions and terrible mistakes! Sincejhg first exhibition of the World of Art, in 1899, there has beenja.. new era. Aitigtg lnoK ft? fresh wind.blows away Repin's chaffy spirit, the bast shoe of the Wanderers loses its apparent strength. But it's not Serov, not Levitan, not Vrubel's 3 vain attempts at genius, not the literary Diaghilevans, but the Blue Rose, those who have grouped around The Golden Flee ce and later the Russian imptv^jpnist^ niirhireH on Western mCSels, those who trembled at the sight of Gauguin, Van Gogh, Cezanne _ (the synthesis of French trends in painting)—these are the hopes for the rebirth of Russian painting. " ""— NIKOLAI KULBIN Free Art as the Basis of Life: Harmony and Dissonance (On Life, Death, etc.) [Extracts], 1908 Born St. Petersburg, 1868; died St. Petersburg, 1917. Professor at the St. Petersburg Military Academy and doctor to the General Staff; taught himself painting; IQO8: organized the Impressionist groupj lecturer and theoretician; 1909: group broke up, dissident members contributing to the founding of the Union of Youth, opened for- mally in February 1910; 1910 on: peripheral contact with the Union of Youth; close to the Burliuks, Vladimir Markov, Olga Rozanova; ca. -
INSTRUMENTS for NEW MUSIC Luminos Is the Open Access Monograph Publishing Program from UC Press
SOUND, TECHNOLOGY, AND MODERNISM TECHNOLOGY, SOUND, THOMAS PATTESON THOMAS FOR NEW MUSIC NEW FOR INSTRUMENTS INSTRUMENTS PATTESON | INSTRUMENTS FOR NEW MUSIC Luminos is the open access monograph publishing program from UC Press. Luminos provides a framework for preserv- ing and reinvigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org The publisher gratefully acknowledges the generous contribu- tion to this book provided by the AMS 75 PAYS Endowment of the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation. The publisher also gratefully acknowledges the generous contribution to this book provided by the Curtis Institute of Music, which is committed to supporting its faculty in pursuit of scholarship. Instruments for New Music Instruments for New Music Sound, Technology, and Modernism Thomas Patteson UNIVERSITY OF CALIFORNIA PRESS University of California Press, one of the most distin- guished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activi- ties are supported by the UC Press Foundation and by philanthropic contributions from individuals and institu- tions. For more information, visit www.ucpress.edu. University of California Press Oakland, California © 2016 by Thomas Patteson This work is licensed under a Creative Commons CC BY- NC-SA license. To view a copy of the license, visit http:// creativecommons.org/licenses. -
Nikolai Dolgorukov
IN THE SERVICE OF THE STATE: AGES IM CO U N R T IO E T S Y C E O L L F © T O H C E M N 2020 A E NIKOLAI DOLGORUKOV R M R R I E L L B . C AND THE ART OF PERSUASION IN THE SERVICE OF THE STATE: NIKOLAI DOLGORUKOV’ AND THE ART OF PERSUASION NIKOLAI DOLGORUKOV’ AND THE ART OF THE STATE: IN THE SERVICE © 2020 Merrill C. Berman Collection IN THE SERVICE OF THE STATE: NIKOLAI DOLGORUKOV AND THE ART OF PERSUASION 1 Published by the Merrill C. Berman Collection Series Editor, Adrian Sudhalter Concept and essay by Alla Rosenfeld, Ph.D. Content editing by Karen Kettering, Ph.D., Independent Scholar, Seattle, Washington Research assistance by Sofía Granados Dyer, graduate student, Higher School of Economics, Moscow, and Elena Emelyanova, Curator, Rare Books Department, The Russian State Library, Moscow Design, typesetting, production, and photography by Jolie Simpson Copy editing by Madeline Collins Printed and bound by www.blurb.com Plates © 2020 the Merrill C. Berman Collection Images courtesy of the Merrill C. Berman Collection unless otherwise noted © 2020 the Merrill C. Berman Collection, Rye, New York Illustrations on pages 39–41 for complete caption information. Cover: Poster: Za Mirovoi Oktiabr’! Proletarii vsekh stran soediniaites’! (Proletariat of the World, Unite Under the Banner of World October!), 1932 Lithograph 57 1/2 x 39 3/8” (146.1 x 100 cm) (p. 103) Acknowledgments We are especially grateful to Sofía Granados Dyer, graduate student at the Higher School of Economics in Moscow, for conducting research in various Russian archives as well as for assisting with the compilation of the documentary sections of this publication: Bibliography, Exhibitions, and Chronology. -
Écrits Sur Bergson
Écrits sur Bergson 1890 Georges Lechalas. “Le Nombre et le temps dans leur rapport avec l’espace, à propos de Les Données immédiates. ” Annales de Philosophie Chrétienne, N.S. 23 (1890): 516-40. Print. Eng. trans. “Number and Time in Relation to Space, as Concerns Time and Free Will .” 1893 Maurice Blondel. L’action. Essai d’une critique de la vie et d’une science de la pratique . Paris: Alcan, 1893, 495. (Bibliographie de Philosophie Contemporaine) Eng. trans. Action . This item is republished in 1950, Presses Universitaires de France. 1894 Jean Weber. “Une étude réaliste de l’acte et ses conséquences morales.” Revue de métaphysique et de morale . 2.6, 1894, 331-62. Eng. trans. “A Realist Study of the Act and its Moral Consequences.” 1897 Gustave Belot. “Un Nouveau Spiritualisme.” Revue Philosophique de la France et de l’Etranger , 44.8 (August 1897): 183-99. The author sees a danger of materialism in Matter and Memory. Print. Eng. trans. “A New Spiritualism.” Victor Delbos. “Matière et mémoire, étude critique.” Revue de Métaphysique et de Morale , 5 (1897): 353- 89. Print. Eng. trans. “ Matter and Memory , A Critical Study.” Frédéric Rauh. “La Conscience du devenir.” Revue de Métaphysique et de Morale , 4 (1897): 659-81; 5 (1898): 38-60. Print. Eng. trans. “The Awareness of Becoming.” L. William Stern. “Die psychische Präsenzzeit.” Zeitschrift für Psychologie und Physiologie der Sinnesorgane 13 (1897): 326-49. The author strongly criticizes the concept of the point-like present moment. Print. Eng. trans. “The Psychological Present.” 1901 Émile Boutroux. “Letter to Xavier Léon. July 26, 1901” in Lettere a Xavier Léon e ad altri. -
A Companion to Andrei Platonov's the Foundation
A Companion to Andrei Platonov’s The Foundation Pit Studies in Russian and Slavic Literatures, Cultures and History Series Editor: Lazar Fleishman A Companion to Andrei Platonov’s The Foundation Pit Thomas Seifrid University of Southern California Boston 2009 Copyright © 2009 Academic Studies Press All rights reserved ISBN 978-1-934843-57-4 Book design by Ivan Grave Published by Academic Studies Press in 2009 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com iv Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. Published by Academic Studies Press 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com CONTENTS CHAPTER ONE Platonov’s Life . 1 CHAPTER TWO Intellectual Influences on Platonov . 33 CHAPTER THREE The Literary Context of The Foundation Pit . 59 CHAPTER FOUR The Political Context of The Foundation Pit . 81 CHAPTER FIVE The Foundation Pit Itself . -
Biblioteca Di Studi Di Filologia Moderna – 37 –
BIBLIOTECA DI STUDI DI FILOLOGIA MODERNA – 37 – DIPARTIMENTO DI LINGUE, LETTERATURE E STUDI INTERCULTURALI Università degli Studi di Firenze Coordinamento editoriale Fabrizia Baldissera, Fiorenzo Fantaccini, Ilaria Moschini Donatella Pallotti, Ernestina Pellegrini, Beatrice Töttössy BIBLIOTECA DI STUDI DI FILOLOGIA MODERNA Collana Open Access del Dipartimento di Lingue, Letterature e Studi Interculturali Direttore Beatrice Töttössy Comitato scientifico internazionale Enza Biagini (Professore Emerito), Nicholas Brownlees, Martha Canfield, Richard Allen Cave (Emeritus Professor, Royal Holloway, University of London), Piero Ceccucci, Massimo Ciaravolo (Università Ca’ Foscari Venezia), John Denton, Anna Dolfi, Mario Domenichelli (Professore Emerito), Maria Teresa Fancelli (Professore Emerito), Massimo Fanfani, Fiorenzo Fantaccini (Università degli Studi di Firenze), Paul Geyer (Rheinische Friedrich-Wilhelms-Universität Bonn), Ingrid Hennemann, Sergej Akimovich Kibal’nik (Institute of Russian Literature [the Pushkin House], Russian Academy of Sciences; Saint-Petersburg State University), Ferenc Kiefer (Research Institute for Linguistics of the Hungarian Academy of Sciences; Academia Europaea), Michela Landi, Murathan Mungan (scrittore), Stefania Pavan, Peter Por (CNRS Parigi), Gaetano Prampolini, Paola Pugliatti, Miguel Rojas Mix (Centro Extremeño de Estudios y Cooperación Iberoamericanos), Giampaolo Salvi (Eötvös Loránd University, Budapest), Ayşe Saraçgil, Rita Svandrlik, Angela Tarantino (Università degli Studi di Roma ‘La Sapienza’), Maria -
„Lef“ and the Left Front of the Arts
Slavistische Beiträge ∙ Band 142 (eBook - Digi20-Retro) Halina Stephan „Lef“ and the Left Front of the Arts Verlag Otto Sagner München ∙ Berlin ∙ Washington D.C. Digitalisiert im Rahmen der Kooperation mit dem DFG-Projekt „Digi20“ der Bayerischen Staatsbibliothek, München. OCR-Bearbeitung und Erstellung des eBooks durch den Verlag Otto Sagner: http://verlag.kubon-sagner.de © bei Verlag Otto Sagner. Eine Verwertung oder Weitergabe der Texte und Abbildungen, insbesondere durch Vervielfältigung, ist ohne vorherige schriftliche Genehmigung des Verlages unzulässig. «Verlag Otto Sagner» ist ein Imprint der Kubon & Sagner GmbH. Halina Stephan - 9783954792801 Downloaded from PubFactory at 01/10/2019 05:25:44AM via free access S la v istich e B eiträge BEGRÜNDET VON ALOIS SCHMAUS HERAUSGEGEBEN VON JOHANNES HOLTHUSEN • HEINRICH KUNSTMANN PETER REHDER JOSEF SCHRENK REDAKTION PETER REHDER Band 142 VERLAG OTTO SAGNER MÜNCHEN Halina Stephan - 9783954792801 Downloaded from PubFactory at 01/10/2019 05:25:44AM via free access 00060802 HALINA STEPHAN LEF” AND THE LEFT FRONT OF THE ARTS״ « VERLAG OTTO SAGNER ■ MÜNCHEN 1981 Halina Stephan - 9783954792801 Downloaded from PubFactory at 01/10/2019 05:25:44AM via free access Bayerische Staatsbibliothek München ISBN 3-87690-186-3 Copyright by Verlag Otto Sagner, München 1981 Abteilung der Firma Kubon & Sagner, München Druck: Alexander Grossmann Fäustlestr. 1, D -8000 München 2 Halina Stephan - 9783954792801 Downloaded from PubFactory at 01/10/2019 05:25:44AM via free access 00060802 To Axel Halina Stephan - 9783954792801 Downloaded from PubFactory at 01/10/2019 05:25:44AM via free access Halina Stephan - 9783954792801 Downloaded from PubFactory at 01/10/2019 05:25:44AM via free access 00060802 CONTENTS Introduction ................................................................................................ -
Experiments in Sound and Electronic Music in Koenig Books Isbn 978-3-86560-706-5 Early 20Th Century Russia · Andrey Smirnov
SOUND IN Z Russia, 1917 — a time of complex political upheaval that resulted in the demise of the Russian monarchy and seemingly offered great prospects for a new dawn of art and science. Inspired by revolutionary ideas, artists and enthusiasts developed innumerable musical and audio inventions, instruments and ideas often long ahead of their time – a culture that was to be SOUND IN Z cut off in its prime as it collided with the totalitarian state of the 1930s. Smirnov’s account of the period offers an engaging introduction to some of the key figures and their work, including Arseny Avraamov’s open-air performance of 1922 featuring the Caspian flotilla, artillery guns, hydroplanes and all the town’s factory sirens; Solomon Nikritin’s Projection Theatre; Alexei Gastev, the polymath who coined the term ‘bio-mechanics’; pioneering film maker Dziga Vertov, director of the Laboratory of Hearing and the Symphony of Noises; and Vladimir Popov, ANDREY SMIRNO the pioneer of Noise and inventor of Sound Machines. Shedding new light on better-known figures such as Leon Theremin (inventor of the world’s first electronic musical instrument, the Theremin), the publication also investigates the work of a number of pioneers of electronic sound tracks using ‘graphical sound’ techniques, such as Mikhail Tsekhanovsky, Nikolai Voinov, Evgeny Sholpo and Boris Yankovsky. From V eavesdropping on pianists to the 23-string electric guitar, microtonal music to the story of the man imprisoned for pentatonic research, Noise Orchestras to Machine Worshippers, Sound in Z documents an extraordinary and largely forgotten chapter in the history of music and audio technology. -
Mikhail Ma T/Ushin and His Dream
Experiment/3KcnepHMeHT, 1 (1995), 229-33. ISABEL WONSCHE MIKHAIL MA T/USHIN AND HIS DREAM The violinist and composer Mikhail Matiushin (Figs. 70-76) began his second career as a visual artist in the 1890s. In 1903-05 he worked at Yan Tsionglinsky's studio in St. Petersburg, where he met Elena Guro, his future second wife, and in 1906 they enrolled in Elizaveta Zvantseva's private art school, also in St. Petersburg, where Mstislav Dobushinsky and Lev Bakst were the primary professors. In 1909 Guro and Matiushin founded the publishing house Zhuravl (Crane) which produced more than twenty publications by Pavel Filonov, Guro, Velimir Khlebnikov, Alexei Kruchenykh, Kazimir Malevich, and other representatives of the avant garde movement. ·In 1910 Guro and Matiushin became founding members of the Union of Youth which in 1913 consolidated with the poets' group known as Hylaea. Between 191 0 and 191 7 Matiushin was the practical organizer of many Cubo-Futurist events, contributing to the publications and exhibitions of the Union of Youth, to Nikolai Kulbin's exhibitions such as "Contemporary Trends in Art" in 1908 and "The Impressionists" in 1909, as well as to Vladimir lzdebsky's "International Salon" in Odessa and other towns in 1909-1 0 and the "Salon d'Au tomne" in Paris in 1913. Matiushin was also active as an art critic and as a composer, creating the music for "Victory Over the Sun" in 1913. Matiushin wrote the text of I Had a Dream between 1931 and 1933.1 It was one of his last essays, following earlier publications also concerned with the evolution of the avant-garde in Russia, 2 and it com plemented the chapter on the Cubo-Futurist movement in his unpublished 1. -
Konstantin Vialov and the Search for a Modern Realism” by Alla Rosenfeld, Ph
Aleksandr Deineka, Portrait of the artist K.A. Vialov, 1942. Oil on canvas. National Museum “Kyiv Art Gallery,” Kyiv, Ukraine Published by the Merrill C. Berman Collection Concept and essay by Alla Rosenfeld, Ph. D. Edited by Brian Droitcour Design and production by Jolie Simpson Photography by Joelle Jensen and Jolie Simpson Research Assistant: Elena Emelyanova, Research Curator, Rare Books Department, Russian State Library, Moscow Printed and bound by www.blurb.com Plates © 2018 the Merrill C. Berman Collection Images courtesy of the Merrill C. Berman Collection unless otherwise noted. © 2018 The Merrill C. Berman Collection, Rye, New York Cover image: Poster for Dziga Vertov’s Film Shestaia chast’ mira (A Sixth Part of the World), 1926. Lithograph, 42 1/2 x 28 1/4” (107.9 x 71.7 cm) Plate XVII Note on transliteration: For this catalogue we have generally adopted the system of transliteration employed by the Library of Congress. However, for the names of artists, we have combined two methods. For their names according to the Library of Congress system even when more conventional English versions exist: e.g. , Aleksandr Rodchenko, not Alexander Rodchenko; Aleksandr Deineka, not Alexander Deineka; Vasilii Kandinsky, not Wassily Kandinsky. Surnames with an “-ii” ending are rendered with an ending of “-y.” But in the case of artists who emigrated to the West, we have used the spelling that the artist adopted or that has gained common usage. Soft signs are not used in artists’ names but are retained elsewhere. TABLE OF CONTENTS 7 - ‘A Glimpse of Tomorrow’: Konstantin Vialov and the Search for a Modern Realism” by Alla Rosenfeld, Ph. -
The University of Chicago Kazimir Malevich And
THE UNIVERSITY OF CHICAGO KAZIMIR MALEVICH AND RUSSIAN MODERNISM A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ART HISTORY BY DANIEL KALMAN PHILLIPS CHICAGO, ILLINOIS JUNE 2017 Copyright © 2017 by Daniel Kalman Phillips All rights reserved. TABLE OF CONTENTS LIST OF FIGURES ............................................................................................. iv ACKNOWLEDGEMENTS .............................................................................. viii ABSTRACT ............................................................................................................x INTRODUCTION MALEVICH, ART, AND HISTORY .......................................................................1 CHAPTER ONE MODERNISMS BEFORE SUPREMATISM........................................................18 CHAPTER TWO AN ARTIST OF THE NINETEENTH CENTURY ...............................................71 CHAPTER THREE SUPREMATISM IN 1915 ...................................................................................120 CHAPTER FOUR CODA: SUPREMATISMS AFTER SUPREMATISM .......................................177 WORKS CITED................................................................................................. 211 iii LIST OF FIGURES1 0.1 Kazimir Malevich, Black Square, 1915. 0.2 Kazimir Malevich, [Airplane Flying], 1915. 0.3 John Baldessari, Violent Space Series: Two Stares Making a Point but Blocked by a Plane (for Malevich), 1976. 0.4 Yves Klein, -
Dissertation
DISSERTATION Titel der Dissertation “The 1959 American National Exhibition in Moscow and the Soviet Artistic Reaction to the Abstract Art” Verfasserin Mag. Gretchen Simms angestrebter akademischer Grad Doktorin der Philosophie (Dr. phil.) Wien, im Oktober 2007 Studienkennzahl laut Studienblatt: 8606505 Dissertationsgebiet laut Studienblatt: Kunstgeschichte Betreuer: Univ. Doz. Dr. Dieter Bogner TABLE OF CONTENTS Page ACKNOWLEDGMENTS iii Chapter I. THE AMERICAN SIDE – INTRODUCTION 1 A. SPIRITUAL TRENDS AND THEIR IMPACT ON U.S. ART 9 B. ABSTRACT ART, PATRONS AND ADVANCEMENT 17 C. POLITICS AND ART 29 D. THE AMERICAN NATIONAL EXHIBITION 39 II. THE SOVIET SIDE – INTRODUCTION 53 A. POLITICS IN THE USSR AND ITS IMPACT ON ART 59 B. ARTISTS DEVELOPMENT FROM RUSSIA TO USSR 79 C. THE AMERICAN NATIONAL EXHIBITION 103 D. THE INFLUENCE OF THE AMERICAN NATIONAL SHOW 121 EPILOGUE 133 APPENDIX A: LIST OF WORKS DISPLAYED IN 1959 143 APPENDIX B: FIGURES 147 BIBLIOGRAPHY 179 ABSTRACT IN GERMAN 187 ABSTRACT IN ENGLISH 189 CURRICULUM VITAE 191 ii ACKNOWLEDGEMENTS Twelve years ago I happened upon a dissertation which inspired me to write my own Master’s paper which ultimately pointed me in the right direction for this dissertation. My Master’s kept the idea going around in my head: “There must have been an artistic reaction to the 1959 Exhibition in Moscow” until I could begin researching. In this context I would like to thank Liz Wollner-Grandville, who so spontaneously thought of the right person: John Jacobs and his wife, Katja who gave me so much information, enthusiasm, references and people to contact. I would like to thank Jack Masey and Martin Manning for their help in finding the information I needed in the last legs of my work at the State Department on the 1959 Exhibit.