DOCSLIB.ORG

Big Big Train English Electric Part Two Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Big Big Train English Electric Part Two mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: English Electric Part Two Country: UK Released: 2013 Style: Prog Rock, Art Rock MP3 version RAR size: 1370 mb FLAC version RAR size: 1562 mb WMA version RAR size: 1719 mb Rating: 4.9 Votes: 148 Other Formats: FLAC MP2 DMF DXD ADX VOX APE Tracklist Hide Credits East Coast Racer Arranged By [Brass Arrangement By] – Dave Desmond Arranged By [String Arrangement By] – Dave GregoryBass, Mandolin, Mellotron, Electric Guitar, Twelve-String Guitar, Backing Vocals – Greg SpawtonCello – Abigail TrundleCornet – Ben Godfrey Drums – Nick D'VirgilioElectric Guitar, Guitar [E-bow Guitars] – Dave GregoryEuphonium, Trombone – 1 15:43 John Storey Harp – Megan FisherKeyboards, Backing Vocals – Andy PooleLead Vocals, Backing Vocals – David LongdonOrgan, Synthesizer – Andy TillisonPedalboard [Bass Pedals] – Rob AubreyPiano, Keyboards – Danny MannersTrombone – Dave Desmond Tuba – Jon Truscott*Viola – Teresa Whipple*Violin – Eleanor Gilchrist, Geraldine BerreenWords By, Music By – Greg Spawton Swan Hunter Arranged By [Brass Arrangement By] – Dave Desmond Arranged By [String Arrangement By] – Rachel Hall Backing Vocals – Andy PooleBass, Backing Vocals – Greg SpawtonCornet 2 – Ben Godfrey Drums – Nick D'VirgilioElectric Guitar – Dave GregoryEuphonium, 6:20 Trombone – John Storey Lead Vocals, Backing Vocals, Banjo, Vibraphone, Shaker – David LongdonPiano – Danny MannersTrombone – Dave Desmond Tuba – Jon Truscott*Violin – Rachel Hall Words By, Music By – David Longdon, Greg Spawton Worked Out Backing Vocals – Simon Godfrey Backing Vocals, Acoustic Guitar – Andy PooleBass, Electric Guitar [6 String Electric Guitar], Twelve-String Guitar [12 String Electric Guitar], Acoustic 3 Guitar, Backing Vocals – Greg SpawtonDrums – Nick D'VirgilioElectric Guitar, Marimba – 7:30 Dave GregoryLead Vocals, Backing Vocals, Flute, Percussion, Percussion [Cutlery And Glassware] – David LongdonPiano, Organ, Synthesizer – Danny MannersViolin [Acoustic Violin], Violin [Electric Violin] – Rachel Hall Words By, Music By – Greg Spawton Leopards Arranged By [String Arrangement By] – Louis PhilippeBacking Vocals – Andy Poole, Greg SpawtonCello – Abigail TrundleDouble Bass – Danny MannersDrums – Nick 4 3:54 D'VirgilioElectric Guitar – Dave GregoryLead Vocals, Backing Vocals, Acoustic Guitar, Banjo, Piano, Organ, Synthesizer – David LongdonViola – Teresa Whipple*Violin – Geraldine Berreen, Sue BowranWords By, Music By – David Longdon Keeper Of Abbeys Backing Vocals, Acoustic Guitar, Electric Piano – Andy PooleBass, Acoustic Guitar, Mandolin, Organ – Greg SpawtonCello – Abigail TrundleDouble Bass – Danny 5 MannersDrums, Cajón – Nick D'VirgilioElectric Guitar [6 String Electric Guitar], Twelve- 6:58 String Guitar [12 String Electric Guitar] – Dave GregoryLead Vocals, Backing Vocals, Flute, Accordion, Goblet Drum [Dumbek], Tambourine – David LongdonViolin – Rachel Hall Words By, Music By – Greg Spawton The Permanent Way Arranged By [Brass Arrangement By] – Dave Desmond Arranged By [String Arrangement By] – Rachel Hall Backing Vocals – Andy Poole, Lily Adams, Violet AdamsBass, Backing Vocals – Greg SpawtonCello – Abigail TrundleCornet – Ben Godfrey Drums, Backing Vocals 6 – Nick D'VirgilioElectric Guitar [Electric Guitars] – Dave GregoryLead Vocals, Backing 8:29 Vocals – David LongdonOrgan, Sound Designer [Tillisification] – Andy TillisonPiano – Danny MannersRecorder – Jan Jaap LangereisTrombone – Dave Desmond , John Storey Tuba – Jon Truscott*Violin [Acoustic Violin], Violin [Electric Violin] – Rachel Hall Words By, Music By – Greg Spawton Curator Of Butterflies Arranged By [Brass Arrangement By] – Dave Desmond Arranged By [String Arrangement By] – Dave GregoryBass, Twelve-String Guitar [12 String Acoustic Guitar], Backing Vocals – Greg SpawtonCello – Abigail TrundleCornet – Ben Godfrey Drums, Cajón – Nick 7 D'VirgilioElectric Guitar [Electric Guitars] – Dave GregoryLead Vocals, Backing Vocals, 8:44 Flute – David LongdonPiano – Danny MannersTrombone – Dave Desmond , John Storey Tuba – Jon Truscott*Twelve-String Guitar [12 String Acoustic Guitar], Pedalboard [Bass Pedals], Backing Vocals – Andy PooleViola – Teresa Whipple*Violin – Eleanor Gilchrist, Geraldine BerreenWords By, Music By – Greg Spawton Companies, etc. Recorded At – English Electric Studios, Bournemouth Recorded At – Aubitt Studios Recorded At – Regal Lane Studio Recorded At – Studio Aurelia Mixed At – Aubitt Studios Mastered At – Aubitt Studios Manufactured By – Sound Performance Credits Curated By [Curator] – Greg Spawton Design – Andy Poole Mixed By, Mastered By – Rob Aubrey Photography By [Cover And Booklet Photography By] – Matt Sefton Photography By [Portrait Photograph By] – Willem Klopper Producer – Andy Poole Recorded By – Big Big Train, Edo Spanninga, Ken Brake, Rob Aubrey Notes Packaged in a three panel digipak incl. 20 page booklet. Recorded by Big Big Train at English Electric Studios. Drums, brass band and violin recorded by Rob Aubrey at Aubitt Studios. String section and double bass recorded by Ken Brake at Regal Lane Studios. Recorder on The Permanent Way recorded by Edo Spanninga at Studio Aurelia. Barcode and Other Identifiers Barcode (Scanned): 0680569805539 Barcode (Text): 0680569 805539 Matrix / Runout: [Sound Performance logo] 0208691 2121 EERCD012 Mastering SID Code: IFPI LP76 Mould SID Code: IFPI 0450 Other versions Category Artist Title (Format) Label Category Country Year English Electric English Electric EERCD0012, Big Big Recordings , EERCD0012, Part Two (CD, Russia 2013 GEPCD1044 Train Giant Electric GEPCD1044 Album, Unofficial) Pea English Electric Big Big PLG017 Part Two (2xLP, Plane Groovy PLG017 UK 2013 Train Ltd, Num) Related Music albums to English Electric Part Two by Big Big Train 1. Waylon - The World Can Wait 2. Tomoyasu Hotei - Monster Drive 3. Andy Desmond - Andy Desmond 4. Wildwood - Wildwood 5. Pelle Carlberg - The Lilac Time 6. Patti Austin - Love Is Gonna Getcha 7. Elton John - Caribou 8. Jill Freeman - A Handmade Life 9. John Denver - John Denver's Greatest Hits 10. Martin Orford - The Old Road.
Recommended publications
  • Big Big Train – Past, Present & Future: Im

    Big Big Train – Past, Present & Future: Im

    Big Big Train – Past, Present & Future: Im Gespräch mit Gregory Spawton Das Jahr 2020 brachte für alle eine Menge Unerwartetes – meist nicht im Positiven. Ohne Frage dürfte das Jahr 2020 die britischstämmige Prog- Institution Big Big Train ziemlich erschüttert haben. Neben der Absage ihrer ersten (!) Europa-Tour musste die Band auch noch die Trennung von gleich drei Bandmitgliedern hinnehmen, und kurz nach der Veröffentlichung des gemeinsamen Albums „Between A Breath And A Breath“ verstarb Sänger David Longdons Duettpartnerin Judy Dyble (Fairport Convention) an den Folgen ihrer Lungenkrebserkrankung. Zum Jahresende erschien nun mit „Empire“ ein neues Livealbum, mit dem Big Big Train erneut einen Höhepunkt in ihrer Karriere setzten und die Ankündigung eines neuen Studioalbums für’s kommende Jahr. Wir sprachen für Euch mit Band-Urgestein/Hauptsongwriter/BassistGregory Spawton, um einen Jahresrückblick und einen Ausblick in die Zukunft zu wagen. »Was diese Katastrophen uns aber auch gebracht haben, ist eine etwas andere Herangehensweise ans nächste Album, an dem wir gerade arbeiten.« Sascha: Als wir 2017 miteinander sprachen, war ja eine meiner Fragen, wie Ihr es schafft, ein Acht-Personen-Line-up zu unterhalten, mittlerweile hat sich die Band auf genau die Hälfte reduziert. Wurden diese Veränderung eher von finanziellen oder kreativen Dingen ausgelöst? Gregory Spawton: Weder noch, diese Veränderungen waren von uns weder beabsichtigt noch gewollt. Ich kann auch nicht wirklich für Danny (Manners, keyb), Dave (Gregory, gtr) und Rachel (Hall, violin) sprechen, aber ich denke, die COVID-Situation hat eine Menge Menschen dazu gebracht, ihr Leben zu überdenken und vielleicht motiviert, Gefühlen, die schon länger da waren, einfach zu folgen und Entscheidungen zu treffen.
  • Big Big Train – Grimspound

    Big Big Train – Grimspound

    Big Big Train – Grimspound (67:53, CD, https://www.bigbigtrain.com/stor e//Giant Electric Pea, 2017) Es ist noch gar nicht so lange her, dass die Briten ihr letztes Studioalbum „Folklore“ vorgelegt haben. Um im Gespräch zu bleiben, wurde noch ein Livealbum nachgeschoben. Während der Aufnahmen zu „Folklore“ hatte sich indes so viel Material angesammelt und die Band stand offensichtlich so gut im Saft, dass sie gleich weitergearbeitet hat – mit dem nun vorliegenden Resultat. Herausgekommen ist zwar wieder ein typisches Big-Big-Train- Album, aber in Nuancen ist schon eine Entwicklung erkennbar. So das recht voluminöse Klangbild, kein Wunder angesichts der massiven Ansammlung guter Musiker. Das Line-up ist stabil, aktuell liest sich das wie folgt: Greg Spawton – bass guitar / bass pedals Andy Poole – acoustic guitar / keyboards / backing vocals Dave Gregory – 6 & 12 string electric guitars Danny Manners – keyboards / double bass David Longdon – lead and backing vocals / flute / piano / acoustic and electric guitars / mandolin / banjo / lute / melodica / celesta / synthesizers / percussion Nick D’Virgilio – drums / percussion / backing vocals Rikard Sjöblom – guitars / keyboards / backing vocals Rachel Hall – violin / viola / cello / backing vocals / string arrangements. Als Gäste sind Judy Dyble (Gesang auf ‘The Ivy Gate’) und Philip Trzebiatowski (Cello auf ‘On The Racing Line’) zu nennen. Eine Big Big Band also. Zum Schutz Ihrer persönlichen Daten ist die Verbindung zu YouTube blockiert worden. Klicken Sie auf Video laden, um die Blockierung zu YouTube aufzuheben. Durch das Laden des Videos akzeptieren Sie die Datenschutzbestimmungen von YouTube. Mehr Informationen zum Datenschutz von YouTube finden Sie hier Google – Datenschutzerklärung & Nutzungsbedingungen. YouTube Videos zukünftig nicht mehr blockieren.
  • [Ghanabib 1819 – 1979 Prepared 23/11/2011] [Ghanabib 1980 – 1999 Prepared 30/12/2011] [Ghanabib 2000 – 2005 Prepared 03/03

    [Ghanabib 1819 – 1979 Prepared 23/11/2011] [Ghanabib 1980 – 1999 Prepared 30/12/2011] [Ghanabib 2000 – 2005 Prepared 03/03

    [Ghanabib 1819 – 1979 prepared 23/11/2011] [Ghanabib 1980 – 1999 prepared 30/12/2011] [Ghanabib 2000 – 2005 prepared 03/03/2012] [Ghanabib 2006 – 2009 prepared 09/03/2012] GHANAIAN THEATRE A BIBLIOGRAPHY OF PRIMARY AND SECONDARY SOURCES A WORK IN PROGRESS BY JAMES GIBBS File Ghana. Composite on ‘Ghana’ 08/01/08 Nolisment Publications 2006 edition The Barn, Aberhowy, Llangynidr Powys NP8 1LR, UK 9 ISBN 1-899990-01-1 The study of their own ancient as well as modern history has been shamefully neglected by educated inhabitants of the Gold Coast. John Mensah Sarbah, Fanti National Constitution. London, 1906, 71. This document is a response to a need perceived while teaching in the School of Performing Arts, University of Ghana, during 1994. In addition to primary material and articles on the theatre in Ghana, it lists reviews of Ghanaian play-texts and itemizes documents relating to the Ghanaian theatre held in my own collection. I have also included references to material on the evolution of the literary culture in Ghana, and to anthropological studies. The whole reflects an awareness of some of the different ways in which ‘theatre’ has been defined over the decades, and of the energies that have been expended in creating archives and check-lists dedicated to the sister of arts of music and dance. It works, with an ‘inclusive’ bent, on an area that focuses on theatre, drama and performance studies. When I began the task I found existing bibliographical work, for example that of Margaret D. Patten in relation to Ghanaian Imaginative Writing in English, immensely useful, but it only covered part of the area of interest.
  • Folklore SD Audio.Indd

    Folklore SD Audio.Indd

    Folklore Where the water’s edge If you stand all alone Folklore meets the squares and the streets George will slay his foe Wassail the river ‘knows the mood where the grass can never grow. Let us begin where it all began, of kings and crowds and priests’. At night, Wayland’s forges glow Apple tree, old apple tree fi reside fl ickering fl ames Take tea in the gardens, smelting iron and blood Bountiful we raise a glass to thee make the shadows dance drunk for a penny or two. for wings to fl y him home. We sing our song Stars will lead you home. Stand fast, stand strong Heigh-ho so we go we pass it on At home, a world of steel and stone Bough and leaf bear fruit aplenty we hand it down-o Sailing on the English way with stories never told racing on the high tides. where you feel so alone. In Eden gone, when the world was young We tell our tales, we sing our songs, Here by the riverside But back out there on the hills Paradise was where it all began while we have breath left in our lungs reaching for the day’s last light. the chalk horse comes on down Just one bite was all it took takes water from the well. Expulsion and the fall of man Heigh-ho so we go we pass it on When the Houses fall And by the light of the moon we hand it down-o and the fl ames meet the sky Alfred sounds his stone Apple tree, we bless your crown Turner takes his boat out and legends are reborn.
  • Titil Iltitt CHORISTERS GUILD LETTERS VOLUME XVII� 1965-66� September� Number 1

    Titil Iltitt CHORISTERS GUILD LETTERS VOLUME XVII 1965-66 September Number 1

    A while ago, Dr. Kenneth A. Carlson wrote in the First Methodist (Glendale, Calif.) Outlook: "A lad was having a wonderful time practicing on his father's typewriter. When he got through, the page looked pretty well beaten up with words crossed out, spellings corrected, additions made. Across the top was written the title, 'My Story About Me'. Then followed the request, 'Dad, can I have a clean sheet to write on? "This is the ppicture of your life and mine. Each of us is continually writing, 'My Story About Me'. And it is about as checkered as the boys typewritten page. There are many things we would like to cross out, much has been corrected, and we are ever conscious of the additions to be made. For, as Dr. Fosdick has sug PI gested, 'We can avoid making up our minds, but we cannot avoid making up our lives Each one is about to write "My '65'66 story About Me As a Choir Director." As September comes, our "Great Father" has given each of us a clean sheet to write on. What will we do with it? Will our summer study, the good resolves, the refreshment of the vacation be reflected in a neatly written page? Will our rehearsals reflect a thorough preparation, an expanding love of others, a truer concern for the spiritual enrichment and musical development of each child? The new choral year is upon us The clean sheet is in the typewriter "Grant us wisdom, grant us courage That we fail not man nor Thee." titiL iLtitt CHORISTERS GUILD LETTERS VOLUME XVII 1965-66 September Number 1 Federal Lee Whittlesey, Editor Helen Kemp, Norma Lowder, Nancy Poore Tufts, Associate Editors Sally Lane, Christine Kallstrom, Contributing Editors THE BOARD OF DIRECTORS Dr.
  • GENESIS Origin Godalming, Surrey, England Genres Progressive Rock

    GENESIS Origin Godalming, Surrey, England Genres Progressive Rock

    GENESIS Origin Godalming, Surrey, England Genres Progressive rock, pop rock, rock, symphonic rock Years active 1967–1999, 2006–present Labels Virgin, Charisma, Decca, EMI Associated acts Garden Wall, The Anon Website www.genesis-music.com Members Tony BanksMike RutherfordPhil Collins Past members Peter GabrielAnthony PhillipsChris StewartJohn SilverJohn MayhewMick BarnardStev e HackettRay Wilson Genesis are an English rock band that formed in 1967. The band currently consist s of its three longest-tenured members - Tony Banks (keyboards) and Mike Rutherf ord (bass, guitar) were founding members and Phil Collins (vocals, drums) first joined in 1970. Past members Peter Gabriel (vocals, flute), Steve Hackett (guita r) and Anthony Phillips (guitar), also played major roles in the band in its ear ly years. Genesis are among the top 30 highest-selling recording artists of all time, with approximately 150 million albums sold worldwide.1 In the late 1960s, with the release of their first album, Genesis's music was in itially regarded by the band and the fans as a pop experiment, referring to then -popular melodic pop.2 Then, over the course of a year, (beginning with their se cond album in mid-1970) they quickly evolved into a progressive rock band with t he incorporation of complex song structures and elaborate instrumentation. Their concerts became theatrical experiences with innovative stage design, pyrotechni cs, extravagant costumes and on-stage stories. This second phase was characteris ed by lengthy performances such as the 23 minute "Supper's Ready" and the 1974 c oncept album, The Lamb Lies Down on Broadway. In the late 70's and early 80's th e band's musical direction changed once again, becoming more pop oriented and co mmercially accessible.
  • KWAME NKRUMAH’S CONTRIBUTION to PAN-AFRICANISM an Afrocentric Analysis D.Zizwe Poe

    KWAME NKRUMAH’S CONTRIBUTION to PAN-AFRICANISM an Afrocentric Analysis D.Zizwe Poe

    AFRICAN STUDIES HISTORY, POLITICS, ECONOMICS, AND CULTURE Edited by Molefi Asante Temple University A ROUTLEDGE SERIES AFRICAN STUDIES: HISTORY, POLITICS, ECONOMICS, AND CULTURE MOLEFI ASANTE, General Editor KWAME NKRUMAH’S CONTRIBUTION TO PAN-AFRICANISM An Afrocentric Analysis D.Zizwe Poe NYANSAPO (THE WISDOM KNOT) Toward an African Philosophy of Education Kwadwo A.Okrah THE ATHENS OF WEST AFRICA A History of International Education at Fourah Bay College, Freetown, Sierra Leone Daniel J.Paracka, Jr. THE ‘CIVIL SOCIETY’ PROBLEMATIQUE Deconstructing Civility and Southern Nigeria’s Ethnic Radicals Adedayo Oluwakayode Adekson MAAT, THE MORAL IDEAL IN ANCIENT EGYPT A Study in Classical African Ethics Maulana Karenga YORUBA TRADITIONAL HEALERS OF NIGERIA Mary Adekson IGBO WOMEN AND ECONOMIC TRANSFORMATION IN SOUTHEASTERN NIGERIA, 1900–1960 Gloria Chuku KWAME NKRUMAH’S POLITICO-CULTURAL THOUGHT AND POLICIES An African-Centered Paradigm for the Second Phase of the African Revolution Kwame Botwe-Asamoah KWAME NKRUMAH’S POLITICO-CULTURAL THOUGHT AND POLICIES AN AFRICAN-CENTERED PARADIGM FOR THE SECOND PHASE OF THE AFRICAN REVOLUTION Kwame Botwe-Asamoah Routledge New York & London Published in 2005 by Routledge 270 Madison Avenue New York, NY 10016 http://www.routledge-ny.com/ Published in Great Britain by Routledge, 2 Park Square Milton Park, Abingdon Oxon OX14 4RN http://www.routledge.co.uk/ Copyright © 2005 by Taylor & Francis Group, a Division of T&F Informa. Routledge is an imprint of the Taylor & Francis Group. This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” All rights reserved.
  • Big Big Train – Wassail (EP)

    Big Big Train – Wassail (EP)

    Big Big Train – Wassail (EP) (26:14, CD-EP, English Electric Recordings/JustForKicks, 2015) Die englischen Retroprogger um die Gründungsmitglieder Greg Spawton (Gitarre, Tasteninstrumente) und Andy Poole (Bass, Tasteninstrumente) veröffentlichen mit „Wassail“ mal wieder eine EP, diesmal mit vier Tracks. Die Stücke liegen im sechs Minuten Bereich und neben drei neuen Tracks (davon zwei ausschließlich für die EP) bieten sie eine im Studio neu eingespielte Live-Version von ‚Master James Of St. George‘ von der 2009er Scheibe „The Underfall Yard“. Das charmant gestaltet Cover sowie der Titel stehen für ein traditionelles Ritual aus West-England, mit dem das Wachstum der Mostäpfel gelockt werden sollte. Natürlich wurde mit reichlich Getöse, Gesängen und Getränken der Geist einer später im Jahr fruchtbaren Ernte heraufbeschworen. Musikalisch bieten Big Big Train wieder schwungvolle melodiöse Kompositionen, die von eingängigen Gesangsrefrains sowie gekonnten Solodarbietungen der Instrumentalisten geprägt sind. Bei den Mitstreitern findet man das seit sieben Jahren bestehende Grundgerüst mit Sänger David Longdon, Schlagzeuger Nick D’Virgilio und Gitarrist Dave Gregory. Außerdem gehören inzwischen Rachel Hall mit ihrem gekonnten Violinenspiel sowie Danny Manners mit seinen Pianoklängen zum festen Bandgefüge. Und dann gibt es noch einen bekannten schwedischen Musiker, der ebenfalls als festes Mitglied aufgeführt wird und Keyboard und Gitarrenparts beisteuert – Beardfish Mastermind Rikard Sjöblom. Insgesamt wissen die 26 Minuten rundherum zu gefallen und zeigen, dass Big Big Train zu den führenden Vertretern des Retro-Prog zu zählen sind. Nicht gerade Fan-freundlich ist allerdings die Philosophie, alle Jahre wieder EPs zu veröffentlichen, von denen die Stücke zum Teil auf den Folgealben wiederzufinden sind. Bewertung: 12/15 Punkten (WE 12, JM 11, KR 9, KS 11) Surftipps zu BBT: Homepage Facebook TwitterBandcamp Soundcloud YouTube ProgArchives Wikipedia.
  • Specialist Choral Scholar Programme from 16

    Specialist Choral Scholar Programme from 16

    Fifteenth Annual Sherborne Abbey Festival 2nd - 6th May 2014 Programme £3.00 Supported by: Porter Dodson Dunard Fund Adanac Solicitors & Advisors Financial Services Waitrose Simon Digby Charitable Trust Eastbury Hotel Sherborne Abbey Festival is run in aid of Sherborne Abbey Under the Abbey’s Health and Safety policy, there are five exit doors which persons attending concerts can use in the event of a situation arising which requires evacuation of the Abbey. These are the North East door, South East door, South West door, Great West door and Saxon door. These doors will be stewarded; in the event of an incident please make your way to the nearest exit, without rushing, and listen for instructions from the stewards. Once outside, please move clear of the immediate surroundings of the building. Sherborne Abbey Festival 2014 FESTIVAL PROGRAMME Doors open 45 minutes before stated concert times. Please note that concerts take place in several locations, generally either Sherborne Abbey or Castleton Church, Sherborne. The location for each concert is indicated in parentheses. *Denotes free entry with plate donations Friday 2nd May Sunday 4th May (continued) 1.30pm* Sherborne School Chamber Music (Sherborne Abbey) 5.00pm* Choral Evensong: Combined choirs of Romsey 3.45pm* Jazz at the Music School: Sherborne School Swing Abbey and Sherborne Abbey (Sherborne Abbey) Band (Music School, Sherborne School) 6.00pm Patrons’ Evening 6.00pm The Art of Music: Bishop of Salisbury (Sherborne Abbey) 7.45pm Swinging at the Cotton Club: The Jiving Lindy Hoppers
  • Big Big Train &#8211

    Big Big Train –

    Big Big Train – Merchants Of Light (59:22 + 76:48, 2 CD, English Electric Recordings, 2018) Big Big Train haben sich mittlerweile als multi- internationales Bandprojekt mit u.a. Nick D’Virgilio und Rikard Sjöblom etabliert. Trotz der etwas aufwändigen Logistik, dieses Ensemble zusammenzubringen, wagt man sich nach nahezu zwei Dekaden des Bestehens ebenso für ausgewählte Auftritte auf die Bühne. Zusätzlich unterstützt von diversen Gastmusikern an Blasinstrumenten bedeuteten die Auftritte im Herbst letzten Jahres in der Londoner Cadogan Hall den bisherigen Höhepunkt in der konzerttechnischen Historie der Band. Mit leicht veränderter Setlist wurde beim diesjährigen Night Of The Prog Festival auf der Loreley ein ebenfalls denkwürdiger Auftritt nachgelegt. „Merchants Of Light“ fasst die besten Momente der drei Abende in der Cadogan Hall zusammen. Interessanterweise greift man nicht unbedingt auf die logischen, nach persönlicher Sichtweise besten Titel der Historie zurück – so ist z.B. kein Titel vom 2007er Album „The Difference Machine“ vertreten. Vielmehr stehen die beiden Studioalben „Grimspound“ (2017) und „Folklore“ (2016) im deutlichen Fokus. Letztendlich wiegt dieser Makel keineswegs so schwer, denn Big Big Train funktionieren vor allem als Ensemble. Die Liveaufnahmen sind teilweise besser als das originale Studiomaterial, entfalten auf der Bühne eine ganz eigene Dynamik und überzeugen in der Konzertdramaturgie. Zum Schutz Ihrer persönlichen Daten ist die Verbindung zu YouTube blockiert worden. Klicken Sie auf Video laden, um die Blockierung