THE SUNDAY STAR, Could the Washington,® D. C. League SUNDAY. APRIL «. 1982 C-5 Books in Review Os Nations Have ¦ Shelby Foote's Novel Woven Around Preserved Peace? Art A HISTORY OF THE Battle of Shiloh Wins High Praise LEAGUE OF NATIONS Washingtonians SHILOH v By F. P. Walters. (Oxford; two By Shelby Foote. (Dial; $2.75.) vols., $11.50.) Win Art Awards Reviewed by Carter Brooke Jones Reviewed by Francis P. Douglas In Maryland Show One of history’s It was on a Sunday, too, thoughts as if the omnipotent unsolved—- By Florence S. Berryman exactly 90 years ago. that one God and unsolvable—riddle is: If were recording them. the For the first time in the his- of the decisive battles of the There are long flashbacks, United States had been a no member of the tory of Maryland annuals, Civil War began. and there is no effort to develop League of Na- tions would War n Washington artists were invited Tomorrow, on the any character fully, and yet a World have anniver- been prevented. to submit their works to the sary of the second and final day surprisingly good idea of what twentieth, opens these emerges Mr. Walters, formerly deputy which this of the battle, “Shiloh,” an im- men were like afternoon in the Baltimore Mu- pressive novel woven around from the sketches. Beyond that, secretary general of the League, seum Art. despite does not give an answer. But of Consequently, the costly fight, is being pub- the diffused and iso- many of our most active artists he does give a and lished. lated descriptions, we have at clear bal- are represented in the show, the end a anced account of what the Because of the plethora of remarkable grasp of and a large number have re- what happened to the league accomplished and where- recent writings about what armies. ceived awards. Not a few Faithful to in it failed. The reader may History. “Washington” artists, < m many Southerners still insist on form his own judgment of course, calling War the whether Maryland m the Between We learn from Johnston's aide we made a mistake in holding have addresses. States, I in play- of the general’s plan destroy One and ten paint- feel tempted, to aloof. Mr. Walters goes only so hundred Gran’t ings, 15 pieces jjß SRjk m J ,, ing up another book on the army at Pittsburgh far as to say the abandonment of sculpture and subject, to say: Here we go Landing, driving it into the of the league by the United 15 drawings and prints, com- has River, before pose of again. And yet no one who Tennessee Buell, Nations was a blow whose ef- one the largest local writing with an army equal size, a feeling for sensitive of fects can scarcely be overesti- exhibitions held in Baltimore and for the imaginative color- could reach that point in Mis- —Bern Keating Photo. mated. in recent years. It was selected ing of the black-and-white sissippi. The Confederate lead- SHELBY FOOTE, by a New York jury: John I. H. overlook er in surprising Grant The league’s achievements outlines of history can succeeded Author of "Shiloh." were Baur, curator of painting and this novel. and the first day the Union many—including settle- sculpture at the Brooklyn Mu- mam: is ment of the Anglo-Iranian oil Mr. is a Mississippian forces were driven in wild con- seum; Robert Gwathmey, paint- Foote fusion. But Johnston dispute of 1933. The major great - grandfather was er. and Minna Harkavy, sculp- and his breakdown came with the fail- fought with the Confederates fatally wounded, and the strate- Mr. Whyte Sounds Off on American tor. gist Beauregard, who took ure to halt Italian aggression at Shiloh. But you’d never over, First prize went to John up against Ethiopia. The infamous Chapman Portrait Mrs. Thornton W. Owen, painted by know that if the publisher didn’t did not follow the attack. Big Business and Its Big Red Devils Lewis for his “Red of Bruno Beran, Unfortunately the Hoare-Laval agreement, truck- recently shown at Galleries, Group tell you. There is nothing par- for Southern- IS ANYBODY LISTENING? Nets,” a well-organized com- IFA in Portrait Exhibition. Buell night ling to Mussolini, torpedoed the position A one-man by or sectional in his con- ers, arrived that and By William (Simon of deep reds and vi- show Mr. Beran will open this afternoon at the tisan his troops crossed the Tennes- H. Whyte, jr. <6 Schuster; $3.) program of sanctions which had ception of the battle and its brant blues with well-placed New Georgetown Gallery. see and attacked at dawn. The by promised well. The ultimate re- w'hite effect on various men. The Reviewed Mary McGrory sult, areas, representative of Confederate threat to the whole according to Mr. Walters, the work by fictional characters through Most people who find life dull European intellectuals have was a go-ahead which he is well express their emotions, the foreground, West was ended. How these signal to Hitler. known in District exhibitions. reac- joined by lush whose eyes the two fateful days or enterprise just tended to think of us and Russia tions, personal feelings, green. events sifted down to soldiers stifled sound Our Failure. Herman Maril’s in are viewed are both Confeder- as “two technocracies that think “Family Group” forms invented, or here and there is brought out off against a swollen, man-eat- The reader probably will con- received top derived from In contrast to these, it seems ates and Federals—if anything, themselves antagonists (and) the second award. their private vision. other from Metcalf, from Capt. Foun- ing Not clude that had the United States artist is In to me Mr. Stamos’ paintings, there are more on the Union Federal Government. are dragging in the This Baltimore also words, they speak personal tain, adjutant of the 53d Ohio; humanity as a member given sup- a with their amorphous shapes side. so Mr. Whyte. same direction of all-out familiar to Washington gallery language with almost Pvt. Dade, rifleman of the 6th dehumaniza- port to the sanctions against visitors. as many and misty merging colors, ap- Over Every Scene. From the tion.” It's not so surprising “dialects” as there are artists. Mississippi, and others. The Italy they almost certainly would Other Washington pear thin and flat. Two of Actually the battle itself is rather unex- when you read Mr. Whyte’s artists to This adds up to author has been faithful to pected have been successful. But that win awards included Reuben a tough them, “Garden in Athens" and the author’s protagonist. It source H chilling chapters on corporation proposition for the average lay- history—he has embellished it of Fortune presupposes that not only would Kramer for his bronze, “Wom- “Altar” should have their titles hovers over every scene, some- without ¦ B wives. “We can control a man's have been man to cope with. One can changed. distortion. magazine environment in we a member but, in an in Chair”; Frank Yee, gran- Each painting would times in full fury, sometimes This is Mr. Foote’s fourth business and we the face of hardly blame him for finding carry comes his in- Wh lose it entirely when he isolation sentiment, ite sculpture, “Mother and Son”; more conviction with the at a menacing lull, affecting novel. “Shiloh” deserves to rank 'lf crosses a co-operative and not this sort of painting so much other’s title. telligent in- the threshold of his home,” an a reluct- Jack Perlmutter, abstract every move and every memory as one of our distinctive stories dLJt U ant one. esthetic gibberish. Thinking of Mr. Lippold’s are It’s as if diet me nt of executive moaned to him. That’s painting, “Television Antennas”; sculptures of the men involved. of battle. Whether you say, as Eve these works as personal expres- wire constructions that could being weighed American big L not half so bad as the revela- Mr. Walters’ judgment is that Silverman, large water sions, one their lives were some will, that it is in the tradi- Jfc color, “Newport finds some strident, be better appraised by some on# —ended, handicapped or spun b u s i ness. tion that far from showing a the ultimate defeat of the Mill”; Stanley with harsh color tion of Stephen Crane or of League Jacobson, non-objective paint- contrasts: versed in geometry. out harmlessly at the whim of which, he B healthy resistance to the iron was not due to any others are garrulous, spread some one else, the technic is shortcomings in the ing, “The Zere- out *** * monster. pattern of conformity urged Covenant Room”; Andrea on large (one this impersonal the author’s own. There are ga, canvases is about ducing Amer- upon them by the system, many but because the provisions of painting, "Babe Ruth,” and feet) Only a few are many fine touches, such the 6 by 8 when their “mes- Visiting Artist men dealt as icans to sell a young wife Covenant were not applied. Marguerite Burgess, “Feathered French these briefly. One of when a straggler says of joyously yields sages” could better have been with and their birth- to it. The impotence of the opposi- Friend,” a painting shown in Charles Cerny, a native of them, Lt. Metcalfe, an aide to others who have run away put into inches. But if one right of indi- Whv‘*- jr. The only heartening thing tion to our joining the United February at the Whyte Gallery. takes the Czechoslovakia, but a French Gen. Albert Sidney Johnston, from a deadly rain of lead: “I James Foster, time to study them, subject for many years, and vidual freedom for a mess of about “Is Anybody Listening” is Nations demonstrated, if not a jr., assistant one will probably find the Confederate commander, got a notion they were not only something recently appointed claptrap known as “group in- the negative answer the author feeling that we had made a mis- director, Baltimore Museum, an offi- in twice, at the begin- trying to get away from the rewarding. cial “painter of the comes tegration.” gives to the questioning title. take about the League, at least said, “On the whole, the ex- French ning and at the close. Each fighting, they were trying to hits It seems to me two ministry of the Navy,” is American management first And it isn’t that people have feeling that we had better jump hibition the middle road that en- gives his impressions of the walk right out of the human between conservative and Washington artists in the group joying his first visit to the roused his suspicions by pro- turned their backs on business, in and help make the U. N. work ab- acquit two days; each is drained of his race.” stract. The jury noted par- themselves well. Both, United States, and while in this testing too much. It has vir- either. Just let them throw ouj or might not have another incidentally, the charlatans ticularly an absence of good teach as well as area is a guest of Mr. and Mrs. **** i tually deafened itself with a who are tamper- chance. paint. Benjamin stream of its ing with man’s souls and every- conservative work as well as Abramowitz Martin F. Gaudian in Fairfax, propaganda about conducts courses in sterling achievements and hon- thing will be okay, says Mr. noticeably fewer non-objective his own Va. His hosts had a private A Catholic Takes Blanshard to Task Whyte. paintings than might have been studio, while Ernest Lothar view for friends of some 20 of orable intentions. By its puffing teaches at the efforts to “resell Americans Almost inevitably, Mr. Whyte expected.” National Art the artist’s paintings and wash on ** * * School. In employs some of the jargon Crime "Ancestors” Mr. drawings. On His'Freedom and Power' Charges America” and tQ convince Eu- that so repulses him Abramowitz comments satir- M. Cerny AND rope of the matchlessness of its in discussing Reviewed by Miriam Ottenberg Abstract Expressionists ically celebrates this sum- CATHOLICISM AMERICAN FREEDOM problems. on the lavish display of birthday, methods it has managed to in- these Sometimes he The The Phillips Gallery is show- mer his 60th and also By James M. O’Neill. (Harper; $3.50.) seems be Chase. By Richard G. Hub- ancient royalty on family trees. the sult and offend almost the to arguing against ler. ing through April 15, an ex- Mr. anniversary of 40 years as Mr. O’Neill has written a would close Protestant schools. himself. These minor (Coward-McCann, Inc.; Lothar’s “Memorial Stone,” a resident of Paris. whole Western world. are lapses $3.) hibition, “Painters of Expres- modest in size, He fought temperate, scholarly and per- Such a measure mean in a book that is a highly moral reticent in color, for France in World War would simple sionists Abstractions,” com- spoke I suasive reply to Paul “the omnipotent state,” which Behind the Scenes. and of a significance A request to mail a to me of the cryptic carv- and served again during Blanshard. that can- posed of 26 works, 12 from the ing on long-buried the last who in two recent as- would "tell all parents what Such self-consciousness be- not be overemphasized. letter precipitates Jennett, em- Mayan war. He studied art under books bryo Gallery’s collections and 14 temples sev- sailed the Catholic church and training their children must comes understandable once Mr. reporter, into a nightmare eral instructors, concluding his straight out Hollywood. loans, from the Kootz and Betty Others among artists questioned the patriotism and have and at whose hands, in Whyte takes you behind the of One Parsons the rep- formal training at the Academie dread night encompasses Galleries, New York resented and good citizenship of Americans what schools and by what scenes at the corporation meet- mur- the are nationally Julian. He has won many hon- An Earlier der, kidnaping, and City, from artists them- some are internationally who live up to all its tenets. methods in what subjects.” The ings. What management is try- Work torture selves, and private owners. famous. ors and awards, and for several ing to do is nothing escape through stormy seas. ** While Mr. O’Neill’s book is Catholic doctrine of the primacy less than Abstract and expres- * * decades has been a regular ex- to squeeze the juice out of the Os The letter obviously is crucial. painting hibitor mostly in answer to Mr. Blan- of parental authority in the Rachel Carson are the two major art in Paris’ various salons human beings But why? And what of the sionism many shard’s first book, “American education of children “is gen- that come into UNDER THE SEA-WIND movements of era. first More Abstractions and in other exhibitions its clutches and to them hitchhiker who endures all but our The in Freedom and Catholic Power,” erally the doctrine of the .whole mold By Rachel L. Carson. (Oxford; stresses relationships, Theodoros Stamos, represent- France and elsewhere in Eu- vanishes in the night? formal his defense the church ap- civilized world (outside of total- into the image and likeness of $3.50.) Whether the second, content. ed with several paintings in the rope. In fact, his paintings pre- of robot you take this as a of emotional plies equally itarian countries) and is specif- a who can be pretested parable The group painters repre- Phillips show, ceded him to the United States. to the second book, This Is a reissue of Car- the of Gallery’s has ically implicit in the Constitu- and prevalued—and whose re- Miss struggle between good and at seven in 43, He works in “Communism, Democracy and son’s first book, which was pub- evil or simply sented the Phillips Gallery Gallery the Cor- many media and Power.” O’Neill tion of the United States." Sim- actions eventually can be pre- as an adventure coran, where the is interested in painting Catholic Mr. lished in 1941 and has long been yarn, it’s a thriller Institute of land- layman and has ilarly Catholics, in common arranged. first-rate Contemporary Arts is scapes, portraits and still life. is a Catholic In this nefarious out of print. Her best-seller, with a smashing installing years, with all other faiths that have business climax. its monthly The been an educator for 45 of last year—- ** exhibitions this last-mentioned transcribe a 39 of them in public schools or moral precepts, will object to they have the help of the pub- * * Art Book Reviews season. Through April 12, wide variety of objects, reflect- lic relations counselors, still a best- one colleges. He has never taught Mr. Blanshard’s concept of “the the so- The Crooked Frame. By Wil- GRANDMA MOSES: can see here paintings by ing navigation, geography, as- supreme power of the demo- cial engineers, the prose engi- in a Catholic school, nor was he Sea Around liam P. McGivem. (Dodd, MY LIFE’S HISTORY Stamos and Lamar Dodd, and tronomy, the natural sciences. cratic all neers. All these worthies are & ever a student in one. His book state over aspects of Mead Co.; $2.50.) Edited by Otto (Har- sculptures by Lippoid. His “Symphonies in White,” after, in the words of one Us” won her Badge Kallir. and by secular life.” of Red & grouping valuable old objects, is his own no means an them, is “the wide fame and A per Bros.; $3.50.) Mr. Dodd’s seven paintings official Catholic answer to Mr. Mr. O’Neill contends that Mr. reorganization of Carrying an oil load of guilt, are are wholly naturalistic and human society. No Shakespeares several yiSTfM Anna Mary Robertson Moses, admirable strong, well have “basic philosophy Webb comes home from a composed, a trompe-l’oeil Blanshard. Blanshard’s or could up awards. The ,B better known as Grandma expressing his emo- effect. of the omnipotent state seems Lincolns rise to dis- drinking bout to find blood Mr. O’Neill emphasizes the the even, uninspired earlier book, Moses, has been painting her tions about the sea, rocks, obviously inconsistent with the turb tenor splattered over his clothes. Has Irresponsible nature of many of existence, with them life for 14 years or so, to the landscapes, skyscrapers and fundamentals of American at the he murdered again? He remem- delight charges which Mr. Blanshard de- helm. the birds and l of people throughout the a few other themes, but vouch- w r mocracy, religious equality and bers nothing of the night. A United safing made against the Vatican and "Not ordinary but fishes that \ r(T^\ States and many abroad, sufficient representation O’HARA religious freedom.” ' mediocrity, competent—possibly too solici- have seen her to inform the visitor c!r.:° the Catholic hierarchy, point- planned, engineered mediocrity,” live along the \ / who paintings or about the Tues., April objects particularly / tous—girl keeps him from going reproductions of them on sources of his inspiration. B—Sun., May 18 ing to loose and inaccurate He to Mr. the author explains, is their Eastern shores \/ to the police ’ documentation or all. Blanshard’s assertions and im- ' then. By the time Christmas cards. none at goal. of our conti- police are hunting him, he Outstanding among Mr. Landscape and Portrait contention,” says Mr. plications that nearly 30 million nent, is mark- has Born in the mid-19th century Dodd’s paintings “The Corporation Wives. himself (she are “The O'Neill, “that American Cath- American Catholics are herded The Rachel Carson. bestirred from intro- is now 92), she has had the Breaker,” Tel. Mrs. Eliot O'Hara, Ml. When corporations have e d by the spective misery enough conveying the power 1665 olics do not, and cannot, parti- in one direction in politi- do same beauty of expression and to look kind of life most of us think of in the great their decent instincts, says, they for other suspects. wave breaking on freely in our democracy cal and economic views, ultra he Not that he’s as typically American—close to cipate have to explain them “in clarity of concept that endeared trying to solve a rocks and "Nature’s Monu- because they must accept eco- conservative if not fascist. Mr. terms murder for the the lives of country people of ments,” of “The Sea Around Us” to so police. He just wants to know with trees m the back- and political poli- O’Neill insists that dollars-and-cents benefits. many the 18th and 19th centuries, ground, nomic, social their views Is any wonder he readers. In “Under the if he’s blue slate-gray rocks in dictated from Rome is false, are diverse those of it asks, that a killer. The author is and, to some extent, today. But cies as as any Sea-Wind” Miss Carson dram- skillful enough to fatuous and incapable of proof.” other large group. He accounts keep the clues as the Nation grows older, and atizes the movements and the coming in this study of Apparently, he adds, Mr. himself a liberal and points to struggle for existence of the an obses- a larger proportion of its citi- sion driving a man toward sell- zens Blanshard wants to do away his service as chairman of the Love Is Light diverse forms of life along the live more sophisticated Current Exhibitions annihilation. lives, the ways parochial schools and force Committee on Free- rim of the nearly every we find simpler NA , AI' GAILWY of ART. Con- with Academic THE AGE OF LIGHT ocean, ** Ti.°?i avenue supplies all to dom the Civil * * reflected in Grandma Moses’ stitution and Sixth street— wKV\ children attend public of American Lib- By Donald Wetzel. (Crown; creature a prey of some larger Paintings, sculptures by masters. \ Evil work, enchanting; we Gulbenklan collection of Egyptian For the schools. This necessarily also erties Union. one. The author, who is edi- Became Them. By Pat and be- * $3.50.) come nostalgic for something 1 a™l European paintings. tor in chief of the United States Root. (Simon & Schuster; E&t®French paintings from the Molyneux Professional Mr. Wetzel is thoughtful most of us have had. collection, through May 5 ! \V a Fish and Wildlife Service, now $2.50.) never NATIONAL J young “My Life’s History,” partly MUSEUM. National Col- ! and the Student writer of decided talent. is engaged in a new study of Inner Sanctum lection of Fine Arts, Constitution 4/3/ He proved this in his first novel, written and partly dictated by ni??Ho„ and J en Ah street—American the seashore. Carlotta thought she paintings and old masters. Exhibi- ; See our wide selection of Oil Color “A Wreath and a Curse,” a had Grandma Moses, has been Natlol2al of American Sets, Water Color guarded her life by Pts?!?n «LWomen, to open this Sets, Canvas and | NOW READYII —CARTER BROOKE JONES. willing her edited and arranged by SM ,V., afternoon. story with an original approach Otto SMITHSONIAN BUILDING. Division ;; canvas panels. Brushes. Fromes j impact. fortune to a distant cousin and Kallir, but left in her of Graphic Arts. Tenth street and and a sharp Unfortu- entirely by j and Tempera Colors; also Popers. \ a rln,S IJ San ‘er nately the simplicity of design child far-removed from the own words. She uses language thmTgh" AprU~f ’ ' A Brand-New Anniversary Edition scene. just LIBRARY of CONGRESS. East Cap- Novel But when the cousin as she uses paint—in a itol and brevity which made that A Nostalgic and First streets—Eighteenth ! showed up unexpectedly, Car- straightforward, «ntury Chinese paintings, Best-Selling Storybook symbolic story momorable are FARAWA\ THE simple, nar- indefinite DYER r of America's Bible SPRING was doomed. 734 13th St. N.W. lacking in lotta So, inevita- rative manner—and her life TEXTILE MUSEUM. 2320 his second novel. By Hagopian. (Charles tapestries 8 street N.W. Richard bly. was the cousin. Could the comes through with same ~Z and other textiles District 1130 1 “The Age of Light” concerns a $2.75.) the Os the Near East. Far East and Peru. That's Inspired Two Generations and Scribner’s Sons; child be saved? In struggle, effect through paintings. Open youth and a girl who met on a this as her Mondays, Wednesdays and Fri- This is one of those gentle, an aging native and a beaten She has known all the days, 2-6 p.m. Admission by card, Copies! college campus and are in love. elemental obtainable at the office of George Sold Over 3,000,000 nostalgic novels in the “A Tree refugee are pitted against a joys and a Hewitt Myers, 730 street They explore their lives in an sorrows woman can Fifteenth Grows in Brooklyn” tradition, cruel quartet of amoral, greedy know. As she says, “I have Water effort to read some meaning and led OAKS Collection. 1703 I Colors about an Armenian immigrant relatives. Suspense is main- a very happy life. Os course, Ai? 1I,t 5r,'second street N.W.—Early Are HURLBUT’S purpose in them. The girl’s Christian and Byzantine art. Tues- A Better for H family living hope tained at such a pitch that the I had trouble, but days through Sundays, family consisted of fat, frus- in and I kind of 2-5. a squalor. Setrak Dinjyan, the simpliest action must be ex- brushed it off.” CORCORAN GALLERY OF ART. Sev- trated father, a mother who enteenth street between New York I EASTER EGG 1 father, a shoestitcher, is a little amined for sinister implications. There are touches of salty avenue and E street —American took lovers on the side, a paintings and sculpture. Clark col- Sfory of the man, literally as well as socio- humor in the story, as, for ex- lection. John Sloan memorial ex- PAINTING! Bible/'l brother who never made a go of ample, hibition, through April 20; exhibi- logically—so little, in fact, that “Before I start anything and another THE SECRETARY GENERAL painting, tion by Rudolf von Huhn, through ¦ Special water colors brother when I get a I April 27. Sculpture by that are ¦ • he sits at the bar, his feet frame, then saw my Lilt Oet- With over 200 illustrations in color who was mentally retarded. OF THE UNITED NATIONS tinger. to open Thursday. ¦ absolutely harmless will make do not reach the brass rail. masonite board to fit the frame. rHILLIPS ¦ Her young man was a MEMORIAL GALLERY. 1800 W your Easter eggs brighter, 032 full-colorreproductions of3-dimonsional ./ foundling Nor does Setrak compensate By Stephen M. Schwebel. (Har- (I always thought it a good idea Twenty-first street—Paintings and 1 j&k prints, abstract expressionism through ¦ gayer. Why paint Mastroianni reared by foster parents. When vard; $4.75.) to build April > not them I tableaux by Domenico in moral stature. Life in the the sty before getting 15. ¦ this easy way. M they died he left to see the the pig.”) ARTsi CLUB, "017 1 street—Paintings o 16 paintings by Chelsea, Mass., tenement where A study of the political Examples of what by Ruth Saflord; prints by American full-color world, bumming his way. There Dinjyans huddle together, she puts in the and British artists. Quality 1865 the powers of the office and the frames are 16 GEORGE ¦ Since ¦ Robert leinweber are a few other in- reproductions WASHINGTON UNIVERSITY characters offers a rich assortment of use Trygve Lie has made of color of her paint- LIBRARY. 2020 G street N.W drawings by Savage volved in the couple’s past. They ings—pure magic—which University Art Club's lourth annual. o 160 2-color Steele H temptations and frustrations. them. con- GALLERY, in and out of the WATKINS Massachusetts flit story, Only at the tavloo board does he —BELMONT FARtES. clude the autobiography. and Nebraska avenues N.W.—Amer- ; each in occupying the ican decorative design, to open to- s magnificent new format—with three- ¦ |f|| turn prevail, and even there he meets day stage and returning later. There CATHOLIC UNIVERSITY. 820 Michi- MUTH defeat. dimensional pictures that no other Bible H gan avenue N.E.—Exhibition by Alex- Balt. Bird. IN is sensitive, keen writing in Glampietro ¦ ar. Rim ¦ Mr. Hagopian rather arbitra- ander and Ken Noland, Furnish storybook offers—the Anniversary Edition of through April it. W trerythina V these passages, but they are too rily rescues the Dinjyans from 311je but the Talent" the greatest story !§>unbap &tar INSTITUTE OK CONTEMPORARY this beloved classic brings heavy, too repetitious and too the misery of the father's foliy. ARTS. Gallery 42, Corcoran Gallery all time to life with new power. prolonged. of Art—Paintings by Dodd and Bta- of impressive It is impossible to sus- A lonesome stranger provides WEEKLY BOOK SURVEY S mos- sculpture by Lippoid, through is told in 168 tain interest in the interminable Sunday Star April 15. The entire Bible narrative the answer to all their troubles The has arranged z Si FAN AMERICAN UNION, ’ Seventeenth for reading founderings of people were Although street and Constitution fascinating stories—arranged who “Faraway the Spring with some the leading book- | „ , avenue—Pho- of ft *ft 2 tographs by Berestein-Tagie. repro- not very interesting to start has several affecting scenes and Washington < WHYTE GALLERY, convenience. There are 32 full-color sellers of and 3 6, ficial biography. It seems mainly I 1 IS. by Steele Sayace. HN "Mr. President," SHIKLINGTON CO-OPERATIVE DE- DomenicoMastroianni. Yes you can learn to speax a foreign a rewrite of the author’s earlier Hillman HFI it! it litl*litI? ! ?_HH_9 PARTMENT STORE. Parkfairfax & language like a native—in your own home ’The Around Us," Corsan Circle. Arlington—Trio exhibition. Gfudu with native speakers—faster easier than “The Little Princesses,” with a Sea NrUkUmrl-frIYH T*I*I 8 WICK BYRON BROWN GALLERY. 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