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Vintage Posters
IN OUR TIME So far 2013 has been an exciting year at Swann. In January, a sale of illustration art and illustrated books established what will be a new department for us, while our reinstated Old Master Drawings auction drew crowds and much interest for a newly discovered J.M.W. Turner watercolor. February saw our best winter Vintage Posters auction ever, setting records for images by Art Nouveau master Alphonse Mucha, and love was in the air at our Valentine’s Day auction of African-American Fine Art, where paintings by Barkley L. Hendricks and Hughie Lee-Smith, as well as a sculpture by Elizabeth Catlett, achieved top-dollar results. We wrapped up the month with Fine Photographs, featuring early Asian travel albums and avant-garde modernist images, followed by scarce Early Printed Books. American and European artists divided the top lots at our March 7 Prints & Drawings auction, and the word of the day at our Writing Instruments sale was Montblanc, Montblanc, Montblanc. Looking ahead, May is a busy month full of intriguing offerings, including graphic design and typography from the inventory of the late Irving Oaklander, noted bookseller, followed by more scintillating design, typography and graphic art in our sale of modernist posters. Our Contemporary Art sale coincides with Frieze week in New York, and the month concludes with a diverse auction of Autographs. In early June a sale of Maps & Atlases offers rare items of American interest, and mid-month American Art features paintings and drawings by artists including Milton Avery, Robert Gwathmey and John Singer Sargent. -
Name: 00000315
Contents Board and Committees, 2003-2004 Volume 15,2003-2004 Photography and reproduction credits: Report of the Chairman and Director Copyright © 2005 by The David and Alfred Front cover, frontispiece, and pages 9,19, 21, 22, Smart Museum of Art, The University of 25, 27, 28, 31, 33-35,37, 39, 41, 43: photography Mission Statement Chicago, 5550 South Greenwood Avenue, by Tom van Eynde. Chicago, Illinois, 60637- All rights reserved. http://smartmuseum.uchicago.edu Pages 47-50, 53-56, 57 (FIGURES 2 and 3), 58-61, ISSN: 1099-2413 65, 67, 69: photography by Jim Newberry. Into Practice: Contemporary Artists and Research Universities Editor: Stephanie Smith Page 57 (FIGURE 1): photography by Katherine Laura Letinsky and Stephanie Smith Publication Assistant: Rachel Furnari Mino. Design: Froeter Design Company, Inc. Printing: Lowitz & Sons, Chicago Page 63: photography by Lloyd de Grane. Acquisitions Frontispiece: © for works by E.L. Kirchner by Ingeborg and Dr. Wolfgang Henze-Ketterer, Wichtrach/Bern. Exhibitions Page 19: courtesy of the artist and Jack Shainman Gallery, New York. Publications Page 27: courtesy of Joel-Peter Witkin and Catherine Edelman Gallery. Public Programs Page 30: courtesy ofWalsh Gallery. Contributor and Member Programs Every effort has been made to contact rights holders for all reproductions. Additional rights Sources of Support holders please contact the Smart Museum. Operating Statement Smart Museum Staff 4 Board and Committees, 2003-2004 Report of the Chairman and Director Smart Museum Board of Governors T. Kimball Brooker Marshall J. Padorr Last year was an opportune time to reflect arts. Such programs also provide those outside enterprises took place behind the scenes, as John A. -
NGA | 2017 Annual Report
N A TIO NAL G ALL E R Y O F A R T 2017 ANNUAL REPORT ART & EDUCATION W. Russell G. Byers Jr. Board of Trustees COMMITTEE Buffy Cafritz (as of September 30, 2017) Frederick W. Beinecke Calvin Cafritz Chairman Leo A. Daly III Earl A. Powell III Louisa Duemling Mitchell P. Rales Aaron Fleischman Sharon P. Rockefeller Juliet C. Folger David M. Rubenstein Marina Kellen French Andrew M. Saul Whitney Ganz Sarah M. Gewirz FINANCE COMMITTEE Lenore Greenberg Mitchell P. Rales Rose Ellen Greene Chairman Andrew S. Gundlach Steven T. Mnuchin Secretary of the Treasury Jane M. Hamilton Richard C. Hedreen Frederick W. Beinecke Sharon P. Rockefeller Frederick W. Beinecke Sharon P. Rockefeller Helen Lee Henderson Chairman President David M. Rubenstein Kasper Andrew M. Saul Mark J. Kington Kyle J. Krause David W. Laughlin AUDIT COMMITTEE Reid V. MacDonald Andrew M. Saul Chairman Jacqueline B. Mars Frederick W. Beinecke Robert B. Menschel Mitchell P. Rales Constance J. Milstein Sharon P. Rockefeller John G. Pappajohn Sally Engelhard Pingree David M. Rubenstein Mitchell P. Rales David M. Rubenstein Tony Podesta William A. Prezant TRUSTEES EMERITI Diana C. Prince Julian Ganz, Jr. Robert M. Rosenthal Alexander M. Laughlin Hilary Geary Ross David O. Maxwell Roger W. Sant Victoria P. Sant B. Francis Saul II John Wilmerding Thomas A. Saunders III Fern M. Schad EXECUTIVE OFFICERS Leonard L. Silverstein Frederick W. Beinecke Albert H. Small President Andrew M. Saul John G. Roberts Jr. Michelle Smith Chief Justice of the Earl A. Powell III United States Director Benjamin F. Stapleton III Franklin Kelly Luther M. -
Contemporary American Painting and Sculpture
ILLINOIS Liahy^BY AT URBANA-CHAMPAIGN AnoMiTEGTURE t/livMwir Of kill NOTICE: Return or renew all Library Materialsl The Minimum Fee for each Lost BooK is $50.00. The person charging this material is responsible for its return to the library from which it was withdrawn on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for discipli- nary action and may result in dismissal from the University. To renew call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN ^^ RPR^ ^ a:C 2 1998 L161—O-1096 LJj^«-*v Umermfi Paintm^ UNIVERSITY OF ILLINOIS / 1^ m II IK WA.NUKRKKS Jovii- 1 iciin.m UNIVERSITY OF ILLINOIS EXHIBITION OF CONTEMPORARY AMERICAN PAINTING College of Fine and Applied Arts Architecture Building Sunday, March 4, through Sunday, April 15, 1951 UNIVERSITY OF ILLINOIS PRESS, URBANA IHtUSRARYOfTHt MAn G .j51 OHivERSirr OF laiNois COPYRIGHT 1951 BY THE UNIVERSITY OF ILLINOIS PRESS MANUFACTURED IN 1 UK UNITED STATES ( )l AMIRKA (jV-/vtXv RICKER LIBRARY ARCHITECTURE is, L>- UNIVERSJT^ OF lUINfUS -t-^ UNIVERSITY OF ILLINOIS EXHIBITION OF CONTEMPORARY AMERICAN PAINTING GEORGE D. STODDARD President of the University DEAN REXFORD NEWCOMB Chairman, Festival of Contemporary Arts OPERATING COMMITTEE N. Britsky H. A. Schultz J. D. Hogan A. S. Weller J. W. Kennedy N. V. Ziroli E. C. Rae C. \'. Dono\an, Chairman STAFF COMMITTEE MEMBERS L. F, Bailey J. H. G. Lynch E. H. Betts M. B. Martin C. E. Bradbury R. Perlman E. J. Bransby A. J. Pulos C. W. Briggs J. W. Raushenberger L. R. -
Peter Stamberg and Paul Aferiat 9/29/15, 4:19 PM
Peter Stamberg and Paul Aferiat 9/29/15, 4:19 PM Published on New York Social Diary (http://www.newyorksocialdiary.com) Home > Peter Stamberg and Paul Aferiat Peter Stamberg and Paul Aferiat [1] By Sian Ballen & Lesley Hauge Photographs by Jeff Hirsch “If we didn’t know you were architects, we would have thought artists lived here,” we said about Peter Stamberg and Paul Aferiat’s lower Fifth Avenue loft. They were pleased. Known for their painterly use of color, it was fascinating to listen to their thoughts on this surprisingly complex subject of color in the lives of human beings. “The idea of choosing a color is people’s fear of making a choice,” says Peter. If you’re inspired by the photographs of their loft, check out their thought-provoking website (www. stambergaferiat.com) and especially their treatment of the Saguaro hotels in Palm Springs and Scottsdale, Arizona where they transformed dingy desert-colored buildings into brilliance. http://www.newyorksocialdiary.com/print/1912943 Page 1 of 45 Peter Stamberg and Paul Aferiat 9/29/15, 4:19 PM We’re interested in your name – “Aferiat” – where does it come from? Paul: My father was Algerian—did you see the Yves St. Laurent film? It is amazing, amazing! And he was born in Oran, which was where my father was born. My father became the president of Porthault in the US and I only visited Algeria when I was young. You have a good French accent—did you grow up speaking French? Paul: Well my mother was child of the Holocaust. -
Painting Today and Yesterday in the US
1941 Painting Today and Yesterday in the U.S. (June 5–September 1) Painting Today and Yesterday in the United States was the museum’s opening exhibition, highlighting trends in American art from colonial times onward as it reflected the unique culture and history of the United States. The exhibition also exemplified the mission of the SBMA to be a center for the promotion of art in the community as well as a true museum (Exhibition Catalogue, 13). The exhibition included nearly 140 pieces by an array of artists, such as Walt Kuhn (1877–1949), Yasuo Kuniyoshi (1889–1953), Charles Burchfield (1893–1967), Edward Hopper (1882–1967), and Winslow Homer (1836–1910). A very positive review of the exhibition appeared in the June issue of Art News, with particular accolades going to the folk art section. The Santa Barbara News-Press wrote up the opening in the June 1 edition, and Director Donald Bear wrote a series of articles for the News-Press that elaborated on the themes, content, and broader significance of the exhibition. Three paintings from this exhibition became part of the permanent collection of the SBMA: Henry Mattson’s (1873–1953) Night Mystery, Katherine Schmidt’s (1899–1978) Pear in Paper Bag and Max Weber’s (1881–1961) Winter Twilight (scrapbook 1941–1944–10). The theme of this exhibition was suggested by Mrs. Spreckels (Emily Hall Spreckels (Tremaine)) at a Board meeting and was unanimously approved. The title of the exhibition was suggested by Donald Bear, also unanimously approved by the Board. Van Gogh Paintings (September 9) Seventeen of Vincent van Gogh’s paintings were shown in this exhibition of the “most tragic painter in history.” This exhibition was shown in conjunction with the Master Impressionists show (see “Three Master French Impressionists” below). -
View the Faith Ringgold Guide, Opens in New
American People, Black Light: Faith Ringgold’s Paintings of the 1960s Educator’s Guide American People, Black Light: Faith Ringgold’s Paintings of the 1960s Educator’s Guide Dear Educator, This resource packet was created by the Education Department of the National Museum of Women in the Arts, with contributions from interns Manique Buckmon and Brittany Carpenter. It was developed in conjunction with the exhibition American People, Black Light: Faith Ringgold’s Paintings of the 1960s, organized by the Neuberger Museum of Art and on view at the National Museum of Women in the Arts from June 21–November 10, 2013. It contains digital images of nine early works by renowned artist Faith Ringgold. Information about the artist and each of these works of art is also included, together with suggested discussion questions for each artwork. You will also find worksheets outlining suggested classroom activities and related standards of learning for Washington, D.C., Maryland, and Virginia. The text is based primarily on the scholarship and ideas presented in the exhibition catalogue, American People, Black Light: Faith Ringgold’s Paintings of the 1960s, edited by Thom Collins and Tracy Fitzpatrick, and Ringgold’s memoir, We Flew Over the Bridge. A bibliography credits additional sources and serves as a resource for further exploration by teachers and students. We also have provided a glossary of selected art terms and movements, as well as historical moments. We hope you find this packet a valuable reference and teaching resource even beyond the exhibition. Sincerely, Deborah L. Gaston Director of Education NMWA Educator’s Guide for American People, Black Light: Faith Ringgold’s Paintings of the 1960s Page 1 Table of Contents Educator’s Guide Faith Ringgold Biography ..................................................................................................................... -
Contemporary American Painting and Sculpture
jLLINGiS LIBRARY AT URBAI-JA-CHAf'iSPAlGN ARCHITECTURE RIOHER LWHARY AW;HITKTU«t UNIVERSITY OF ILUNOS MlnlnHim Fee lor NOnce: Return or renew all Ubrary Meterieltl The each Lost Book Is $50.00. The person charging this material is responsible for withdrawn its return to the library from which it was on or before the Latest Date stamped below. reasons for discipli- Theft, mutilation, and underlining ol books are University. nary action and may result in dismissal from the To renew call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN OCT f f f\UGZ jy^ 33? University of Illinois 7f'-^S^C^i^^t^ SECOND ALLEGORY -ri:'HC&IK/Cx,^*,' CONTEMPORARY University of Illinois, Urbana Sunday, March 1, through Sunday, April 12, 1953 Galleries, Architecture Building College of Fine and Applied Arts THE LiSrARY OF THE RltAtfi 1,\mA.J AhChllLCTURE MAR ^ 1953 uiiiVERSiTY OF ;m;;;c!3 Copyright 1 953 by the University of Illinois Manufactured in the United States of America RICHER LIBRARY ARCHITECTURE umvERSin OF iuinois CONTEMPORARY AMERICAN PAINTING AND SCULPTURE GEORGE D. STODDARD President of the University REXFORD NEWCOMB Dean, College of Fine and Applied Arts Chairman, Festival of Contemporary Arts N. Britsky E. C. Rac OPERATING COMMITTEE C. A. Dietemann A. S. Weller W. F. Doolittle L. M. Woodroofe J. D. Hogan C. V. Donovan, Chairman L. F. Bailey J. \V. Kennedy E. H. Betts J. H. G. Lynch A. A. Boatright M. B. Martin STAFF COMMITTEE MEMBERS C. E. Bradbury R. Perlman G. R. Bradshaw J. W. Raushenberger C. \V. -
Highlights of the Season
HIGHLIGHTS OF THE SEASON Swann is very pleased to announce our outstanding line up of auctions for Autumn 2012—with 15 sales in just four months. The season begins with our first Fine & Vintage Writing Instruments auction and continues with scarce, sought-after prints; significant historical documents and photographs; collectible books and manuscripts; dazzling posters and exceptional examples of African-American Fine Art. Among the notable private collections offered this fall are the most extensive selection of Aldine Imprints to appear at auction in nearly two decades; one of the largest collections of European and Western printed Japan-related maps in private hands; and a remarkable collection of movie posters dedicated to images of monsters with maidens caught in their clutches. Beyond our salesrooms, several of our officers will lend their auctioneering talents to worthy causes. Todd Weyman will officiate Eat, Bark, Bid on September 22 to raise money for animal rescue group Lulu’s Rescue; Daile Kaplan will be the auctioneer at the Aperture Foundation 60th Anniversary Gala Dinner & Photography Auction on October 23; George Lowry will help raise money for Search and Care, a charity that assists elders living at home on November 1; and Nicholas Lowry, always in demand, will wield the gavel for SHARE (Self-Help for Women with Breast or Ovarian Cancer) on September 24, the Ogden Museum of Southern Art in New Orleans on October 13, City Harvest’s Bid Against Hunger on October 16, and several other high-profile fundraisers. THE TRUMPET • FALL / WINTER 2012 • VOLUME 27, NUMBER 1 FINE & VINTAGE WRITING INSTRUMENTS SEPTEMBER 13 Top: Pelikan #111, Toledo. -
Telfair Museum of Art Art & Life 5Connections
Telfair Museum of Art Middle & High School Edition Art & Life Connections 5 Middle & High School Edition Art Life 5 Connections This publication& is made possible by a grant from The Institute of Museum and Library Services 2 Art & Geography 3 Art & History 6 Art & Language 35 Art & Math 48 Art & Science and Technology Art Geography Curriculum &Connections - National Standards Lesson One: Artists As Explorers NSS-G.K-. PLACES AND REGIONS NSS-G.K-.4 HUMAN SYSTEMS NSS-WH.5-.6 ERA SIX: EMERGENCE OF THE FIRST GLOBAL AGE Lesson Two: Three Migrations of the African American NSS-G.K-. THE WORLD IN SPATIAL TERMS NSS-G.K-. PLACES AND REGIONS NSS-G.K-.4 HUMAN SYSTEMS NSS-G.K-.6 USES OF GEOGRAPHY NSS-USH.5-. ERA ONE: THREE WORLDS MEET NSS-USH.5-. ERA TWO: COLONIZATION AND SETTLEMENT NSS-USH.5-.4 ERA FOUR: EXPANSION AND REFORM NSS-USH.5-.5 ERA FIVE: CIVIL WAR AND RECONSTRUCTION NSS-USH.5-.8 ERA EIGHT: THE GREAT DEPRESSION AND WWII NSS-USH.9-.0 ERA TEN: CONTEMPORARY UNITED STATES Lesson Three: How People And Places Equally Reshape Each Other NSS-G.K-. PLACES AND REGIONS NSS-G.K-.4 HUMAN SYSTEMS NSS-G.K-.5 ENVIRONMENT AND SOCIETY NSS-G.K-.6 USES OF GEOGRAPHY Lesson Four: Migration Of Cultureal Objects And Skills NSS-G.K-. THE WORLD IN SPATIAL TERMS NSS-G.K-. PLACES AND REGIONS NSS-G.K-.4 HUMAN SYSTEMS NSS-G.K-.5 ENVIRONMENT AND SOCIETY NSS-G.K-.6 USES OF GEOGRAPHY NSS-USH.5-. ERA ONE: THREE WORLDS MEET NSS-USH.5-.2 ERA TWO: COLONIZATION AND SETTLEMENT 1 Artist: Edwin Lord Weeks, American (849-903) Title: Ship of the Desert Date: 874 Medium: Oil on panel Size: 4 7/8 x 8 /6 Lesson Gift of R.C. -
Cradle and Crucible R R the Enduring Legacy of the Pennsylvania Ac Ademy of the Fine Arts R
Cradle and Crucible r r the enduring legacy of the pennsylvania ac ademy of the fine arts r Front cover. First row: Elizabeth Sparhawk Jones (cat. 15, detail), John Marin (cat. 12), Jessie Willcox Smith (cat. 3, detail). Second row: George Luks (cat. 10, detail), Daniel Garber (cat. 13, detail), Jamie Adams (cat. 19), Nancy Ferguson (cat. 16, detail). Third row: Alex Kanevsky (cat. 22, detail), John Sloan (cat. 11), Walter Schofield (cat. 9). Inside front flap (top to bottom): Astrid Bowlby (cat. 20, detail), Thomas Anshutz (cat. 2), P.J. Smalley (cat. 24, detail), Quita Brodhead (cat. 17, detail). Back cover. First row: William M. Harnett (cat. 1, detail), Edward Redfield (cat. 5), Robert Henri (cat. 4, detail). Second row: Hugh Breckenridge (cat. 6, detail), Arthur B. Carles (cat. 14), Bruce Samuelson (cat. 21), William Glackens (cat. 7, detail). Third row: Steven and Billy Blaise Dufala (cat. 25). Fourth row: Mauro Zamora (cat. 26), Holly Trostle Brigham (cat. 23), Everett Shinn (cat. 8), Robert Gwathmey (cat. 18, detail). PAFA Catalogue COVER FNL.crw3.indd 1 3/17/11 3:49 PM Cradle and Crucible r r THE ENDURING LEGACY OF THE PENNSYLVANIA ACADEMY OF THE FINE ARTS April 15—May 25, 2011 100 Chetwynd Drive, Bryn Mawr, Pennsylvania 19010 www.averygalleries.com PAFA Catalogue FNL.crw1.indd 1 3/15/11 12:10:41 PM PAFA Catalogue FNL.crw1.indd 2 3/15/11 12:10:47 PM TABLE OF CONTENTS Foreword 5 Richard Rossello, Managing Partner, Avery Galleries President’s Foreword 7 David Brigham, President, The Pennsylvania Academy of the Fine Arts “The Best Instruction That Can Be Had”: The Pennsylvania 9 Academy of the Fine Arts and Its Students Nicole Amoroso Catalogue 15 Nicole Amoroso PAFA Catalogue FNL.crw1.indd 3 3/15/11 12:10:53 PM PAFA Catalogue FNL.crw1.indd 4 3/15/11 12:10:57 PM FOREWORD I often think of the Pennsylvania Academy of the Fine Arts (PAFA) as the “birthplace” of Ameri- can art. -
1941 Painting Today and Yesterday in the US (June 5-September 1)
1941 Painting Today and Yesterday in the U.S. (June 5-September 1) “Painting Today and Yesterday in the United States” was the museum’s opening exhibition, highlighting trends in American art from colonial times onward as it reflected the unique culture and history of the United States. The exhibition also exemplified the mission of the SBMA to be a center for the promotion of art in the community as well as a true museum (Exhibition Catalogue, 13). The exhibition included nearly 140 pieces by an array of artists, such as Walt Kuhn [1877–1949], Yasuo Kuniyoshi [1889-1953], Charles Burchfield [1893-1967], Edward Hopper [1882-1967] and Winslow Homer [1836-1910]. A very positive review of the exhibition appeared in the June issue of Art News, with particular accolades going to the folk art section. The Santa Barbara News- Press wrote up the opening in the June 1 edition, and Director Donald Bear wrote a series of articles for the News-Press that elaborated on the themes, content, and broader significance of the exhibition. Three paintings from this exhibition became part of the permanent collection of the SBMA: Henry Mattson’s [1873-1953] “Night Mystery,” Katherine Schmidt’s [early 20th century] “Pear in Paper Bag” and Max Weber’s [1881-1961] “Winter Twilight” (scrapbook 1941-1944-10). The theme of this exhibition was suggested by Mrs. Spreckels (Emily Hall Spreckels [Tremaine]) at a Board meeting and was unanimously approved. The title of the exhibition was suggested by Donald Bear, also unanimously approved by the Board. Van Gogh Paintings (& Jongkind) (September 9) Seventeen of Vincent van Gogh’s paintings were shown in this exhibition of the “most tragic painter in history.” This exhibition was shown in conjunction with the Master Impressionists show (see “Three Master French Impressionists” below).