Audio and Multimedia Product Overview
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
DVB DASH Webinar 13 June 2018 DVB DASH: an Overview Simon Waller (Samsung) DVB Codecs and DVB DASH Chris Poole (BBC) DVB DASH in the Wild Martin Schmalohr (IRT)
DVB DASH webinar 13 June 2018 DVB DASH: An overview Simon Waller (Samsung) DVB codecs and DVB DASH Chris Poole (BBC) DVB DASH in the wild Martin Schmalohr (IRT) 1 DVB DASH: An overview • Quick ABR refresher • Why DVB DASH? • What does DVB DASH include? • Relationship with HbbTV • Where next? 2 ABR refresher and DASH nomenclature Bitrate 1 Representation … Segment Segment Segment … MPD AdaptationSet Bitrate 2 Representation Encoder … Segment Segment Segment … Bitrate 3 Representation … Segment Segment Segment … 3 MPEG DASH vs DVB DASH • MPEG DASH is a large complicated specification • DVB has defined a profile of MPEG DASH to help make services and players interoperable – This profile includes constraints, requirements, limitations, additions (e.g. A/V codec profiles) etc 4 What does DVB DASH cover 5 MPD and content constraints • Profiles to identify features for players (DVB 2014 URN and the new DVB 2017 URN) – New 2017 profile required for some of the latest features • MPD construction – Required elements and attributes – Maximum number of some elements • Segment construction – E.g. Min and max segment durations • Live vs On Demand 6 Profiled A/V codecs • Video codecs: – AVC – HEVC • Audio codecs: – AC-3, AC-4 parts 1 and 2 – AAC (including HE-AAC, HE-AACv2 and AAC-LC) – MPEG-H – MPEG Surround – DTS, DTS-HD, DTS-LBR 7 Subtitles • DVB DASH defines the carriage of XML based subtitles, as per EBU-TT-D • Downloadable fonts are supported – Particularly useful for non-Latin based languages 8 Content protection • DVB does not specify a DRM but does reference MPEG Common Encryption which defines how content is encrypted and how license metadata can be carried. -
Overview of Technologies for Immersive Visual Experiences: Capture, Processing, Compression, Standardization and Display
Overview of technologies for immersive visual experiences: capture, processing, compression, standardization and display Marek Domański Poznań University of Technology Chair of Multimedia Telecommunications and Microelectronics Poznań, Poland 1 Immersive visual experiences • Arbitrary direction of viewing System : 3DoF • Arbitrary location of viewer - virtual navigation - free-viewpoint television • Both System : 6DoF Virtual viewer 2 Immersive video content Computer-generated Natural content Multiple camera around a scene also depth cameras, light-field cameras Camera(s) located in a center of a scene 360-degree cameras Mixed e.g.: wearable cameras 3 Video capture Common technical problems • Synchronization of cameras Camera hardware needs to enable synchronization Shutter release error < Exposition interval • Frame rate High frame rate needed – Head Mounted Devices 4 Common task for immersive video capture: Calibration Camera parameter estimation: • Intrinsic – the parameters of individual cameras – remain unchanged by camera motion • Extrinsic – related to camera locations in real word – do change by camera motion (even slight !) Out of scope of standardization • Improved methods developed 5 Depth estimation • By video analysis – from at least 2 video sequences – Computationally heavy – Huge progress recently • By depth cameras – diverse products – Infrared illuminate of the scene – Limited resolution mostly Out of scope of standardization 6 MPEG Test video sequences • Large collection of video sequences with depth information -
Communications/Information
Communications/Information Volume 7 — November 2008 Issue date: November 7, 2008 Info Update is published by the Canadian Standards Association (CSA) eight times a year. It contains important information about new and existing standards, e.g., recently published standards, and withdrawn standards. It also gives you highlights of other activities and services. CSA offers a free online service called Keep Me Informed that will notify registered users when each new issue of Info Update is published. To register go to http://www.csa-intl.org/onlinestore/KeepMeInformed/PleaseIdentifyYourself.asp?Language=EN. To view the complete issue of Info Update visit http://standardsactivities.csa.ca/standardsactivities/default.asp?language=en. y Completed Projects / Projets terminés New Standards — New Editions — Special Publications Please note: The following standards were developed by the International Organization for Standardization (ISO) and the International Electrotechnical Commission (IEC), and have been adopted by the Canadian Standards Association. These standards are available in Portable Document Format (PDF) only. CAN/CSA-ISO/IEC 7812-2:08, 2nd edition Identification cards — Identification of issuers — Part 2: Application and registration procedures (Adopted ISO/IEC 7812-2:2007).................................................................. $110 CAN/CSA-ISO/IEC 7816-2:08, 1st edition Identification cards — Integrated circuit cards — Part 2: Cards with contacts — Dimensions and location of the contacts (Adopted ISO/IEC 7816-2:2007) ......................... $60 CAN/CSA-ISO/IEC 7816-13:08, 1st edition Identification cards — Integrated circuit cards — Part 13: Commands for application management in a multi-application environment (Adopted ISO/IEC 7816-13:2007)....... $110 CAN/CSA-ISO/IEC 8484:08, 1st edition Information technology — Magnetic stripes on savingsbooks (Adopted ISO/IEC 8484:2007) ...................................................................................... -
MPEG Surround Audio Coding on TI Floating-Point Dsps
MPEG Surround Audio Coding on TI Floating-Point DSPs Matthias Neusinger Fraunhofer IIS [email protected] Agenda • The Fraunhofer Institute for Integrated Circuits • The MPEG Surround Coding Algorithm • Audio Coding for TI Floating-Point Processors • Conclusions The “Fraunhofer Gesellschaft“ - FhG Itzehoe • Largest private research Rostock organization in Europe Bremen • Non-profit organization, Hannover Berlin founded in 1949 Braunschweig Golm Oberhausen Magdeburg • 56 Institutes in 40 locations DuisburgDortmund in Germany Aachen Schmallenberg St. Augustin Dresden Euskirchen Jena • Offices in Europe, USA and Ilmenau Chemnitz Asia Darmstadt Würzburg Kaiserslautern St. Ingbert Erlangen • Permanent staff 12,500, Saarbrücken Nuremberg Karlsruhe mainly scientists and engineers Pfinztal Stuttgart Freising München Freiburg Holzkirchen Fraunhofer IIS Institute for Integrated Circuits • Founded in 1985, “Home staff ~450 in 4 locations of mp3” • Audio and Multimedia Cluster: – More than 100 engineers in Erlangen – MPEG Audio encoders and decoders – MPEG-4 Advanced Audio Coding (AAC, HE-AAC v2) – MPEG Layer-3 (mp3) – MPEG-4 Video Coding, AV Streaming, Virtual Acoustics – Digital Rights Management Agenda • The Fraunhofer Institute for Integrated Circuits • The MPEG Surround Coding Algorithm • Audio Coding for TI Floating-Point Processors • Conclusions The MPEG Surround Coding Algorithm •Overview • MPEG Standardization • Applications • Technical Description • Features and Modes • Profiles and Levels • Summary MPEG Surround Overview • Efficient -
Audio Coding for Digital Broadcasting
Recommendation ITU-R BS.1196-7 (01/2019) Audio coding for digital broadcasting BS Series Broadcasting service (sound) ii Rec. ITU-R BS.1196-7 Foreword The role of the Radiocommunication Sector is to ensure the rational, equitable, efficient and economical use of the radio- frequency spectrum by all radiocommunication services, including satellite services, and carry out studies without limit of frequency range on the basis of which Recommendations are adopted. The regulatory and policy functions of the Radiocommunication Sector are performed by World and Regional Radiocommunication Conferences and Radiocommunication Assemblies supported by Study Groups. Policy on Intellectual Property Right (IPR) ITU-R policy on IPR is described in the Common Patent Policy for ITU-T/ITU-R/ISO/IEC referenced in Resolution ITU-R 1. Forms to be used for the submission of patent statements and licensing declarations by patent holders are available from http://www.itu.int/ITU-R/go/patents/en where the Guidelines for Implementation of the Common Patent Policy for ITU-T/ITU-R/ISO/IEC and the ITU-R patent information database can also be found. Series of ITU-R Recommendations (Also available online at http://www.itu.int/publ/R-REC/en) Series Title BO Satellite delivery BR Recording for production, archival and play-out; film for television BS Broadcasting service (sound) BT Broadcasting service (television) F Fixed service M Mobile, radiodetermination, amateur and related satellite services P Radiowave propagation RA Radio astronomy RS Remote sensing systems S Fixed-satellite service SA Space applications and meteorology SF Frequency sharing and coordination between fixed-satellite and fixed service systems SM Spectrum management SNG Satellite news gathering TF Time signals and frequency standards emissions V Vocabulary and related subjects Note: This ITU-R Recommendation was approved in English under the procedure detailed in Resolution ITU-R 1. -
(L3) - Audio/Picture Coding
Committee: (L3) - Audio/Picture Coding National Designation Title (Click here to purchase standards) ISO/IEC Document L3 INCITS/ISO/IEC 9281-1:1990:[R2013] Information technology - Picture Coding Methods - Part 1: Identification IS 9281-1:1990 INCITS/ISO/IEC 9281-2:1990:[R2013] Information technology - Picture Coding Methods - Part 2: Procedure for Registration IS 9281-2:1990 INCITS/ISO/IEC 9282-1:1988:[R2013] Information technology - Coded Representation of Computer Graphics Images - Part IS 9282-1:1988 1: Encoding principles for picture representation in a 7-bit or 8-bit environment :[] Information technology - Coding of Multimedia and Hypermedia Information - Part 7: IS 13522-7:2001 Interoperability and conformance testing for ISO/IEC 13522-5 (MHEG-7) :[] Information technology - Coding of Multimedia and Hypermedia Information - Part 5: IS 13522-5:1997 Support for Base-Level Interactive Applications (MHEG-5) :[] Information technology - Coding of Multimedia and Hypermedia Information - Part 3: IS 13522-3:1997 MHEG script interchange representation (MHEG-3) :[] Information technology - Coding of Multimedia and Hypermedia Information - Part 6: IS 13522-6:1998 Support for enhanced interactive applications (MHEG-6) :[] Information technology - Coding of Multimedia and Hypermedia Information - Part 8: IS 13522-8:2001 XML notation for ISO/IEC 13522-5 (MHEG-8) Created: 11/16/2014 Page 1 of 44 Committee: (L3) - Audio/Picture Coding National Designation Title (Click here to purchase standards) ISO/IEC Document :[] Information technology - Coding -
MPEG Surround Audio Research Labs Schuyler Quackenbush Bridging the Gap Between Stereo
MPEG Surround Bridging the gap between stereo and multi-channel Schuyler Quackenbush Audio Research Labs ARL audio research labs MPEG Audio Standards • Family of MPEG Audio standards – 1997 MPEG-2 Advanced Audio Coding (AAC) – 2003 MPEG-4 High Efficiency AAC (HE-AAC) – 2006 MPEG-D MPEG Surround (MPS) • Each builds upon the previous – MPEG Surround 5.1-channel coding – HE-AAC 2-channel MPEG Surround core coder – AAC 2-channel HE-AAC core coder ARL audio research labs Exploiting “Dimensions” of Perception •SNR AAC – Perceptually shaped quantization noise • Frequency HE-AAC – Perceptually coded spectrum replication • Space MPEG Surround – Perceptual soundstage coding ARL audio research labs Spatial Perception of Sound • ILD – level difference – Due to head shadowing differences • ITD – time difference reverberation – rθ + sin( r θ ) direct path – Due to distance differences • ICC – coherence reverberation – Due to reverberation differences ARL audio research labs Example Soundstage ARL audio research labs Time/Frequency Decomposition 14000.00 12000.00 10000.00 8000.00 6000.00 Frequency 4000.00 2000.00 0.00 0.00 1.00 2.00 3.00 4.00 5.00 6.00 Time ARL audio research labs MPEG surround principle • Compatible extension of existing stereo services to multi-channel • Can be combined with any core coder – AAC, HE-AAC • Spatial parameters are a fraction of overall bit rate – 40 kb/s HE-AAC core + 8 kb/s spatial side information ARL audio research labs HE-AAC Core Coder ARL audio research labs Spatial Encoder Block Diagram ARL audio research labs -
Lossy Audio Compression Identification
2018 26th European Signal Processing Conference (EUSIPCO) Lossy Audio Compression Identification Bongjun Kim Zafar Rafii Northwestern University Gracenote Evanston, USA Emeryville, USA [email protected] zafar.rafi[email protected] Abstract—We propose a system which can estimate from an compression parameters from an audio signal, based on AAC, audio recording that has previously undergone lossy compression was presented in [3]. The first implementation of that work, the parameters used for the encoding, and therefore identify the based on MP3, was then proposed in [4]. The idea was to corresponding lossy coding format. The system analyzes the audio signal and searches for the compression parameters and framing search for the compression parameters and framing conditions conditions which match those used for the encoding. In particular, which match those used for the encoding, by measuring traces we propose a new metric for measuring traces of compression of compression in the audio signal, which typically correspond which is robust to variations in the audio content and a new to time-frequency coefficients quantized to zero. method for combining the estimates from multiple audio blocks The first work to investigate alterations, such as deletion, in- which can refine the results. We evaluated this system with audio excerpts from songs and movies, compressed into various coding sertion, or substitution, in audio signals which have undergone formats, using different bit rates, and captured digitally as well lossy compression, namely MP3, was presented in [5]. The as through analog transfer. Results showed that our system can idea was to measure traces of compression in the signal along identify the correct format in almost all cases, even at high bit time and detect discontinuities in the estimated framing. -
Release 1 Specification, Volume 2
Open IPTV Forum Release 1 Specification Volume 2 – Media Formats [V1.2] – [2012-08-27] Reformatted 2012-09-21 Volume 2 - Media Formats Copyright 2012 © Open IPTV Forum e.V. Page 2 (23) Open IPTV Forum Postal address Open IPTV Forum support office 650 Route des Lucioles - Sophia Antipolis Valbonne - FRANCE Tel.: +33 4 92 94 43 83 Fax: +33 4 92 38 52 90 Internet http://www.oipf.tv Disclaimer The Open IPTV Forum accepts no liability whatsoever for any use of this document. This specification provides multiple options for some features. The Open IPTV Forum Profiles specification complements the Release 1 specifications by defining the Open IPTV Forum implementation and deployment profiles. Any implementation based on Open IPTV Forum specifications that does not follow the Profiles specification cannot claim Open IPTV Forum compliance. Copyright Notification No part may be reproduced except as authorized by written permission. Any form of reproduction and/or distribution of these works is prohibited. Copyright 2012 © Open IPTV Forum e.V. All rights reserved. Volume 2 - Media Formats Copyright 2012 © Open IPTV Forum e.V. Page 3 (23) Contents FOREWORD ......................................................................................................................................................................5 INTRODUCTION ..............................................................................................................................................................6 1 REFERENCES............................................................................................................................................................7 -
Recommendation Itu-R Bt.1833-2*, **
Recommendation ITU-R BT.1833-2 (08/2012) Broadcasting of multimedia and data applications for mobile reception by handheld receivers BT Series Broadcasting service (television) ii Rec. ITU-R BT.1833-2 Foreword The role of the Radiocommunication Sector is to ensure the rational, equitable, efficient and economical use of the radio-frequency spectrum by all radiocommunication services, including satellite services, and carry out studies without limit of frequency range on the basis of which Recommendations are adopted. The regulatory and policy functions of the Radiocommunication Sector are performed by World and Regional Radiocommunication Conferences and Radiocommunication Assemblies supported by Study Groups. Policy on Intellectual Property Right (IPR) ITU-R policy on IPR is described in the Common Patent Policy for ITU-T/ITU-R/ISO/IEC referenced in Annex 1 of Resolution ITU-R 1. Forms to be used for the submission of patent statements and licensing declarations by patent holders are available from http://www.itu.int/ITU-R/go/patents/en where the Guidelines for Implementation of the Common Patent Policy for ITU-T/ITU-R/ISO/IEC and the ITU-R patent information database can also be found. Series of ITU-R Recommendations (Also available online at http://www.itu.int/publ/R-REC/en) Series Title BO Satellite delivery BR Recording for production, archival and play-out; film for television BS Broadcasting service (sound) BT Broadcasting service (television) F Fixed service M Mobile, radiodetermination, amateur and related satellite services P Radiowave propagation RA Radio astronomy RS Remote sensing systems S Fixed-satellite service SA Space applications and meteorology SF Frequency sharing and coordination between fixed-satellite and fixed service systems SM Spectrum management SNG Satellite news gathering TF Time signals and frequency standards emissions V Vocabulary and related subjects Note: This ITU-R Recommendation was approved in English under the procedure detailed in Resolution ITU-R 1. -
Standards News Late December 2014 Volume 18, Number 24 Table of Contents PLASA Public Review: ANSI E1.23 up for Reaffirmation
PLASA Standards News Late December 2014 Volume 18, Number 24 Table of Contents PLASA Public Review: ANSI E1.23 Up for Reaffirmation..................................................................................1 ’Tis the Season to Celebrate Standards!..........................................................................................................1 Comments Sought on Standard for Fire Training Structures, Props, and Equipment.......................................1 WTO Technical Barrier to Trade Notifications...................................................................................................2 Canada Notification: CAN/434...................................................................................................................... 2 ANSI Public Review Announcements...............................................................................................................3 Due 11 January 2015.................................................................................................................................... 3 Due 26 January 2015.................................................................................................................................... 3 Due 18 January 2015.................................................................................................................................... 4 Due 2 February 2015.................................................................................................................................... 4 CSA Public Review Announcements................................................................................................................6 -
Introduction to Multimedia
1 1 UNIT I INTRODUCTION TO MULTIMEDIA Unit Structure 1.1 Objectives 1.2 Introduction 1.3 What is Multimedia? 1.3.1 Multimedia Presentation and Production 1.3.2 Characteristics of Multimedia Presentation 1.3.2.1 Multiple Media 1.3.2.2 Non-linearity 1.3.3.3 Scope of Interactivity 1.3.3.4 Integrity 1.3.3.5 Digital Representation 1.4 Defining the Scope of Multimedia 1.5 Applications of Multimedia 1.6 Hardware and Software Requirements 1.7 Summary 1.8 Unit End Exercises 1.1 OBJECTIVES After studying this Unit, you will be able to: 1. Define Multimedia 2. Define the scope and applications of multimedia 3. Distinguish between Multimedia Presentation and Production 4. Understand how a multimedia presentation is created 1.2 INTRODUCTION Multimedia refers to content that uses a combination of different content forms. This contrasts with media that use only rudimentary computer displays such as text-only or traditional forms of printed or hand-produced material. Multimedia includes a 2 combination of text, audio, still images, animation, video, or interactivity content forms. Multimedia is usually recorded and played, displayed, or accessed by information content processing devices, such as computerized and electronic devices, but can also be part of a live performance. Multimedia devices are electronic media devices used to store and experience multimedia content. Multimedia is distinguished from mixed media in fine art; by including audio, for example, it has a broader scope. The term "rich media" is synonymous for interactive multimedia. Hypermedia can be considered one particular multimedia application.