Introduction to Multimedia
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Metadefender Core V4.12.2
MetaDefender Core v4.12.2 © 2018 OPSWAT, Inc. All rights reserved. OPSWAT®, MetadefenderTM and the OPSWAT logo are trademarks of OPSWAT, Inc. All other trademarks, trade names, service marks, service names, and images mentioned and/or used herein belong to their respective owners. Table of Contents About This Guide 13 Key Features of Metadefender Core 14 1. Quick Start with Metadefender Core 15 1.1. Installation 15 Operating system invariant initial steps 15 Basic setup 16 1.1.1. Configuration wizard 16 1.2. License Activation 21 1.3. Scan Files with Metadefender Core 21 2. Installing or Upgrading Metadefender Core 22 2.1. Recommended System Requirements 22 System Requirements For Server 22 Browser Requirements for the Metadefender Core Management Console 24 2.2. Installing Metadefender 25 Installation 25 Installation notes 25 2.2.1. Installing Metadefender Core using command line 26 2.2.2. Installing Metadefender Core using the Install Wizard 27 2.3. Upgrading MetaDefender Core 27 Upgrading from MetaDefender Core 3.x 27 Upgrading from MetaDefender Core 4.x 28 2.4. Metadefender Core Licensing 28 2.4.1. Activating Metadefender Licenses 28 2.4.2. Checking Your Metadefender Core License 35 2.5. Performance and Load Estimation 36 What to know before reading the results: Some factors that affect performance 36 How test results are calculated 37 Test Reports 37 Performance Report - Multi-Scanning On Linux 37 Performance Report - Multi-Scanning On Windows 41 2.6. Special installation options 46 Use RAMDISK for the tempdirectory 46 3. Configuring Metadefender Core 50 3.1. Management Console 50 3.2. -
Metadefender Core V4.13.1
MetaDefender Core v4.13.1 © 2018 OPSWAT, Inc. All rights reserved. OPSWAT®, MetadefenderTM and the OPSWAT logo are trademarks of OPSWAT, Inc. All other trademarks, trade names, service marks, service names, and images mentioned and/or used herein belong to their respective owners. Table of Contents About This Guide 13 Key Features of Metadefender Core 14 1. Quick Start with Metadefender Core 15 1.1. Installation 15 Operating system invariant initial steps 15 Basic setup 16 1.1.1. Configuration wizard 16 1.2. License Activation 21 1.3. Scan Files with Metadefender Core 21 2. Installing or Upgrading Metadefender Core 22 2.1. Recommended System Requirements 22 System Requirements For Server 22 Browser Requirements for the Metadefender Core Management Console 24 2.2. Installing Metadefender 25 Installation 25 Installation notes 25 2.2.1. Installing Metadefender Core using command line 26 2.2.2. Installing Metadefender Core using the Install Wizard 27 2.3. Upgrading MetaDefender Core 27 Upgrading from MetaDefender Core 3.x 27 Upgrading from MetaDefender Core 4.x 28 2.4. Metadefender Core Licensing 28 2.4.1. Activating Metadefender Licenses 28 2.4.2. Checking Your Metadefender Core License 35 2.5. Performance and Load Estimation 36 What to know before reading the results: Some factors that affect performance 36 How test results are calculated 37 Test Reports 37 Performance Report - Multi-Scanning On Linux 37 Performance Report - Multi-Scanning On Windows 41 2.6. Special installation options 46 Use RAMDISK for the tempdirectory 46 3. Configuring Metadefender Core 50 3.1. Management Console 50 3.2. -
Data Sheet Rev. D
SigmaDSP Digital Audio Processor with Flexible Audio Routing Matrix Data Sheet ADAU1442/ADAU1445/ADAU1446 FEATURES I2C and SPI control interfaces Fully programmable audio digital signal processor (DSP) for Standalone operation enhanced sound processing Self-boot from serial EEPROM Features SigmaStudio, a proprietary graphical programming 4-channel, 10-bit auxiliary control ADC tool for the development of custom signal flows Multipurpose pins for digital controls and outputs 172 MHz SigmaDSP core; 3584 instructions per sample at 48 kHz Easy implementation of available third-party algorithms 4k parameter RAM, 8k data RAM On-chip regulator for generating 1.8 V from 3.3 V supply Flexible audio routing matrix (FARM) 100-lead TQFP and LQFP packages 24-channel digital input and output Temperature range: −40°C to +105°C Up to 8 stereo asynchronous sample rate converters APPLICATIONS (from 1:8 up to 7.75:1 ratio and 139 dB DNR) Automotive audio processing Stereo S/PDIF input and output Head units Supports serial and TDM I/O, up to fS = 192 kHz Navigation systems Multichannel byte-addressable TDM serial port Rear-seat entertainment systems Pool of 170 ms digital audio delay (at 48 kHz) DSP amplifiers (sound system amplifiers) Clock oscillator for generating master clock from crystal Commercial audio processing PLL for generating core clock from common audio clocks FUNCTIONAL BLOCK DIAGRAM MP[3:0]/ SPI/I2C* SELFBOOT MP[11:4] ADC[3:0] XTALI XTALO ADAU1442/ ADAU1445/ ADAU1446 2 I C/SPI CONTROL MP/ CLOCK INTERFACE AUX ADC PLL OSCILLATOR CLKOUT 1.8V AND SELF-BOOT REGULATOR PROGRAMMABLE AUDIO SPDIFI S/PDIF S/PDIF SPDIFO RECEIVER PROCESSOR CORE TRANSMITTER FLEXIBLE AUDIO ROUTING MATRIX (FARM) SDATA_IN[8:0] SDATA_OUT[8:0] (24-CHANNEL SERIAL DATA SERIAL DATA (24-CHANNEL DIGITAL AUDIO INPUT PORT UP TO 16 CHANNELS OF OUTPUT PORT DIGITAL AUDIO INPUT) (×9) ASYNCHRONOUS (×9) OUTPUT) SAMPLE RATE CONVERTERS BIT CLOCK† BIT CLOCK† (BCLK) SERIAL CLOCK (BCLK) DOMAINS FRAME CLOCK† (×12) FRAME CLOCK† (LRCLK) (LRCLK) *SPI/I2C = THE ADDR0, CLATCH, SCL/CCLK, SDA/COUT, AND ADDR1/CDATA PINS. -
High Bandwidth Acoustics – Transients/Phase/ and the Human Ear
Project Number: FB IQP HB10 HIGH BANDWIDTH ACOUSTICS – TRANSIENTS/PHASE/ AND THE HUMAN EAR An Interactive Qualifying Project Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE In partial fulfillment of the requirements for the Degree of Bachelor of Science By Samir Zutshi 8/26/2010 Approved: Professor Frederick Bianchi, Major Advisor Daniel Foley, Co-Advisor Abstract Life over 20 kHz has been a debate that resides in the audio society today. The research presented in this paper claims and confirms the existence of data over 20 kHz. Through a series of experiments involving various microphone types, sampling rates and six instruments, a short-term Fourier transform was applied to the transient part of a single note of each instrument. The results are graphically shown in spectrum form alongside the wave file for comparison and analysis. As a result, the experiment has given fundamental evidence that may act as a base for many branches of its application and understanding, primarily being the effect of this lost data on the ears and the mind. Table of Contents 1. List of Figures 3 2. Introduction 5 3. Terminology 5 4. Background Information 11 a. Timeline of Digital Audio 12 5. Preparatory 17 6. Theory 17 7. Zero-Degree Phase Shift Environment 17 8. Short Term Fourier Transform 20 9. Experimental Data 22 10. Analysis and Discussion 34 11. Conclusion 36 12. Bibliography 36 Page | 2 List of Figures 1. Amplitude and Phase diagram 6 2. Harmonic Series 8 3. Reduction of continuous to discrete signal 9 4. Analog Signal 9 5. Resulting Sampled Signal 9 6. -
Image Formats
Image Formats Ioannis Rekleitis Many different file formats • JPEG/JFIF • Exif • JPEG 2000 • BMP • GIF • WebP • PNG • HDR raster formats • TIFF • HEIF • PPM, PGM, PBM, • BAT and PNM • BPG CSCE 590: Introduction to Image Processing https://en.wikipedia.org/wiki/Image_file_formats 2 Many different file formats • JPEG/JFIF (Joint Photographic Experts Group) is a lossy compression method; JPEG- compressed images are usually stored in the JFIF (JPEG File Interchange Format) >ile format. The JPEG/JFIF >ilename extension is JPG or JPEG. Nearly every digital camera can save images in the JPEG/JFIF format, which supports eight-bit grayscale images and 24-bit color images (eight bits each for red, green, and blue). JPEG applies lossy compression to images, which can result in a signi>icant reduction of the >ile size. Applications can determine the degree of compression to apply, and the amount of compression affects the visual quality of the result. When not too great, the compression does not noticeably affect or detract from the image's quality, but JPEG iles suffer generational degradation when repeatedly edited and saved. (JPEG also provides lossless image storage, but the lossless version is not widely supported.) • JPEG 2000 is a compression standard enabling both lossless and lossy storage. The compression methods used are different from the ones in standard JFIF/JPEG; they improve quality and compression ratios, but also require more computational power to process. JPEG 2000 also adds features that are missing in JPEG. It is not nearly as common as JPEG, but it is used currently in professional movie editing and distribution (some digital cinemas, for example, use JPEG 2000 for individual movie frames). -
Lossy Audio Compression Identification
2018 26th European Signal Processing Conference (EUSIPCO) Lossy Audio Compression Identification Bongjun Kim Zafar Rafii Northwestern University Gracenote Evanston, USA Emeryville, USA [email protected] zafar.rafi[email protected] Abstract—We propose a system which can estimate from an compression parameters from an audio signal, based on AAC, audio recording that has previously undergone lossy compression was presented in [3]. The first implementation of that work, the parameters used for the encoding, and therefore identify the based on MP3, was then proposed in [4]. The idea was to corresponding lossy coding format. The system analyzes the audio signal and searches for the compression parameters and framing search for the compression parameters and framing conditions conditions which match those used for the encoding. In particular, which match those used for the encoding, by measuring traces we propose a new metric for measuring traces of compression of compression in the audio signal, which typically correspond which is robust to variations in the audio content and a new to time-frequency coefficients quantized to zero. method for combining the estimates from multiple audio blocks The first work to investigate alterations, such as deletion, in- which can refine the results. We evaluated this system with audio excerpts from songs and movies, compressed into various coding sertion, or substitution, in audio signals which have undergone formats, using different bit rates, and captured digitally as well lossy compression, namely MP3, was presented in [5]. The as through analog transfer. Results showed that our system can idea was to measure traces of compression in the signal along identify the correct format in almost all cases, even at high bit time and detect discontinuities in the estimated framing. -
ADOBE AUDITION Iv Contents
Adobe® Audition® CC Help Legal notices Legal notices For legal notices, see http://help.adobe.com/en_US/legalnotices/index.html. Last updated 11/30/2015 iii Contents Chapter 1: What's New New features summary . .1 Chapter 2: Digital audio fundamentals Understanding sound . .4 Digitizing audio . .6 What is Audition? . .8 Chapter 3: Workspace and setup Viewing, zooming, and navigating audio . .9 Customizing workspaces . 12 Connecting to audio hardware . 19 Customizing and saving application settings . 20 Default keyboard shortcuts . 21 Finding and customizing shortcuts . 23 Chapter 4: Importing, recording, and playing Creating and opening files . 24 Importing with the Files panel . 27 Supported import formats . 28 Extracting audio from CDs . 29 Navigating time and playing audio . 30 Recording audio . 33 Monitoring recording and playback levels . 36 Chapter 5: Editing audio files Generating text-to-speech . 38 Matching loudness across multiple audio files . 41 Displaying audio in the Waveform Editor . 43 Selecting audio . 46 Copying, cutting, pasting, and deleting audio . 50 Visually fading and changing amplitude . 52 Working with markers . 54 Inverting, reversing, and silencing audio . 56 Automating common tasks . 57 Analyzing phase, frequency, and amplitude . 59 Frequency Band Splitter . 62 Undo, redo, and history . 63 Converting sample types . 64 Waveform editing enhancements . 67 Chapter 6: Applying effects Enabling CEP extensions . 68 Effects controls . 68 Last updated 11/30/2015 ADOBE AUDITION iv Contents Applying effects in the Waveform Editor . 72 Applying effects in the Multitrack Editor . 73 Adding third-party plug-ins . 74 Notch Filter effect . 75 Fade and Gain Envelope effects (Waveform Editor only) . 76 Manual Pitch Correction effect (Waveform Editor only) . -
Forcepoint DLP Supported File Formats and Size Limits
Forcepoint DLP Supported File Formats and Size Limits Supported File Formats and Size Limits | Forcepoint DLP | v8.8.1 This article provides a list of the file formats that can be analyzed by Forcepoint DLP, file formats from which content and meta data can be extracted, and the file size limits for network, endpoint, and discovery functions. See: ● Supported File Formats ● File Size Limits © 2021 Forcepoint LLC Supported File Formats Supported File Formats and Size Limits | Forcepoint DLP | v8.8.1 The following tables lists the file formats supported by Forcepoint DLP. File formats are in alphabetical order by format group. ● Archive For mats, page 3 ● Backup Formats, page 7 ● Business Intelligence (BI) and Analysis Formats, page 8 ● Computer-Aided Design Formats, page 9 ● Cryptography Formats, page 12 ● Database Formats, page 14 ● Desktop publishing formats, page 16 ● eBook/Audio book formats, page 17 ● Executable formats, page 18 ● Font formats, page 20 ● Graphics formats - general, page 21 ● Graphics formats - vector graphics, page 26 ● Library formats, page 29 ● Log formats, page 30 ● Mail formats, page 31 ● Multimedia formats, page 32 ● Object formats, page 37 ● Presentation formats, page 38 ● Project management formats, page 40 ● Spreadsheet formats, page 41 ● Text and markup formats, page 43 ● Word processing formats, page 45 ● Miscellaneous formats, page 53 Supported file formats are added and updated frequently. Key to support tables Symbol Description Y The format is supported N The format is not supported P Partial metadata -
Metadefender Core V4.17.3
MetaDefender Core v4.17.3 © 2020 OPSWAT, Inc. All rights reserved. OPSWAT®, MetadefenderTM and the OPSWAT logo are trademarks of OPSWAT, Inc. All other trademarks, trade names, service marks, service names, and images mentioned and/or used herein belong to their respective owners. Table of Contents About This Guide 13 Key Features of MetaDefender Core 14 1. Quick Start with MetaDefender Core 15 1.1. Installation 15 Operating system invariant initial steps 15 Basic setup 16 1.1.1. Configuration wizard 16 1.2. License Activation 21 1.3. Process Files with MetaDefender Core 21 2. Installing or Upgrading MetaDefender Core 22 2.1. Recommended System Configuration 22 Microsoft Windows Deployments 22 Unix Based Deployments 24 Data Retention 26 Custom Engines 27 Browser Requirements for the Metadefender Core Management Console 27 2.2. Installing MetaDefender 27 Installation 27 Installation notes 27 2.2.1. Installing Metadefender Core using command line 28 2.2.2. Installing Metadefender Core using the Install Wizard 31 2.3. Upgrading MetaDefender Core 31 Upgrading from MetaDefender Core 3.x 31 Upgrading from MetaDefender Core 4.x 31 2.4. MetaDefender Core Licensing 32 2.4.1. Activating Metadefender Licenses 32 2.4.2. Checking Your Metadefender Core License 37 2.5. Performance and Load Estimation 38 What to know before reading the results: Some factors that affect performance 38 How test results are calculated 39 Test Reports 39 Performance Report - Multi-Scanning On Linux 39 Performance Report - Multi-Scanning On Windows 43 2.6. Special installation options 46 Use RAMDISK for the tempdirectory 46 3. -
IDOL Keyview Viewing SDK 12.7 Programming Guide
KeyView Software Version 12.7 Viewing SDK Programming Guide Document Release Date: October 2020 Software Release Date: October 2020 Viewing SDK Programming Guide Legal notices Copyright notice © Copyright 2016-2020 Micro Focus or one of its affiliates. The only warranties for products and services of Micro Focus and its affiliates and licensors (“Micro Focus”) are set forth in the express warranty statements accompanying such products and services. Nothing herein should be construed as constituting an additional warranty. Micro Focus shall not be liable for technical or editorial errors or omissions contained herein. The information contained herein is subject to change without notice. Documentation updates The title page of this document contains the following identifying information: l Software Version number, which indicates the software version. l Document Release Date, which changes each time the document is updated. l Software Release Date, which indicates the release date of this version of the software. To check for updated documentation, visit https://www.microfocus.com/support-and-services/documentation/. Support Visit the MySupport portal to access contact information and details about the products, services, and support that Micro Focus offers. This portal also provides customer self-solve capabilities. It gives you a fast and efficient way to access interactive technical support tools needed to manage your business. As a valued support customer, you can benefit by using the MySupport portal to: l Search for knowledge documents of interest l Access product documentation l View software vulnerability alerts l Enter into discussions with other software customers l Download software patches l Manage software licenses, downloads, and support contracts l Submit and track service requests l Contact customer support l View information about all services that Support offers Many areas of the portal require you to sign in. -
Maintaining Audio Quality in the Broadcast/Netcast Facility
Maintaining Audio Quality in the Broadcast and Netcast Facility 2019 Edition Robert Orban Greg Ogonowski Orban®, Optimod®, and Opticodec® are registered trademarks. All trademarks are property of their respective companies. © Copyright 1982-2019 Robert Orban and Greg Ogonowski. Rorb Inc., Belmont CA 94002 USA Modulation Index LLC, 1249 S. Diamond Bar Blvd Suite 314, Diamond Bar, CA 91765-4122 USA Phone: +1 909 860 6760; E-Mail: [email protected]; Site: https://www.indexcom.com Table of Contents TABLE OF CONTENTS ............................................................................................................ 3 MAINTAINING AUDIO QUALITY IN THE BROADCAST/NETCAST FACILITY ..................................... 1 Authors’ Note ....................................................................................................................... 1 Preface ......................................................................................................................... 1 Introduction ................................................................................................................ 2 The “Digital Divide” ................................................................................................... 3 Audio Processing: The Final Polish ............................................................................ 3 PART 1: RECORDING MEDIA ................................................................................................. 5 Compact Disc .............................................................................................................. -
Data Management for Interview and Focus Group Resources in Health
DATA MANAGEMENT FOR INTERVIEW AND FOCUS GROUP RESOURCES IN HEALTH Catalogue Information: Field Information Title: Data Management for interview and focus group resources in health Document type: Guide Creator: Gareth Knight Keywords: research data management, interviews, focus groups, health data, social science Description: This Guide to Good Practice provides advice to LSHTM researchers managing qualitative data acquired through interviews and focus groups. It outlines questions to be considered at each stage, management approaches that may be taken, and resources where further information may be found. Language: English Rights: Creative Commons Attribution 4.0 International License Version control: Version Date Change description Author 1.0 19 Feb 2018 First version Gareth Knight 1.1 12 June 2018 Added extra transcription tool Feedback This document will be reviewed and updated on an ongoing basis. To suggest enhancements or amendments contact [email protected]. Contents Introduction ............................................................................................................................................................ 3 Audio recordings and data protection ............................................................................................................ 3 1. Prepare for data collection ........................................................................................................................... 4 1.1. Select audio capture device .................................................................................................................