From 'Front Page' to 'Spider-Man,' Editors Are Headliners
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2019 Silent Auction List
September 22, 2019 ………………...... 10 am - 10:30 am S-1 2018 Broadway Flea Market & Grand Auction poster, signed by Ariana DeBose, Jay Armstrong Johnson, Chita Rivera and others S-2 True West opening night Playbill, signed by Paul Dano, Ethan Hawk and the company S-3 Jigsaw puzzle completed by Euan Morton backstage at Hamilton during performances, signed by Euan Morton S-4 "So Big/So Small" musical phrase from Dear Evan Hansen , handwritten and signed by Rachel Bay Jones, Benj Pasek and Justin Paul S-5 Mean Girls poster, signed by Erika Henningsen, Taylor Louderman, Ashley Park, Kate Rockwell, Barrett Wilbert Weed and the original company S-6 Williamstown Theatre Festival 1987 season poster, signed by Harry Groener, Christopher Reeve, Ann Reinking and others S-7 Love! Valour! Compassion! poster, signed by Stephen Bogardus, John Glover, John Benjamin Hickey, Nathan Lane, Joe Mantello, Terrence McNally and the company S-8 One-of-a-kind The Phantom of the Opera mask from the 30th anniversary celebration with the Council of Fashion Designers of America, designed by Christian Roth S-9 The Waverly Gallery Playbill, signed by Joan Allen, Michael Cera, Lucas Hedges, Elaine May and the company S-10 Pretty Woman poster, signed by Samantha Barks, Jason Danieley, Andy Karl, Orfeh and the company S-11 Rug used in the set of Aladdin , 103"x72" (1 of 3) Disney Theatricals requires the winner sign a release at checkout S-12 "Copacabana" musical phrase, handwritten and signed by Barry Manilow 10:30 am - 11 am S-13 2018 Red Bucket Follies poster and DVD, -
Equity News Summer 2019
SUMMER 2019 | VOLUME 104 | ISSUE 3 ACTORS’ EQUITY ASSOCIATION Equity NEWS A CENTURY OF SOLIDARITY CELEBRATING THE 100TH ANNIVERSARY OF THE VERY FIRST EQUITY STRIKE EquityDIRECTORY EASTERN REGION WESTERN REGION BUSINESS THEATRE Kaitlyn Hoffman [email protected], x322 SPECIAL APPEARANCE, GUEST AND DINNER THEATRE ARTIST Philip Ring [email protected], x106 CABARET Kaitlyn Hoffman [email protected], x322 WITHIN LA - 99 SEAT Albert Geana-Bastare [email protected], x118 CASINO Doria Montfort [email protected], x334 TYA, STOCK, LOA TO COST & LOA TO WCLO Christa Jackson [email protected], x129 DINNER THEATRE Gary Dimon [email protected], x414 SPT, HAT Gwen Meno [email protected], x110 DINNER THEATRE ARTIST Austin Ruffer [email protected], x307 LORT Ethan Schwartz [email protected], x150 DISNEY WORLD Donna-Lynne Dalton [email protected], x604 Buckly Stephens [email protected], x602 LOA TO LORT Lyn Moon [email protected], x119 GUEST ARTIST Austin Ruffer [email protected], x307 CONTRACTS WITHIN NORTHERN CALIFORNIA Ethan Schwartz [email protected], x150 LABS/WORKSHOPS Corey Jenkins [email protected], x325 CONTRACTS WITHIN SOUTHERN CALIFORNIA Albert Geana-Bastare [email protected], x118 LOA-NYC Raymond Morales [email protected], x314 CONTRACTS WITHIN TEXAS & UTAH Christa Jackson [email protected], x129 LOA-PP Timmary Hammett [email protected], x376 Gary Dimon [email protected], x414 CONTRACTS -
Shakespeare for the 21 Century: a Vision for the Next 25 Years (Continued)
DRAFT SHAKESPEARE FOR THE 21ST CENTURY: THE NEXT 25 YEARS SETTING THE STAGE FOR THE FUTURE Advancing the Artistic Experience, Nurturing New Audiences & Sustaining the Shakespeare Theatre Company Shakespeare for the 21st Century: The Next 25 Years … Advancing the Artistic Experience, Nurturing New Audiences & Sustaining the Shakespeare Theatre Company Over our first 25 years, I am proud to say that the Shakespeare Theatre Company has helped to redefine classical theatre. Beyond the work of William Shakespeare, our definition – and mission – encompass the ancient Greek and Roman plays that inspired him, the works of his contemporaries and those who followed in his tradition, as well as those modern plays which, in our humble opinion, will become classics in the centuries to come. Classical theatre tells us about ourselves in a way that nothing else does, enriches our lives, helps us appreciate people unlike ourselves, makes us think and glories in the language that we speak. But without it going back into the schools and going to new generations of young people, it will be lost. It would be a terrible thing. I hope I don’t ever see that happen. Michael Kahn, reflecting on his 25 years as Artistic Director of the Shakespeare Theatre Company, April 2011 2 CONFIDENTIAL DRAFT: Friday, July 01, 2011 Shakespeare for the 21st Century: The Next 25 Years … Advancing the Artistic Experience, Nurturing New Audiences & Sustaining the Shakespeare Theatre Company Introduction Michael Kahn’s visionary leadership of the Shakespeare Theatre Company over the last 25 years has provided artistic experiences virtually unmatched anywhere else in America. -
Production Images Released for Hadestown at the National Theatre Click Here to Download
12 November 2018 Production images released for Hadestown at the National Theatre Click here to download Music, lyrics and book by Anaïs Mitchell Developed with Rachel Chavkin Olivier Theatre Press Night 13 November, in rep until 26 January Following record-breaking runs at New York Theatre Workshop and Canada’s Citadel Theatre, Hadestown comes to the National Theatre prior to Broadway. In the warmth of summertime, songwriter Orpheus and his muse Eurydice are living it up and falling in love. But as winter approaches, reality sets in: these young dreamers can’t survive on songs alone. Tempted by the promise of plenty, Eurydice is lured to the depths of industrial Hadestown. On a quest to save her, Orpheus journeys to the underworld where their trust in each other is put to a final test. Celebrated singer-songwriter Anaïs Mitchell and director Rachel Chavkin have transformed Mitchell’s acclaimed concept album into a genre-defying new musical that mixes modern American folk music with vintage New Orleans jazz to reimagine a sweeping ancient tale. ‘Inventive. Beguiling. Luminous. Spellbinding.’ – New York Times The cast includes Sharif Afifi, Reeve Carney, André De Shields, Rosie Fletcher, Amber Gray, Beth Hinton-Lever, Carly Mercedes Dyer, Eva Noblezada, Seyi Omooba, Gloria Onitiri, Patrick Page, Aiesha Pease, Joseph Prouse, Jordan Shaw and Shaq Taylor. Directed by Rachel Chavkin, with set design by Rachel Hauck, costume design by Michael Krass, lighting design by Bradley King, sound design by Nevin Steinberg and Jessica Paz, choreography by David Neumann, musical direction and vocal arrangements by Liam Robinson, orchestrations and arrangements by Michael Chorney and Todd Sickafoose, with Ken Cerniglia as dramaturg. -
Rachel Chavkin Takes on Broadway
Arts & Humanities High Art, High Ideals: Rachel Chavkin Takes on Broadway The Tony Award-winning director of Hadestown may be theater’s most forward- thinking artist. By Stuart Miller '90JRN | Fall 2019 Zack DeZon / Getty Images Making her way to the stage of Radio City Music Hall to accept the 2019 Tony Award for best direction of a musical, Rachel Chavkin ’08SOA was thinking about time. She had all of ninety seconds to get to the microphone and deliver her speech, which was written on a much-creased piece of paper folded in her hands. Seven months pregnant, Chavkin, thirty-eight, was not about to sprint. As she told Columbia Magazine days later, “I warned my husband: if they call my name, I won’t have time to hug you!” Hadestown, an enthralling, profoundly moving retelling of the myth of Orpheus and Eurydice, would, by night’s end, capture eight awards, including best original score and best musical. The accolades were not only hard won — Chavkin, a leading light of experimental theater, and Anaïs Mitchell, a singer-songwriter from Vermont, shaped and refined Hadestown for seven years — but also, some might say, overdue. In seventy-three years of the Tony Awards (named after Antoinette Perry, an actress, director, and theater advocate), Chavkin became just the fourth woman to win for best direction of a musical, joining Julie Taymor (The Lion King), Susan Stroman (The Producers), and Diane Paulus ’97SOA (Pippin). And in 2019, out of twelve new musicals on Broadway, Hadestown was the only one directed by a woman. The show, playing at the Walter Kerr Theatre on West 48th Street, is set mostly in a New Orleans–style barrelhouse at a time of economic and environmental decay. -
BOYD-QUINSON MAINSTAGE OCTOBER 4-22, 2017 SETTING New York, 1880'S CAST in ORDER of APPEARANCE
JULIANNE BOYD, ARTISTIC DIRECTOR AND Carla and Edward Slomin PRESENT BY Patrick Hamilton FEATURING Ali Rose Dachis Mark H. Dold Kevin O'Rourke Kim Stauffer Peggy Pharr Wilson SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER Kate Noll Beth Goldenberg Scott Pinkney Joel Abbott HAIR & WIG DESIGNER PRODUCTION STAGE MANAGER CASTING Anne Ford-Coates Renée Lutz Pat McCorkle, Katja Zarolinski, CSA BERKSHIRE PRESS REPRESENTATIVE DIGITAL MARKETING NATIONAL PRESS REPRESENTATIVE Charlie Siedenburg The Pekoe Group Matt Ross Public Relations DIRECTED BY Louisa Proske SPONSORED IN PART BY Hildi and Walter Black & Esther and Dr. Robert Rosenthal Student matinees sponsored in part by the Dobbins Foundation & Susan and David Lombard STUDENT MATINEE TALKBACKS SPONSORED BY Price Chopper/Market 32 GASLIGHT is presented by special arrangement with SAMUEL FRENCH, INC. BOYD-QUINSON MAINSTAGE OCTOBER 4-22, 2017 SETTING New York, 1880's CAST IN ORDER OF APPEARANCE Mr. Manningham .................................................................................. Mark H. Dold* Mrs. Manningham ................................................................................. Kim Stauffer* Elizabeth .....................................................................................Peggy Pharr Wilson* Nancy ...............................................................................................Ali Rose Dachis* Rough ................................................................................................Kevin O'Rourke* STAFF Production -
Album of the Year Record of the Year
Album of the Year I, I Bon Iver NORMAN F—ING ROCKWELL! Lana del Rey WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? Billie Eilish THANK U, NEXT Ariana Grande I USED TO KNOW HER H.E.R. 7 Lil Nas X CUZ I LOVE YOU Lizzo FATHER OF THE BRIDE Vampire Weekend Record of the Year HEY MA Bon Iver BAD GUY Billie Eilish 7 RINGS Ariana Grande HARD PLACE H.E.R. TALK Khalid OLD TOWN ROAD Lil Nas X ft. Billy Ray Cyrus TRUTH HURTS Lizzo SUNFLOWER Post Malone Song of the Year ALWAYS REMEMBER US THIS WAY Natalie Hemby, Lady Gaga, Hillary Lindsey and Lori McKenna, songwriters (Lady Gaga) BAD GUY Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish) BRING MY FLOWERS NOW Brandi Carlile, Phil Hanseroth, Tim Hanseroth and Tanya Tucker, songwriters (Tanya Tucker) HARD PLACE Ruby Amanfu, Sam Ashworth, D. Arcelious Harris, H.E.R. & Rodney Jerkins, songwriters (H.E.R.) LOVER Taylor Swift NORMAN F***ING ROCKWELL Jack Antonoff and Lana del Ray, songwriters (Lana del Rey) SOMEONE YOU LOVED Tom Barnes, Lewis Capaldi, Pete Kelleher, Benjamin Kohn and Sam Roman, songwriters (Lewis Capaldi) TRUTH HURTS Steven Cheung, Eric Frederic, Melissa Jefferson and Jesse Saint John, songwriters (Lizzo) Best New Artist BLACK PUMAS BILLIE EILISH LIL NAS X LIZZO MAGGIE ROGERS ROSALíA TANK AND THE BANGAS YOLA Best Pop Solo Performance SPIRIT Beyoncé BAD GUY Billie Eilish 7 RINGS Ariana Grande TRUTH HURTS Lizzo YOU NEED TO CALM DOWN Taylor Swift Best Pop Duo/Group Performance BOYFRIEND Ariana Grande & Social House SUCKER Jonas Brothers OLD TOWN ROAD Lil Nas X Featuring Billy -
Media Release
9828 – 101 A Avenue NW Artistic Director DARYL CLORAN Edmonton, Alberta Canada T5J 3C6 Executive Director PENNY RITCO Tel: 780.426.4811 Fax: 780.428.7194 www.citadeltheatre.com Box Office: 780. 425.1820 MEDIA RELEASE THE STARS COME OUT IN THE CITADEL’S 2017/18 SEASON September 7, 2017 (EDMONTON) The new Citadel Theatre season, starting in less than two weeks, is literally stellar for the many accomplished artists, local, national, and international, who will appear on Citadel stages in the coming months. The pre-Broadway Canadian premiere of Anaïs Mitchell’s musical Hadestown (Nov 11 – Dec 3) has been generating buzz in both New York and Edmonton. Five New York theatre stars will make the trip to Alberta in October to begin rehearsals. Patrick Page is a Broadway veteran who created the dual role of Norman Osborn and his alter ego the Green Goblin in the Broadway rock musical Spider-Man: Turn Off the Dark, and has starred in such major productions as The Lion King, Beauty and the Beast, A Man For All Seasons, and Cyrano De Bergerac. He will play Hades, the role he originated in the Off-Broadway production last year. Another Hadestown alumna, Amber Gray, who will play Persephone, comes to the Citadel after appearing as Hélène Kuragina in the much-acclaimed Broadway musical Natasha, Pierre and the Great Comet of 1812, a performance that garnered a 2017 Theatre World Award. Broadway great Kingsley Leggs will play Hermes. He is best known for originating the roles of Mister in The Color Purple and Curtis Jackson in Sister Act. -
Zane Carney Curriculum Vitae REAL 2012
Zane Carney Curriculum Vitae Zane Carney Guitarist/Songwriter/Clinician Brief Profile Zane Carney currently plays lead guitar for Spider-Man Turn Off The Dark on Broadway with Los Angeles based Interscope Recording act CARNEY. Born and half-raised in NYC, Zane moved to Los Angeles as a child and developed an affinity for the guitar in Junior High when he started performing at local blues clubs. After attending Hamilton High School Academy of Music and touring Japan with the Monterey National All-Star Big Band, he began his collegiate studies at University of Southern Califor- nia’s Thornton School of Music majoring in Studio/Jazz Guitar. As a Guitarist and former Oboist, many of his schooling years included performances with Symphony Orchestras and Chamber Groups which lead to an educational background that is equally classical and jazz. This diversity of musical styles and methods helped to form a unique sound that draws just as much from Jazz as it does Delta Blues, Rock and Roll and Impressionism. Zane has been fortunate to tour the world (Jesse McCartney, Renee Olstead, Ar- mand Sabal-Lecco, etc.), perform regularly on national television (Jay Leno, Jimmy Kimmel, Good Morning America, etc.), and play lead guitar as an onstage musician at Last Call with Carson Daly and CW’s Oh Sit. On top of this, he has performed with a diverse group of jazz artists including John Daversa whose Big Band album “Junk Wagon” and Small Group re- cord “Artful Joy” feature Zane’s jazz playing Outside of session and touring work, Zane is fortunate to have two strong outlets as an artist. -
SPIDER-MAN: a BUMPY RIDE on BROADWAY the Broadway Production of “Spider-Man: Turn Off the Dark” Suffered from Vast Expenses and Discord
FROM THE NEW YORK TIMES ARCHIVES SPIDER-MAN: A BUMPY RIDE ON BROADWAY The Broadway production of “Spider-Man: Turn Off the Dark” suffered from vast expenses and discord. (Sara Krulwich/The New York Times) TBook Collections Copyright © 2015 The New York Times Company. All rights reserved. Cover photograph by Sara Krulwich/The New York Times This ebook was created using Vook. All of the articles in this work originally appeared in The New York Times. eISBN: The New York Times Company New York, NY www.nytimes.com www.nytimes.com/tbooks Broadway’s ‘Spider-Man’ Spins A Start Date By PATRICK HEALY February 24, 2009 The widely anticipated new musical “Spider-Man, Turn Off the Dark,” with music and lyrics by Bono and the Edge and directed by Julie Taymor (“The Lion King”), took a big swing toward a Broadway debut on Tuesday: the producers announced that the show would begin previews on Jan. 16 at the Hilton Theater. The musical, produced by Hello Entertainment/David Garfinkle, Martin McCallum, Marvel Entertainment and Sony Pictures Entertainment, is to open on Feb. 18. Industry insiders have said its budget would be the largest in Broadway history, about $40 million; a spokesman for the show, Adrian Bryan-Brown, said on Tuesday that the producers would not comment on the dollar amount. ‘Spider-Man’ Musical Names 2 Of Its Stars June 27, 2009 Evan Rachel Wood will be Mary Jane Watson and Alan Cumming will star as Norman Osborn (a k a Green Goblin) in the upcoming Broadway musical “Spider-Man, Turn Off The Dark,” the producers announced on Friday. -
Othello by WILLIAM SHAKESPEARE Directed by Michael Kahn Featuring Avery Brooks and Patrick Page
For Immediate Release: Press Contact: Liza Holtmeier August 1, 2005 202.608.6302 [email protected] SHAKESPEARE THEATRE COMPANY’S 2005-2006 SEASON OPENS WITH Othello BY WILLIAM SHAKESPEARE Directed by Michael Kahn Featuring Avery Brooks and Patrick Page WASHINGTON, D.C. – The Shakespeare Theatre Company opens its 2005-2006 season with Artistic Director Michael Kahn directing a production of Othello from August 30 to October 30, 2005. With poetry rivaling King Lear and with the psychological depth of Hamlet, Shakespeare’s Othello is a highly charged tale of jealousy, prejudice, revenge and the destruction of innocence. For the production, Kahn directs a cast that includes Avery Brooks as Othello, Patrick Page as Iago, Colleen Delany as Desdemona, Lise Bruneau as Emilia and Company Member David Sabin as Brabantio. Media partner The Washingtonian magazine provides promotional support throughout the run. Passed over for the position of Othello’s lieutenant, Iago begins to plot his revenge against the Moor. Believing his wife, Emilia, has been unfaithful with Othello, Iago plans to poison Othello’s marriage with jealousy. As Iago’s lies begin to take hold, Othello questions more and more the fidelity of his new bride, eventually destroying his once-happy marriage. “Othello is extraordinary in its psychological complexities, and I think it is a reduction of the play to say it is simply a study of jealousy,” says Michael Kahn. “It’s a study of a great man, the world around him and his destruction. And although the play deals with jealousy – and, to an even greater extent, obsession – it doesn’t start out as a play about jealousy. -
M4mprogram.Pdf
STC Board of Trustees Board of Trustees W. Mike House Emeritus Trustees Michael R. Klein, Chair Jerry J. Jasinowski R. Robert Linowes*, Robert E. Falb, Vice Chair Norman D. Jemal Founding Chairman John Hill, Treasurer Scott Kaufmann James B. Adler Pauline Schneider, Secretary Abbe D. Lowell Heidi L. Berry* Michael Kahn, Artistic Director Eleanor Merrill David A. Brody* Melissa A. Moss Melvin S. Cohen* Trustees Robert S. Osborne Ralph P. Davidson Nicholas W. Allard Stephen M. Ryan James F. Fitzpatrick Ashley M. Allen George P. Stamas Dr. Sidney Harman* Stephen E. Allis Bill Walton Lady Manning Anita M. Antenucci Lady Westmacott Kathleen Matthews Jeffrey D. Bauman Rob Wilder William F. McSweeny Afsaneh Beschloss Suzanne S. Youngkin V. Sue Molina Landon Butler Walter Pincus Dr. Paul Carter Ex-Officio Eden Rafshoon Chelsea Clinton Chris Jennings, Emily Malino Scheuer* Dr. Mark Epstein Managing Director Lady Sheinwald Andrew C. Florance Mrs. Louis Sullivan Miles Gilburne Daniel W. Toohey Barbara Harman Sarah Valente John R. Hauge Lady Wright Stephen A. Hopkins Lawrence A. Hough * Deceased 2 Dear Friend, Table of Contents Welcome to the first mainstage show of our 2013-2014 The Invention of Sex season, Measure for Measure. by Drew Lichtenberg 6 I am thrilled that Jonathan Title Page 9 Munby has returned to direct William Shakespeare’s About the Playwright 10 bracingly modern and human Synopsis 11 play after his excellent work on The Dog in the Manger here in 2009. By placing this story in a Cast 13 decadent 1930s Vienna, in an Austria on the brink Cast Biographies 14 of Fascist annexation, Jonathan brings enduring Direction and questions to the forefront of his production: Design Biographies 18 How do you reign in a society of excess while preserving justice? How far does the responsibility About STC 20 of our leadership extend into social life? What is Support 22 the role of government and religion in policing sexuality? All of these debates are very much alive For STC 30 in Washington, D.C.