1 This Is How It Starts. Imagine Now That You Are Walking Down a Set Of
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My Morning Racket Is a Weekly Two-Hour Radio Show Produced in Penticton British Columbia at Peach City Radio (CFUZ-FM)
My Morning Racket is a weekly two-hour radio show produced in Penticton British Columbia at Peach City Radio (CFUZ-FM). Host Dave Del Rizzo thumbs his nose at the conventional kid gloves used to wake folks via radio music by playing loud unapologetic distortion-laden music for breakfast. Mix in a little talk and the occasional interview, and voila, welcome to My Morning Racket. Email: [email protected] Frequency: Weekly Release: Mondays after 0900h Pacific Time Season 4 Episode 3 Serial 134 Original Air Date: January 15, 2021 Length: 118:00 Title: Dirtying Up the Airwaves Host: Dave Del Rizzo Guests: None Bonus track(s) - only appear in repeat/podcast broadcast * - language 1 Parquet Courts Wide Awake! Wide Awake! 2.40 2 Extraworld Starless Radial Velocity 5.37 3 Stillness & Stars Three Rideau 4.08 4 butter city poster boys toploft idlejoy high noon 4.09 5* TOBACCO Hot Wet & Sassy Body Double 2.52 6 OH SEES Panther Rotate Don't Blow Experiment 5.09 7 Front Line Assembly Mechanical Soul Purge 5.23 8 Nine Inch Nails Pretty Hate Machine Down In It 3.46 9 Hex Beat A Series of Kicks Earning 3.43 10 LIGHTSOCKET At issue with everything It's never a good time 3.05 11 applewhite New Bohemia Absurd 4.45 12* Random Ideas We Met In The Womb Leave Me Alone 3.17 13 The Pack A.D. Positive Thinking Sorrow 4.01 14 Property Think Electric! In Gloom 3.33 15 Real Estate In Mind Stained Glass 3.54 16* J. -
Internet Killed the B-Boy Star: a Study of B-Boying Through the Lens Of
Internet Killed the B-boy Star: A Study of B-boying Through the Lens of Contemporary Media Dehui Kong Senior Seminar in Dance Fall 2010 Thesis director: Professor L. Garafola © Dehui Kong 1 B-Boy Infinitives To suck until our lips turned blue the last drops of cool juice from a crumpled cup sopped with spit the first Italian Ice of summer To chase popsicle stick skiffs along the curb skimming stormwater from Woodbridge Ave to Old Post Road To be To B-boy To be boys who snuck into a garden to pluck a baseball from mud and shit To hop that old man's fence before he bust through his front door with a lame-bull limp charge and a fist the size of half a spade To be To B-boy To lace shell-toe Adidas To say Word to Kurtis Blow To laugh the afternoons someone's mama was so black when she stepped out the car B-boy… that’s what it is, that’s why when the public the oil light went on changed it to ‘break-dancing’ they were just giving a To count hairs sprouting professional name to it, but b-boy was the original name for it and whoever wants to keep it real would around our cocks To touch 1 ourselves To pick the half-smoked keep calling it b-boy. True Blues from my father's ash tray and cough the gray grit - JoJo, from Rock Steady Crew into my hands To run my tongue along the lips of a girl with crooked teeth To be To B-boy To be boys for the ten days an 8-foot gash of cardboard lasts after we dragged that cardboard seven blocks then slapped it on the cracked blacktop To spin on our hands and backs To bruise elbows wrists and hips To Bronx-Twist Jersey version beside the mid-day traffic To swipe To pop To lock freeze and drop dimes on the hot pavement – even if the girls stopped watching and the street lamps lit buzzed all night we danced like that and no one called us home - Patrick Rosal 1 The Freshest Kids , prod. -
The Sound of an Album Cover: Probabilistic Multimedia and IR
The Sound of an Album Cover: Probabilistic Multimedia and IR Eric Brochu Nando de Freitas Kejie Bao Department of Computer Science Department of Computer Science Department of Computer Science University of British Columbia University of British Columbia University of British Columbia Vancouver, BC, Canada Vancouver, BC, Canada Vancouver, BC, Canada [email protected] [email protected] [email protected] Abstract We present a novel, flexible, statistical approach to modeling music, images and text jointly. The technique is based on multi-modal mixture mod- els and efficient computation using online EM. The learned models can be used to browse mul- timedia databases, to query on a multimedia database using any combination of music, im- ages and text (lyrics and other contextual infor- mation), to annotate documents with music and images, and to find documents in a database sim- ilar to input text, music and/or graphics files. 1 INTRODUCTION An essential part of human psychology is the ability to Figure 1: The CD cover art for “Singles” by The Smiths. identify music, text, images or other information based on Using this image as input, our querying method returns associations provided by contextual information of differ- the songs “How Soon is Now?” and “Bigmouth Strikes ent media. Think no further than a well-chosen image on Again” – also by The Smiths – by probabilistically cluster- a book cover, which can instantly establish for the reader ing the query image, finding database images with similar the contents of the book, or how the lyrics to a familiar histograms, and returning songs associated with those im- song can instantly bring the song’s melody to mind. -
FAHRENHEIT 451 by Ray Bradbury This One, with Gratitude, Is for DON CONGDON
FAHRENHEIT 451 by Ray Bradbury This one, with gratitude, is for DON CONGDON. FAHRENHEIT 451: The temperature at which book-paper catches fire and burns PART I: THE HEARTH AND THE SALAMANDER IT WAS A PLEASURE TO BURN. IT was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon- winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning. Montag grinned the fierce grin of all men singed and driven back by flame. He knew that when he returned to the firehouse, he might wink at himself, a minstrel man, Does% burntcorked, in the mirror. Later, going to sleep, he would feel the fiery smile still gripped by his Montag% face muscles, in the dark. -
Disco Top 15 Histories
10. Billboard’s Disco Top 15, Oct 1974- Jul 1981 Recording, Act, Chart Debut Date Disco Top 15 Chart History Peak R&B, Pop Action Satisfaction, Melody Stewart, 11/15/80 14-14-9-9-9-9-10-10 x, x African Symphony, Van McCoy, 12/14/74 15-15-12-13-14 x, x After Dark, Pattie Brooks, 4/29/78 15-6-4-2-2-1-1-1-1-1-1-2-3-3-5-5-5-10-13 x, x Ai No Corrida, Quincy Jones, 3/14/81 15-9-8-7-7-7-5-3-3-3-3-8-10 10,28 Ain’t No Stoppin’ Us, McFadden & Whitehead, 5/5/79 14-12-11-10-10-10-10 1,13 Ain’t That Enough For You, JDavisMonsterOrch, 9/2/78 13-11-7-5-4-4-7-9-13 x,89 All American Girls, Sister Sledge, 2/21/81 14-9-8-6-6-10-11 3,79 All Night Thing, Invisible Man’s Band, 3/1/80 15-14-13-12-10-10 9,45 Always There, Side Effect, 6/10/76 15-14-12-13 56,x And The Beat Goes On, Whispers, 1/12/80 13-2-2-2-1-1-2-3-3-4-11-15 1,19 And You Call That Love, Vernon Burch, 2/22/75 15-14-13-13-12-8-7-9-12 x,x Another One Bites The Dust, Queen, 8/16/80 6-6-3-3-2-2-2-3-7-12 2,1 Another Star, Stevie Wonder, 10/23/76 13-13-12-6-5-3-2-3-3-3-5-8 18,32 Are You Ready For This, The Brothers, 4/26/75 15-14-13-15 x,x Ask Me, Ecstasy,Passion,Pain, 10/26/74 2-4-2-6-9-8-9-7-9-13post peak 19,52 At Midnight, T-Connection, 1/6/79 10-8-7-3-3-8-6-8-14 32,56 Baby Face, Wing & A Prayer, 11/6/75 13-5-2-2-1-3-2-4-6-9-14 32,14 Back Together Again, R Flack & D Hathaway, 4/12/80 15-11-9-6-6-6-7-8-15 18,56 Bad Girls, Donna Summer, 5/5/79 2-1-1-1-1-1-1-1-2-2-3-10-13 1,1 Bad Luck, H Melvin, 2/15/75 12-4-2-1-1-1-1-1-1-1-1-1-2-2-3-4-5-5-7-10-15 4,15 Bang A Gong, Witch Queen, 3/10/79 12-11-9-8-15 -
To See the 2018 Pier Concert Preview Guide
2 TWILIGHTSANTAMONICA.ORG REASON 1 #1 in Transfers for 27 Years APPLY AT SMC.EDU SANTA MONICA COMMUNITY COLLEGE DISTRICT BOARD OF TRUSTEES Barry A. Snell, Chair; Dr. Margaret Quiñones-Perez, Vice Chair; Dr. Susan Aminoff; Dr. Nancy Greenstein; Dr. Louise Jaffe; Rob Rader; Dr. Andrew Walzer; Alexandria Boyd, Student Trustee; Dr. Kathryn E. Jeffery, Superintendent/President Santa Monica College | 1900 Pico Boulevard | Santa Monica, CA 90405 | smc.edu TWILIGHTSANTAMONICA.ORG 3 2018 TWILIGHT ON THE PIER SCHEDULE SEPT 05 LATIN WAVE ORQUESTA AKOKÁN Jarina De Marco Quitapenas Sister Mantos SEPT 12 AUSTRALIA ROCKS THE PIER BETTY WHO Touch Sensitive CXLOE TWILIGHT ON THE PIER Death Bells SEPT 19 WELCOMES THE WORLD ISLAND VIBES f you close your eyes, inhale the ocean Instagram feeds, and serves as a backdrop Because the event is limited to the land- JUDY MOWATT Ibreeze and listen, you’ll hear music in in Hollywood blockbusters. mark, police can better control crowds and Bokanté every moment on the Santa Monica Pier. By the end of last year, the concerts had for the first time check bags. Fans will still be There’s the percussion of rubber tires reached a turning point. City leaders grappled allowed to bring their own picnics and Twilight Steel Drums rolling over knotted wood slats, the plinking with an event that had become too popular for water bottles for the event. DJ Danny Holloway of plastic balls bouncing in the arcade and its own good. Police worried they couldn’t The themes include Latin Wave, Australia the song of seagulls signaling supper. -
An Analysis of Social Media Marketing in the Classical Music Industry
#CLASSICAL: AN ANALYSIS OF SOCIAL MEDIA MARKETING IN THE CLASSICAL MUSIC INDUSTRY Ms Annabelle Angela Lan Lee Royal Holloway, University of London (2017) A dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy (Music) Page 1 of 299 Page intentionally left blank. Page 2 of 299 Declaration of Authorship I Annabelle Angela Lan Lee hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 28 April 2017 Page 3 of 299 Page intentionally left blank. Page 4 of 299 Abstract With the re-emergence of social media in the 2000s and the increased worldwide usage of mobile devices, the impact of social media still cannot be ignored. From corporate businesses to popular culture, social media are now used in many sectors of society. Not least among these is the classical music industry. Artists and organisations have keenly capitalised on social media in the face of increasing budgetary reductions in the arts and long-held elitist perceptions of classical music. In addition, the classical music business has used social media to profit from economic growth, audiences, and public profiles, and to market accessibility, relevance, and value to a wider audience, notably, younger demographics and non-attenders. As a result, the classical music scene tries to engender technological determinism and digital optimism, ideologies reflecting discourses around Web 2.0/social media. Simultaneously, a so-called ‘digital divide’ is at risk. Various factors, for example, socioeconomic strata, greatly influence how classical music is marketed and branded on social media networks, however, they are barriers to access and enjoyment of the art, online and offline. -
Spreading Love, from a Distance
CATCH UP from home spreading love, from a distance issue 1 | April 1, 2020 spread love & hope There’s something both magical and We will get through this, together. soothing about the phrase “We’ll get This is not a solo competition. through this, together.” Hearing those This is a community event that as words these days can provide as much unpleasant as it is, could actually help relief as all the lines in a self-help us restore some of that which may book. They give us hope. They tell us have been lost. that we’re not alone. Perhaps rather than challenging our Trapped inside our cocoons of neighbors to prove who is right, we’ll quarantine, sounds are muffled, colors return to looking out for one another. are faded. Even the air smells and feels Maybe instead of paying attention to differently. We miss the sounds of our things they have that we don’t, our children laughing on the playground, focus will be on what they need and the energetic din of our favorite how we can help. bar, the cheering of parents on the sidelines and other notes that remind And, we’ll appreciate that we’re us that we’re not alone. not alone. Top Left: Chalk drawing in a neighbor’s driveway in Glendale. Written by 2 elementary-age girls. Bottom Left: Poster hanging in window of a neighbor’s home who says “I bought Rosie decades ago with no idea she could speak to these circumstances!” Bottom Right: An uplifting note written by 8-year-old Ella Wagner. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
Country Superstar Clint Black and Cracker Barrel Old Country Store® Announce Exclusive Album, When I Said I Do, Available August 5
July 9, 2013 Country Superstar Clint Black and Cracker Barrel Old Country Store® Announce Exclusive Album, When I Said I Do, Available August 5 LEBANON, Tenn.--(BUSINESS WIRE)-- Cracker Barrel Old Country Store® and Clint Black announce the release of When I Said I Do, Black's newest CD, which will be available on August 5 at all Cracker Barrel Old Country Store® locations and online at crackerbarrel.com and select digital retailers. The release will feature eleven of Black's heartfelt favorites as well as three new recordings exclusively created for this album. "It's truly an honor to join the Cracker Barrel family," said Black. "It's exciting to have new music available for the fans. I hope listeners love the new songs and enjoy rediscovering the ones we've previously released." Black wrote or co-wrote all 14 songs on the album, and produced all the tracks except for "She Won't Let Go," which he co- produced with the song's co-writer, Frank Rogers. Other songwriters that co-wrote with Black on this project are Michael Dulaney, Skip Ewing, Kostas, Michael McDonald, Hayden Nicholas, Matt Rollings, Shake Russell, Neil Thrasher and Steve Wariner. Black's wife of almost 22 years, singer/actress Lisa Hartman-Black, performed two songs with him: the title track, which was a No. 1 hit on the Billboard Country Singles chart, and "Easy for Me to Say." Black also performed a duet with Carolyn Dawn Johnson on "Our Kind of Love." "Clint Black is one of the most successful country music artists of all time, and we are thrilled to welcome him to the Cracker Barrel Old Country Store musical family," said Cracker Barrel Marketing Manager Julie Craig. -
Showbiz Louisville 2021 Overalls
Showbiz Louisville 2021 Overalls Rank Routine Dancer Studio Sapphire Minis Solo 1 Anslee Caires Anslee Caires RockStar Academy of Dance 2 Kairi Carona Kairi Carona RockStar Academy of Dance 3 Scarlett Wright Scarlett Wright RockStar Academy of Dance 4 I'm Cute Stella Gordon Creations Dance Centre 5 Broadway Baby Amelia Dunn Creations Dance Centre Sapphire Mini Duet/Trio 1 Mickey Mix RockStar Academy of Dance 2 Barbie Girl RockStar Academy of Dance 3 Fun Lana's Dance Centre 4 Somewhere Out There Lana's Dance Centre 5 I'm Cute Lana's Dance Centre Sapphire Mini Small Group 1 Witch Dr RockStar Academy of Dance 2 Alvin The Chipettes Dance Fusion 3 I Love To Walk In The Rain That's Dancing 4 I Need A Hero Limelight Dance Company 5 Who Let The Dogs Out Creations Dance Centre 6 Somewhere Out There Dance Fusion Sapphire Petite Solo 1 Aria Tagtmeyer Aria Tagtmeyer RockStar Academy of Dance 2 I Dreamed A Dream Harper Duncan Limelight Dance Company 3 Me Too Daeon Mcnelly Legacy School Of Dance Sapphire Petite Duet/Trio 1 Can't Hurry Love Limelight Dance Company 2 Count Me In That's Dancing 3 I Can Make You Dance Starz Elite Performance Academy (aka. Starz Elite) Sapphire Petite Small Group 1 Let It Be Dance Fusion 2 Trickle Trickle NRG Dance Company 3 Walk The Dinosaur NRG Dance Company Showbiz Louisville 2021 Overalls Rank Routine Dancer Studio 4 All About The Bass Dance Fusion 5 The Greatest Show Legacy School Of Dance 6 Panda Dance Fusion Sapphire Petite Large Group 1 Moon And Back Limelight Dance Company 2 This Is How We Do It Limelight Dance Company 3 Legally Blonde Limelight Dance Company Sapphire Petite Line 1 Get Me To The Church On Time That's Dancing Sapphire Pre-Junior Solo 1 Queen Of The Night Jaycee Jenkins Prestige Dance Training 2 Survivor Adalyn King Prestige Dance Training 3 My New Philosophy Natalie Moseley Starz Elite Performance Academy (aka. -
Gold Level Entertainment Song Lists
Gold Level Entertainment Song Lists First Dance: A Kiss to Build A Dream On - Louis Armstrong A Moment Like This - Kelly Clarkson A Whole New World - Aladdin Soundtrack After All - Peter Cetera & Cher After All is Said and Done - Beyonce & Marc Nelson, Best Man Soundtrack All I Ask of You - Barbara Streisand All I Want Is You - U2 All My Love - Led Zepplin All You Need is Love - The Beatles Always With Me, Always With You - Joe Satriani American Pie - Don McLean Angel Eyes - Jeff Healy Band Angel of Mine - Monica Annie's Song - John Denver Any - Brian Midnight As Long as I'm Rocking With You - John Conlee At Last - Celine Dion At Last - Etta James At My Most Beautiful - R.E.M. At Your Best - Aaliyah Battle Hymn of Love - Kathy Mattea Beautiful - Gordon Lightfoot Beautiful As U - All 4 One Beautiful Day - U2 Because I Love You - Stevie B Because You Loved me - Celine Dion Believe - Lenny Kravitz Best Day - George Strait Best In Me - Blue Better Days Ahead - Norman Brown Bitter Sweet Symphony - Verve Blackbird - The Beatles Breathe - Faith Hill Brown Eyes - Destiny's Child But I Do Love You - Leann Rimes Butterfly Kisses - Bob Carlisle By My Side - Ben Harper By Your Side - Sade Can You Feel the Love - Elton John Can't Get Enough of Your Love, Babe - Barry White Can't Help Falling in Love - Elvis Presley Can't Stop Loving You - Phil Collins Can't Take My Eyes Off of You - Frankie Valli Chapel of Love - Dixie Cups China Roses - Enya Close Your Eyes Forever - Ozzy Osbourne & Lita Ford Closer - Better than Ezra Color My World - Chicago Colour