350 Hear Speakers Blast Draft at Storke Plaza Rally
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Our Very Best Coming to Your School Or Event!
Syracuse NY 13202 Syracuse NY St, 441 E. Washington Our Very Best Coming to Your School or Event! Blues Shout! CNY Jazz Ronnie Leigh, Management internationally known jazz vocalist and former member of The Concerts Music and Musket: The Role of Drifters, takes a musical journey through time Music in the American Civil War that highlights the great shows the importance of music and the role African-American blues Festivals of musicians in the Union Army during one of and jazz voices of the the most pivotal episodes of American his- 20th Century in song tory, the Civil War. Bandleader and noted and commentary. Tracing a timeline of nearly Residencies musical instrument collector Jeff Stockham a century, his show is a tribute to the important brings the sights and sounds of the conflict voices in jazz and blues, tracing its lineage through the stylings of artists such as Jimmy Rushing, “ Big to your classes using rare original instru- Clinics Joe” Turner, Jimmy Witherspoon, Joe Williams, Nat ments and artifacts from the 1861-1865 “King” Cole, Ray Charles, Jon Hendricks, Al Jar- period to perform examples of the bugle, reau, George Benson and others. (Grades 4-12) drum, fife, and brass band music that was so Workshops essential to the everyday life of the Civil War soldier. Grades (6-12) Rhythm Tap Jam Sessions Candle in The Jimmy Tate, Window Broadway star of Our first non-improvisatory Bring In Da’ Noise, offering, this forty-five min- Bring In Da’Funk, The Tap ute chamber Dance Kid, Jelly’s Last opera based on the folk Jam, Riverdance and tale Stone Soup will cap- Big River. -
SIDRAN, Ben (H.) 1943
SIDRAN, Ben (H.) 1943- PERSONAL: Born August 14, 1943, in Chicago, IL; son of Louis W. and Shirley G. Sidran; married Judith Lutrin (a weaver), July 10, 1969; children: Leo. Nationality: American Education: University of Wisconsin (now University of Wisconsin—Madison), B.S. (cum laude), 1966; University of Sussex, M.A., 1968, Ph.D. (American studies), 1970. CAREER: Musician, record and television producer, singer, and composer. University of Wisconsin— Madison, lecturer, 1973-74; WMTV, host of "The Weekend Starts Now", 1973-74; WTTW-TV, artistic director of jazz programming for "Soundstage", 1975-76; National Public Radio, host and artistic director of "Jazz Alive" radio series, 1981-83, contributor to "All Things Considered" radio program, 1983-85, host and producer of "Sidran on Record", 1985-90, producer of "Jazz Profiles", 1996-99; VH-1 Television Network, host of "New Visions" television series, 1988-91. Go Jazz record label, founder, co-owner, and producer; Nardis Music, cofounder and producer, 2003. MEMBER: American Society of Composers, Authors and Publishers, National Academy of Recording Arts and Sciences, Musicians Federation. AWARDS, HONORS: Peabody Award, 1982, for "Jazz Alive" radio series; International Radio Festival winner, 1986, for "Sidran on Record"; ACE Award for Best Cable Music Series, 1989, for "New Visions"; Sundance Audience Award and New York Film Critics Award, both 1994, both for "Hoop Dreams" soundtrack; Aspen Film Festival prize, Emmy Award, and Dramatists Guild of America Award, all 1998, all for "Vietnam: Long Time Coming" soundtrack; Grammy Award nomination, 2000, for "Concert for Garcia Lorca"; Parents' Choice Award, 2003, for "El Elefante", Member of Wisconsin Arts Board; member of board of advisers on Popular Music and Society at Bowling Green State University; artist-in-residence, University of Wisconsin—Madison, 2003. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JON HENDRICKS NEA Jazz Master (1993) Interviewee: Jon Hendricks (September 16, 1921 - ) and, on August 18, his wife Judith Interviewer: James Zimmerman with recording engineer Ken Kimery Date: August 17-18, 1995 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 95 pp. Zimmerman: Today is August 17th. We’re in Washington, D.C., at the National Portrait Galley. Today we’re interviewing Mr. Jon Hendricks, composer, lyricist, playwright, singer: the poet laureate of jazz. Jon. Hendricks: Yes. Zimmerman: Would you give us your full name, the birth place, and share with us your familial history. Hendricks: My name is John – J-o-h-n – Carl Hendricks. I was born September 16th, 1921, in Newark, Ohio, the ninth child and the seventh son of Reverend and Mrs. Willie Hendricks. My father was a minister in the African Methodist Episcopal Church, the AME Church. Zimmerman: Who were your brothers and sisters? Hendricks: My brothers and sisters chronologically: Norman Stanley was the oldest. We call him Stanley. William Brooks, WB, was next. My sister, the oldest girl, Florence Hendricks – Florence Missouri Hendricks – whom we called Zuttie, for reasons I never For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 really found out – was next. Then Charles Lancel Hendricks, who is surviving, came next. Stuart Devon Hendricks was next. Then my second sister, Vivian Christina Hendricks, was next. Then Edward Alan Hendricks came next. -
How to Play in a Band with 2 Chordal Instruments
FEBRUARY 2020 VOLUME 87 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
2020Virtualfestivalpartnershipd
THREE DAYS IN SUPPORT OF THREE NONPROFITS • The NAACP Legal Defense Fund (LDF) is America’s premier legal organization fighting for racial justice. Through litigation, advocacy, and public education, LDF seeks structural changes to expand democracy, eliminate disparities, and achieve racial justice in a society that fulfills the promise of equality for all Americans. LDF is a 501(c)(3) nonprofit organization • The Thurgood Marshall College Fund (TMCF) is the nation’s largest nonprofit organization exclusively representing the Black College Community. TMCF member-schools include the publicly-supported Historically Black Colleges and Universities (HBCUs) and Predominantly Black Institutions (PBIs). • The Monterey Jazz Festival is the oldest continuously-running jazz festival in the world established as a nonprofit organization in 1958. MJF will support participating jazz artists who are disproportionately impacted and losing their livelihoods due to COVID-19. The Monterey Jazz Festival’s mission is to inspire the discovery and celebration of jazz, anchored by an iconic festival. Even though we are not able to host an in-person festival in 2020, our work is anchored by an annual communion around jazz, a music rooted in black culture. A Virtual Festival in 2020 allows us to: • support our community of jazz musicians who have been disproportionately impacted by COVID-19; • celebrate student musicians who have lost so many celebratory moments in 2020, such as proms and graduations; • take action to support trusted nonprofit organizations doing important work to promote social justice, end racism, provide equal opportunity and celebrate black culture. Black Lives Matter! Title Partnership Opportunity MJF Partnership $100,000 level includes 2 Years of benefits! • Designation as the Presenting Sponsor of the 2020 Virtual Monterey Jazz Festival benefiting THREE trusted nonprofit organizations playing critical roles in solving racial injustice and inequality. -
View Was Provided by the National Endowment for the Arts
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JON HENDRICKS NEA Jazz Master (1993) Interviewee: Jon Hendricks (September 16, 1921 – November 22, 2017) and, on August 18, his wife Judith Interviewer: James Zimmerman with recording engineer Ken Kimery Date: August 17-18, 1995 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 95 pp. Zimmerman: Today is August 17th. We’re in Washington, D.C., at the National Portrait Galley. Today we’re interviewing Mr. Jon Hendricks, composer, lyricist, playwright, singer: the poet laureate of jazz. Jon. Hendricks: Yes. Zimmerman: Would you give us your full name, the birth place, and share with us your familial history. Hendricks: My name is John – J-o-h-n – Carl Hendricks. I was born September 16th, 1921, in Newark, Ohio, the ninth child and the seventh son of Reverend and Mrs. Willie Hendricks. My father was a minister in the African Methodist Episcopal Church, the AME Church. Zimmerman: Who were your brothers and sisters? Hendricks: My brothers and sisters chronologically: Norman Stanley was the oldest. We call him Stanley. William Brooks, WB, was next. My sister, the oldest girl, Florence Hendricks – Florence Missouri Hendricks – whom we called Zuttie, for reasons I never For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 really found out – was next. Then Charles Lancel Hendricks, who is surviving, came next. Stuart Devon Hendricks was next. Then my second sister, Vivian Christina Hendricks, was next. -
Rosh Hashanah Begins at Sunset Sept
Non-Profit Org. U.S. POSTAGE PAID Pittsfield, MA Berkshire Permit No. 19 JEWISHA publication of the Jewish Federation of the Berkshires, serving V the Berkshires and surrounding ICE NY, CT and VT Vol. 29, No. 7 Elul 5781 - Tishri/Cheshvan 5782 August 23 to October 10, 2021 jewishberkshires.org “Bob Dylan: Prophet Mystic Poet,” Soar Into the High Holy Days! with Seth Rogovoy Wishing everyone a happy, healthy, “American Jewry’s greatest Dylan scholar” and peaceful 5782 concludes his “Great Jewish Rock Poets” series On Thursday, September 30 at 6:45 p.m., nationally renowned (but still our favorite local) music and culture journalist Seth Rogovoy will conclude the two-part “Great Jewish Rock Poets” with “Bob Dylan: Prophet Mystic Poet.” This Jewish Federation of the Berkshires program will be presented via Zoom. Please visit our calendar of events at jewishberkshires.org for a link to this program. In this multimedia program incor- porating still images, video, and close lyrical analysis, Seth Rogovoy explores the deep and profound influence of the Jewish background and scriptural roots on Bob Dylan’s life and work. We will see how the Nobel Prize-winning rock poet’s familiarity with Torah, The Jewish Federation of the Berkshires wishes our PHOTO BY BILL INGALLS / NASA.GOV PUBLIC DOMAIN Talmud, and Kabbalah has worked its Bob Dylan receives the Medal of community a joyous and meaningful holiday season. This way into his songs and public utter- Freedom from President Barack circa 1915 Shana Tovah was printed in Germany and sold ances, along with his embrace of Israel Obama on May 29, 2012 in the US by the Williamsburg Postcard Company, one and the Jewish outreach organization of several holiday cards of the day featuring that then- Chabad. -
H. P. Lovecraft
H.P. LOVECRAFT an interview with GEORGE EDWARDS "I'd like to start by saying that all the memories and incidents recalled here are of course the product of a twenty-five year mental filtering process [laughs], but I'll do the best I can. "I guess Lovecraft began when I met a fellow in Chicago called George Badonsky, who had been a promo-man with Atlantic and Atco records on the East Coast and who had recently relocated to the Mid-West. He was looking around for some music business opportunities, and became partners with Bill Traut who was a musician, a music business attorney and a producer in the Chicago music milieu. Together they formed a company called Dunwich Productions, and also had a management company for a lot of the young, up and coming Chicago area bands - the Shadows of Knight, the American Breed and many other groups as well. "Anyway, I met George and we became friends. I was playing clubs around the Chicago area as a solo artist doing folk and blues material, and George took an interest in my music. We made a series of demo recordings of my original tunes which were really more like experiments for me trying to find a recorded sound than complete pieces of material. But, we recorded some of these things and released them locally to mixed reviews... [laughs]. We weren't exectly received with open arms, let's just say that! "Meanwhile I still had my other career as a club performer which was going along nicely, but I was really interested in making records and George, having formed this partnership with Bill Traut, as I said was beginning to produce some local musicians and I was one of the people they took an interest in. -
Science Probes Clues to an Ancient Murder Find out What's by Jeff Garberson Entists Have Been Learning Ater in Livermore by Stan- Hikers in 1991
VOLUME LII, NUMBER 6 Your Local News Source Since 1963 SERVING DUBLIN • LIVERMORE • PLEASANTON • SUNOL THURSDAY, FEBRUARY 5, 2015 Bankhead Talk Science Probes Clues To An Ancient Murder Find Out What's By Jeff Garberson entists have been learning ater in Livermore by Stan- hikers in 1991. At an eleva- adventurer who had an ac- Happening A dramatic chase up and more about the lives and ford archaeologist Patrick tion of about 10,500 feet, cident or was caught in bad down mountain tracks, an societies of people who lived Hunt. the Similaun Pass pass there weather. Flown to a morgue Check Out Section A arrow in the back, signs that in central Europe as the so- The murder victim was a marks the boundary between in Innsbruck, the body’s Section A is filled with the victim might have been a called Stone Age was giving man of about 46 years who today’s Italy and Austria. It age was soon recognized as information about arts, shaman or a chieftain – these way to the Copper Age, of- died during the Alpine spring must have divided late Neo- investigators examined the people, entertainment and are a few of the clues to a about 5,300 years ago. He tools and clothing that had special events. There are ten thought of as the begin- lithic societies in Otzi’s time very old murder mystery that ning of the Bronze Age. has since been nicknamed as well, Hunt said. been found near it. education stories, a variety forensic scientists are trying Otzi, after the Otztal region It was another seven of features, and the arts and What is known of the When the body was entertainment and bulletin to unravel today. -
A 16 Bar Cut: the History of American Musical Theatrean Original Script and Monograph Document
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document Patrick Moran University of Central Florida Part of the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Moran, Patrick, "A 16 Bar Cut: The History Of American Musical Theatrean Original Script And Monograph Document" (2006). Electronic Theses and Dissertations, 2004-2019. 916. https://stars.library.ucf.edu/etd/916 A 16 BAR CUT: THE HISTORY OF AMERICAN MUSICAL THEATRE An Original Script and Monograph Document by PATRICK JOHN MORAN B.A. Greensboro College, 2003 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Theatre in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2006 © 2006 Patrick John Moran ii ABSTRACT A final thesis for my Master of Fine Arts degree should encompass every aspect of the past few years spent in the class room. Therefore, as a perfect capstone to my degree, I have decided to conceive, write, and perform a new musical with my classmate Rockford Sansom entitled The History of Musical Theatre: A 16 Bar Cut. -
Abba, Father, Let Me Be Yours and Yours Alone. May My Will for Ever Be Evermore Your Own. Never Let My Heart Grow Cold, Never Le
1. 2. Abba, Father, let me be Abide with me; fast falls the eventide: Yours and Yours alone. the darkness deepens, Lord with me abide: May my will for ever be when other helpers fail, and comforts flee, Evermore Your own. help of the helpless, O abide with me. Never let my heart grow cold, Swift to its close ebbs out of life’s little day; Never let me go. earth’s joys grow dim; its glories pass away; Abba, Father, let me be change and decay in all around I see: Yours and Yours alone. O Thou who changest not, abide with me. I need Thy presence every passing hour; what but Thy grace can foil the tempter’s power? Who like Thyself my guide and stay can be? Through cloud and sunshine, Lord, abide with me. I fear no foe with Thee at hand to bless; ills have no weight, and tears no bitterness. Where is death’s sting? Where grave, thy victory? I triumph still, if Thou abide with me. Hold thou thy cross before my closing eyes; shine through the gloom and point me to the skies: heaven’s morning breaks, and earth’s vain shadows flee; in life, in death, O Lord, abide with me. 3. 4. Above all powers All around, all around Above all kings Everywhere I look Above all nature Your love is all around And all created things All around, all around Above all wisdom Everywhere I look And all the ways of man Your love is all around You were here Before the world began Let the nations sing, Let the people shout Above all kingdoms Let Your kingdom come, Above all thrones Pour Your Spirit out Above all wonders The world has ever known Above all wealth And treasures of the earth There's no way to measure What You're worth Crucified Laid behind a stone You lived to die Rejected and alone Like a rose Trampled on the ground You took the fall And thought of me Above all 5.