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Strand Releasing presents CECILE DE FRANCE - PATRICK BRUEL - LUDIVINE SAGNIER JULIE DEPARDIEU - MATHIEU AMALRIC A SECRET A FILM BY CLAUDE MILLER Based on the Philippe Grimbert novel "Un Secret" (Grasset & Fasquelle), English translation : "Memory, A Novel" (Simon and Schuster) Winner : 2008 César Award for Julie Depardieu (Best Actress in a Supporting Role) Grand Prix des Amériques, 2007 Montreal World Film Festival In French with English subtitles 35mm/1.85/Color/Dolby DTS/110 min NY/National Press Contact: LA/National Press Contact: Sophie Gluck / Sylvia Savadjian Michael Berlin / Marcus Hu Sophie Gluck & Associates Strand Releasing phone: 212.595.2432 phone: 310.836.7500 [email protected] [email protected] [email protected] [email protected] Please download photos from our website: www.strandreleasing.com/pressroom/pressroom.asp 2 CAST Tania Cécile DE FRANCE Maxime Patrick BRUEL Hannah Ludivine SAGNIER Louise Julie DEPARDIEU 37-year-old François Mathieu AMALRIC Esther Nathalie BOUTEFEU Georges Yves VERHOEVEN Commander Beraud Yves JACQUES Joseph Sam GARBARSKI 7-year-old Simon Orlando NICOLETTI 7-year-old François Valentin VIGOURT 14-year-old François Quentin DUBUIS Robert Robert PLAGNOL Hannah's mother Myriam FUKS Hannah's father Michel ISRAEL Rebecca Justine JOUXTEL Paul Timothée LAISSARD Mathilde Annie SAVARIN Sly pupil Arthur MAZET Serge Klarsfeld Eric GODON Smuggler Philippe GRIMBERT 2 3 CREW Directed by Claude MILLER Screenplay, adaptation, dialogues by Claude MILLER and Natalie CARTER Based on the Philippe -
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
The Inventory of the Richard Roud Collection #1117
The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills. -
Filming in Romania Bucharest Film Studios Romania Filming in Romania Filming in Romania
FILMING IN ROMANIA BUCHAREST FILM STUDIOS ROMANIA FILMING IN ROMANIA FILMING IN ROMANIA • • • • • • • • • BUCHAREST FILM STUDIOS FILMING IN ROMANIA FILMING IN ROMANIA FILMING IN ROMANIA FILMING IN ROMANIA FILMING IN ROMANIA FILMING IN ROMANIA FILMING IN ROMANIA FILMING IN ROMANIA FILMING IN ROMANIA FILMING IN ROMANIA FILMING IN ROMANIA FILMING IN ROMANIA SELECTIVE CREDITS DEUS EX MACHINA (2014) THE WHISTLEBLOWER (2009) Directed by: Andrew GOTH Directed by: Larysa KONDRACKI Cast: Sam NEILL, Tom PAYNE, Melia KREILING Cast: Rachel WEISZ, Vanessa REDGRAVE, Monica BELLUCCI Produced By: Terra Mater Factual Studios Produced by: First Generation Films, Plum Pictures, Barry Films, Primary Productions Bathory (2013) CES AMOURS LA (2009) Directed by: Andrei KONST Directed by: Claude LELOUCH Cast: Isabelle ALLEN, Lucas BOND, Svetlana KHODCHENKOVA, Alexandra Cast: Anouk AIMEE, Dominique PINON , Jacky IDO POIANA JOYEUX NOËL (2004) Produced by: Glacier Films Produced by: Film 13 - MediaPro Pictures coproduction Directed by: Christian CARION THE KEEPING ROOM (2013) FIRE&ICE (2008) Cast: Diane KRUGER, Guillaume CANET, Dany BOON, Gary LEWIS, Daniel Directed by: Daniel BARBER Directed by: Pitof BRUHL, Benno FÜRMANN Cast: Hailee STEINFELD, Sam WORTHINGTON, Brit MARLING, Produced By: Cast: Amy ACKER, Tom WISDOM, Arnold VOSLOO Produced by: A Nord Ouest Production / Joyeux Noël Ltd. / Artemis Gilbert Films, Wind Dancer Productions, Anonymous Content Production Company: MediaPro Pictures THE ZERO THEOREM (2012) Productions / MediaPro Pictures / Senator Film Produktion co-production - Directed by: Terry GILLIAM Cast: Christoph WALTZ, Matt DAMON, Tilda BUNRAKU (2008) Nominated in 2006 at the Academy Awards, Golden Globe and BAFTA SWINTON Directed by: Guy MOSHE Awards for Best Foreign Film; Nominated for 6 categories at the César Produced by: Zero Theorem, MediaPro Pictures Cast: Ron PERLMAN , Josh HARTNETT, Demi MOORE, Woody HARRELSON, Gackt Awards. -
L'art Du Bonheur / Huit Femmes De François Ozon
Document generated on 09/23/2021 6:02 a.m. 24 images L’art du bonheur Huit femmes de François Ozon Jacques Kermabon Le cinéma par lui-même Number 112-113, Fall 2002 URI: https://id.erudit.org/iderudit/24570ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this review Kermabon, J. (2002). Review of [L’art du bonheur / Huit femmes de François Ozon]. 24 images, (112-113), 72–72. Tous droits réservés © 24 images, 2002 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Huit femmes de François Ozon du cinéaste d'enfermer ces poupées de chair dans ce huis clos et de les regarder, non sans parfois une certaine cruauté, passer de la ten dresse sirupeuse aux répliques assassines, des sous-entendus perfides aux crêpages de chi gnons? Nous pouvons d'ailleurs être à peu près sûrs que les créatures en question ne se sont pas toujours pliées sans résister aux exi gences du jeune maître des lieux. Il n'en transparaît rien, on ne sent que leur plaisir d'interprérer qui la femme fatale, qui la sœur revêche, qui la fausse ingénue.. -
La Bibliothèque Des Voix Des Femmes Nathalie Sarraute Lit Tropismes Pour La Bibliothèque Des Voix
La Bibliothèque des voix des femmes Nathalie Sarraute lit Tropismes pour La Bibliothèque des voix 463 LA BIBLIOTHÈQUE DES VOIX En 1980, Antoinette Fouque crée Parmi les premiers titres : Une Françoise Sagan, Georges Duby, la collection « écrire, entendre », femme de Sibilla Aleramo, lu par Catherine Deneuve, Fanny Ardant, qui deviendra plus tard la Biblio - Emmanuelle Riva ; Préparatifs de Isabelle Huppert… enregistrent thèque des voix : noces au-delà de l’abîme de tour à tour pour la Bibliothèque « Faire des livres parlants, c’est Hélène Cixous, lu par l’auteure ; des voix. une anamnèse ; c’est lever l’am- Trois Guinées de Virginia Woolf, Certaines auteures et actrices seront nésie sur la première voix. lu par Coline Serreau ; Hosto- présentes lors de la cérémonie La voix, porteuse de naissance Blues de Victoria Thérame lu par des awards remis à des femmes et de réminiscence, la voix Michèle Moretti… exceptionnelles, le 8 mars 1990, porteuse de jouissance. La voix En 1983, au Salon du livre de à la Sorbonne. Marie-Christine qui est l’attente et l’espérance Paris, Simone Benmussa, Benoîte Barrault parlera d’Aung San Suu du texte. Groult et Michèle Morgan sont Kyi au journal télévisé. Les unes La voix générique, la voix géni- présentes lors d’un débat sur la et les autres accompagnent les trice, genuine, la voix généreuse collection. mobilisations de ces dernières enfante le texte, la voix donne En novembre de la même année, années: contre les viols de guerre génie au texte. C’est le lait et le Michèle Morgan rencontre ses en ex-Yougoslavie plusieurs placenta, c’est la chair et la vive admirateurs à la Librairie des d’entre elles ont enregistré un CD. -
Cannes 2021 Riviera #D1
CANNES 2021 RIVIERA #D1 Camille Neel | Head of International Sales Yasmina Tamer | International Sales Executive PARIS OFFICE: +33 6 84 37 37 03 | [email protected] + 33 6 60 74 79 21 | [email protected] 5, rue Darcet, 75017 Paris, France Tel: +33 1 44 69 59 59 Nathalie Jeung | Senior Sales Manager Maxime Perret-Cortassa | Festivals & Marketing Visit our website: www.le-pacte.com/international +33 6 60 58 85 33 | [email protected] +33 6 45 02 60 70 | [email protected] SCREENING IN CANNES MARKET PREMIERE IN POST- COMPLETED BIGGER IS BEAUTIFUL PRODUCTION by Charlotte de Turckheim ON THE EDGE MAMA WEED MARKET SCREENING by Giordano Gederlini by Jean-Paul Salomé THREE TIMES NOTHING by Nadège Loiseau THE FAMILY THE LAST TYCOONS ONODA -10 000 NIGHTS by Fabien Gorgeart by Florence Strauss IN THE JUNGLE TOKYO SHAKING BESTIES ATOMIC SUMMER by Arthur Harari by Olivier Peyon by Marion Desseigne Ravel by Gaël Lépingle SCREENINGS ONODA – 10 000 NIGHTS IN THE JUNGLE by Arthur Harari Wednesday, July 7th Opening UCR Salle Debussy Gala Screening Thursday, July 8th 12:00pm Olympia 2 Market screening Saturday, July 10th 9:15am Olympia 4 Market screening Sunday, July 11th 2:15pm Riviera 1 Market screening Monday, July 12th 9:00am Olympia 5 Market screening BIGGER IS BEAUTIFUL by Charlotte de Turckheim Wednesday, July 7th 9:00am Arcades 3 Market screening Friday, July 9th 1:45pm Arcades 3 Market screening Monday, July 12th 12:00pm Riviera 1 Market screening TOKYO SHAKING by Olivier Peyon Tuesday, July 6th 11:30am Riviera 2 Market screening Thursday, July 8th 9:15am Olympia 4 Market screening THREE TIMES NOTHING by Nadège Loiseau Thursday, July 8th 2:15pm Riviera 1 Market screening Friday, July 9th 11:30am Olympia 6 Market screening 4TRAILER UN CERTAIN REGARD ONODA - 10 000 NIGHTS IN THE JUNGLE by ARTHUR HARARI (Dark Inclusion) with YUYA ENDO YUYA MATSUURA SHINSUKE KATO Japan, 1944. -
The Many Faces of Tsai Ming-Liang: Cinephilia, the French Connection, and Cinema in the Gallery
IJAPS, Vol. 13, No. 2, 141–160, 2017 THE MANY FACES OF TSAI MING-LIANG: CINEPHILIA, THE FRENCH CONNECTION, AND CINEMA IN THE GALLERY Beth Tsai * Department of Cultural Studies and Comparative Literature, Stony Brook University, Stony Brook, United States email: [email protected] Published online: 15 July 2017 To cite this article: Tsai, B. 2017. The many faces of Tsai Ming-liang: Cinephilia, the French connection, and cinema in the gallery. International Journal of Asia Pacific Studies 13 (2): 141–160, https://doi.org/10.21315/ijaps2017.13.2.7 To link to this article: https://doi.org/10.21315/ijaps2017.13.2.7 ABSTRACT The Malaysia-born, Taiwan-based filmmaker Tsai Ming-liang's Visage (2009) is a film that was commissioned by the Louvre as part of its collection. His move to the museum space raises a number of questions: What are some of the implications of his shift in practice? What does it mean to have a film, situated in art galleries or museum space, invites us to think about the notion of cinema, spatial configuration, transnational co-production and consumption? To give these questions more specificity, this article willlook at the triangular relationship between the filmmaker's prior theatre experience, French cinephilia's influence, and cinema in the gallery, using It's a Dream (2007) and Visage as two case studies. I argue Tsai's film and video installation need to be situated in the intersection between the moving images and the alternative viewing experiences, and between the global and regional film cultures taking place at the theatre-within-a-gallery site. -
Filming in Romania Buftea Studios
FILMING IN ROMANIA BUFTEA STUDIOS BUFTEA STUDIOS is Eastern Europe’s largest and longest established film studio, with a tradition in cinema spanning over 60 years. ROMANIA FILMING IN ROMANIA FILMING IN ROMANIA • • • • • • • • • BUFTEA STUDIOS FILMING IN ROMANIA BUFTEA STUDIOS handles all formalities related to shooting permits and location related logistics. We offer assistance in handling traffic flow, including scheduling off-duty police officers while shooting on bridges, roads or highways. FILMING IN ROMANIA FILMING IN ROMANIA FILMING IN ROMANIA FILMING IN ROMANIA FILMING IN ROMANIA Buftea Studios provides the full range of set FILMING IN ROMANIA Buftea Studios is the only studio complex in Central and Eastern Europe to have an in-house special effects department. The team is supervised by Academy Award Winner for special Effects, Nick Allder. FILMING IN ROMANIA FILMING IN ROMANIA With a network of professionals covering all the aspects of production, Buftea Studios provide support and tailor-made solutions for your project, making sure that you get the best of what Romania has to offer. FILMING IN ROMANIA We will assist you with all your needs and requests and create a pleasant environment for you to work and relax. FILMING IN ROMANIA FILMING IN ROMANIA SELECTIVE CREDITS DEUS EX MACHINA (2014) THE WHISTLEBLOWER (2009) Directed by: Andrew GOTH Directed by: Larysa KONDRACKI Cast: Sam NEILL, Tom PAYNE, Melia KREILING Cast: Rachel WEISZ, Vanessa REDGRAVE, Monica BELLUCCI Produced By: Terra Mater Factual Studios Produced by: First Genera�on Films, -
Les Enquêtrices Dans Le Film Policier Français Des Années 1970
Document generated on 09/25/2021 3:33 p.m. Cinémas Revue d'études cinématographiques Journal of Film Studies Les enquêtrices dans le film policier français des années 1970 et 1980 : des femmes qui en savent trop ? Female Police Investigators in French Crime Films of the 1970s and 80s: Women Who Knew Too Much? Gwénaëlle Le Gras Genre/Gender Article abstract Volume 22, Number 2-3, Spring 2012 In French crime film, women are usually attributed the role of tart or victim, but under the Occupation they appear as investigators, mostly in the comedy URI: https://id.erudit.org/iderudit/1011654ar strain of the genre. This figure would not reappear in any significant manner DOI: https://doi.org/10.7202/1011654ar until the early 1970s. These new heroines, played by major stars, officiously or officially embodied the law and enjoyed traditionally masculine prerogatives See table of contents in response to legislative changes which enabled women to enter “male” professions and, in theory at least, to enjoy equal status. Following statistical analysis of the presence and evolution of this new figure in the French crime film, the author studies the figure’s contradictory narrative and aesthetic Publisher(s) effects on the genre, from fetishism to working-class feminism, through the Cinémas figure’s formulation and reception in La femme flic (Boisset, 1980) and Vivement dimanche! (Truffaut, 1983). ISSN 1181-6945 (print) 1705-6500 (digital) Explore this journal Cite this article Le Gras, G. (2012). Les enquêtrices dans le film policier français des années 1970 et 1980 : des femmes qui en savent trop ? Cinémas, 22(2-3), 35–60. -
Fanny Ardant « Hiroshima Mon Amour »
LES VISITEURS DU SOIR PRÉSENTENT FANNY ARDANT « HIROSHIMA MON AMOUR » D’APRÈS LE SCÉNARIO ÉCRIT PAR MARGUERITE DURAS POUR LE FILM D’ALAIN RESNAIS ADAPTATION ET MISE EN SCÈNE BERTRAND MARCOS DOSSIER DE PRÉSENTATION – HIROSHIMA MON AMOUR NOTE D’INTENTION J’ai eu le grand plaisir de travailler avec la comédienne Fanny Ardant sur L’Été 80 de Marguerite Duras. Orchestrer la rencontre entre cette exceptionnelle écriture et cette voix si singulière m’est apparue comme une évidence absolue. Une évidence qu’il fallait renouveler, avec un autre texte. J’ai redécouvert Hiroshima mon amour, que j’avais parcouru il y a longtemps, et dont je me souvenais mal. J’ai été totalement saisi par la puissance de ce texte. J’y ai trouvé l’une des plus belles œuvres de Marguerite Duras qu’il m’ait été donnée de lire. J’ai immédiatement imaginé Fanny Ardant porter ces mots foudroyants. Il s’agissait d’adapter le texte en gardant l’essentiel du scénario écrit par Marguerite Duras pour le film d’Alain Resnais, afin d’arriver à une version qui pourrait avoir tout son sens au théâtre. J’aimerais faire entendre cette histoire, simplement, sans artifice, et sans l’intervention subjective du cinéma. Faire entendre le texte pour ce qu’il est, pour les images qu’il crée, et laisser libre cours à l’imaginaire de chacun. Bertrand Marcos DOSSIER DE PRÉSENTATION – HIROSHIMA MON AMOUR EXTRAIT « Je te rencontre. Je me souviens de toi. Cette ville était faite à la taille de l’amour. Tu étais fait à la taille de mon corps même. -
Contacts in Toronto
presents contacts in Toronto Unifrance films Florence Charmasson John Kochman Adeline Monzier [email protected] [email protected] [email protected] www.athoms.fr Conception: Unifrance films in Toronto: Hyatt Regency Hotel / Mezzanine Level ®/™ Toronto International Film Festival Inc., used under license. THE MAIN GOALS OF UNIFRANCE FILMS MISSION ARE : Director: Marcel Ophuls is happy to present - Organizing the biggest French cinema market in (conventions in 12 countries) and film buyers Cast: Elliott Erwitt, Hamilton Fish, Paris every year: "Rendez-vous with French Cinema"; for Web and VOD. Director: Catherine Breillat Jeanne Moreau, Madeleine Morgenstern-Truffaut, John Simpson, 33 French films at tiff attending the most important international markets Cast: Isabelle Huppert, Kool Shen - Producing French film festivals in theaters Running time: 104 mns Frederick Wiseman, Paul Hamann (Cannes, Berlin, Toronto, Los Angeles, Hong-Kong) Founded in 1949, Unifrance films is a non-profit from different countries (United States, Germany, Int. Sales Agent: REZO Running time: 106 mns and supporting international distributors for theatrical Int. Sales Agent: Wide House Italy, UK, Russia, Japan, China…) and online Masters TIFF Docs association, based in Paris, with agents in New releases of French films and major film festivals (MyFrenchFilmFestival.com). York, Mumbai, Beijing and Tokyo, promoting French showcasing new and recent French cinema cinema worldwide. This association gathers more (Cannes, Berlin, Toronto, Venice, Locarno, San - Organizing master classes with French directors Abuse of Weakness Ain’t Misbehavin’ than 900 French industry professionals (producers, Sebastian, Pusan…). in film schools and international universities abroad. One morning, Maud, a film director, wakes up in a body half alive / half paraly- Eighteen years after his last film, Marcel Ophuls comes back as one of the last ci- talents, sales agents…) who promote and support zed.