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Margarethe Ulvik Brings Her Rich Dreams to Life 2—The Record—TOWNSHIPS WEEK— June 7-14, 1996 THEATRE Centaur: Friedman Family Fortune Flounders by Eyal Dattel Though
D *hg Arts and Entertainment Magazine fiecord June 7-14, 1996 ' g . tV’l ............... ' MB SBips»l* ..Jfâ*® , *: jri 53&K t i*-, || BEATON PERRY PHOTO: RECORD Margarethe Ulvik brings her rich dreams to life 2—The Record—TOWNSHIPS WEEK— June 7-14, 1996 THEATRE Centaur: Friedman Family Fortune flounders By Eyal Dattel though. Fortune, which starts designer Barbra Matis and a Fiddler-inspired episode. Special to the Record For the Record off as a weak situation drama, lighting designer Howard Men Joan Orenstein (The Stone soon develops itself into an Angel) is only able to offer limi MONTREAL — It has been delsohn, whose warm lights this account of a tightly knit interesting study of parent- contrast the cold conflicts on ted support as the ironically quite a remarkable 27th sea Jewish family crumbling from child conflicts and strains. stage. cold but doting mother who, in son for Montreal’s Centaur atop their Westmount home. fact, singlehandedly runs her Theatre. Many meaty words are The set itself is a richly Centaur’s artistic director exchanged and Gow’s play has textured Westmount home in household. Her Annabelle does The Stone Angel kicked it off Maurice Podbrey probably a lively sense of humor. Alas, schemes of browns. It shows a not even hint at the range and with a bang before the compa thought he was on the road to the words and humor are offset classical, highly sophisticated talent which Orenstein ny received glowing notices for discovery when he chose this by the play’s inconsistencies. milieu surrounded by artwork possesses. -
Honouring the Truth, Reconciling for the Future
Honouring the Truth, Reconciling for the Future Summary of the Final Report of the Truth and Reconciliation Commission of Canada Honouring the Truth, Reconciling for the Future Summary of the Final Report of the Truth and Reconciliation Commission of Canada The Truth and Reconciliation Commission of Canada Contents Introduction ......................................................................................... 1 Commission activities ......................................................................... 27 The history ........................................................................................... 41 The legacy ............................................................................................ 183 The challenge of reconciliation .......................................................... 237 iv • Truth & Reconciliation Commission Introduction or over a century, the central goals of Canada’s Aboriginal policy were to eliminate Aboriginal governments; ignore Aboriginal rights; terminate the Treaties; and, Fthrough a process of assimilation, cause Aboriginal peoples to cease to exist as dis- tinct legal, social, cultural, religious, and racial entities in Canada. The establishment and operation of residential schools were a central element of this policy, which can best be described as “cultural genocide.” Physical genocide is the mass killing of the members of a targeted group, and biological genocide is the destruction of the group’s reproductive capacity. Cultural genocide is the destruction of those structures -
(“Agreement”) Covering FREELANCE WRITERS of THEATRICAL FILMS
INDEPENDENT PRODUCTION AGREEMENT (“Agreement”) covering FREELANCE WRITERS of THEATRICAL FILMS TELEVISION PROGRAMS and OTHER PRODUCTION between The WRITERS GUILD OF CANADA (the “Guild”) and The CANADIAN MEDIA PRODUCTION ASSOCIATION (“CMPA”) and ASSOCIATION QUÉBÉCOISE DE LA PRODUCTION MÉDIATIQUE (“AQPM”) (the “Associations”) March 16, 2015 to December 31, 2017 © 2015 WRITERS GUILD OF CANADA and CANADIAN MEDIA PRODUCTION ASSOCIATION and the ASSOCIATION QUÉBÉCOISE DE LA PRODUCTION MÉDIATIQUE. TABLE OF CONTENTS Section A: General – All Productions p. 1 Article A1 Recognition, Application and Term p. 1 Article A2 Definitions p. 4 Article A3 General Provisions p. 14 Article A4 No Strike and Unfair Declaration p. 15 Article A5 Grievance Procedures and Resolution p. 16 Article A6 Speculative Writing, Sample Pages and Unsolicited Scripts p. 22 Article A7 Copyright and Contracts; Warranties, Indemnities and Rights p. 23 Article A8 Story Editors and Story Consultants p. 29 Article A9 Credits p. 30 Article A10 Security for Payment p. 41 Article A11 Payments p. 43 Article A12 Administration Fee p. 50 Article A13 Insurance and Retirement Plan, Deductions from Writer’s Fees p. 51 Article A14 Contributions and Deductions from Writer’s Fees in the case of Waivers p. 53 Section B: Conditions Governing Engagement p. 54 Article B1 Conditions Governing Engagement for all Program Types p. 54 Article B2 Optional Bibles, Script/Program Development p. 60 Article B3 Options p. 61 Section C: Additional Conditions and Minimum Compensation by Program Type p. 63 Article C1 Feature Film p. 63 Article C2 Optional Incentive Plan for Feature Films p. 66 Article C3 Television Production (Television Movies) p. -
S:\CAB\Finding Aids\Political and Social Heritage Division\1900
FONDS DU TRÈS HONORABLE PIERRE ELLIOTT TRUDEAU THE RT. HON. PIERRE ELLIOTT TRUDEAU FONDS MG 26 O 19 Instrument de recherche no 1900 \ Finding Aid No. 1900 SÉRIE DU PERSONNEL STAFF SERIES 1968-1984 Préparé par la Section des archives Prepared by the Political Archives Section, politiques, Division des manuscrits Manuscript Division TABLE DES MATIÈRES/TABLE OF CONTENTS INTRODUCTION ........................................................... ii SUB-SERIES ............................................................... ii -Volumes 1-11: Gordon Ashworth 1983-1984 ................................ ii -Volumes 12-26: Tom Axworthy 1976-1984 ................................. ii -Volumes 27-36: Denise Chong 1982-1984 .................................. ii -Volumes 37-46:David Crenna 1981-1984 ................................... ii -Volumes 47-50:Gilles Dufault 1971-1976 ................................... iii -Volumes 51-75, 283-286 (Electronic Records): Michael Langill 1981-1984 ........ iii -Volumes 76-83: Peter Larsen 1981-1984 .................................... iii -Volumes 84-87: Robert Pace 1982-1984 .................................... iv -Volumes 88-96: Florence Ievers 1982-1984 ................................. iv -Volumes 97-114: Heather Peterson 1982-1984 ............................... iv -Volumes 115-134: Geoffrey O’Brien 1980-1981 ..............................v -Volumes 135-159: Ivan Head 1968-1978 ....................................v -Volumes 160-186: Ted Johnson 1980-1984 ...................................v -Volumes 187-188: -
CRTC Drama Statistics Charts
September 27, 2011 Robert A. Morin Submitted via E-Pass Secretary General Canadian Radio-television and Telecommunications Commission Ottawa, Ontario K1A 0N2 Dear Mr. Morin, Re: Broadcasting Notice of Consultation CRTC 2011-525 – Astral Media Inc. Licence Renewal, Application 2011-0483-5 1. The Writers Guild of Canada (the WGC) is the national association representing over 2000 professional screenwriters working in English-language film, television, radio and digital media production in Canada. The WGC is actively involved in advocating for a strong and vibrant Canadian broadcasting system containing high-quality Canadian programming. While the WGC’s mandate is to represent our members, in advocating a strong Canadian broadcasting system that offers Canadians a variety of programming, we also play a role in balancing competing interests in the broadcasting system. The WGC wishes to support the above- mentioned Application for Licence Renewal, subject to the following comments. 2. As a union that represents screenwriters who work in English, the WGC is primarily concerned with applications for the renewal of English-language services. In particular, the WGC wishes to focus its comments in this proceeding on the requested Group Licence Renewal of Astral Media Inc. (“Astral”). The WGC requests the opportunity to appear at the public hearing scheduled to commence on December 5, 2011 in order to further elaborate on the following issues as they relate to Astral’s services from the perspective of creators of Canadian programming. 3. The WGC is relying on the Commission to conduct its usual due diligence review of Astral’s services to ensure that these services have been in compliance with their conditions of licence. -
Honouring the Truth, Reconciling for the Future
Honouring the Truth, Reconciling for the Future Summary of the Final Report of the Truth and Reconciliation Commission of Canada Honouring the Truth, Reconciling for the Future Summary of the Final Report of the Truth and Reconciliation Commission of Canada The Truth and Reconciliation Commission of Canada Contents Introduction ......................................................................................... 1 Commission activities ......................................................................... 27 The history ........................................................................................... 41 The legacy ............................................................................................ 183 The challenge of reconciliation .......................................................... 237 !" • T#$%& ' R()*+)!,!-%!*+ C*..!//!*+ Introduction or over a century, the central goals of Canada’s Aboriginal policy were to eliminate Aboriginal governments; ignore Aboriginal rights; terminate the Treaties; and, Fthrough a process of assimilation, cause Aboriginal peoples to cease to exist as dis- tinct legal, social, cultural, religious, and racial entities in Canada. 0e establishment and operation of residential schools were a central element of this policy, which can best be described as “cultural genocide.” Physical genocide is the mass killing of the members of a targeted group, and biological genocide is the destruction of the group’s reproductive capacity. Cultural genocide is the destruction of those structures -
HALLS Eating Disorder Claims Life of Postgraduate
ill a DECEMBER 5, 1997 StudentVOL 28: ISSUE NO..1 I PLUS: GET FESTIVE WITH COMIC GENIUS HARRY ENFIELD lo We ve had a really h pw weeks' - Ijwmr anti, ftinterview they all really really want - the Spice Girls reveal all to Juice IT'S SNOW JOKE FOR ARCTIC TOM DEATH STUNS HALLS Eating disorder claims life of postgraduate AN ANOREXIC student weighed just By MATT GENEVER six stones when he was found dead friends at Oxley Flats for days prior to in his room by cleaners, an inquest the discovery of his body last week. beard on Tuesday. The 29-year-old Cambridge graduate Kevin Jenkins, a Geography and had been working as a site warden at the Geology Masters student at Leeds flats since moving in at the beginning of N-ICE AND EASY: Medic Tem Agornbar prepares for his trip Pi= Alys Tomlinson University, had not been seen by his PAGE 11, COLUMN 5 FULL. STORY • PAGE 3 SIDE: News 1-11, Comment 6-9, Features 13-15, Outlook 17.23, Sport 2428. Plus 28-page Juice magazine ' 2 NEWSDESK 243 4727 16, drastic measures, Found empty beer honks down back of sofa Leeds Student but luckily no food. Also Minerva's moan replaced scummy loo roll with And= which held in secret This week in Diary of a failed sex fiend turned arty student store in my room. Nnusenwtir 3pin so had that needed with new Bobhi ask for Jeremy as birthday may put up with cheap and England and Wales' plenty of Brown make-up. -
Memento Mori: an Archival Strategy for Documenting Mortality on the Canadian Frontier at Red Lake, Ontario, Before 1950
Memento Mori: An Archival Strategy for Documenting Mortality on the Canadian Frontier at Red Lake, Ontario, Before 1950 by John Erwin Lavallée Richthammer A Thesis submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulfillment of the requirements of the degree of MASTER OF ARTS Department of History (Archival Studies) Joint Master’s Program University of Manitoba/University of Winnipeg Winnipeg, Manitoba, Canada ©2007 Table of Contents Abstract ………………………………………………………………………….… iii Acknowledgments...………………………………………………………………. v Dedication …….………………………………………………………………….. xi Chapter One – Approaches to Archival Documentation, Local and Community History, and Mortality ………………………………………… 1 Chapter Two – A Frontier Community: Red Lake, Ontario …….……………….. 28 Chapter Three – Human and Town Ghosts: Dying and Death on the Frontier at Red Lake ……………………………………………………………… 60 Conclusion ………………………………………………………………………. 112 Appendix I – Maps of the Red Lake District ……………………………………. 120 Appendix II – The Records They Are: Evidential Value in Photographs .…….... 122 Appendix III – Copyright Clearance Statement ……………………………….… 129 Bibliography ……………………………………………………………………... 130 ii Abstract Memento Mori, Latin for “remember thy death,” implores us to be mindful that death is both inevitable and inescapable. What of the records created during the process of dying and about death? Based upon wide-ranging archival research into primary documents, this thesis explores the rich sources of both official, public records, and personal, private ones, relating to mortality on the small-town Canadian frontier before 1950. The community of Red Lake, Ontario, which was established on the frontier as the result of the Red Lake gold rush of 1926, is the subject of a case study. Rather than merely cataloguing sources, this thesis illustrates that by adapting aspects from such archival appraisal methodologies as macroappraisal and documentation strategy, one is able to make available to researchers a wider range of sources relevant to the themes of dying and death. -
OU:It()()K Ther
r. ....., arianas '%riety;;~ Micronesia's Leading Newspaper Since 1972 ~ ~ By Jojo Dass "Now, it (concern) is becom Variety News Staff Official: Protecting endangered species a 'dangerous job' ing a unanimous feeling among THE DIVISION of Fish and who trek forest trails and search ers) are armed. The concern of to be out by January next year," the different istands," he said. Wildlife will issue firearms to CNMI's sea territories for signs the officers is protection," he said Seman. Aside from sambar deers, its 14 conservation officers in of poachers, according to DFW said. Seman said DFW's patrol ac Seman said, fruit bats are also an apparent bid to add more Deputy Director Richard The first batch of about seven tivities around the islands have fair game to pouchers. teeth in its campaign against Seman, "have one of the most COs, it was gathered, is slated significantly increased this year. Arming COs, he explained, is poachers of endangered species dangerous jobs" on the islands. to finish necessary courses and He added poaching activities authorized under Public Law 2- in the Commonwealth. "There is always an almost training at the Police Academy, have been noted to be on the rise 51, the Fish and Game Act. Conservation officers, those I 00 percent chance they ( oach- in December of this year. on Rota where hunters indis "There used to be just a small "They (COs) trained side by crin;iinately fire on sambar deers population of COs before that's side with the Public Safety and for consumption or commercial why it (arming COs) was not Customs police. -
Direct Case of the American Society of Composers, Authors and Publishers Table of Contents
Before The LIBRARY OF CONGRESS United States Copyright 0%ice Copyright Arbitration Royalty Panel Washington, D.C. 20024 In the Matter of ) ) ADJUSTMENT OF THE RATES FOR ) Docket No. 96-6 CARP NCBRA NONCOMMERCIAL EDUCATIONAL ) BROADCASTING COMPULSORY LICENSE ) GBIERAL COUt&SQ OF COPYR!GHT, DIRECT CASE OF OcT x Nl] THE AMERICAN SOCIETY OF COMPOSERS, AUTHORS AND PUBLISH' ~ I ~ ~ @ AS CAP Philip H. Schae8er, Esq. Joan M. McGivern, Esq. J. Christopher Shore, Esq. Sam Mosenkis, Esp. WHITE K CAS E 1155 Avenue of the Americas New York, New York 10036-2787 (212) 819-8200 Beverly A. Willett, Esq. ASCAP Building One Lincoln Plaza, Sixth Floor New York, New York 10023 (212) 621-6289 Attorneysfo rASAP Dated: September 30, 1997 Before The LIBRARY OF CONGRESS United States Copyright Office Copyright Arbitration Royalty Panel Washington, D.C. 20024 In the Matter of ) ) ADJUSTMENT OF THE RATES FOR ) Docket No. 96-6 CARP NCBRA NONCOMMERCIAL EDUCATIONAL ) BROADCASTING COMPULSORY ) LICENSE ) REQUEST BY THE AMERICAN SOCIETY OF COMPOSERS, AUTHORS AND PUBLISHERS FOR RATES AND TERMS FOR A COMPULSORY LICENSE The American Society of Composers, Authors and Publishers ("ASCAP") hereby submits, pursuant to 37 C.F.R. f 251.43 (a), (b), (c) and (e), its request for the terms and rates for a compulsory license for the nondramatic public performance of copyrighted published musical compositions in the ASCAP repertory by the Public Broadcasting Service ("PBS"), National Public Radio ("NPR") and the stations which they represent in this proceeding. The request is made pursuant to 17 U.S.C. $ 118(b)(3). ASCAP, based on the evidence presented in its direct case, requests that the Copyright Arbitration Royalty Panel ("the Panel") establish the following annual license fees for the performance of the music of its members for the five calendar years 1998, 1999, 2000, 2001 and 2002 by: (a) PBS and the television stations it represents in the amount of -- 1998: $5,201,000 1999' u 2000. -
Télécharger La Brochure Du MIPTV 2011 De Téléfilm
MIPTV11 Exhibitor Guide Guide des exposants Table of Contents / Table des matières Index 02 Genres & Areas of Activity / Genres & Secteurs d’activité Index 08 Countries Sought for Coproduction / Pays de coproduction recherchés Canada Pavilion / Pavillon du Canada 14 Producers and Distributors / Producteurs et distributeurs Organized and Financed by / Coordonné et financé par 84 Telefilm Canada / Téléfilm Canada Principal Partners / Partenaires principaux 86 Ontario Media Development Corporation / Société de développement de l’industrie des médias de l’Ontario 87 British Columbia Film Major Partner / Partenaire majeur 88 Canada Media Fund / Fonds des médias du Canada Contributor Partner / Partenaire contributeur 89 Canadian Media Production Association Silver Sponsor / Commanditaire argent 90 National Bank of Canada / Banque Nationale du Canada 2 Genres Documentary / Entertainment / Fiction / New Media Factual Non Scripted Programs Scripted Programs Content Others Youth Programs 9 Story Enterprises ◼ ◼ ◼ ◼ ◼ 1976◼ Productions◼ A71 Productions ◼ ◼ ◼ ◼ ◼ ABM ◼(Au Bon Moment)◼ Amberwood Entertainment ◼ ◼ ◼ ◼ Agence◼ Claude◼ Girard Anaïd Productions ◼ ◼ ◼ ◼ ◼ Agent ◼of Change◼ Media Animiki See ◼ ◼ ◼ ◼ ◼ ◼ Alcina◼ Pictur Digital Production es ◼ ◼ ◼ ◼ ◼ ◼ ◼ Bejuba! Entertainment ◼ Amérique Film BFS Film & Television ◼ ◼ ◼ ◼ Angel◼ Entertainment◼ Productions ◼ Bogeydom Licensing ◼ ◼ ◼ ◼ ◼ ◼ Breakthrough Entertainment ◼ Breakout Entertainment ◼ ◼ ◼ ◼ ◼ ◼ Buffalo Gal Pictures ◼ Caged Angel Films BuzzTaxi Communications ◼ ◼ ◼ ◼ ◼ Cinegrapheternational◼ -
The 1999 State of Children's Television Report
THE ANNENBERG PUBLIC POLICY CENTER OF THE UNIVERSITY OF PENNSYLVANIA The 1999 State of Children’s Television Report Programming for Children Over Broadcast and Cable Television By Emory H. Woodard, IV, Ph.D. The Annenberg Public Policy Center of the University of Pennsylvania Executive Summary 3 Introduction 5 Part One: Influences on the State of Children’s Television 6 Part Two: The Availability, Content and Quality of Children’s Programming 9 Part Three: Summary and Recommendations 27 Appendices 30 References 33 End Notes 35 Copyright Ó 1999 The Annenberg Public Policy Center Report Series No. 28 The 1999 State of Children’s Television Report Emory H. Woodard, IV is a Research Fellow for the Annenberg Public Policy Center. He holds a Ph.D. from the University of Pennsylvania. Kathleen Hall Jamieson directed this research. Jamieson is Professor of Communication and Dean of the Annenberg School for Communication, and Director of the Annenberg Public Policy Center of the University of Pennsylvania. ACKNOWLEDGEMENTS The author wishes to express his sincere appreciation to the following who offered kind assistance with this project: Dana Betz, Ginny Bloom, Amy Branner, Jenn Goldstein, Lindsay Goldstein, and Natalie Tung served as coders on the project. Troy Chin catalogued video-recorded programming. Jeffrey Stanger formatted this report. Amy Jordan and Kathleen Hall Jamieson provided keen editorial assistance and general guidance. ABOUT THE ANNENBERG PUBLIC POLICY CENTER The Annenberg Public Policy Center was established by publisher and philanthropist Walter Annenberg in 1994 to create a community of scholars within the University of Pennsylvania that would address public policy issues at the local, state, and federal levels.