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1 Medieval and Renaissance Drama Society Newsletter Spring 2016 A Medieval and Renaissance Drama Society Newsletter Spring 2016 st a The 51 Congress on Medieval Studies b May 12-15, 2016 MRDS Sponsored Sessions Editing for the Classroom, Translating for the Stage: research agendas that are at work in such a project, and the way Making Medieval Drama Accessible to Modern Audiences the performance event can become a scholarly battleground. Session 189, Friday 10:00, Schneider 1120 Performer/panelists are Carolyn Coulson; Lofton L. Durham, Organizer: Frank M. Napolitano, Radford Univ. Western Michigan Univ.; Matthew Sergi, Univ. of Toronto; Presider: Andrew M. Pfrenger, Kent State Univ.–Salem Mario B. Longtin; and Kyle A. Thomas, Univ. of Illinois– Urbana-Champaign. Is There an Audience for This Play? Constructing the Reader of Modernized Medieval Drama Making Time/Making Space: Temporality in Medieval and Christina M. Fitzgerald, Univ. of Toledo, and John T. Renaissance Drama Sebastian, Loyola Univ. New Orleans Session 452, Saturday 3:30, Fetzer 2016 Ethically Glossing/Glossing Ethically: Working with Public- Domain Texts Organizer: Jill Stevenson, Marymount Manhattan College Cameron Hunt McNabb, Southeastern Univ., and Frank M. Presider: Jill Stevenson Napolitano “Why, how long shall he live?”: Making Time for Murder in Translation and Fashion, or, How Long Is a Translation Arden of Faversham Supposed to Last? Dori Coblentz, Emory Univ. Mario B. Longtin, Western Univ. Reading as Performance and Reading the Performance of Labyrinthe royal de l’Hercule gaulois triumphant: Representing From Hildegard to Mother Courage: Celebrating the Life the Representé and Work of Robert Potter (1934–2010) Daniel Ruppel, Brown Univ. Session 321, Friday 3:30, Bernhard 205 Redundancy, Metaphor, and Memory: Experience of Space and Organizer: Robert L. A. Clark, Kansas State Univ. Time in Medieval Christian Theater Presider: Robert L. A. Clark Christopher Swift, New York City College of Technology, CUNY Robert Potter, the Modern Production of Medieval Plays, and A Violent Spatializing of Time: Colonizing Utopian Imaginaries the Historiography of the Field since 1970 in Seventeenth-Century Barbados Alexandra F. Johnston, Records of Early English Drama Scott Venters, Univ. of Washington–Seattle Pre- and Post-Humanist Pig Performance Marla Carlson, Univ. of Georgia MRDS Business Meeting From the Hussite Revolution to the Catholic Enlightenment: Saturday, 5:15 p.m. Fetzer 2016 The Suppression, Preservation, and Revival of Palmesels in Bohemia and Poland Max Harris, Univ. of Wisconsin–Madison Contents Performance as Research: Medieval Text, Modern MRDS Medieval Congress Sessions 1 Other Congress Sessions of Interest 2-3 Performance, Contested Ground (A Performance) Congress Performances 3 Friday 8:00 PM, Valley II Eicher 202 Recent Publication 4-7 MRDS Awards 7 Organizer: Carolyn Coulson, Shenandoah Univ. Conferences, Including SITM 8 Presider: Cameron Hunt McNabb, Southeastern Univ Productions 9 2016 MRDS Meeting Agenda 9 This session features a full performance of the French farce 2015 MRDS Meeting Minutes 10-11 MRDS Officers and Council 12 Soeur Fessue , translated by Mario B. Longtin (Western Univ.). Colophon 12 The performance is followed by a discussion of the various 1 The 51st Congress on Medieval Studies Caitlin Hamilton, Univ. of Virginia Other Sessions of Interest Awe and Astonishment in Medieval French Narrative Evelyn Birge Vitz, New York Univ. Performing Piety and Poetry: Dance, Gender, and Poetic Form Planctus Universitatis Oxoniensis and the Affective Session 116, Thursday 3:30, Schneider 1140 Performativity of Lamentation Organizer: Lynneth J. Miller, Baylor Univ. Thomas Meacham, Univ. of Connecticut Presider: Max Harris, Univ. of Wisconsin–Madison Everyman , the London Old Vic, and World War I Pamela M. King, Univ. of Glasgow The Dance of Salome: Dancing Women, Sin, and Salvation in Medieval Texts Papers of Interest Lynneth J. Miller Discipline and Redemption: Dances of Penitence Cornering the Snarket (Return of the Sting) Kathryn Dickason, Stanford Univ. Session 26, Thursday 10:00, Schneider 1280 Reenacting Form: Poetry and Dance in the Late Middle Ages Going to Hell Defensively: Sarcasm in the York “Fall of the Seeta Chaganti, Univ. of California–Davis Angels” Play Elza C. Tiner, Lynchburg College Medieval Performance as Appropriation Session 159, Thursday 7:30 PM, Schneider 1140 In Memory of John H. Fisher, Scholar and Editor Sponsor: ROMARD Session 42, Thursday 10:00, Bernhard 209 Organizer: Susannah Crowder, John Jay College of Criminal What Was Scribe C Doing with the N-Town Plays? Justice, CUNY Britt Mize, Texas A&M Univ. Presider: Susannah Crowder Writing to Know: Medieval Literature and the Production Female Masochism and Shadow Feminism in a Medieval of Knowledge French Farce Session 146, Thursday 3:30, Sangren 1730 Noah D. Guynn, Univ. of California–Davis Producing Knowledge in the Chester Cycle “This saint is my saint”: Episcopal Appropriation of Helen Cushman, Harvard Univ. Predecessors’ Image through Ritual Performance in Eleventh- Century Lotharingia “Can These Bones Come to Life?”: Insights from Re- Pieter Byttebier, Univ. Gent/Columbia Univ. construction, Re-enactment, and Re-creation The Sacrifice of Abraham in Greece: Immanence, Interpellation, Session 214, Friday 10:00, Bernhard 106 Appropriation Part of the Whole: Deciphering Medieval Stage Techniques Stratos E. Constantinidis, Ohio State Univ. through Performance Respondent: Kathleen Ashley, Univ. of Southern Maine Lydia Craig, Loyola Univ. Chicago, and Richard Gilbert, Loyola Univ. Chicago Ritus, Artes, Musica: A Session in Honor of Nils Holger Peterson What Devils Say Session 457, Saturday 3:30 PM, Schneider 1125 Session 365, Saturday 10:00, Schneider 1320 Organizer: Amy S. Kaufman, Middle Tennessee State Univ. “New Engynes of Malycyous Conspiracy”: Linguistic Presider: Richard Utz, Georgia Institute of Technology Temptation in the Demon’s Prologue to N-Town Passion Play 1 Valerie Gramling, Univ. of Miami A Vigil for Thomas Becket: Nils Holger Petersen’s Canterbury Nonsense and Devil-Talk: Impious Improvisation in John Pilgrimage Skelton and Others Kathleen Verduin, Hope College Thomas H. Crofts, III, East Tennessee State Univ Medievalist Good Will and the Christmas Carol Tradition Clare A. Simmons, Ohio State Univ. Interdisciplinary Approaches to the Late Medieval Lyric Dramatic Elements in Medieval Liturgical Poetry Session 517, Sunday 8:30, Bernhard 209 Gunilla Iversen, Stockholms Univ. A Proposed Context for the Paraliturgical Drama “Tragedia de Liturgy, Drama, and Liturgical Drama Sancta Agnetis” through Intertextual Analysis of Its Troubadour Michael L. Norton, James Madison Univ. Contrafacta Verónica Guimarães, Graduate Center, CUNY Emotions and Performativity in Early Drama, Art, and Music Session 399, Saturday 1:30, Fetzer 2016 Teaching the Low Countries in Translation: Medieval Sponsor: Early Drama, Art, and Music Multilingualism and the Modern Classroom (A Roundtable) Organizer: Jesse D. Hurlbut, Brigham Young Univ. Session 148, Thursday 3:30, Sangren 1750 Presider: Alexandra F. Johnston, Records of Early English Drama Developing a Middle Dutch Canon in Translation: The Drama Angle Mixed Sympathies: Thinking and Feeling about Jews in the Mandy Lowell, Cornell Univ. Ludus de Antichristo 2 Unhappy Families: Literary Inheritance in the Fifteenth I Dilettosi Fiori Century (A Roundtable) Fourteenth-Century Music for Clavicimbalum and Flutes Session 283, Friday 3:30 p.m. Valley I Ackley 105 Lecture/Performance Loop the Noose: The Oedipal Judas in Late Medieval Drama Corina Marti Mariah Min, Univ. of Pennsylvania Friday, May 13, 7:30 p.m., Kanley Chapel, WMU Early Modern English Literature In a special collaboration with the Gilmore International Session 381, Saturday 10:00 a.m., Bernhard 211 Keyboard Festival, the Medieval Institute presents Corina Marti Plantagenet Mournings: Forms of Temporality and Chronotope in a program of fourteenth-century music performed on in Shakespeare’s Richard II and The Life and Death of King historical instruments. An expert on medieval and Renaissance John music, Marti is a Swiss-born artist on the faculty of the Schola Ken Fullam, East Tennessee State Univ. Cantorum Basiliensis. Confining Spaces, Prospective Times: Imprisonment and Temporality in Early Modern Drama Performing Malory: The Tale of Sir Gareth Charlotte Thurston, Graduate Center, CUNY Friday 7:30 PM, Valley III Stinson Lounge (A Readers’ Theater Performance) Organizer: Steffi Delcourt, Univ. of Rochester The 51st Congress on Medieval Studies Presider: Alison Harper, Univ. of Rochester Performances, Dramatic and Other A readers’ theater performance with Steffi Delcourt; Timothy R. Jordan, Ohio Univ.–Zanesville/Zane State College; Patricia V. Lehman, Univ. of Michigan–Ann Arbor; Elaine Isaak, Independent Scholar; David Carlton, Western Univ.; Kara Larson Maloney, Binghamton Univ.; Sara Lou Stuart, Independent Scholar; Carolyn F. Scott, National Cheng Kung Univ.; The Translation of Saint Osmund (Performance) Kimberly Jack, Athens State Univ.; Laura K. Bedwell, Session 329, Friday 3:30, Kanley Chapel Univ. of Mary Hardin-Baylor; John Lowell Leland, Sponsor: Gregorian Institute of Canada / L’Institut Grégorien du Salem International Univ.; Kyle Huskin, Univ. of Canada Rochester. Organizer: William Renwick, Gregorian Institute of Canada Presider: William Renwick Performance as Research: Medieval Text, Modern Performance, Contested Ground (A Performance) Saint Osmund (d. 1099) was the last English saint to be Friday 8:00 PM,
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