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NARRATIVE EXPERIENCES of SCHOOL COUNSELLORS USING CONVERSATION PEACE, a PEER MEDIATION PROGRAM BASED in RESTORATIVE JUSTICE. By
NARRATIVE EXPERIENCES OF SCHOOL COUNSELLORS USING CONVERSATION PEACE, A PEER MEDIATION PROGRAM BASED IN RESTORATIVE JUSTICE. by HEATHER M. MAIN B.Ed., University of British Columbia, 1982 Dipl.E.C.E., University of British Columbia, 1987 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Counselling Psychology) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) August 2008 © Heather M. Main, 2008 11 Abstract This study narratively explores the experiences of five public school counsellors and one high school teacher using Conversation Peace, a restorative action peer mediation program published jointly in 2001 by Fraser Region Community Justice Initiatives Association (CJI), Langley, British Columbia, Canada, and School District #35, Langley, British Columbia, Canada. This categorical-content analysis (Lieblich, Tuval-Mashiach, & Zilber, 1998) resulted in data describing 20 common themes, 12 with similar responses, and 8 with varying responses amongst participants. Two of the similar findings were the crucial importance of(a) confidentiality within the mediation process, and (b) the school counsellor’s role within the overall and day-to-day implementation of this peer mediation program. Two of the varying findings were (a) the time involvement of the school counsellor within the peer mediation program, and (b) the differences in the number of trained peer mediators and peer mediations within schools. 111 .Table of Contents Abstract ii Table of Contents iii List -
Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
Campus Mourns After Loss of Kyle Carson Drew Sets New Scoring Record
VVolume 90, Issue 15 Campus mourns after loss of Kyle Carson By Deborah Werner pole, and Carson died of massive attending law school. for bringing about. I strongly Thinking about the good News Editor head injuries even though he was Less than 12 hours after feel that Kyle was not all alone times brightened the situation to wearing his seat belt. Toxology Carson's death, a memorial ser when he died. God was right a certain degree, but the void that Earlier this month, tests show alcohol was not a fac vice was held at Phi Kappa Psi. there with Kyle, holding him in Kyle left behind will remain ever Valparaiso University student tor. More than 200 VU students His arms." present. Kyle Carson, 20, was asked by Carson, a junior, was an attended the service. The gathering at Phi Psi's Carter said, "We all miss his theology professor to predict involved member of VU's com The main floor at Phi Psi's concluded with the men of Phi Kyle very much, but we krtow where he would be in 10 years. munity. He was the newly elect was filled with mourners that Kappa Psi singing their fraterni that he is in a better place. I'm Carson wrote, "In 10 years, I ed president of the Phi Kappa Psi wept, some softly, others more ty's song while joined in a circle. sure that he now has a big smile expect to be in my hometown, fraternity, a member of the cheer- uncontrollably. Friends fell into Kris Carter, one of Carson's on his face because he is in par working and raising a family." leading squad and played intra each other's arms seeking com fraternity brothers said, "Kyle adise." At 3:45 on Sunday morn- mural sports avidly. -
Herein Is to Be Reproduced Or Adapted to Other Works Without the Expressed Written Consent of the Editors of the Journal of Middle Eastern Politics and Policy
Journal of Middle Eastern Politics and Policy A Harvard Kennedy School student publication Beyond Borders: Middle East In Empire, Diaspora, And Global Transitions This issue is dedicated to the tenth anniversary of the Syrian revolution Spring 2021 Journal of Middle Eastern Politics and Policy Beyond Borders: Middle East In Empire, Diaspora, And Global Transitions This issue is dedicated to the tenth anniversary of the Syrian revolution Spring 2021 Spring 2020 i Staff Editor in Chief Associate Editors Reilly Barry Michael Johns, Jr. – Regional Security & Iran Gilad Kabilo – Military-Security & Israel Managing Editor Joseph Leone – Levant Ghazi Ghazi Xuechen Wang – Gulf Senir Staff Writer Mouhanad Al Rifay Staff Writers Christina Bouri Sumaya Malas Copyright The Journal of Middle Eastern Politics and Policy does not accept responsibility for the views expressed by individual authors. No part of the publication may be reproduced or transmitted in any form without the expressed written consent of the editors of the Journal of Middle Eastern Politics and Policy. © 2021 by the President and Fellows of Harvard College. All rights reserved. Except as otherwise specified, no article or portion herein is to be reproduced or adapted to other works without the expressed written consent of the editors of the Journal of Middle Eastern Politics and Policy. ii Journal of Middle East Politics and Policy Acknowledgements Martha Foley, Publisher Richard Parker, Faculty Advisor Tanner Jensen, Copy Editor Lilliana Ballesteros, Layout Design The Journal of Middle Eastern Politics and Policy would like to thank a number of individuals and institutions whose support proved invaluable to the production of this edition. -
Media Center Guide
SAINT JOHNS RIVER BAPTIST ASSOCIATION MEDIA/LIBRARY RULES AND POLICIES The Associational Media Library is provided for you by your Mission gifts, and is a ministry to all the churches. 1. Materials are to be checked out only to churches in the SJRBA. 2. Any lost or damaged item is to be paid for by the person or church who checks it out. 3. Materials must be checked out in person directly from the Association Office during regular office hours, 9:00am-3:00pm, Monday through Friday. 4. Do not take or return materials without first checking them in or out through the secretary or media director. 5. All materials must be returned by the due date so that other scheduled borrowers may receive them on time. Extensions may be negotiated. EQUIPMENT: 1 Overhead Projector 1 4 Foot Screen 1 8 Foot Screen 1 19” TV 1 22” Flat screen Vizio TV 1 Sony DVD player 1 Dell video projector 1 Ellison Die-Cut Machine 1 AccuCut Die-Cut Machine 1 Binding machine RESOURCE KITS: A Biblical Marriage in a Broken World-Danny Akin A Heart Like His – Beth Moore A Woman after God’s Own Heart – Elizabeth George A Woman’s Heart-God’s Dwelling Place - Beth Moore (2) A Woman’s Heart-God’s Dwelling Place (Updated) The Agape Road - Journey to Intimacy with the Father Anointed, Transformed, Redeemed – Shirer, Moore, Arthur Armor of God-Priscilla Shirer (2) Becoming a Contagious Christian Believing God - Beth Moore (2) Beloved Disciple by Beth Moore (2) Beloved Disciple for Children The Big Bundle (Sunday School Training by Josh Hunt_ You Can Double Your Class in Two Years or -
The Talking Cure.Pdf
the talking cure why conversation is the future of healthcare Jack Stilgoe Faizal Farook First published in 2008 © Demos. Some rights reserved Magdalen House, 136 Tooley Street, London, SE1 2TU, UK ISBN 978-1-84180-197-1 Copy edited by Julie Pickard, London Series design by modernactivity Typeset by Chat Noir Design, Charente Printed by Lecturis, Eindhoven Set in Gotham Rounded and Baskerville 10 Cover paper: Arctic Volume Text paper: Munken Premium White the talking cure Jack Stilgoe Faizal Farook Open access. Some rights reserved. As the publisher of this work, Demos wants to encourage the circulation of our work as widely as possible while retaining the copyright. We therefore have an open access policy which enables anyone to access our content online without charge. Anyone can download, save, perform or distribute this work in any format, including translation, without written permission. This is subject to the terms of the Demos licence found at the back of this publication. Its main conditions are: · Demos and the author(s) are credited · This summary and the address www.demos.co.uk are displayed · The text is not altered and is used in full · The work is not resold · A copy of the work or link to its use online is sent to Demos You are welcome to ask for permission to use this work for purposes other than those covered by the licence. Demos gratefully acknowledges the work of Creative Commons in inspiring our approach to copyright. To find out more go to www.creativecommons.org Contents Acknowledgements 6 1 Dr Finlay’s Facebook 7 2 The drugs don’t work (on their own) 19 3 More than words 31 4 The professionals 41 5 From the personal to the political 55 Appendix: Rich pictures from primary care 63 Notes 69 References 79 The Talking Cure Acknowledgements Our pamphlet is built on the countless conversations that have made up the Healthy Conversations project. -
Stevie Wonder Soundtracks Blog Website Version
1 The follow-up studio album, after the anthology album “Looking Back” (1977), was “Stevie Wonder's Journey Through The Secret Life of Plants", the first soundtrack album of his career, released in 1979. It was based on the book of the same name written by Peter Tompkins and Christopher Bird. The album can be described as a soundtrack documentary relating to plant life. The album only produced one major hit single, “Send One Your Love”, which topped the Billboard Adult Contemporary Singles Chart week-ending 22nd December 1979 (2 weeks). The single features Stevie Wonder on vocal and Ben Bridges and Rick Zunigar on guitars. It is a very slow tempo track, with Rick Zunigar playing standing bass, and Ben Bridges playing rhythm acoustic guitar. Wonder also plays the drums on the track. This is a very relaxing track compared to many of his previous recordings, similar in tempo to "You Are The Sunshine of My Life". The track was recorded at the famous Sigma Sound Studios, Philadelphia, PA, known for “The Philadelphia Sound”. The beginning of the track features voices of people that explode into a funky jazz fusion number, in a style that was very popular during the 1970s. You can hear a funky bass line with Vocoder voice box used in the 2 middle of the track and a choir of beautiful voices singing in the background. Ken Tucker of the Rolling Stone music magazine wrote an article dated 24th January 1980, that contains some unusual advice: “Begin at the end. Stevie Wonder's Journey through the Secret Life of Plants is so uneven, so full of tiny pleasures and bloated tedium, that for some assurance that Wonder hasn't lost his touch, you ought to start by listening to ��1979 the LP's last cut. -
Alt-Rock and College- Pop of the 1980S, Came to an Abrupt, Grinding Halt in the 1990S
The History of Rock Music - The Nineties The History of Rock Music: 1989-1994 Raves, grunge, post-rock History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Alt-pop (These are excerpts from my book "A History of Rock and Dance Music") Pop renaissance in the USA TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. During the first half of the 1990s, pop music vastly outnumbered underground/experimental music. It was the revenge of melody, after a quarter of a century of progressive sounds. A cycle that began with the demise of the Beatles and the rise of alternative/progressive rock, and that continued with the German and Canterbury schools of the 1970s, and then punk-rock and the new wave, and peaked with the alt-rock and college- pop of the 1980s, came to an abrupt, grinding halt in the 1990s. The more fashionable and rewarding route was, however, the one that coasted the baroque pop of latter-day Beach Boys, Van Dyke Parks, Big Star and XTC, the one that coupled catchy refrains and lush arrangements. The single most important school may have been San Francisco's, which had originated in the 1980s with the Sneetches. Jellyfish (2), featuring guitarist Jason Falkner, wrote perhaps the most impeccable melodies of the time. Bellybutton (1990), a milestone of naive, bubblegum melodic music inspired by Merseybeat and later Beach Boys, was both cartoonish and shimmering, while the arrangements on Spilt Milk (1993) were almost baroque. -
VINX – Voice & Percussion
Information for concert organizers / Biography VINX – voice & percussion 1978 First professional appearance as percussionist for Taj Mahal at Montreux Jazz in Switzerland. 1980 Ranked No. 2 in the world in triple jump, but the USA boycotted the Olympic Games in Moscow... 1986 First studio recordings with jazz saxophonist Ernie Watts for his Grammy-winning project. 1987 Tom Jones records the song “Touch My Heart,” composed by Vinx. 1988-89 Concert tours with Rickie Lee Jones, The Bus Boys, Teena Marie, Toni Childs, Robben Ford. 1989 Vinx tours Europe with his own drum band, “VINX and the Barkin' Feet,” performs at the Montreux Jazz Festival between Miles Davis and Wayne Shorter. Herbie Hancock invites Vinx to appear on a TV special, Showtime Coast to Coast, where he performs with Bonnie Raitt, Bruce Hornsby, Lou Reed, B.B. King and Woody Harrelson. Vinx contributes instrumentals for Sting’s CD “Soul Cages.” 1990 - 1991 Vinx records his first CD, “Rooms In My Fatha's House,” which features appearances by Taj Mahal, Herbie Hancock, Sheryl Crow, Branford Marsalis, Sting, Roscoe Brown and Mother’s Finest, among others. World tour with Sting on his "Soul Cages Tour" as solo opening act as well as percussionist and background singer. Performances with Peter Gabriel, Sinead O'Connor, Elton John, Zucchero. 1992 Release of his second album, “I Love My Job,” featuring Zap Mama, Patrice Rushen and Dan Kuramato. World tour with his own musical project. Concerts with Branford Marsalis, Sting, Steel Pulse, Third World, Manhattan Transfer, Richard Elliot, Big Country, Drummers of Burundi, Zap Mama. 1993 Third album “The Storyteller,” featuring Stevie Wonder, George Howard, Cassandra Wilson, Karen Briggs and Omar. -
Restorative Practice Resource Project
WELCOME RESTORATIVE PRACTICE RESOURCE PROJECT TOOLS AND SUCCESSFUL PRACTICES FOR RESTORATIVE SCHOOLS SUPPORTING STUDENT ACHIEVEMENT AND WELL BEING RESTORATIVE PRACTICE CONSORTIUM • ONTARIO CANADA 2017 ACKNOWLEDGEMENTS WELCOME Prepared by: The Restorative Practice Consortium No group or organization can grow, contribute to their wider We hope you find our work useful in moving your individual, school or board contexts, and create without the supports that enable their work. Restorative Practice implementation forward in some way. It is with gratitude that we would like to acknowledge many of these, although a complete listing would be impossible. The materials contained in this resource are, to the best of our knowledge, free The Restorative Practice Consortium would first like to acknowledge and thank the Ministry of of copyright unless otherwise indicated. The materials are meant to be integrated Education of Ontario, Safe Schools Branch, for their ongoing support over the course of years in into your content and goals. If we have missed something in this regard, please terms of guidance and funding. let us know. A sincere thank you to all those who attended the 2013 Restorative Practices Symposium and whose We wish you well on your restorative journey. In these interesting times in which voices informed the foundation of this work. we live, the restorative work is more important than ever. A special thank you to the school boards and organizations who supported the work of this project though generous release opportunities to And, finally, please feel free to share this work with anyone else you feel might be further the reach of Restorative Practices in this able to benefit from it. -
THE • Number 28 Review Online Non-Profit Org
An Associated Collegiate Press Pacemaker Award Winner FRIDAY F ebruary 8, 2000 • Volume 126 THE • Number 28 Review Online Non-Profit Org. www. review. udel.edu U.S. Postage Paid ewark. DE Permit o. 26 250 Student Center • University of Delaware • Newark, DE 19716 FREE Fume hoods Drug-related arrest cause some made at at Alpha to breathe Epsilon Pi house BY ADRIA!\ BACOLO could not comment on any further Sruclenr AJ]airs £clirar detail of the inve tigation. uneasily An arrest for a drug-rela ted Alpha E psi io n P i President c harge was made at the Alpha Lonnie Co hn said the police, who Epsilon P i fratern i ty ho use on had a search warrant, arriveo BY KYLEBELZ Wyoming Road Saturday night. Neu·.\· Ft!atures Editor around 9:1 5-9:30 p. m., and caught Executive Vice President David E. everyone by surprise. Hazardous chemicals produced by researchers Hollowell said. "For me and my entire executive and students in university laboratories are, for th e Hol lowel l , w h o read from a board this comes a a total surprise. most pan, simply sucked out of the room by fume statement by Public Safety, said he We had no knowledge," he said. hood that contain no filtering apparatus, officials could not confirm whether it was a Cohn, who was upstairs when said. fraternity member who was the p ol ice entered , aid they This allows carcinogens, mutagens-chemicals arrested. but he aid it would presented a warrant upon entry and that cause birth defects when pregnant women are appear to be. -
Nathan Lamar Watts
Nathan Lamar Watts (Approfondimento sul bassista di Stevie Wonder a cura di Claudio De Cesaris) 2016/2017 Pagina 2 di 33 Sommario/Indice Prefazione ..………………………………………………………………………………………………………… Pag. 4 Chi sono ….………………………………………………………………………………………………………….. Pag. 5 Inizio / Biografia ..……………………………………………………………………………………………….. Pag. 6/ 7 Detroit: Il motore musicale della città, ed un piccolo Watts ……………………………….. Pag. 8 Stevie Wonder (breve accenno) ……………………………………….…………………………………. Pag. 9 Una chiamata da Stevie Wonder .……………………………………………………………………….. Pag. 10/11 Direttore musicale della Band di Stevie Wonder ..……………………………………………….. Pag. 11 Influenze ..…………………………………………………………………………………………………………… Pag. 12 L’avvicinamento a James Jamerson ..…………………………………………………………………… Pag. 13 Premi ..………………………………………………………………………………………………………………… Pag. 13 Altre collaborazioni ..…………………………………………………………………………………………… Pag. 14 Equipaggio bassistico ..………………………………………………………………………………………… Pag. 15 Tecnica e sviluppo dello stile ..……………………………………………………………………………… Pag. 16/17 Analisi stilistica ….……………………………………………………………………………………………….. Pag. 18 a 30 Stevie Wonder – I Wish ..………………………………………………………………………….. Pag. 18/19 Stevie Wonder – Sir Duke ..……………………………………………………………………….. Pag. 20/21/22 Stevie Wonder – Master Blaster (Jammin) ..……………………………………………… Pag. 23/24 Stevie Wonder – Do I do ..…………………………………………………………………………. Pag. 25/26 Stevie Wonder – Isn’t She Lovely .…………………………………………………………….. Pag. 27/28 The Jacksons – All Night Dancin' ………………………………………………………..…… Pag. 29/30 Discografia ..………………………………………………………………………………………………………….