Indeed Resume

Total Page:16

File Type:pdf, Size:1020Kb

Indeed Resume Eric Zwart Industrial Designer Hillsboro, OR 97124 [email protected] - 503-569-6998 Skill Sets: -3D Modeling -Sketching -3D Rendering -Detailed Rapidprototyping -CMF Design -Material Processes -Model Making -Shop Skills -Machining -Ideation -Illustration -UX Design -File Management -Typography -Information Layout -Story Boarding -Manufacturing Methods -Graphic Design Software Proficiencies: -Solidworks -Illustrator -Photoshop -InDesign -Acrobat -CAD -Flash -Windows OS -Sketchbook Pro -Mac OS -MS Office -SW Visualize -Sketchup Pro Authorized to work in the US for any employer WORK EXPERIENCE 3D Design Coordinator & CAD Drafter satis&fy - Hillsboro, OR - March 2015 to Present Responsibilities: - Designed and developed high-end retail store displays including window displays for clients. - Worked with project managers to meet or exceed client deadlines. - Constructed build-ready models based off client conceptual design ideas. - Produced photo realistic renders using Solidworks and Visualize for client's approval. - Created drawing files from models for manufacture. - Worked on multiple projects with conflicting deadlines. - In charge of site surveys of store layouts to be recreated in Solidworks. - Instituted a 3D model database for the 3D and CAD Departments. - Collaborated directly with outside vendors to create specific build files and construction drawings. - Coordinated with Construction, AV, and LED departments to ensure accurate models. - Trained new 3D modeling hires. Accomplishments: - Created or assisted in the creation of the majority of Nike flagship store displays and events. - Created a database of store environments and display areas including site survey data and 3D Models. - Dramatically increased the 3D department capacity by working with IT to create a rendering super computer. Designer Pentagon EMS - Hillsboro, OR - September 2012 to September 2014 Responsibilities: - Designed complex tools and jigs for the manufacture of circuit board systems. - Responsible for completing extreme high detail and high tolerance projects. - Utilized Solidworks and AutoCAD to develop designs and drawings. - Quickly and efficiently completed projects for immediate fabrication. - High knowledge of material properties as well as machining and fabrication techniques. - Communicated with clients to design what they required. - Applied knowledge of high tech manufacture methods. Design Fabricator John's Custom Woodworks - Salem, OR - September 2011 to September 2012 Responsibilities: - Completed custom designed working jigs for wood processing and assembly. - Assisted in installations and finish work at work site. - Implemented custom remodels for commercial and residential properties. - Worked directly with multiple clients on designs to fit their needs. - Utilized Solidworks and AutoCAD to plan and preview designs. - Read technical and architectural drawings for assemblies and projects. - Fabricated cabinetry, furniture, and fixtures from hand drawn designs. - In charge of final color and material finish. Industrial Design Intern RayGun Digital Artistry LLC - Hillsboro, OR - October 2010 to January 2011 Responsibilities: - Implemented improvement to laser cutter duration and performance by 400% - Assisted with projects in preparation, processing, and finish work. - Completed laser focusing and preparation. - Operated laser cutter supplementary machines. - Created test samples for labels and mural pieces. - Completed side projects for other clients. - Worked with Metals, Plastics, Woods, and Leathers. School Tutor Art Institute of Portland - Portland, OR - January 2008 to March 2008 Computer Graphics. - Met fellow students to determine coursework problems. - Developed a plan for tutoring. - Provided customized tutoring to meet student's unique needs. - Served as a resource for help in 3D modeling and the Adobe CS. Shop Keeper KFE MICROSYSTEMS - Salem, OR - June 2004 to August 2004 Responsibilities: - Shop Keeper of the "Combat Zone Gaming" LAN center. - Helped with customers regarding fees and reconciled accounts daily. - Assured all hardware was operating efficiently, changing ram, video cards, and hard drives as needed. - Helped any customer who needed assistance with computer or account problems. - Routinely checked server performance and connection speeds. EDUCATION Bachelor of Science in Industrial Design Art Institute of Portland - Portland, OR 2006 to 2010 SKILLS Adobe Creative Suits, Solidworks, AutoCAD, Inventor, 3DS Max, Model Making, Fabrication, Rapid Prototyping, Large and Small Scale Laser Cutting/Engraving LINKS http://www.coroflot.com/trawz ADDITIONAL INFORMATION Four separate projects were chosen to be displayed in the Student Gallery and used in promotional advertisements. .
Recommended publications
  • |||GET||| the Design-Build Studio 1St Edition
    THE DESIGN-BUILD STUDIO 1ST EDITION DOWNLOAD FREE Tolya Stonorov | 9781317307969 | | | | | Welcome to the DBXchange Platform A study from the US Department of Transportation claims that: "Design-build delivery has been steadily increasing in the U. Untilthe AIA American Institute of Architects ' code of ethics and professional conduct prohibited their members from providing construction services. Building performance is measured early too, so that trade offs between budget, schedule, functionality and usability can inform specification and continuous refinement of the design. With the petition "Macht mehr DesignBuild" we would like to approach the colleges and universities to point out the importance of DesignBuild in teaching future architects and civil engineers. But year-over-year multifamily trendline remained negative at The design-build contractor is responsible for all work on the project, so the client can seek legal remedies for any fault from one party. Big Room equals big results. The Weekly Show: AI for building facade inspections; designing a world-class architecture firm. In presenting these case studies from the U. Standard contract document for prefab and modular building released. The Design-Build Studio 1st edition publication gives guidance through the different phases of the process: design services, contracts, management, insurances, and finances. More information HERE. With the The Design-Build Studio 1st edition of the Burdette Keeland, Jr. Retrieved Industrial architecture Interior architecture Landscape architecture Vernacular architecture. The "design—builder" is often a general contractorbut in many cases a project is led by a design professional architectengineerarchitectural technologist or other professional designers. Construction Industry Institute Research Report : — Restricted Content You must have JavaScript enabled to enjoy a limited number of articles over the next 30 days.
    [Show full text]
  • The Great Indoors
    The Great Indoors CATALOGUE SPRING 2018 Contents 2 New Titles Ceramic Design What I’ve Learned The Other Office 3 8 Previously Announced Grand Stand 6 Suppose Design Office Identity Architects Built Unbuilt 12 Recent Titles Jo Nagasaka / Schemata Architects Studio O+A Happening 2 Night Fever 5 16 Portfolio Highlights Where They Create Japan Sound Materials Powershop 5 Knowledge Matters Spaces for Innovation CMF Design Goods 2 Holistic Retail Design 20 Backlist 29 Index 30 Distributors 32 Contacts & Credits 2 NEW TITLES 3 CERAMIC DESIGN New Wave Clay The unprecedented surge in popularity of 44 Ceramic Design 45 Bruce Rowe By day, Bruce Rowe runs the Melbourne ceramics brand Anchor Ceramics, which produces handmade lighting, tiles and planters on an almost industrial scale, selling to homes, architects and the hospitality trade across Australia. Then Rowe swaps making ceramics for the built environment in order to make the built environment ceramics in the last five years has helped forge out of clay. The structures he creates are composed of architectural elements BRUCE assembled in strange compositions: constructions made of stairs, passageways, bridges and arches. They are never literal images of actual architecture, but creative interpretations with a De Chirico-like surreal quality. “The works do not directly reference any specific place, building or structure. Whilst educated in the structural and spatial language of architecture, my a new type of potter: the ceramic designer. ROWE practice combines this knowledge with an inquiry into the symbolic function and aesthetic activity of visual art,” he says. Rowe began making small, singular pieces and progressed into series of structures that make up a whole.
    [Show full text]
  • Information-Driven Persistent Sensing of a Non-Cooperative Mobile Target Using Uavs
    myjournal manuscript No. (will be inserted by the editor) Information-Driven Persistent Sensing of a Non-cooperative Mobile Target Using UAVs Hyo-Sang Shin · Adrian Jesus Garcia · Sergio Alvarez Received: date / Accepted: date Abstract This paper addresses the persistent sensing problem of moving ground targets of interest using a group of fixed wing UAVs. Especially, we aim to overcome the challenge of physical obscuration in complex mission environments. To this end, the persistent sensing problem is formulated under an optimal control framework, i.e. deploying and managing UAVs in a way maximising the visibility to the non-cooperative target.The main issue with such a persistent sensing problem is that it generally requires the knowledge of future target positions, which is uncertain. To mitigate this issue, a probabilistic map of the future tar- get position is widely utilised. However, most of the probabilistic models use only limited information of the target. This paper proposes an innovative framework that can make the best use of all available information, not only limited information. For the validation of the feasibility, the performance of the proposed framework is tested in a Manhattan-type con- trolled urban environment. All the simulation tests use the same framework proposed, but utilise different level of information. The simulation results confirm that the performance of the persistent sensing significantly improves, up to 30%, when incorporating all available target information. Keywords persistent sensing · unmanned aerial vehicles · behaviour recognition · path planning · information-driven tracking · target tracking Hyo-Sang Shin Cranfield University, College Rd, Cranfield, Bedford MK43 0AL, UK Tel.: +44 (0) 1234758577 E-mail: h.shin@cranfield.ac.uk Adrian Jesus Garcia Universidad Politecnica de Madrid.
    [Show full text]
  • THE TRADEMARK/Copyright DIVIDE
    College of William & Mary Law School William & Mary Law School Scholarship Repository Faculty Publications Faculty and Deans 2007 The rT ademark/Copyright Divide Laura A. Heymann William & Mary Law School, [email protected] Repository Citation Heymann, Laura A., "The rT ademark/Copyright Divide" (2007). Faculty Publications. 195. https://scholarship.law.wm.edu/facpubs/195 Copyright c 2007 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/facpubs THE TRADEMARK/CoPYRIGHT DIVIDE Laura A. Heymann* I. INTRODUCTION N the mid-1980s, the well-known postmodern artist Jeff Koons dis­ played a sculpture called "String of Puppies" in a New York gallery.! I The sculpture was based wholly on a photograph, taken by a man named Art Rogers, of a couple with their arms full of puppies; Koons's sculpture, intended as a commentary on how mass-produced art has caused societal deterioration, caricatured the subjects of the photograph by placing flowers in their hair and clown noses on the puppies they were holding.2 Rogers, perhaps not surprisingly, brought suit against both Koons and his gallery and won a grant of summary judgment, which the United States Court of Appeals for the Second Circuit affirmed.3 Per­ haps even less surprisingly, Rogers's successful claim was one for copy­ right infringement: Rogers alleged that Koons had created an unauthorized derivative work, and the Second Circuit rejected Koons's attempt to take advantage of copyright law's fair use provisions.4 But the ease with which Rogers brought, and the Second Circuit analyzed, Rog­ ers's copyright infringement claim masks the fact that the interest Rogers was seeking to protect was probably not a copyright interest at all.
    [Show full text]
  • Residential Solar Data Center: Data Resources and Reports
    IWT'L INST. OF STAND & TECH R.I.C. »"" ives AlllDD TTS53D ^^^UCATIONS- AlllDS && 727 ^ NBSIR 81-2369 Residential Solar Data Center: Data Resources and Reports U.S. DEPARTMENT OF COMMERCE National Bureau of Standards National Engineering Laboratory Center for Building Technology Washington, DC 20234 October 1 981 Prepared for: Department of Housing and Urban Development Office of the Assistant Secretary for Policy Development and Research M>QQ]«avqppnwision of Energy. Building Technology and Standards jshington, DC 20410 2 QQ U56 dl-2369 ' 19dl c. 2 I MATUMAL BVIKAD or tTAlfDAKOS LlBtAKT NBSIR 81-2369 MAR 4 1983 RESIDENTIAL SOLAR DATA CENTER: DATA RESOURCES AND REPORTS U-C no. ^ Patricia M. Christopher Audrey 0. Houser U.S. DEPARTMENT OF COMMERCE National Bureau of Standards National Engineering Laboratory Center for Building Technology Washington, DC 20234 October 1981 Prepared for; Department of Housing and Urban Development Office of the Assistant Secretary for Policy Development and Research Division of Energy, Building Technology and Standards Washington, DC 20410 U.S. DEPARTMENT OF COMMERCE. Malcolm Baldrige, Secretary NATIONAL BUREAU OF STANDARDS, Ernest Ambler, Director T> • FOREWORD From January to October 1978 the Residential Solar Data Center (SDC) of the National Bureau of Standards (NBS) issued a bimonthly publication known as "Status Reports". [1] These reports contained sets of tables and charts designed to inform selected participants (primarily the Department of Housing and Urban Development and its contractors) in the Residential Solar Heating and Cooling Demonstration Program about the volume of data stored in the solar data base maintained by the SDC, and about the types of computer printouts that were available.
    [Show full text]
  • 1 Cask System Maintenance in the Federal Waste Management System - a Feasibility Study and Update*
    1 CASK SYSTEM MAINTENANCE IN THE FEDERAL WASTE MANAGEMENT SYSTEM - A FEASIBILITY STUDY AND UPDATE* R. B. Pope, Oak Ridge National Laboratory, Martin Marietta Energy Systems, Inc. CONF-910166—4 and M. J. Rennich, L. G. Medley, and C. R. Attaway, DE91 °°6607 Central Engineering, Martin Marietta Energy Systems, Inc. Oak Ridge, Tennessee 37831 FUCl Mana§ement Seminar Vm> Washington, DC, January I, 1991 -The submit* manuKnpt of th. au,ho.ed by » nUKXX Govern-™*" ""*« AC06-B4OR21400. purpofM. DISCLAIMER This report was prepared as an account of work sponsored by an agency of the United States Government. Neither the United States Government nor any agency thereof, nor any of their employees, makes any warranty, express or implied, or assumes any legal liability or responsi- bility for the accuracy, completeness, or usefulness of any information, apparatus, product, or process disclosed, or represents that its use would not infringe privately owned rights. Refer- ence herein to any specific commercial product, process, or service by trade name, trademark, manufacturer, or otherwise does not necessarily constitute or imply its endorsement, recom- mendation, or favoring by the United States Government or any agency thereof. The views and opinions of authors expressed herein do not necessarily state or reflect those of the United States Government or any agency thereof. •Research sponsored by the Office of Radioactive Waste Management, U.S. Department of Energy, under contract DE-AC05-84OR21400 with Martin Marietta Energy Systems, Inc. DISTRIBUTION CF THIS DOCUMENT IS UNLIMITED 2 DsrraoDucnoN In early 1988, in support of the development of the transportation system for the Office of Civilian Radioactive Waste Management System (OCRWM), a feasibility study was undertaker to define a the concept for a stand-alone, "green-field" facility for maintaining the Federal Waste Management System (FWMS) casks.
    [Show full text]
  • The Great Indoors
    The Great Indoors FRAMEWEB.COM/BOOKS CATALOGUE AUTUMN 2017 Contents 2 New Titles Goods 3 The Other Office 3 Grand Stand 6 8 Previously Announced Suppose (Un)Built JDS(A) Identity Architects Jo Nagasaka / Schemata Architects Studio O+A 13 Recent Titles Happening 2 Night Fever 5 Where They Create Japan Sound Materials Powershop 5 18 Portfolio Highlights Knowledge Matters Spaces for Innovation 3deluxe CMF design Onomatopoeia Goods 2 Grand Stand 5 Holistic Retail Design 22 Backlist 29 Index 30 Distributors 32 Contacts & Credits 2 NEW TITLES 3 GOODS 3 Interior Products from Sketch to Use Fifty iconic interior products from well-known designers and manufacturers from around the world are presented. The story of each is told over eight pages, from initial design sketch to its use in recently-designed interiors. Sketches and photographs show how the furniture and products are designed and made. Instead of just filling a book with new products, the Goods series analyses the design products featured from conceptual design sketch to realisation. This inspirational book also shows international reference projects where these products have been used successfully across all interior product ranges, from chairs to tables, from floor lamps to down lights, from kitchens to bathrooms. Frame editors select leading design producers and their associated designers. Producer, designer and editor decide together which product will be featured. Iconic design products are analysed and featured from conceptual design to realisation Category Product Design • This inspiring reference book is filled Authors Frame with the impelling stories of fifty Graphic Design Frame successful products. 392 pages 220 x 280 mm • Focuses on the material use and Hardcover manufacturing techniques of the £50 products and visualises these.
    [Show full text]
  • Colour Communication Challenges: Exploring Disciplinary Divides
    Journal of the International Colour Association (2019): 23, 25-35 Lee, Westland & Cheung Colour communication challenges: Exploring disciplinary divides Gyeonghwa Lee*, Stephen Westland and Vien Cheung School of Design, University of Leeds, Leeds, UK Email*: [email protected] Sixteen students were involved in an experiment to describe the appearance of colour samples. These students were divided into two groups: design background and chemistry/engineering background. Design participants react to samples with images and adjectives describing their feelings and emotions. They tend to use evocative, emotional, and associative terms which are also related to use of a wide variety of semantic fields. On the other hand, chemistry/engineering participants focused heavily on colour and surface objectively. Although they used limited sematic fields compared to design participants, they used more precise language in their description. In terms of describing the process of changing the appearance of one sample to another, participants from chemistry/engineering used technical terms and described the process more systematically in comparison to the design participant group. The main focus of this research was to investigate differences in colour communication between participants from the disciplinary backgrounds. These comparisons are not intended to suggest negative or positive judgements by the researchers but to describe the different values of these participants. This research provides evidence that people from different disciplines who need to collaborate in colour design use different colour vocabularies. Received 01 December 2018; accepted 05 December 2018 Published online: 15 March 2019 Introduction Colour, Material, and Finish (CMF) design is a specialised area of design where the focus is on the three elements of appearance just mentioned.
    [Show full text]
  • COLOURS - Politecnico Di Milano
    COLOURS - Politecnico di Milano 5 Dicembre 2016 Un laboratorio di design primario Baolab è un Design primario laboratorio che Cosa significa indagare un lavora nel mondo del oggetto partendo dalle disegno industriale e sue qualità sensoriali. si occupa di tutto ciò che non riguarda la forma degli oggetti. La ricerca di variabili non oggetivvabili L’identità emozionale CMF di un prodotto è L’analisi delle qualità di data dalla somma un prodotto si sviluppa di elementi molto principalmente in 3 ambiti differenti tra loro. principali: il colore, i Alcuni sono materiali e le finiture quantificabili, altri no ma sono altrettanto determinanti. MOLESKINE Design del materiale Accessories - Stationery Moleskine è un’azienda Qualificazione sensoriale produttrice di taccuini, La variazione dell’aspetto agende, borse, tattile di un prodotto iconico strumenti per scrivere molto noto prende le sue e per leggere. mosse anche dall’analisi Cultura, immaginazione, dei nuovi target viaggio, memoria e identità personale sono le parole chiave in cui si identifica. MOLESKINE Design del materiale Accessories - Stationery Ad ogni mondo identificato pertengono specifici materiali e precise palette cromatiche MOLESKINE Design del materiale Accessories - Stationery Una volta identificate le principali sensazioni sinestetiche che si voglio raggiungere il lavoro si concentra sulla messa in atto delle possibilità materiche MOLESKINE Design del materiale Accessories - Stationery Un momento importante per il progetto è capire se il prodotto viene poi scelto dall’intelocutore presunto. A volte accade, altre invece prende strade inaspettate LUXOTTICA Trend forecasting Fashion accessories Luxottica è una Ricerca transdisciplinare azienda che disegna, La ricerca dei trend è il primo produce e distribuisce passo per la definizione occhiali in tutto il di linee guida condivisibili mondo.
    [Show full text]
  • Exploration and Research of CMF Design in the Teaching of Product Design
    E3S Web of Conferences 179, 02036 (2020) https://doi.org/10.1051/e3sconf/202017902036 EWRE 2020 Exploration and Research of CMF Design in the Teaching of Product Design ZHANG Hai-chao Dalian University of Science and Technology, China Abstract: Against the background that CMF design has a profound impact on product design, product design majors must also strengthen CMF teaching to achieve the goal of training modern industrial design talents. Based on this, this article analyses the application of CMF design in the teaching of product design majors, and proposes CMF teaching countermeasures from the aspects of curriculum system establishment, teaching content update, and practice platform construction, to provide a reference for people concerned about this topic. complete product design through CMF innovation, and promote brand value [1]. Facing this trend, many 1 Introduction universities including Tongji University and Donghua With the development of the design industry, more and University have launched CMF-related courses to more enterprises have established CMF departments to promote the professional development of product design. realize product design innovation and enhance product By opening a CMF design course, emphasizing product value and market influence under the guidance of aesthetic design innovation, professional teaching is required to theory. Combining this trend, product design majors meet the curriculum teaching goals of analyzing early should also strengthen CMF design teaching, while design trends and achieving later design transformation, demonstrating the value of CMF research, while providing which can improve the professional teaching level and students with product design R & D and innovation space meet the development requirements of related industries.
    [Show full text]
  • EQ2015-002-P3 - DEP Rebuild by Design
    EQ2015‐002‐P3 ‐ Department of Environmental Protection Rebuild by Design Addendum 1 Part 1: Modifications # Page # Engagement Modification Query Section 1 4 and 11 I C. Contract Added: Attachment 1A ‐ Task Order 1 for the New Meadowlands Details and XII. project SOW. Attachments 2 8 VIII. Proposal Change: Proposal due date from February 5, 216 to February 12, Content 2016. Change: To: Question submission date from January 15, 2016 to January 22, 2016 Engagement Query #: EQ2015‐002‐P3 ‐ DEP Rebuild by Design Addendum 2 Part 1 Modifications # Page # Engagement Query Modification Section 1 4 1. General Construction Management Firm Contracts ‐ Changed status from “Out to Bid” to Information “Awarded, Selection Determination in Process.” C. Contract Details #4 2 5 II Scope of Work Task D was modified to specify the review of invoices in addition to payments and Requirements contract deliverables. Please see revised engagement query for details. Task D 3 8 VIII. Proposal Change: Proposal due date from February 12, 2016 to February 19, 2016. Content Part 2 Questions and Answers Some questions have been combined or modified for clarity. # Page Engagement Query Question Answer # Section 1 3 I. General Information The links referred to on page 3 (see the The Hudson River Project: B. Project Descriptions following) do not work. http://www.nj.gov/dep/floodhazard/rbd‐ #1 and #2 hudsonriver.htm http://www.nj.gov/dep/floodhazard/rbd‐ hudsonriver.htm The New Meadowlands Project: http://www.state.nj.us/dep/floodhazard/r http://www.state.nj.us/dep/floodhazard/r bd‐meadowlands.htm bd‐meadowlands.htm 2 3 I.
    [Show full text]
  • In Industrial Design Practice
    Omslag doktorsavhandling Torbjorn Andersson _20210222.pdf 1 2021-02-22 09:30 Linköping Studies in Science and Technology Dissertations No. 2131 FACULTY OF SCIENCE AND TECHNOLOGY Aesthetic Linköping Studies in Science and Technology, Dissertations No. 2131, 2021 T Department of Management and Engineering or bj Linköping University ör n SE-581 83 Linköping, Sweden A Flexibility n d www. liu.se e r In Industrial Design s s on Practice A e s t h e t T i c Fl orb e j x ö i r b n il i A t y n d e rs s o n 2 0 2 1 Linköping Studies in Science and Technology Dissertations No. 2131 Aesthetic Flexibility In Industrial Design Practice Torbjörn Andersson Division of Product Realisation Department of Management and Engineering Linköping University, SE-581 83 Linköping, Sweden Linköping 2021 Dr BOOK v2.indb 1 2021-02-23 11:57 This work is licensed under a Creative Commons Attribution- NonCommercial 4.0 International License. https://creativecommons.org/licenses/by-nc/4.0/ Copyright (C) Torbjörn Andersson, 2021 Aesthetic Flexibility - In Industrial Design Practice ISBN 978-91-7929-681-0 ISSN 0345-7524 Distributed by: Division of Product Realisation Department of Management and Engineering Linköping University SE-581 83 Linköping, Sweden Printed in Sweden by LiU-Tryck, Linköping 2021 Dr BOOK v2.indb 2 2021-02-23 11:57 North by Northwest. Alfred Hitchcock, 1959 SCENE: In the dining car of the Twentieth Century Limited en route to Chicago. The spy, Eve Kendall has tipped the steward five dollars to seat advertising executive Mr.
    [Show full text]