Black Violin

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Black Violin TEACHER STUDY GUIDE 2018/2019 SEASON School Shows: November 1 & 2, 2018 10:30 AM Atwood Concert Hall Public Show: November 1 & 2, 2018 7:30 PM Atwood Concert Hall n Curriculum Connections Promotional support provided by n Learning Resources n Performance Background n Activities for the Classroom n Theatre Etiquette Alaska Junior Theater n 430 W 7th Ave, Suite 30 n Anchorage, AK 99501 P 907-272-7546 n F 907-272-3035 n www.akjt.org Curriculum Standards laska Junior Theater is a private, nonprofit organization that has been bringing the best in professional theatre from around the world to Alaska’s Ayoung audiences since 1981. Each year, more than 40,000 students attend a variety of live performances at the Alaska Center for the Performing Arts. For many students, our school show presentations are their only exposure to live performing arts. Each show we present has a strong educational component, and are linked to Alaska Content Standards. Alaska Junior Theater also offers teacher and student workshops, study guides and classroom transportation to our performances. We are committed to keeping ticket prices low, allowing children of all financial levels to experience live professional theatre. Our low educational ticket price of Discovery Theatre, ACPA $8 covers only half our costs of presenting shows. To subsidize the remaining $8 of each ticket, we actively fundraise and rely on the support of corporations, foundations and individuals. In addition, we fundraise to offer full scholarships to students with financial need. Alaska Junior Theater asked area teachers to review our 2018/2019 performances for direct connections to Alaska Content Standards. The direct connections for Black Violin are listed below, which will assist in lesson planning and will assure teachers that Alaska Junior Theater programs help classes meet curriculum connections. To get a complete copy of the Alaska Content Standards, visit: https://www.asdk12.org/commoncore/. Additional information about these standards can be found at the National Association for Music Education via https://nafme.org/my-classroom/standards/. Common Core State Standards CCR Anchor Standard 4:2 CCR Anchor Standard 6 CCR Anchor Standard 8 Writing Standard 1 Speaking and Listening 1 National Standards for Music Education MUSIC ED: Re7.1.3a - MUSIC ED: Re7.1.5a Carr Gottstein Lobby MUSIC ED: Re7.2.2a - MUSIC ED: Re7.2.5a MUSIC ED: Re8.1.2a - MUSIC ED: Re8.1.7a MUSIC ED: Re9.1.PKa - MUSIC ED: Re9.1.8a MUSIC ED: Cn10.0.Ka - MUSIC ED: Cn10.0.8a Special thanks to Deanna James, Brian Singleton and Michael Jereu for their help in this effort. Alaska Junior Theater Page 1 Resources Related to Black Violin L Music, Instraments, and Composers Ada’s Violin : the story of the Recycled Orchestra of Paraguay E 784.206 HOOD I What in the World is a Violin? E 787.219 SALZMAN I See the Rhythm by Michele Wood and Toyomi Igus J 780.8996073 WOOD B Pop Star by Lisa Regan J 781.64023 REGAN Music by Neil Ardley J 784.19 ARDLEY R The Story of the Orchestra by Robert Levine J 784.2 LEVINE Is the Violin for You? By Elaine Landau J 787.219 LANDAU A Johann Sebastian Bach and the Art of Baroque Music by Donna Getzinger J-B BACK J GETZING R Jimi: Sounds Like a Rainbow: a Story of the Young Jimi Hendrix by Gary Golio J-B HENDR J GOLIO Y Musical Stories Valentine and his Violin by Philip Hopman E HOPMAN A Violin for Elva by Mary Lyn Ray E RAY R The Composer is Dead by Lemony Snickett E SNICKETT Hana Hashimoto, Sixth Violin by Chieri Uegaki E UEGAKI E Notes from an Accidental Band Geek by Erin Dionne J DIONNE Audtion & Subtraction by Amy Fellner Dominy J DOMINY S Moxy Maxwell Does not Love Practicing the Piano by Peggy Gifford J GIFFORD Victoria the Violin Fairy by Daisy Meadows J MEADOWS O Anna Maria’s Gift by Janice Shefelman J SHEFELM U Four Seasons by Jane Breskin Zalben J ZALBEN R Music, Movies and More Brandenburg Concertos 1-6 by Johann Sebastian Bach CD EC BACH BC M20 C Double Violin Concerto by Mark O’Connor CD GV OCON DV 085 Violin & Viola Concertos by William Walton CD EC WALT VN K24 E Beethoven Lives Upstairs DVD J BEETHOV Zin! Zin! Zin!: a Violin DVD J READING S Music Comes Alive! DVD J MUSIC-C Black Violin Official Website http://blackviolin.net/ Check out ebooks and audio books by these authors and many more at the ListenAlaska and hoopla and download music at Freegal on the Anchorage Public Library Website: www.anchoragelibrary.org Alaska Junior Theater Page 2 The name ‘Black Violin’ is derived from the influence of a famous Jazz violinist, Stuff Smith, who changed Wil-B and Kev Marcus’ perspectives on the capabilities of the violin. Six months before Smith’s death, he recorded his most soulful solo album entitled Black Violin. His life’s work was so moving that the duo decided to name their group after the most inspiring violinist they had ever heard. These two gentlemen, Kev Marcus and Wil-B have created the ultimate synergy between Classical and Hip-Hop music, and with it an incredible opportunity to reach young people. Black Violin’s notoriety rose with their amazing performance accompanying Alicia Keys at the 2004 Billboard Awards, and by performing on the same bill with some of the industry’s biggest artists. They have been voted one of the Top 5 News Bands at SXSW and performed at the 2013 Inauguration Ball Performance President Barak Obama. With Stereotypes, Black Violin set out to achieve something more than just selling some records or gaining notoriety as a curiosity. “We want to really be something that young musicians aspire to,” says Kev. “For us, the violin is the vehicle for a bigger message, which is not to be afraid to be different.” They have been given an Award by the Brooklyn Center for Performing Arts for their Outstanding Contributions to Middle & High School Performing Arts Students. Kev Marcus and Wil B, graduates of Dillard Performing Arts High School, used their musical talents to earn full scholarships to college. Now, Black Violin wants to make sure that America’s young people get the same exposure to the arts, and therefore, the same opportunity that they did. Wil-B ‘Simply Sick,’ attended Dillard High School of Performing Arts, and attempted to join the school band in an effort to play the saxophone. At the age of 13, he was mistakenly put into the string program instead of the band; but as luck would have it, he learned the viola and grew to love it. He has participated with local pop orchestras such as the Young Artist Contemporary Orchestra in Palm Beach, Florida. He attended Florida State University. Not only is this young man talented on the Wil-B violin but he also can sing, play the piano, drums, trumpet and the bass guitar. His influences include some well known musical artists such as Stevie Wonder, George Benson, Curtis Mayfield, Chaka Khan, Victor Wooten, Common, AZ, Jill Scott and Talib Kweli. The second master of this unique duo, Kev Marcus, also attended Dillard High School of Performing Arts. He was encouraged by his mother and teachers at the age of nine to begin playing the violin. From there, he grew so intrigued by it that he couldn’t let it go. He also began to participate with the local pop orchestras and was also a semi-finalist in the Sphinx National Competition for Blacks and Latino’s in 2000. He went to college at Florida International University, where he met their manager Sam G. His musical artist influences are past great pioneers of the music Kev Marcus world such as Herbie Hancock, Stuff Smith, Mozart, Bach, Brahms and Nat King Cole. Kev Marcus also has been influenced by some of today’s artists such as Mos Def, Notorious BIG, Dr. Dre, The Roots, and Nas. Alaska Junior Theater Page 3 DJ SPS is an american turntablist/dj/producer who was raised abroad and now calls Orlando home. He is known for his intricate fast cuts, stylish juggles and complex beat manipulation on wax. Never afraid to show his skills, SPS has entered numerous DJ battles where he has gained notoriety as a fierce competitor who shows no mercy. With a variety of titles under his belt including the 2008 DMC USA Supremacy Championship DJ SPS title, he has gone on multiple tours across the United States and Europe showcasing his live skill set to wow audiences and fans alike. With extensive knowledge of years of music, it only seems logical that he would produce multiple albums and remixes. Black Violin Albums Ringtones 2007 For our debut album, we felt strongly about telling our story through our own words on one special track. Recording a vocal contribution was a step outside our artistic comfort zone. With the beat playing on repeat for inspiration, we both wrote our verses in silence. Kev’s verse represents his proud upbringing and the good people that have influenced his life. DJ TK then cuts the lyric “This is my story” into the track as the chorus. Wil’s verse represents the struggles endured throughout his life and the many lessons he learned throughout his journey while overcoming these adversities. Classical Trained 2012 Amidst mixtape releases, they issued their eponymous debut album in 2008 and Classically Trained in 2012, earning support spots on tours for, among others, Wu-Tang Clan, Ciara, Aerosmith, and Kanye West along the way.
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  • About Black Violin's Music
    About Black Violin’s Music Wil-B (on right) immigrated to the United Both Wil-B and Kev Marcus attended college on full States from the Bahamas with his family at the music scholarships. Wil-B attended Florida State, age of 11. He hoped to join the school band to and Kev Marcus went to Florida International play saxophone, but accidentally was placed in University the string program. He grew to love the viola and mastered it as well as the trumpet, drums Black Violin was born when Marcus heard the music and bass guitar. of violinist Stuff Smith, considered to be the first violinist to use electrical amplification techniques on Kev Marcus (on left) began playing violin at a violin. His professor sat him down at a lesson and age 9, with the encouragement of his mother. told him to listen. Marcus said Smith’s music was He and Will-B met while attending the famed “unbelievable”, saying “classical violin with soul and Dillard High School of the Performing Arts in fire. I loved it.” He passed the music on to Wil-B and Fort Lauderdale, Florida where they were together they decided to form a band, calling it trained in the classical tradition. During their Black Violin, named after Smith’s eponymous soulful class and practice time they developed firm solo album. Inspired by Smith’s music, the two classic techniques and in free time listened to realized that they could synthesize all the styles hip hop and rhythm and blues. they loved: classical, jazz, R&B, hip-hop, and even reggae and gypsy music.
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  • Says Wil Baptiste, Describing the Process That Led to Black Violin’S New Album, Take the Stairs
    “We had a wall that we wrote stuff on,” says Wil Baptiste, describing the process that led to Black Violin’s new album, Take the Stairs. “We had all the ideas about what story we were going to convey. And it kept coming back to the idea of hope—songs that spoke about going against the grain, carrying through struggle, being optimistic. We wanted to say, ‘it’s tough out there, but don’t give up.’ ” Much like the ways their instruments interact on stage, Wil’s creative collaborator Kev Marcus echoes this theme, and then expands it. “Hope is the thread that keeps this thing together, it’s the heartbeat of this album,” he says. “But then a lot of tentacles went different ways—the song ‘Impossible is Possible’ is about challenging people. So it went different directions from just being hopeful. We took it a little further.” For more than a dozen years, Black Violin has been all about taking things further, exceeding expectations, challenging conventions. The classical-meets- hip-hop duo has steadily built a devoted following and a diverse touring base— culminating in such triumphs as two sold-out shows at the Kennedy Center with the National Symphony Orchestra commemorating the 50th anniversary of Dr. Martin Luther King Jr.’s death—while occupying a musical lane that’s entirely its own. “When you do something you love, it’s not difficult,” says Wil. “I’m just going on stage and being who I am. When people want to listen, when you touch them and make them want to keep fighting—to see that spreading out to more people, it’s about way more than just the music.” Indeed, Black Violin’s work extends far beyond the stage, reaching deep into urban communities with numerous free performances for students and hands-on engagement with youth symphonies and community centers.
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  • November 2014
    NORTH CENTRAL COLLEGE Rick Springfield Chris White Black Violin WELCOME elcome to North Central gift to the arts. We have dessert receptions, College’s 2014-2015 Fine and private gallery talks and sneak previews of the W Performing Arts Season. I do new season—all as our way of saying “thank hope this is not your first concert this year you” for your support. And if your employer because if it is, you really have been missing wishes to sponsor a performance, we can work something great! In any case, we are glad with you on the benefits of that as well. you are here. This month we welcome the So relax, sit back and have a wonderful evening classically trained violinist duo Black Violin to enjoying the arts. Or, if you prefer, get loud, the Wentz Concert Hall stage and Grammy get noisy and have a great time here at North Award-winner Rick Springfield to Pfeiffer Central College. On with the show! Hall with his intimate solo show “Stripped Down.” We know you have many options for where you can spend your entertainment dollars, but Brian Lynch we just want to say thank you for spending Fine Arts Director time with us. We really are here to serve you, North Central College so do not hesitate to ask. I personally am always looking for ideas for artists to bring in, so please let me know. There may be that gem you have always wanted to see who may be ready to experience what we have to offer in Naperville.
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  • BLACK VIOLIN STEREOTYPES Universal Music Classics
    BLACK VIOLIN STEREOTYPES Universal Music Classics An assortment of voices—different ages, genders, races—speak over a tense, clipped groove. Phrases overlap, offering definitions of a word while a beat snaps and propulsive strings bite and race up and down a scale. “A stereotype is an often unclear and untrue belief” says one; “a standardized mental picture” echoes another. Eventually, one voice settles in out front, explaining the responsibility that comes with a stereotype—“it gives me a goal, something to try to debunk.” The opening and title track to Stereotypes, the major-label debut by Black Violin, serves as a mission statement for an ambitious and groundbreaking group. Wil Baptiste (viola) and Kev Marcus (violin) are a string duo from Florida with equal footing in the worlds of classical music and hip-hop. Though they have been playing together since high school, with Stereotypes, they take a great leap forward, from admirable rarities to significant innovators. “Our mantra has always been to engage the audience to look at things from a different perspective,” says Kev. “At first, we leaned on the fact that we were different, more than on our technique—we wanted you to be confused. This time, we tried to keep our core message, but with more gravitas, more seriousness. Not just be crazy and different, but really step it up and be badass violinists.” The album features a wide range of guest artists and writers, expanding and enhancing the work of these young African-American string powerhouses. MCs Pharoahe Monche and Black Thought, singers Melanie Fiona and Kandace Springs, guitarist Eric Krasno (Soulive), pianist Robert Glasper, drummer Daru Jones (Jack White), and string arranger Rob Moose (Bon Iver) all contribute, adding R&B, jazz, and rock elements to the mix and illustrating the genre-busting sensibility behind Black Violin’s music.
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  • About Black Violin
    Abou t Black Violin Wil-B (on right) immigrated to the United Both Wil-B and Kev Marcus attended college on full States from the Bahamas with his family at the music scholarships. Wil-B attended Florida State, age of 11. He hoped to join the school band to and Kev Marcus went to Florida International play saxophone, but accidentally was placed in University the string program. He grew to love the viola and mastered it as well as the trumpet, drums Black Violin was born when Marcus heard the music and bass guitar. of violinist Stuff Smith, considered to be the first violinist to use electrical amplification techniques on Kev Marcus (on left) began playing violin at a violin. His professor sat him down at a lesson and age 9, with the encouragement of his mother. told him to listen. Marcus said Smith’s music was He and Will-B met while attending the famed “unbelievable”, saying “classical violin with soul and Dillard High School of the Performing Arts in fire. I loved it.” He passed the music on to Wil-B and Fort Lauderdale, Florida where they were together they decided to form a band, calling it trained in the classical tradition. During their Black Violin, named after Smith’s eponymous soulful class and practice time they developed firm solo album. Inspired by Smith’s music, the two classic techniques and in free time listened to realized that they could synthesize all the styles hip hop and rhythm and blues. they loved: classical, jazz, R&B, hip-hop, and even reggae and gypsy music.
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