About Black Violin
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Supplemental Music Resource
SUPPLEMENTAL MUSIC RESOURCE Copyright 2014 by JustFaith Ministries • www.justfaith.org • 502-429-0865 YOUNG ADULT/COLLEGE Introduction “I think music in itself is healing. It's an explosive expression of humanity. It's something we are all touched by. No matter what culture we're from, everyone loves music.” Billy Joel Music is a powerful medium used to stir our senses and awaken us to deeper reality. The poetry of words coupled with the emotion of melody often proves to be a helpful resource for people of prayer. The Psalms of David, African-American spirituals, Taize music, all can reveal God’s movement in our lives and speak to our hearts. In the following pages, you will find five suggested songs for each J-Walking session that can be used alongside the resource CD Songs for JusticeWalkers by Bryan Sirchio. These songs may be used during the appointed time for music as transitional music, for welcoming people into the session, or to play while participants journal. Different Types of Music Sing aloud unto God our strength: make a joyful noise unto the God of Jacob. Psalm 81:1 The following music is diverse both in style and popularity. This sampling aims to mirror attitudes and outlooks from the Christian tradition. Some of the music is contemplative and meditative like the first chapter of Genesis; some is heavy and heartbroken like the 23rd Psalm. Some seethes with prophetic anger, demanding social change like Jeremiah’s volleys against Jehoakim. A few musical offerings sing a grateful and joyful melody like Mary’s Canticle. -
Sexism Across Musical Genres: a Comparison
Western Michigan University ScholarWorks at WMU Honors Theses Lee Honors College 6-24-2014 Sexism Across Musical Genres: A Comparison Sarah Neff Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/honors_theses Part of the Social Psychology Commons Recommended Citation Neff, Sarah, "Sexism Across Musical Genres: A Comparison" (2014). Honors Theses. 2484. https://scholarworks.wmich.edu/honors_theses/2484 This Honors Thesis-Open Access is brought to you for free and open access by the Lee Honors College at ScholarWorks at WMU. It has been accepted for inclusion in Honors Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. Running head: SEXISM ACROSS MUSICAL GENRES 1 Sexism Across Musical Genres: A Comparison Sarah E. Neff Western Michigan University SEXISM ACROSS MUSICAL GENRES 2 Abstract Music is a part of daily life for most people, leading the messages within music to permeate people’s consciousness. This is concerning when the messages in music follow discriminatory themes such as sexism or racism. Sexism in music is becoming well documented, but some genres are scrutinized more heavily than others. Rap and hip-hop get much more attention in popular media for being sexist than do genres such as country and rock. My goal was to show whether or not genres such as country and rock are as sexist as rap and hip-hop. In this project, I analyze the top ten songs of 2013 from six genres looking for five themes of sexism. The six genres used are rap, hip-hop, country, rock, alternative, and dance. -
Song Artist Or Soundtrack Language Tightrope Janelle Monae English
Song Artist or Soundtrack Language Tightrope Janelle Monae English Come Alive [War of the Roses] Janelle Monae English Why this kolaveri di Dhanush Urdu Ghoom tana Janoon Urdu Count your blessings Nas & Damian Jr English America K'naan Somali/ English Mahli Souad Massi Arabic (Tunisian) Helwa ya baladi Dalida Arabic (Egyptian) Stop for a Minute K'naan English Miracle Worker SuperHeavy English Crazy Gnarls Barkley English 1977 Ana Tijoux Spanish (Chilean) Nos Hala Asalah Arabic Don't Let Me Be Misunderstood Santa Esmeralda / Kill Bill Vol. 1 Original Soundtrack Never Can Say Goodbye Jackson Five English My Doorbell The White Stripes English Peepli Live Various Artists, Indian Ocean Hindi or Urdu Forget You Camilla and the Chickens, The Muppets Soundtrack Chicken?? Ring of Fire Johnny Cash English I Was Born on the Day Before Yesterday The Wiz English Y'All Got It The Wiz English Everything Michael Buble English I'm Yours Jason Mraz English Something's Gotta Hold on Me Etta James English Somebody to Love Queen English Al Bosta Fairouz Arabic (Lebanese) Kifak Inta Fairouz Arabic (Lebanese) Etfarag ala najsak Asala Nasri Arabic (Egyptian) Make it bun dem Skrillex, Damian English Statesboro Blues Taj Mahal English Albaniz: Zambra-Capricho, Cordoba, Zor David Russell Spanish classical Volver Estrella Morente from Volver: Musica de la Pelicula Spanish Solo le pido a Dios Leon Gieco Spanish Mambo Italiano Rosemary Clooney English / Italian Botch-A-Me (Baciani Piccina) Rosemary Clooney English / Italian Satyameva Jayathe SuperHeavy English / ? -
Black Violin
This section is part of a full NEW VICTORY® SCHOOL TOOLTM Resource Guide. For the complete guide, including information about the NEW VICTORY Education Department check out: newvictorYschooltools.org ® inside | black violin BEFORE EN ROUTE AFTER BEYOND INSIDE INSIDE THE SHOW/COMPANY • closer look • where in the world INSIDE THE ART FORM • WHAT DO YOUR STUDENTS KNOW NOW? CREATIVITY PAGE: Charting the Charts WHAT IS “INSIDE” BLACK VIOLIN? INSIDE provides teachers and students a behind-the-curtain look at the artists, the company and the art form of this production. Utilize this resource to learn more about the artists on the NEW VICTORY stage, how far they’ve traveled and their inspiration for creating this show. In addition to information that will enrich your students’ experience at the theater, you will find a Creativity Page as a handout to build student anticipation around their trip to The New Victory. Photos: Colin Brennen MAKING CONNECTIONS TO LEARNING STANDARDS NEW VICTORY SCHOOL TOOL Resource Guides align with the Common Core State Standards, New York State Learning Standards and New York City Blueprint for Teaching and Learning in the Arts. We believe that these standards support both the high quality instruction and deep engagement that The New Victory Theater strives to achieve in its arts education practice. COMMON CORE NEW YORK STATE STANDARDS BLUEPRINT FOR THE ARTS Speaking and Listening Standards: 1 Arts Standards: Standard 4 Music Standards: Developing Music English Language Arts Standards: Literacy; Making Connections -
DJ Green Lantern Presents Fort Minor - Fort Minor: We Major Fort Arkansas - Anthem No
DJ Green Lantern We Major mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: We Major Country: US Released: 2006 MP3 version RAR size: 1875 mb FLAC version RAR size: 1488 mb WMA version RAR size: 1462 mb Rating: 4.7 Votes: 142 Other Formats: RA AHX MP1 WMA TTA VOC WAV Tracklist Hide Credits 1 –DJ Green Lantern Intro 2 –Fort Minor 100 Degrees Dolla 3 –Fort Minor Featuring [Rap] – Styles Of Beyond Bloc Party 4 –Apathy Featuring [Rap] – Mike Shinoda, Tak S.C.O.M. 5 –Ryu Featuring [Chorus] – Mike ShinodaFeaturing [Rap] – Celph Titled, Juelz Santana Remember The Name (Funkadelic Remix) 6 –Fort Minor Featuring [Rap] – Styles Of BeyondRemix – Mike Shinoda Bleach (Jimi Remix) 7 –Styles Of Beyond Remix – Mike Shinoda Spraypaint & Inkpens 8 –Ghostface* Featuring [Rap] – Lupe Fiasco, Mike Shinoda Petrified (Doors Remix) 9 –Fort Minor Remix – Mike Shinoda Get It 10 –Styles Of Beyond Producer – Scoop Deville Be Somebody 11 –Fort Minor Featuring [Chorus] – Holly Brook, TakFeaturing [Rap] – Lupe Fiasco Respect 4 Grandma 12 –Fort Minor Featuring [Rap] – Styles Of BeyondFeaturing, Vocals [Additional] – Celph TitledProducer – Scoop DeVille* There They Go (Green Lantern Remix) 13 –Fort Minor Featuring [Rap] – Sixx JohnRemix – DJ Green Lantern All Night 14 –Apathy Featuring [Rap] – Celph Titled, Tak Nobody's Listening (Green Lantern Remix) 15 –Linkin Park Remix – DJ Green Lantern Cover And Duck 16 –Fort Minor Featuring [Rap] – Celph Titled, Styles Of Beyond Remember The Name (Album Version) 17 –Fort Minor Featuring [Rap] – Styles Of Beyond 18 –Fort Minor Petrified (Album Version) 19 –DJ Green Lantern Outro Where'd You Go (S.O.B. -
Epsiode 20: Happy Birthday, Hybrid Theory!
Epsiode 20: Happy Birthday, Hybrid Theory! So, we’ve hit another milestone. I’ve rated for 15+ before like 6am, when it made 20 episodes of this podcast – which becomes a Top 50 countdown. When I was is frankly very silly – and I was trying younger, it was the quickest way to find to think about what I could write about new music, and potentially accidentally to reflect such a momentous occasion. see something that would really scar I was trying to think of something that you, music-video wise. Like that time I was released in the year 2000 and accidentally saw Aphex Twin’s Come to was, as such, experiencing a similarly Daddy music video. momentous 20th anniversary. The answer is, unsurprisingly, a lot of things But because I was tiny and my brain – Gladiator, Bring It On and American was a sponge, it turns out a lot of what Psycho all came out in the year 2000. But I consumed has actually just oozed into I wasn’t allowed to watch any of those every recess of my being, to the point things until I was in high school, and they where One Step Closer came on and I didn’t really spur me to action. immediately sang all the words like I was in some sort of trance. And I haven’t done And then I sent a rambling voice memo a musical episode for a while. So, today, to Wes, who you may remember from we’re talking Nu Metal, baby! Hell yeah! such hits as “making this podcast sound any good” and “writing the theme tune I’m Alex. -
28 Inspirational Lauryn Hill
28 Established 1961 Lifestyle Gossip Sunday, February 11, 2018 MGMT made new Inspirational album via email Lauryn Hill GMT made their new album via email. Ben Goldwasser and Andrew VanWyngarden have had a notoriously difficult relationship in the past Mand although they say that they are now in a better place, they prefer to work over email as Ben lives in Los Angeles and Andrew is based in New York. Speaking to The Guardian about their new record ‘Little Dark Age’, Patrick Wimberly, who co-produced the record, explained: “They’re not attached to each other because of contracts or obligations. They’ve tapped into a connection that encourages them both to dig deep into their own ideas. At times it seems like they have their own language.” However, both Ben and Andrew are happy with their relationship at the moment. Andrew said: “We’ve gone through different phases of hanging out and being, like, normal friends, and that’s not easy these days because Ben lives in LA. He’s got a dog with a backyard, and I’m in Rockaway and so we’re not like staying together and walking through parking lots like we were at college. We’ve gone through times where we had disagree- ments or it’s been tense. But we rode it out and it seems good now.” And the new record has been inspired by recent events in America. Andrew said: “There’s a lot of stuff on the record relating to the last year. What Trump has done is just expose a whole lot of things that were there already. -
BLACK VIOLIN Friday, September 30, 2016, at 7:30Pm Tryon Festival Theatre PROGRAM BLACK VIOLIN UNITY Tour 2016
BLACK VIOLIN Friday, September 30, 2016, at 7:30pm Tryon Festival Theatre PROGRAM BLACK VIOLIN UNITY Tour 2016 Kevin “Kev Marcus” Sylvester, violin Wil “Wil B.” Baptiste, viola DJ SPS, turntables Nathaniel “Nat” Stokes, percussion The program will be announced from the stage. This performance will be presented with no intermission. Through the message of Black Violin’s music, we’ve spent the last 10 years working to encourage and empower people of all ages, ethnic, and socioeconomic backgrounds to find what connects us, rather than shine a light on what divides us. This past year alone, we’ve played for nearly 100,000 students and over 125 public shows across the United States and Europe. We’ve taken this opportunity to spread a message that challenges the world’s view of what it means to rise above labels, be daring enough to follow their passion and most of all, be true to themselves. As black men living in America, we understand challenges and we also understand the power of “I can’t,” yet we decide to live by and promote the power of “I can.” We realize that every opportunity to connect our diverse fans is an opportunity to break down the barriers that separate us, empower indi- viduality, and encourage progress. Our fall 2016 UNITY tour with concert dates throughout the United States is our most energetic and inspired show yet. #BLACKVIOLINUNITY —Wil B. & Kev Marcus Black Violin appears by arrangement with: Kosson Talent Larry Kosson, founder and president Kossontalent.com 2 THE ACT OF GIVING OF ACT THE THANK YOU TO THE SPONSORS OF THIS PERFORMANCE Krannert Center honors the spirited generosity of these committed sponsors whose support of this performance continues to strengthen the impact of the arts in our community. -
Consumer Alert Regarding Ticket Purchasing
CONSUMER ALERT REGARDING TICKET PURCHASING With so many high-profile and popular events coming to Wharton Center, we have found more and more patrons are being exploited by unscrupulous ticket resellers. Often our tickets are being marketed on secondary ticket websites before the operator of the website has even purchased tickets – and they are selling at prices far above the price you will pay through whartoncenter.com. Purchasing tickets to Wharton Center events through another source might result in paying too much for your tickets or paying for tickets that are invalid. If there is a problem with your tickets, you may not be able to receive help from Wharton Center’s Ticket Office as there will be no in-house record of your transaction. In addition, we are unable to contact you if there is a change in performance time, traffic notices, etc. To avoid being ensnared by unscrupulous ticket resellers: • Bookmark our website, whartoncenter.com for ticket and show information. • Sign up for our eClub to receive information directly from Wharton Center. We urge you to protect yourself by purchasing directly from the official source for Wharton Center tickets: at whartoncenter.com; by phone at 1-800-WHARTON (1-800-942-7866); or at the Auto-Owners Insurance Ticket Office at Wharton Center. IN CASE OF EMERGENCY Please observe the lighted exit signs located throughout the building and theatre(s). All patrons should note all exits, especially those closest to your seat location. Our staff and ushers are trained to assist patrons through multiple emergency situations. If you have questions regarding our safety and security procedures, please contact the house management staff at Wharton Center by calling 884-3119 or 884-3116. -
Rap in the Context of African-American Cultural Memory Levern G
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Empowerment and Enslavement: Rap in the Context of African-American Cultural Memory Levern G. Rollins-Haynes Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES EMPOWERMENT AND ENSLAVEMENT: RAP IN THE CONTEXT OF AFRICAN-AMERICAN CULTURAL MEMORY By LEVERN G. ROLLINS-HAYNES A Dissertation submitted to the Interdisciplinary Program in the Humanities (IPH) in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of Levern G. Rollins- Haynes defended on June 16, 2006 _____________________________________ Charles Brewer Professor Directing Dissertation _____________________________________ Xiuwen Liu Outside Committee Member _____________________________________ Maricarmen Martinez Committee Member _____________________________________ Frank Gunderson Committee Member Approved: __________________________________________ David Johnson, Chair, Humanities Department __________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my husband, Keith; my mother, Richardine; and my belated sister, Deloris. iii ACKNOWLEDGEMENTS Very special thanks and love to -
Sounds of the Human Vocal Tract
INTERSPEECH 2017 August 20–24, 2017, Stockholm, Sweden Sounds of the Human Vocal Tract Reed Blaylock, Nimisha Patil, Timothy Greer, Shrikanth Narayanan Signal Analysis and Interpretation Laboratory University of Southern California, USA [email protected], {nimishhp, timothdg}@usc.edu, [email protected] Do speech and beatboxing articulations share the same Abstract mental representations? Previous research suggests that beatboxers only use sounds that Is beatboxing grammatical in the same way that exist in the world’s languages. This paper provides evidence to phonology is grammatical? the contrary, showing that beatboxers use non-linguistic How is the musical component of beatboxing represented articulations and airstream mechanisms to produce many sound in the mind? effects that have not been attested in any language. An analysis of real-time magnetic resonance videos of beatboxing reveals To address these questions, a comprehensive inventory of that beatboxers produce non-linguistic articulations such as beatboxing sounds and their articulations must first be ingressive retroflex trills and ingressive lateral bilabial trills. In compiled. addition, beatboxers can use both lingual egressive and Some steps toward this goal have already been taken. pulmonic ingressive airstreams, neither of which have been Splinter and TyTe [5] proposed a Standard Beatbox Notation reported in any language. (SBN) to encode contrasts between different beatboxing The results of this study affect our understanding of the sounds, and Stowell [6] uses a combination of new characters limits of the human vocal tract, and address questions about the and characters from the International Phonetic Alphabet (IPA) mental units that encode music and phonological grammar. to represent some sounds of beatboxing. -
Finding Aid to the Historymakers ® Video Oral History with James Poyser
Finding Aid to The HistoryMakers ® Video Oral History with James Poyser Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Poyser, James, 1967- Title: The HistoryMakers® Video Oral History Interview with James Poyser, Dates: May 6, 2014 Bulk Dates: 2014 Physical 7 uncompressed MOV digital video files (3:06:29). Description: Abstract: Songwriter, producer, and musician James Poyser (1967 - ) was co-founder of the Axis Music Group and founding member of the musical collective Soulquarians. He was a Grammy award- winning songwriter, musician and multi-platinum producer. Poyser was also a regular member of The Roots, and joined them as the houseband for NBC's The Tonight Show Starring Jimmy Fallon. Poyser was interviewed by The HistoryMakers® on May 6, 2014, in New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2014_143 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Songwriter, producer and musician James Jason Poyser was born in Sheffield, England in 1967 to Jamaican parents Reverend Felix and Lilith Poyser. Poyser’s family moved to West Philadelphia, Pennsylvania when he was nine years old and he discovered his musical talents in the church. Poyser attended Philadelphia Public Schools and graduated from Temple University with his B.S. degree in finance. Upon graduation, Poyser apprenticed with the songwriting/producing duo Kenny Gamble and Leon Huff. Poyser then established the Axis Music Group with his partners, Vikter Duplaix and Chauncey Childs. He became a founding member of the musical collective Soulquarians and went on to write and produce songs for various legendary and award-winning artists including Erykah Badu, Mariah Carey, John Legend, Lauryn Hill, Common, Anthony Hamilton, D'Angelo, The Roots, and Keyshia Cole.