Nova Scotia Content Market Attending Delegates
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I INFORMING a DISTRACTED AUDIENCE: NEWS NARRATIVES
INFORMING A DISTRACTED AUDIENCE: NEWS NARRATIVES IN BREAKFAST TELEVISION Emma Copeman Submitted in fulfilment of the degree of Bachelor of Arts (MECO), Honours Department of Media and Communications October, 2007 i Abstract This thesis takes its lead from Baym‟s (2004) suggestion that incorporation of entertainment techniques into television news undermines its authority and credibility. To explore this question, textual analysis was conducted on the news bulletins of Australian breakfast television programs Sunrise and Today with regard to narrative features and the spread of traditional news conventions compared to entertainment techniques. This analysis was followed by a discussion of the dominant meanings produced by the news narratives of Sunrise and Today. The two programs employed similar narrative styles that largely adhered to traditional news conventions, positioning themselves as impartial and authoritative relayers of news. However, narratives of both programs also diverged from traditional news: both used entertainment conventions – with Today often abandoning the traditional Inverted Pyramid news story structure for new structures – and contained briefer stories, with references to the opinions and personal experiences of the item presenters. In some breakfast news items, the short and sometimes personal narrative structure diminished the construction of impartiality. While entertainment techniques represented a potential threat to the overall authority of the news, in this analysis, the threat was mitigated by the dominance of traditional news conventions and authority was retained. In summary, departures from traditional news narrative structure and delivery are evident in Australian breakfast television, and may partly decrease its news authority and impartiality. However, the ability of these programs to retain distracted breakfast audiences may depend on the brief, entertaining and sometimes personal nature of the news items. -
Filed Via Intervention/Comment/Answer Form
February 15, 2018 Filed via Intervention/Comment/Answer Form Mr. Claude Doucet Secretary General Canadian Radio-television and Telecommunications Commission Ottawa, Ontario K1A 0N2 Dear Mr. Doucet: RE: Blue Ant Television General Partnership’s Broadcasting Licence Renewal Application for A.Side (formerly AUX TV); Makeful TV (formerly BITE Television); travel + escape; Cottage Life (formerly Bold); BBC Earth (formerly radX); Love Nature (formerly Oasis HD); HIFI (formerly Treasure HD) (Application no. 2017-0841-3) and SN Channel General Partnership’s Broadcasting Licence Renewal Application for Smithsonian Channel (formerly eqhd) (Application no. 2017-0842-1) – Intervention from the Canadian Media Producers Association Introduction 1. The Canadian Media Producers Association (CMPA) is pleased to provide the following comments with respect to the broadcasting licence renewal applications for Blue Ant Television General Partnership’s discretionary services A.Side (formerly AUX TV); Makeful TV (formerly BITE Television); travel + escape; Cottage Life (formerly Bold); BBC Earth (formerly radX); Love Nature (formerly Oasis HD); HIFI (formerly Treasure HD) (Application no. 2017- 0841-3) and SN Channel General Partnership’s discretionary service Smithsonian Channel (formerly eqhd) (Application no. 2017-0842-1) (hereinafter collectively referred to as “Blue Ant Television” when referring to the Applicants and “Blue Ant Group” when referring to the group-based licence). In the event the Commission announces a public hearing with respect to the above-noted licence renewal applications, the CMPA requests to appear to further elaborate on this intervention. 2. The CMPA is the country’s leading member-based advocacy organization for independent producers. We represent hundreds of companies engaged in the development and distribution of English-language content made for television, cinema, and digital media channels. -
Download-To-Own and Online Rental) and Then to Subscription Television And, Finally, a Screening on Broadcast Television
Exporting Canadian Feature Films in Global Markets TRENDS, OPPORTUNITIES AND FUTURE DIRECTIONS MARIA DE ROSA | MARILYN BURGESS COMMUNICATIONS MDR (A DIVISION OF NORIBCO INC.) APRIL 2017 PRODUCED WITH THE ASSISTANCE OF 1 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Acknowledgements This study was commissioned by the Canadian Media Producers Association (CMPA), in partnership with the Association québécoise de la production médiatique (AQPM), the Cana- da Media Fund (CMF), and Telefilm Canada. The following report solely reflects the views of the authors. Findings, conclusions or recom- mendations expressed in this report are those of the authors and do not necessarily reflect the views of the funders of this report, who are in no way bound by any recommendations con- tained herein. 2 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Executive Summary Goals of the Study The goals of this study were three-fold: 1. To identify key trends in international sales of feature films generally and Canadian independent feature films specifically; 2. To provide intelligence on challenges and opportunities to increase foreign sales; 3. To identify policies, programs and initiatives to support foreign sales in other jurisdic- tions and make recommendations to ensure that Canadian initiatives are competitive. For the purpose of this study, Canadian film exports were defined as sales of rights. These included pre-sales, sold in advance of the completion of films and often used to finance pro- duction, and sales of rights to completed feature films. In other jurisdictions foreign sales are being measured in a number of ways, including the number of box office admissions, box of- fice revenues, and sales of rights. -
RAPPORTO Il Mercato E L’Industria Del Cinema in Italia 2008
RAPPORTO Il Mercato e l’Industria del Cinema in Italia 2008 fondazione ente dello spettacolo RAPPORTO Il Mercato e l’Industria del Cinema in Italia 2008 In collaborazione con CINECITTA’ LUCE S.p.A. Con il sostegno di Editing e grafica: PRC srl - Roma fondazione ente Realizzazione a cura di: Area Studi Ente dello Spettacolo Consulenza: Redento Mori dello spettacolo Presentazione el panorama della pubblicistica italiana sul cinema, è mancata fino ad oggi una sintesi che consentisse una visione organica del settore e tale da misurare il peso di una realtà produttiva che per qualità e quantità rappresenta una delle voci più significative Ndell’intera economia. Il Rapporto 2008 su “Il Mercato e l’Industria del Cinema in Italia” ha lo scopo primario di colmare questa lacuna e di offrire agli operatori e agli analisti un quadro più ampio possibile di un universo che attraversa la cultura e la società del nostro Paese. Il Rapporto è stato realizzato con questo spirito dalla Fondazione Ente dello Spettacolo in collaborazione con Cinecittà Luce S.p.A., ed è il frutto della ricerca condotta da un’équipe di studiosi sulla base di una pluralità di fonti e di dati statistici rigorosi. Questo rigore si è misurato in alcuni casi con la relativa indeterminatezza di informazioni provocata dall’assenza di dati attualizzati (ad esempio, per i bilanci societari) e dalla fluidità di notizie in merito a soggetti che operano nel settore secondo una logica a volte occasionale e temporanea. La Fondazione Ente dello Spettacolo opera dal 1946. Finora si è conosciuto molto del cinema italiano soprattutto in termini di È una realtà articolata e multimediale, impegnata nella diffusione, promozione consumo. -
Prix Écrans Canadiens : Lauréats Du Gala CTV Honorant Des Productions En Fiction Par Ordre De Présentation Des Catégories
Prix Écrans canadiens : Lauréats du gala CTV honorant des productions en fiction par ordre de présentation des catégories Best Supporting Actor, Drama Anne with an E CBC (CBC) (Northwood Entertainment) R.H. Thomson Best Supporting Actress, Drama Anne with an E CBC (CBC) (Northwood Entertainment) Geraldine James Best Guest Performance, Drama Series Mary Kills People - The Means Global (Corus Entertainment) (Cameron Pictures) Karen Robinson Best Pre-School Program or Series Sponsor | WOW! Unlimited Media Dino Dana TVOKids (TVO) (Sinking Ship Entertainment) J.J. Johnson, Blair Powers, Christin Simms, Matthew J.R. Bishop, Eric Beldowski Best Animated Program or Series Sponsor | WOW! Unlimited Media PAW Patrol TVOKids (TVO) (Spin Master Paw Productions 5 Inc.) Jennifer Dodge, Laura Clunie, Ronnen Harary, Keith Chapman, Scott Kraft, Ursula Ziegler- Sullivan, Toni Stevens, Jonah Stroh, Jason McKenzie, Christina Sang - St. Catherine, David Sharples, Damian Temporale Best Children's or Youth Fiction Program or Series Sponsor | WOW! Unlimited Media Odd Squad TVOKids (TVO) (Sinking Ship Entertainment) J.J. Johnson, Tim McKeon, Blair Powers, Paul Siefken, Matthew J.R. Bishop, Adam Peltzman, Mark De Angelis, Stephen J. Turnbull Best Performance, Children's or Youth Sponsor | WOW! Unlimited Media Odd Squad TVOKids (TVO) (Sinking Ship Entertainment) Anna Cathcart Best Performance, Animation Sponsor | WOW! Unlimited Media The Cat in the Hat Knows A Lot About That! Treehouse TV (Corus Entertainment) (Portfolio Entertainment Inc.) Martin Short Best Photography, -
Haiirlfphtpr Hpralji for a Dinah ) Manchester — a City of Village Charm Ntaln- a Risk 30 Cents >D the Saturday, Nov
lostt: n.) (In (CC) <^Ns >ldfa- fendt. Ovaf' » ' An K>IV8S world. nvtta* »ii. (90 n Plc- :tantly leen- HaiirlfpHtPr HpralJi for a Dinah ) Manchester — A City of Village Charm ntaln- a risk 30 Cents >d the Saturday, Nov. 14.1987 y with n. W ill O 'Q ill ytallar lapra- Y> dfl* Tiny ‘FIRST STEF BY ORTEGA i in an tty by , John Contras I Evil' ito an f Den- criticize 1971. peace plan 1/ WASHINGTON (AP) — Nicara guan President Daniel Ortega on Friday laid out a detailed plan for reaching a cease-fire in three weeks with the Contras fighting his leftist government and a mediator agreed to carry the proposal to the U.S.-backed rebels. Ortega, indicating flexibility, called his plan “ a proposal, not an ultimatum." Contra leaders, react ing to news reports in Miami, criticized the plan and termed it "a proposal for anorderly surrender.” Ortega's 11-point plan was re ceived by Nicaraguan Cardinal Miguel Obando y Bravo, who agreed to act as a mediator between the two sides. The prelate planned to convey Ortega’s offer to the Contras and seek a response, opening cease-fire negotiations. The plan calls for a cease-fire to begin on Dec. 5 and for rebel troops inside Nicaragua to move to one of three cease-fire zones. The rebels would lay down their arms on Jan. 5 before independent observers, and then be granted amnesty. The plan specifies that Contras in the field are not to get any military supplies during the cease-fire, but would allow food, clothing and medical care to be provided them by a neutral international agency. -
Eone Annual Report 2019
2019 Annual Report and Accounts Unlocking the power & value of creativity We are focused on building the leading talent-driven, platform- agnostic entertainment company in the world. Through our deep creative relationships we are able to produce the highest quality content for the world’s markets. We are powered by global reach, scale and local market knowledge to generate maximum value for this content. Strategic Report SR Governance G Financial Statements FS Unlocking the Unlocking the value of originality power & value p.10 of creativity Unlocking the power of creativity p.12 Strategic report Governance 02 At a glance 66 Corporate governance 04 Chairman’s statement 68 Board of Directors 06 Chief Executive Officer’s review 70 Corporate governance report 10 Unlocking the power 78 Audit Committee report & value of creativity Unlocking the 86 Nomination Committee report value of direction 20 Market Review 90 Directors’ Remuneration report p.14 22 Business Model 118 Directors’ report: 24 Strategy additional information 26 Key performance indicators Financial statements Business review 122 Independent auditor’s report 28 Family & Brands 127 Consolidated financial statements 36 Film, Television & Music 131 Notes to the consolidated financial statements Unlocking the 46 Finance review power of storytelling 51 Principal risks and uncertainties Visit our website: entertainmentone.com p.16 58 Corporate responsibility Unlocking the value of talent p.18 entertainmentone.com 1 AT A GLANCE Performance highlights Strong growth in underlying EBITDA -
ZOOM- Press Kit.Docx
PRESENTS ZOOM PRODUCTION NOTES A film by Pedro Morelli Starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar Tyler Labine, Jennifer Irwin and Jason Priestley Theatrical Release Date: September 2, 2016 Run Time: 96 Minutes Rating: Not Rated Official Website: www.zoomthefilm.com Facebook: www.facebook.com/screenmediafilm Twitter: @screenmediafilm Instagram: @screenmediafilms Theater List: http://screenmediafilms.net/productions/details/1782/Zoom Trailer: www.youtube.com/watch?v=M80fAF0IU3o Publicity Contact: Prodigy PR, 310-857-2020 Alex Klenert, [email protected] Rob Fleming, [email protected] Screen Media Films, Elevation Pictures, Paris Filmes,and WTFilms present a Rhombus Media and O2 Filmes production, directed by Pedro Morelli and starring Gael García Bernal, Alison Pill, Mariana Ximenes, Don McKellar, Tyler Labine, Jennifer Irwin and Jason Priestley in the feature film ZOOM. ZOOM is a fast-paced, pop-art inspired, multi-plot contemporary comedy. The film consists of three seemingly separate but ultimately interlinked storylines about a comic book artist, a novelist, and a film director. Each character lives in a separate world but authors a story about the life of another. The comic book artist, Emma, works by day at an artificial love doll factory, and is hoping to undergo a secret cosmetic procedure. Emma’s comic tells the story of Edward, a cocky film director with a debilitating secret about his anatomy. The director, Edward, creates a film that features Michelle, an aspiring novelist who escapes to Brazil and abandons her former life as a model. Michelle, pens a novel that tells the tale of Emma, who works at an artificial love doll factory… And so it goes.. -
What's Cooking on Citytv
MEDIA ALERT: Citytv Announces CityLine Guest Hosts Original CityLine Host, Dini Petty; Actress/Model, Monika Scharre; Radio Personality, Erin Davis; Sportsnet’s, Martine Giallard; BT Toronto’s Kevin Frankish, Dina Pugliese, Jennifer Valentyne and Frank Ferragine; BT Calgary’s Jill Belland; BT Vancouver’s Dawn Chubai; What’s Cooking’s Jack Hourigan and Richard Cazeau; and CityLine Guest Expert Bill Rowley Among Confirmed CityLine Guest Hosts Starting August 23. (Toronto – August 23, 2010) The show must go on! While CityLine Host Tracy Moore is on maternity leave - following the birth of her second child, Eva Simone on August 16 - Citytv is pleased to welcome a number of radio and television personalities as guest hosts for CityLine, the longest running Canadian lifestyle program for women. CityLine airs weekdays at 9am ET/PT/MT (11am CT) on Citytv. "I can't wait to sit back, relax and enjoy CityLine from my sofa with little Eva” says Tracy Moore, host of CityLine. “It's exciting to watch some of Canada's top talent put their own spin on the show." CityLine will be checking in regularly with Tracy at home and giving audiences a behind- the- scenes look her life with two little ones under the age of three. Images and guest host bios are available at www.rogersmediatv.ca CityLine guest hosts and airdates are as follows: Week of August 23 - 27 Aug 23 Jennifer Valentyne and Frank Ferragine (Breakfast Television Toronto) Aug 24 Erin Davis (Erin & Mike Show, 98.1 CHFI) Aug 25 Jennifer Valentyne (BT Toronto) Aug 26 Jennifer Valentyne and Frank -
Stephen Harrington Thesis
PUBLIC KNOWLEDGE BEYOND JOURNALISM: INFOTAINMENT, SATIRE AND AUSTRALIAN TELEVISION STEPHEN HARRINGTON BCI(Media&Comm), BCI(Hons)(MediaSt) Submitted April, 2009 For the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology, Australia 1 2 STATEMENT OF ORIGINAL AUTHORSHIP The work contained in this thesis has not been previously submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person, except where due reference is made. _____________________________________________ Stephen Matthew Harrington Date: 3 4 ABSTRACT This thesis examines the changing relationships between television, politics, audiences and the public sphere. Premised on the notion that mediated politics is now understood “in new ways by new voices” (Jones, 2005: 4), and appropriating what McNair (2003) calls a “chaos theory” of journalism sociology, this thesis explores how two different contemporary Australian political television programs (Sunrise and The Chaser’s War on Everything) are viewed, understood, and used by audiences. In analysing these programs from textual, industry and audience perspectives, this thesis argues that journalism has been largely thought about in overly simplistic binary terms which have failed to reflect the reality of audiences’ news consumption patterns. The findings of this thesis suggest that both ‘soft’ infotainment (Sunrise) and ‘frivolous’ satire (The Chaser’s War on Everything) are used by audiences in intricate ways as sources of political information, and thus these TV programs (and those like them) should be seen as legitimate and valuable forms of public knowledge production. -
Channel Guide Essentials
TM Optik TV Channel Guide Essentials Fort Grande Medicine Vancouver / Kelowna / Prince Dawson Victoria / Campbell Essential Channels Call Sign Edmonton Lloydminster Red Deer Calgary Lethbridge Kamloops Quesnel Cranbrook McMurray Prairie Hat Whistler Vernon George Creek Nanaimo River ABC Seattle KOMODT 131 131 131 131 131 131 131 131 131 131 131 131 131 131 131 131 131 AMI-audio* AMIPAUDIO 889 889 889 889 889 889 889 889 889 889 889 889 889 889 889 889 889 AMI-télé* AMITL 2288 2288 2288 2288 2288 2288 2288 2288 2288 2288 2288 2288 2288 2288 2288 2288 2288 AMI-tv* AMIW 888 888 888 888 888 888 888 888 888 888 888 888 888 888 888 888 888 APTN (West)* ATPNP 9125 9125 9125 9125 9125 9125 9125 9125 9125 9125 9125 9125 9125 9125 9125 9125 — APTN HD* APTNHD 125 125 125 125 125 125 125 125 125 125 125 125 125 125 125 125 — BC Legislative TV* BCLEG — — — — — — — — 843 843 843 843 843 843 843 843 843 CBC Calgary* CBRTDT 100 100 100 CBC Edmonton* CBXTDT 100 100 — 100 100 CBC Lloydminster* CKSADT — — 100 — — — — — — — — — — — — — — CBC News Network CBNEWHD 800 800 800 800 800 800 800 800 800 800 800 800 800 800 800 800 800 CBC Vancouver* CBUTDT 100 100 100 100 100 100 100 100 100 CBS Seattle KIRODT 133 133 133 133 133 133 133 133 133 133 133 133 133 133 133 133 133 CFJC* CFJCDT — — — — — — — — — 115 106 — — — — — — CHAT* CHATDT — — — — — — — 122 — — — — — — — — — CHEK* CHEKDT — — — — — — — — 121 121 121 121 121 121 121 121 121 City Calgary* CKALDT 106 106 106 — City Edmonton* CKEMDT 106 106 106 106 106 — City Vancouver* CKVUDT 106 106 — 106 106 106 -
Corner Gas: the Movie
TABLE OF CONTENTS 3 ABOUT CORNER GAS: THE MOVIE 4 SHORT SYNOPSIS 5 CORNER GAS: THE LEGACY 8 Q&A: ON-SET WITH THE CAST AND PRODUCERS 14 CORNER GAS: THE MOVIE: FUN FACTS 18 CHARACTER DESCRIPTIONS 20 CAST BIOGRAPHIES 35 CREATIVE TEAM BIOGRAPHIES 41 ABOUT THE FUNDERS CORNER GAS: THE MOVIE 3 ABOUT CORNER GAS: THE MOVIE Just as it did when it began more than 10 years ago, the smash hit Canadian television franchise CORNER GAS continues to blaze new trails. Corner Gas: The Movie, a 90-minute feature film, is being distributed on multiple screens across Canada this holiday season. Beginning with an exclusive Cineplex Front Row Centre Events theatrical debut for five days only, the film is in select Cineplex and independent theatres across the country from Dec. 3 to 7, 2014. Tickets are on sale now at cornergasthemovie. com, or check local theatre listings. Following its theatrical release, Corner Gas: The Movie makes its super- simulcast network premiere on Wednesday, Dec. 17 at 8 p.m. ET/PT on CTV, CTV Two, and CTV GO. The movie debuts Monday, Dec. 22 at 8 p.m.ET/PT on The Comedy Network and a special sneak peek airs on The Movie Network Monday, Dec. 8 at 9 p.m. ET in advance of its CTV premiere. Corner Gas: The Movie will also be the first Canadian program to receive a first-look screening on Bell Media’s CraveTV when the premium subscription TV streaming service launches Thursday, Dec. 11. Headlined by creator and comedian Brent Butt, Corner Gas: The Movie stars the original award-winning ensemble cast including Gabrielle Miller, Eric Peterson, Fred Ewanuick, Janet Wright, Lorne Cardinal, Tara Spencer-Nairn, and Nancy Robertson.