Thomas W. Sefton Laurel and Hardy Collection
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Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
The Gorilla in a Tutu Principle Or, Pecan Pie at Minnie and Earl's
The Gorilla in a Tutu Principle or, Pecan Pie at Minnie and Earl’s Adam-Troy Castro Prior Analog stories set against the backdrop of this very strange period in the history of lunar colonization were "Sunday Night Yams at Minnie and Earl's" (June 2001) and "Gunfight at Farside" (April 2009). Many years ago—and when a man as old as I am uses the phrase, “many years ago,” he means a lifetime—I told Minnie, “I’m an engineer, not a poet.” Minnie was a dear old gal of unfailing honesty, with a central role in what follows. I was in love with her eyes. I don’t mean this in a sexual way. The difference between our ages, and certainly our backgrounds, would have made that grotesque. But her eyes were rich and deep, and filled with an understanding of life’s greatest mysteries, that made them a perfect place to lose yourself when she was pointing out how silly you are. I haven’t seen her or her husband Earl in decades, but I can picture those eyes like it was yesterday. When I told her I wasn’t a poet, she said, “How dare you. It’s okay to operate under a poetry deficit, but to imply that deficit for an entire profession is dishonest. I’ve known more than my share of engineers, and any number of poets among them. Great engineering is poetry.” I suppose she was right. She was, in most things. Regardless, I can speak for myself. I’m not a poet, not even in the sense that sweet lady meant. -
CARPET CLEANING SPECIAL K N O W ? Throughout History, I Dogs Have Been the on OU> 211 Most Obvious Agents in 5 MILES SO
remain young and beautiful only by bathing in and in the story of Lauren Elder’s grueling 36-hour or S a t u r d a y drinking the blood of young innocent girls — includ deal following the crash of a light aiplane that killed ing her daughter’s. 12:30 a.m. on WQAD. her two companions. The two-hour drama is based "Tarzan’s New Adventure” —- Bruce Bennett and "Sweet, Sweet Rachel” — An ESP expert is pit on the book by Lauren Elder and Shirley Ula Holt star in the 1936 release. 1 p.m. on WMT. ted against an unseen presence that is trying to drive Streshinsky. 8 p.m. on NBC. "Harlow” — The sultry screen star of the 1930s is a beautiful woman crazy. The 1971 TV movie stars "Walk, Don’t Run” — A young woman (Saman the subject of the 1965 film biography with- Carroll Alex Dreier, Stefanie Powers, Pat Hingle and Steve tha Eggar) unwittingly agrees to share her apart Baker, Peter Lawford, Red Buttons, Michael Con Ihnat. 12:30 a.m. on KCRG. ment with a businessman (Cary Grant) and an athe- nors and Raf Vallone 1 p.m. on WOC lete (Jim Hutton) during the Tokyo Olympics (1966). "The Left-Handed Gun” — Paul Newman, Lita 11 p.m. on WMT Milan and Hurd Hatfield are the stars of the 1958 S u n d a y western detailing Billy the Kid’s career 1 p.m. on "The Flying Deuces” — Stan Laurel and Oliver KWWL. Hardy join the Foreign Legion so Ollie can forget an T u e s d a y "The Swimmer” — John Cheever’s story about unhappy romance (1939). -
Seventh 7Th (702) Worksheet 2Nd Term
1 SEVENTH 7TH (702) WORKSHEET 2ND TERM NAME________________________________________________________________ A) Complete the text with the correct form of TO BE in past: Stan Laurel and Oliver Hardy …were….. two of the most popular film comedians of all time. They were born in 1890 and 1892 respectively. Stan Laurel’s real name ………………. Arthur Jefferson. He …………….. form England. Oliver Hardy ……………… English, he was from Georgia, USA. Laurel and Hardy ……………… in their late 30s when they met. Their first film together ……………… Putting Pants on Philip (1927). They ………………. funny because they were so different. Laurel ……………… small and thin. Hardy ……………. big and fat. Their most famous films …………………. Way Out West (1937) and Blockheads (1938). They …………… in any serious films, only comedies. B) Write questions and answers. Use the past tense of BE (Was-Were): 1. A: We had a nice holiday. B: (you / with your whole family?) …….. Were you with your whole family?… A: (no / my daughter / in Montreal) …….. No, my daughter was in Montreal…. 2. A: I bought these new shoes yesterday. B: (they / on sale ?) …………………………………………….. A: (yes / they / only $25) …………………………………………….. 3. A: (you / at home / last night ?) …………………………………………….. B: (no / I / at the library) …………………………………………….. 4. A: (the guests / late for the party ?) ……………………………………………. B: (no / they / all on time) ……………………………………………. 2 C) Read the following text and answer the questions: My name is Kate O’Hara. I live on a farm with my mother and father. I like it but I work very hard. Every morning I wake up at five o’clock and feed the horses. Then I can go back to the house. Mum makes breakfast at 5:30 and I’m not late for breakfast because I don’t like cold eggs. -
Bwronsjtibileeukit SUNDAY and MONDAY Jutnjfanmam Double Feature Bill "^Ftoirc N JOOL$ "^Ssjtams HERE THEY ARE! COUNT ’EM! LOOK for YOUR FAVORITES
s to do w^h the making or this pic- Gala BiU for ture services worth millions were donated. ‘‘The Stolen Jodis" with Its 56 famous stars la the big feature of Jubilee Week Players' and Patrons’ Jubilee Week In 2,600 theaters In the United States and Canada during Easter Strand Offers Special Com- week. edy and High Gass SLEPT WITH DOG Vaudeville Chicago.—Claude Erickson could put up with sleeping with his wife*4 dog, when she brought the animal off the new season with Starting to bed with her, but kissing his week a mammoth Easter program mother-ln-Iaw was too much, he of de luxe stage and screen enter- told the court In a suit for divorce. Warner Brothers’ Strand tainment, The latter caused him great men- bid for makes a strong capacity pat- tal anguish and brought upon him ronage during the new week. a nervous breakdown, he stated. This Is "Players’ and Patrons’ Ju- bilee week" In 2600 theaters A SWEET TIP. the nation and the throughout Porter: I carried his bag up three Strand joins In making It a gala flights of stairs, and at the top ho event. As an extra added “some- slipped something into my hand and thin” they present the special com- said, "That’s for a cup of tea." made for this en- edy celebration; Bootblack: And what was it, a titled “The Stolen Jools" In which dime? CONRAD NAGEL. BETTE DAVIS CHARLES SWINNINGER, 56 EMMA screendom’s brightest start par- Porter: No. It was a lump of DUNN#/,45LIM SUrtM£RVILie^'8A0 SISTER." ticipate. -
Talking Pictures TV the Blind Goddess on Talking Pictures TV
Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 12th July 2021 FREESAT 306 | VIRGIN 445 The Blind Goddess on Talking Pictures TV Eric Portman, Michael Denison, Hugh Williams and Anne Crawford star in this courtroom drama, directed in 1948 by Harold French. Justice is the blind goddess, served by Eric Portman as the lawyer defending a lord, accused by his secretary Michael Dennison of having diverted public funds for his own use. Based on a popular play of the same title by noted barrister Patrick Hastings. The film features the screen debut of Claire Bloom. Airs: Sunday 18th July 11:50am. Monday 12th July 10am Wednesday 14th July 10:30am The Proud Valley (1940) The Fan (1949) Drama. Director: Pen Tennyson. Stars: Comedy. Director: Otto Preminger. Paul Robeson, Edward Chapman and Stars: Madeleine Carroll, Jeanne Crain Simon Lack. Hoping to find work in and George Sanders. A misplaced fan Wales, a ship’s stoker boards a train and causes havoc in Victorian London. finds work in a small mining town. Wednesday 14th July 12:05pm Monday 12th July 6:45pm The High and The Mighty (1954) Runaway Railway (1965) Drama. Director: William A. Wellman. Adventure. Director: Jan Darnley-Smith. Stars: John Wayne, Claire Trevor and Stars: John Moulder-Brow, Sydney Tafler, Laraine Day. On a flight from Hawaii to Kevin Bennett, Leonard Brockwell and California, the engine dies. Oscar- Ronnie Barker. Children foil crooks and winning score by Dimitri Tiomkin. re-open an old branch line. Wednesday 14th July 9:05pm Monday 12th July 9pm Blithe Spirit (1945) Eight O’Clock Walk (1954) Comedy. -
January 18, 1892: Oliver Hardy Born Learn More
January 18, 1892: Oliver Hardy Born Learn More Suggested Readings Walter Kerr, The Silent Clowns (New York: Knopf, 1975). Simon Louvish, Stan and Ollie, The Roots of Comedy: The Double Life of Laurel and Hardy (New York: St. Martin's, 2002). John McCabe, Babe: The Life of Oliver Hardy (New York: Carol, 1989). Glenn Mitchell, The Laurel and Hardy Encyclopedia (London: Batsford, 1995). “Oliver Hardy (1892-1957).” New Georgia Encyclopedia. http://www.georgiaencyclopedia.org/nge/Article.jsp?id=h-1512&hl=y Oliver Hardy, Genius of Comedy Marker, Erected by Georgia Historical Society http://georgiahistory.com/markers/64 The Milledgeville Hotel and Oliver Hardy Marker, Erected by Georgia Historical Society http://georgiahistory.com/markers/100 Official Laurel and Hardy Webpage: http://www.laurel-and-hardy.com/ The Laurel and Hardy Museum, Harlem, Georgia: http://webpages.charter.net/thebrain/ The Laurel and Hardy Magazine: http://www.laurelandhardy.org/ The International Laurel and Hardy Appreciation Society: http://www.sotd.org/ Oliver Hardy Festival: http://www.harlemga.org/ohfest.htm www.todayingeorgiahistory.org January 18, 1892: Oliver Hardy Learn More Image Credits Young Oliver Hardy Courtesy of the Laurel and Hardy Museum, Harlem, Georgia Oliver Hardy as a baby Courtesy of the Laurel and Hardy Museum, Harlem, Georgia Oliver Hardy group photo Courtesy of the Laurel and Hardy Museum, Harlem, Georgia Festival crowd Courtesy of the Oliver Hardy Festival, Harlem, GA Hal Roach with Laurel and Hardy Getty Images www.todayingeorgiahistory.org -
Stan and Ollie'
'Stan and Ollie' A Screenplay By Jeff Pope Stan and Ollie - Goldenrod Revisions 20.04.17 1 BLACK. UNDER THIS this we hear a conversation. HARDY (V.O.) ... so Madelyn turned up. LAUREL (V.O.) Madelyn turned up? HARDY (V.O.) Completely out of the blue. Haven’t seen her in fifteen years... 1INT. DRESSING ROOM/ROACH LOT/STUDIO - DAY 1 Oliver HARDY leans against the door to a dressing room, worried expression, talking to his friend Stan LAUREL. Both are in their late-40s, (at the peak of their movie careers), but to begin with we have no real clue as to who they are, where they are or what they do. They are just two guys in cheap suits talking to each other. HARDY lights up a cigarette as he talks. HARDY There she was, all gussied up on the front door step. And that’s something I never thought I’d see again. LAUREL picks up a boot (the right one) with a large hole in the sole. Using a knife he levers off the heel. LAUREL What’d she want? HARDY Twenty thousand bucks. LAUREL Twenty thousand? HARDY Fifteen years of back alimony. I ** said ‘what alimony? When we broke ** up I gave you whatever money I had ** and you took the car.’ We both ** agreed that was that. LAUREL Jeez even Mae wasn’t after that much - and she wanted me to pay for a chauffeur. It’s because our faces ** are plastered all over town. ** Probably some lawyer’s bright idea. ** LAUREL levers off the other heel. -
Jack Hill (Actor) Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
Jack Hill (actor) 电影 串行 (大全) Liberty https://zh.listvote.com/lists/film/movies/liberty-1759277/actors Two Tars https://zh.listvote.com/lists/film/movies/two-tars-951786/actors On the Loose https://zh.listvote.com/lists/film/movies/on-the-loose-3013019/actors Bonnie Scotland https://zh.listvote.com/lists/film/movies/bonnie-scotland-1848876/actors On the Wrong Trek https://zh.listvote.com/lists/film/movies/on-the-wrong-trek-3017252/actors Beau Hunks https://zh.listvote.com/lists/film/movies/beau-hunks-1660717/actors https://zh.listvote.com/lists/film/movies/3259722/actors Putting Pants on Philip https://zh.listvote.com/lists/film/movies/putting-pants-on-philip-1627100/actors 45 Minutes from Hollywood https://zh.listvote.com/lists/film/movies/45-minutes-from-hollywood-235339/actors Blotto https://zh.listvote.com/lists/film/movies/blotto-531206/actors Stage Fright https://zh.listvote.com/lists/film/movies/stage-fright-7596794/actors The Fixer Uppers https://zh.listvote.com/lists/film/movies/the-fixer-uppers-374708/actors Saps at Sea https://zh.listvote.com/lists/film/movies/saps-at-sea-759472/actors Should Married Men Go https://zh.listvote.com/lists/film/movies/should-married-men-go-home%3F-3020224/actors Home? The Stolen Jools https://zh.listvote.com/lists/film/movies/the-stolen-jools-1544930/actors Any Old Port! https://zh.listvote.com/lists/film/movies/any-old-port%21-1088742/actors Pack Up Your Troubles https://zh.listvote.com/lists/film/movies/pack-up-your-troubles-1216722/actors The Devil's Brother https://zh.listvote.com/lists/film/movies/the-devil%27s-brother-1777093/actors -
Best Picture of the Yeari Best. Rice of the Ear
SUMMER 1984 SUP~LEMENT I WORLD'S GREATEST SELECTION OF THINGS TO SHOW Best picture of the yeari Best. rice of the ear. TERMS OF ENDEARMENT (1983) SHIRLEY MacLAINE, DEBRA WINGER Story of a mother and daughter and their evolving relationship. Winner of 5 Academy Awards! 30B-837650-Beta 30H-837650-VHS .............. $39.95 JUNE CATALOG SPECIAL! Buy any 3 videocassette non-sale titles on the same order with "Terms" and pay ONLY $30 for "Terms". Limit 1 per family. OFFER EXPIRES JUNE 30, 1984. Blackhawk&;, SUMMER 1984 Vol. 374 © 1984 Blackhawk Films, Inc., One Old Eagle Brewery, Davenport, Iowa 52802 Regular Prices good thru June 30, 1984 VIDEOCASSETTE Kew ReleMe WORLDS GREATEST SHE Cl ION Of THINGS TO SHOW TUMBLEWEEDS ( 1925) WILLIAMS. HART William S. Hart came to the movies in 1914 from a long line of theatrical ex perience, mostly Shakespearean and while to many he is the strong, silent Western hero of film he is also the peer of John Ford as a major force in shaping and developing this genre we enjoy, the Western. In 1889 in what is to become Oklahoma Territory the Cherokee Strip is just a graz ing area owned by Indians and worked day and night be the itinerant cowboys called 'tumbleweeds'. Alas, it is the end of the old West as the homesteaders are moving in . Hart becomes involved with a homesteader's daughter and her evil brother who has a scheme to jump the line as "sooners". The scenes of the gigantic land rush is one of the most noted action sequences in film history. -
Stanlio & Ollio
STANLIO & OLLIO Volerelaluna.it 08/04/2019 di: Edoardo Peretti Stanlio & Ollio sono due icone, due figure che giocano nel campo della mitologia collettiva. Sono conosciuti da chiunque e amati da molti, a livelli che nella storia del cinema comico, non solo muto, sono stati raggiunti forse solamente dal vagabondo Charlot. Questa fama diffusa ha spesso però portato a una rilettura del loro cinema parziale, elegiaca e dolce tanto quanto imprecisa e imperfetta, come tipico della memoria scolpita dai ricordi delle visioni dell’infanzia. La memoria dei due è stata in qualche modo confinata ai vari «Brutto Stiupìdo», ai piagnucolii di Stanlio, ai camera look e alle urla di dolore, rabbia e rassegnazione di Ollio e agli altri tormentoni visivi e lessicali. Il loro destino postumo è stato differente da quello, mettiamo, di Buster Keaton, la cui conoscenza è più limitata, ma anche più precisa e consapevole. La loro memoria più diffusa è, inoltre, una memoria perlopiù sonora, con i cortometraggi muti realizzati nel biennio 1927/1929 rimasti parzialmente nel dimenticatoio, ma in realtà importanti per come i due hanno affinato l’intesa e le caratteristiche della loro poetica; a partire dalla “slow burn“, passando per le deformazioni fisiche di oggetti e corpi, fino ad arrivare al modo particolare, all’insegna della stasi, con cui il loro cinema raccontava la guerra tra individuo e contesto tipica della comicità muta. Tre sono i filoni principali della loro filmografia; le “work situation comedy” – dove improvvisavano un lavoro con effetti devastanti (Finishing touch [1927], Big Business [1929], Wrong again [1929]), The music box (1932) e Busy bodies (1933) –, i film in cui convivevano in maniera goffamente cameratesca (Leave ‘em laughing [1928], They go boom [1929] e Laughing gravy [1930]) e le cosiddette “commedie matrimoniali”, dove erano vittime di consorti arpie e dove il caos era creato dai loro tentativi di svicolare dal loro controllo o nascondere magheggi (The purple moment [1928], Should married man go home? [1928], Chickens come home [1931]). -
The Definitive Restorations
LAUREL & HARDY — THE DEFINITIVE RESTORATIONS Reported by Tracy M. Tolzmann The noted author, film conservator, historian, and Block-Heads tent Grand Sheik Emeritus Richard W. Bann has just announced the upcoming release of 19 Laurel and Hardy comedies that have been meticulously restored by Jeff Joseph/SabuCat in conjunction with the UCLA Film and Television Archive and the Library of Congress. Using careful photochemical and digital techniques, these classic films have been restored to pristine condition. In these stunning new transfers, the films look and sound as beautiful as they did when they were first released. Stan and Ollie look and sound great in the new 2K and 4K digital restorations made from the original 35mm nitrate films. Laurel and Hardy's classic comedies are presented here in the best quality since their first release over 75 years ago! The release contains two features and 17 shorts, including the legendary pie-fight silent film THE BATTLE OF THE CENTURY, making its video debut and nearly complete for the first time in over 90 years! The DVD is packed with Bonus Materials: • Commentaries by Randy Skretvedt and Richard W. Bann • Never before seen video and audio interviews with L&H co-workers • Over 2,500 rare photos, posters, scripts and studio files • Alternate Soundtracks and Music Tracks • "Ship's Reporter" Interview of Oliver Hardy (restored) • THAT’S THAT (restored/first time on video — gag reel to honor Stan’s birthday) • THE TREE IN A TEST TUBE (restored from 16mm color Kodachrome) • L&H off-screen pictures from