Laurel & Hardy's Visit to Southend in 1952
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The Gorilla in a Tutu Principle Or, Pecan Pie at Minnie and Earl's
The Gorilla in a Tutu Principle or, Pecan Pie at Minnie and Earl’s Adam-Troy Castro Prior Analog stories set against the backdrop of this very strange period in the history of lunar colonization were "Sunday Night Yams at Minnie and Earl's" (June 2001) and "Gunfight at Farside" (April 2009). Many years ago—and when a man as old as I am uses the phrase, “many years ago,” he means a lifetime—I told Minnie, “I’m an engineer, not a poet.” Minnie was a dear old gal of unfailing honesty, with a central role in what follows. I was in love with her eyes. I don’t mean this in a sexual way. The difference between our ages, and certainly our backgrounds, would have made that grotesque. But her eyes were rich and deep, and filled with an understanding of life’s greatest mysteries, that made them a perfect place to lose yourself when she was pointing out how silly you are. I haven’t seen her or her husband Earl in decades, but I can picture those eyes like it was yesterday. When I told her I wasn’t a poet, she said, “How dare you. It’s okay to operate under a poetry deficit, but to imply that deficit for an entire profession is dishonest. I’ve known more than my share of engineers, and any number of poets among them. Great engineering is poetry.” I suppose she was right. She was, in most things. Regardless, I can speak for myself. I’m not a poet, not even in the sense that sweet lady meant. -
Seventh 7Th (702) Worksheet 2Nd Term
1 SEVENTH 7TH (702) WORKSHEET 2ND TERM NAME________________________________________________________________ A) Complete the text with the correct form of TO BE in past: Stan Laurel and Oliver Hardy …were….. two of the most popular film comedians of all time. They were born in 1890 and 1892 respectively. Stan Laurel’s real name ………………. Arthur Jefferson. He …………….. form England. Oliver Hardy ……………… English, he was from Georgia, USA. Laurel and Hardy ……………… in their late 30s when they met. Their first film together ……………… Putting Pants on Philip (1927). They ………………. funny because they were so different. Laurel ……………… small and thin. Hardy ……………. big and fat. Their most famous films …………………. Way Out West (1937) and Blockheads (1938). They …………… in any serious films, only comedies. B) Write questions and answers. Use the past tense of BE (Was-Were): 1. A: We had a nice holiday. B: (you / with your whole family?) …….. Were you with your whole family?… A: (no / my daughter / in Montreal) …….. No, my daughter was in Montreal…. 2. A: I bought these new shoes yesterday. B: (they / on sale ?) …………………………………………….. A: (yes / they / only $25) …………………………………………….. 3. A: (you / at home / last night ?) …………………………………………….. B: (no / I / at the library) …………………………………………….. 4. A: (the guests / late for the party ?) ……………………………………………. B: (no / they / all on time) ……………………………………………. 2 C) Read the following text and answer the questions: My name is Kate O’Hara. I live on a farm with my mother and father. I like it but I work very hard. Every morning I wake up at five o’clock and feed the horses. Then I can go back to the house. Mum makes breakfast at 5:30 and I’m not late for breakfast because I don’t like cold eggs. -
January 18, 1892: Oliver Hardy Born Learn More
January 18, 1892: Oliver Hardy Born Learn More Suggested Readings Walter Kerr, The Silent Clowns (New York: Knopf, 1975). Simon Louvish, Stan and Ollie, The Roots of Comedy: The Double Life of Laurel and Hardy (New York: St. Martin's, 2002). John McCabe, Babe: The Life of Oliver Hardy (New York: Carol, 1989). Glenn Mitchell, The Laurel and Hardy Encyclopedia (London: Batsford, 1995). “Oliver Hardy (1892-1957).” New Georgia Encyclopedia. http://www.georgiaencyclopedia.org/nge/Article.jsp?id=h-1512&hl=y Oliver Hardy, Genius of Comedy Marker, Erected by Georgia Historical Society http://georgiahistory.com/markers/64 The Milledgeville Hotel and Oliver Hardy Marker, Erected by Georgia Historical Society http://georgiahistory.com/markers/100 Official Laurel and Hardy Webpage: http://www.laurel-and-hardy.com/ The Laurel and Hardy Museum, Harlem, Georgia: http://webpages.charter.net/thebrain/ The Laurel and Hardy Magazine: http://www.laurelandhardy.org/ The International Laurel and Hardy Appreciation Society: http://www.sotd.org/ Oliver Hardy Festival: http://www.harlemga.org/ohfest.htm www.todayingeorgiahistory.org January 18, 1892: Oliver Hardy Learn More Image Credits Young Oliver Hardy Courtesy of the Laurel and Hardy Museum, Harlem, Georgia Oliver Hardy as a baby Courtesy of the Laurel and Hardy Museum, Harlem, Georgia Oliver Hardy group photo Courtesy of the Laurel and Hardy Museum, Harlem, Georgia Festival crowd Courtesy of the Oliver Hardy Festival, Harlem, GA Hal Roach with Laurel and Hardy Getty Images www.todayingeorgiahistory.org -
Stan and Ollie'
'Stan and Ollie' A Screenplay By Jeff Pope Stan and Ollie - Goldenrod Revisions 20.04.17 1 BLACK. UNDER THIS this we hear a conversation. HARDY (V.O.) ... so Madelyn turned up. LAUREL (V.O.) Madelyn turned up? HARDY (V.O.) Completely out of the blue. Haven’t seen her in fifteen years... 1INT. DRESSING ROOM/ROACH LOT/STUDIO - DAY 1 Oliver HARDY leans against the door to a dressing room, worried expression, talking to his friend Stan LAUREL. Both are in their late-40s, (at the peak of their movie careers), but to begin with we have no real clue as to who they are, where they are or what they do. They are just two guys in cheap suits talking to each other. HARDY lights up a cigarette as he talks. HARDY There she was, all gussied up on the front door step. And that’s something I never thought I’d see again. LAUREL picks up a boot (the right one) with a large hole in the sole. Using a knife he levers off the heel. LAUREL What’d she want? HARDY Twenty thousand bucks. LAUREL Twenty thousand? HARDY Fifteen years of back alimony. I ** said ‘what alimony? When we broke ** up I gave you whatever money I had ** and you took the car.’ We both ** agreed that was that. LAUREL Jeez even Mae wasn’t after that much - and she wanted me to pay for a chauffeur. It’s because our faces ** are plastered all over town. ** Probably some lawyer’s bright idea. ** LAUREL levers off the other heel. -
Journal of the American Theatre Organ Society
JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY ----------------- -- ------------------- Orbir ID™e ecrronic 1yn~e1izer ~UJ ~ -~oture01pinel organ equoJ... ~e nevve1rwoy lo mo <emu1ic ~romWur i~zec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in closing the chamber louvers. stantly ... in performance . And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe with a sectionalized vibrato/tremolo, toy counter, in sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you 've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dept. T0-473 WURLilzER ® The Wurlitzer Company, DeKalb , Illinois 60115. hn.4'the "·ag cover- Photo ... The 4/18 Wurlitzer at the Oaks Park Roller Rink in Portland, will be one of the instruments heard at the National Convention July 25th. -
The Definitive Restorations
LAUREL & HARDY — THE DEFINITIVE RESTORATIONS Reported by Tracy M. Tolzmann The noted author, film conservator, historian, and Block-Heads tent Grand Sheik Emeritus Richard W. Bann has just announced the upcoming release of 19 Laurel and Hardy comedies that have been meticulously restored by Jeff Joseph/SabuCat in conjunction with the UCLA Film and Television Archive and the Library of Congress. Using careful photochemical and digital techniques, these classic films have been restored to pristine condition. In these stunning new transfers, the films look and sound as beautiful as they did when they were first released. Stan and Ollie look and sound great in the new 2K and 4K digital restorations made from the original 35mm nitrate films. Laurel and Hardy's classic comedies are presented here in the best quality since their first release over 75 years ago! The release contains two features and 17 shorts, including the legendary pie-fight silent film THE BATTLE OF THE CENTURY, making its video debut and nearly complete for the first time in over 90 years! The DVD is packed with Bonus Materials: • Commentaries by Randy Skretvedt and Richard W. Bann • Never before seen video and audio interviews with L&H co-workers • Over 2,500 rare photos, posters, scripts and studio files • Alternate Soundtracks and Music Tracks • "Ship's Reporter" Interview of Oliver Hardy (restored) • THAT’S THAT (restored/first time on video — gag reel to honor Stan’s birthday) • THE TREE IN A TEST TUBE (restored from 16mm color Kodachrome) • L&H off-screen pictures from -
Noel Drewe Collection Film 178D5
Noel Drewe Collection Film 178D5 178D5.1 Outlook Very Black 9.5mm, Safety Film, Pathescope Noel Drewe Brittle Noel Drewe Collection 178D5.2 Monkeyland 9.5mm Noel Drewe Brittle, perforation damage Noel Drewe Collection 178D5.3 Fun at the Circus 9.5mm, Pathescope Noel Drewe , Circusama, Yesterday Circus Today Circus Noel Drewe Collection 178D5.4 At the Circus 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus 2 Reels. Sound. Featuring "Circus Karo". Includes trapeze, whip act and 'sea lions'. Original sound commentary by Geoffrey Sumner. Supplied by C. W. Cramp Noel Drewe Collection 178D5.5 A Man-Sized Pet 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Supplied by C. W. Cramp Noel Drewe Collection 178D5.6 A Fresh Start 300 feet 12 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Brittle, box rust transfer Adams, Jimmy Noel Drewe Collection 178D5.7 Circus at the Zoo 300 feet 12 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Brittle Circus USA Silent. Includes chimps Noel Drewe Collection 178D5.8 Circus Comes to Town 400 feet Harris, Ron 16 mins 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus Silent. Features Belle Vue circus On box ‘This film purchased from Ilkeston Cine Service Supplied by C. W. Cramp Noel Drewe Collection 178D5.9 Circus Stedman of Leeds Holdings of Blackburn Ltd Cine and photographic Suppliers 9.5mm, Pathescope Noel Drewe, Circusama, Yesterday Circus Today Circus Bertram Mills Silent. Includes King George VI and Queen Elizabeth’s coronation, so the circus must be 1936/37. -
Messages of American Popular Song to Women During World War II
“I’m Doin’ It for Defense”: Messages of American Popular Song to Women during World War II A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements of the degree of MASTER OF MUSIC in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music 2013 by Amy Brooks BM, Bob Jones University, 2008 Committee Chair: bruce d. mcclung, PhD Abstract World War II presented many new opportunities for American women. In this time of need, they were called upon to take an active part in the war effort, whether by means of working in a factory, growing a victory garden, or serving as a volunteer for wartime organizations. Women made great strides forward in areas such as the workforce and the military. The American popular song industry promoted these new roles for women. I have compiled over 150 songs from 1940 to1945 that relate to women’s roles during the World War II era. Of these songs, I have chosen a select number of songs that best demonstrate popular culture’s attitudes and actions towards women during the war. These songs can be divided into five categories: women in the military, women in the workforce, women’s war effort, women’s responsibilities to men in uniform, and women in the immediate post-war period. I have studied the representative songs by considering their lyrics to identify the objectives supported by the popular song industry. I took into consideration the venues in which they were presented and how these performances influenced their reception. -
Comedia Cinematográfica.Pdf
Conferencia sobre comedia cinematográfica y propaganda de guerra durante la Segunda Guerra Mundial Universidad del Sagrado Corazón Biblioteca Madre María Teresa Guevara Jueves 22 de julio de 2021 Carlos M. González Morales Objetivo de esta presentación En este coloquio intentaremos acercarnos a las características generales presentes en las producciones cinematográficas hollywoodenses del género de la comedia y que cubrieron una temática alusiva a la Segunda Guerra Mundial en momentos en que ocurría dicho conflicto. Esta presentación no procura decir la última palabra sobre este asunto. Por el contrario, pretende que otras personas se interesen en esta materia y continúen indagando sobre este y otros temas similares. ¿Qué es “propaganda”? La propaganda es la persuasión masiva de la población para encaminarla a la ejecución de un comportamiento convincente y entusiasta con una finalidad política. La misma utiliza una combinación de métodos disuasivos de comunicación que sirven de control social y modo de legitimación de dicho comportamiento. Hollywood y la Segunda Guerra Mundial El impacto de la Segunda Guerra Mundial trastocó todos los aspectos políticos, económicos, religiosos y sociales del pueblo estadounidense. La industria cinematográfica, en su afán de colaborar, puso a disposición de la causa, una considerable cantidad de recursos para generar producciones que contribuyeran a exponer muchos de los aspectos del conflicto bélico. Estas, obraban un efecto positivamente estimulante y moralizante que servía, tanto de entretenimiento, como de propaganda. Cine dramático sobre la guerra Luminarias del cine dramático como Joan Crawford, Anna Lee, Ingrid Bergman, Lauren Bacall, Ann Sheridan, Clark Gable, Edward G. Robinson, Ray Milland, Humphrey Bogart, Errol Flynn, Henry Fonda, John Wayne y Ronald Reagan, entre muchos otros, estuvieron en la mejor disposición de estelarizar dramas y filmes de acción con contenidos relativos al conflicto armado y a los infortunios internacionales que al momento se desarrollaban. -
News Release
NEWS RELEASE 26 th Annual Music Box Steps Day This Year Celebrated Online! Saturday, October 24, 2 - 4 pm LOS ANGELES – You can’t keep a classic comedy team, or its legion of fans, down! The pandemic may have prevented an outdoor celebration of the 26th annual Music Box Steps Day family festival, but not an online version, which with just as much enthusiasm will honor Laurel & Hardy and the famed 133 stairs on Vendome Street in Silver Lake where Stan & Ollie filmed their 1932 Oscar- winning short, The Music Box . On Saturday, October 24, 2020, from 2 - 4 pm, a virtual Music Box Steps Day will be broadcast worldwide on SLIA’s web site (silverlakeimprovementassociation.org) and its Facebook page (facebook.com/musicboxstepsday). If you miss the inaugural, the video will still be online for the viewing time of your choice -- and either way, it’s free! The presentation was produced by the Silver Lake Improvement Association (SLIA) and actor/entertainer Edward E. Bell, and will feature a special screening of the recently restored version of the ever-hilarious, 29-minute-long The Music Box , in which the bungling duo valiantly attempt to deliver a player piano to a home atop a steep hill. Other attractions include a reprise of last year’s on-site filmed recreation of the legendary comedy. Emmy-winning actor and film historian Stan Taffel will provide background information about The Music Box and the endless staircase where several other early comedies (and more recent films) also were shot. Los Angeles City Councilmember Mitch O’Farrell, staircase historian Charles Fleming, and other prominent figures will be zoomed in. -
Film Calendar February 8 - April 4, 2019
FILM CALENDAR FEBRUARY 8 - APRIL 4, 2019 TRANSIT A Christian Petzold Film Opens March 15 Chicago’s Year-Round Film Festival 3733 N. Southport Avenue, Chicago www.musicboxtheatre.com 773.871.6607 CATVIDEOFEST RUBEN BRANDT, THE FILMS OF CHRISTIAN PETZOLD IDA LUPINO’S FEBRUARY COLLECTOR HARMONY KORINE MATINEE SERIES THE HITCH-HIKER 16, 17 & 19 OPENS MARCH 1 MARCH 15-21 WEEKENDS AT 11:30AM MARCH 4 AT 7PM Welcome TO THE MUSIC BOX THEATRE! FEATURE FILMS 4 COLD WAR NOW PLAYING 4 OSCAR-NOMINATED DOC SHORTS OPENS FEBRUARY 8 6 AMONG WOLVES FEBRUARY 8-14 6 NEVER LOOK AWAY OPENS FEBRUARY 15 8 AUDITION FEBRUARY 15 & 16 9 LORDS OF CHAOS OPENS FEBRUARY 22 9 RUBEN BRANDT, COLLECTOR OPENS MARCH 1 11 BIRDS OF PASSAGE OPENS MARCH 8 FILM SCHOOL DEDICATED 12 TRANSIT OPENS MARCH 15 The World’s Only 17 WOMAN AT WAR OPENS MARCH 22 TO COMEDY 18 COMMENTARY SERIES Comedy Theory. Storytelling. Filmmaking. Industry Leader Masterclasses. 24 CLASSIC MATINEES Come make history with us. RamisFilmSchool.com 26 CHICAGO FILM SOCIETY 28 SILENT CINEMA 30 MIDNIGHTS SPECIAL EVENTS 7 VALENTINE’S DAY: CASABLANCA FEBRUARY 10 VALENTINE’S DAY: THE PRINCESS BRIDE FEBRUARY 13 & 14 8 CAT VIDEO FEST FEBRUARY 16, 17 & 19 10 JEWISH FILM FESTIVAL MARCH 1-17 10 THE HITCH-HIKER MARCH 4 11 PARTS OF SPEECH: HARI KUNZRU MARCH 12 14 HARMONY KORINE FILM SERIES MARCH 15-21 17 DECONSTRUCTING THE BEATLES MARCH 30 & APRIL 3 Brian Andreotti, Director of Programming VOLUME 37 ISSUE 154 Ryan Oestreich, General Manager Copyright 2019 Southport Music Box Corp. -
Leroy Shield's Music for the Wurlitzer
Carousel Organ, Issue No. 46—January, 2011 Leroy Shield’s Music for the Wurlitzer 165 “Crossovers”—Sharing our Hobby Tracy M. Tolzmann t is obvious to any collector of automatic music— Just such an occasion arose recently with the release especially street, band and fair organs—that much of of Wurlitzer 165 roll number 6846. This newly commis- Ithe enjoyment we get out of our hobby is the sharing sioned roll is made up of 14 selections written by the lit- of our collections with the non-collector public. It is also tle-known composer Leroy Shield. I say little known, for true that only a fraction of our organization’s membership like most composers of motion picture scores, Shield’s is able to attend our numerous rallies, no matter how wide name is not remembered, but his music is unforgettable! spread their locations may be. This is one reason why Leroy Shield’s compositions are as well known as those independent events where we may perform and opening of the music from “Gone with the Wind” and “The Wizard our collections to visitors are such important parts of our of Oz,” and like their scores composers, his name is vir- hobby. tually unknown (Figure 1). When an event from another organization that is near Leroy Shield wrote most of the endearing melodies and dear to one’s heart comes along, it is especially grati- which make up the musical background on the early fying to share our COAA interests as circumstances allow. 1930s comedies of Laurel and Hardy and the Our It is fun for everyone involved, and it may even lead to Gang/Little Rascals, along with other wonderful short new COAA memberships.