10 Information Et Communications Information and Communications

10 INFORMATION ET COMMUNICATIONS INFORMATION AND COMMUNICATIONS

Extremement complet, le Programme d'lnformation mis sur pied par le The highly-comprehensive Information Program carried out by the Organ- Comite organisateur des Jeux de la XIX Olympiade comportait deux izing Committee for the Games of the XIX Olympiad was divided into two phases distinctes. La premiere, appelee Programme d'ldentite olympi- distinct phases. The first, the Program of Olympic Identity, consisted que avait pour but essentiel de creer et de diffuser dans le monde essentially of the creation of an image of the Olympiad in Mexico and une image des Jeux, tandis que la seconde s'attachait exclusivement a of the world-wide projection of that image. The second phase encom- la retransmission des manifestations olympiques. passed the direct media coverage of the events of the XIX Olympiad.

Bien que I'interet suscite par les Jeux se suffise a lui-meme et n'exige While general interest in the Olympic Games is universal and requires qu'un minimum de publicite, un Programme d'ldentite olympique fut little additional stimulation, the special nature that Mexico wished to specialement cree pour personnaliser le rendez-vous sportif et culturel give the Games that would be held here was amplified by a distinctive de 1968. M. Pedro Ramirez Vazquez confia la realisation de ce program- style created for this purpose by the Program of Olympic Identity. me a deux services specialement crees a cet effet, le Oepartement des Publications et celui de Design urbain, qui, en etroite collaboration, With this purpose in mind, Pedro Ramirez Vazquez created the depart- chercherent a imprimer un style distinctif aux divers elements de com- ments of Publications and Urban Design, which worked as a single team munication et de design des Jeux. La coordination generale du pro- to integrate the various aspects of design and communication related to gramme ainsi que le Departement de Design urbain furent confies a the XIX Olympiad. The general coordinator of this program, as well as M. Eduardo Terrazas, tandis que Mme Beatrice Trueblood etait chargee that of Urban Design, was architect Eduardo Terrazas, and the publica- de la direction du Service des Publications. tions were under the direction of Beatrice Trueblood.

Inspire a la fois des cinq anneaux olympiques et de I'art des Indiens The five Olympic rings inspired the geometric design of the MEXICO 68

Source : Bibliothèque du CIO / IOC Library aux manifestations du Programme culturel (190 500 exemplaires) et 58 of cultural events totaling 420,000 copies. In addition, special promotion huicholes, le logotype MEXICO 68 — servant d'embleme aux Jeux — fut logotype, which became the symbol of this Olympiad throughout the autres traitant d'evenements divers (420 000 exemplaires). En outre, of the Games included 300,000 fold-out pamphlets; 23 news-events mu- reproduit sur la plupart des elements de promotion, les affiches notam- world. The MEXICO 68 poster had as its graphic inspiration the art of 300 000 plaquettes pliables, 23 bulletins d'information muraux (250 500 ral posters totaling 250,500 copies; and 41 special posters totaling ment. Par ailleurs, une serie de symboles et de pictogrammes visant a the Huichol Indians of Mexico. With the similar object of creating a exemplaires) et 41 affiches (1 694 000 exemplaires) furent imprimes pour 1,694,000 copies. I'etablisement d'un langage graphique universel furent dessines pour universal language, a symbol was designed for each of the Olympic la promotion des Jeux. identifier chacun des evenements sportits et culturels, ainsi que les di- sports and cultural events, as well as for the various public services. Olympic identity was clearly established in the host city by the Depart- vers services publics. Autre vehicule du Programme d'ldentite olympique, le Departement de ment of Urban Design. A system of colored route markers, which employed Perhaps the most important instrument of the Program of Olympic Identity Design urbain avait ete charge de la decoration de la capitale. Entre banners and painted light poles, designated the principal traffic arteries, L'un des moyens d'action les plus efficaces du Programme d'ldentite was the material produced by the Publications Department of the Organ- autres activites, il crea des itineraires — jalonnes d'oriflammes et de directing visitors to Olympic sites and enabling them to determine their olympique a sans aucun doute ete fourni par le Service des Publications izing Committee. Prominent among the productions of this Department reverberes de couleurs differentes — permettant aux visiteurs de immediate location. This system was complemented with street furniture du Comite organisateur qui, outre son Bulletin de luxe en couleurs, was a deluxe bulletin—MEXICO 68, XIX OLYMPIAD—printed in full color s'orienter facilement dans la ville et de se rendre rapidement dans les which employed signs and maps using the MEXICO 68 Olympic symbology MEXICO 68, XIX OLYMPIADE (11 numeros; 275 000 copies; une version and available in three languages. Along with the series of eleven of diverses installations olympiques. II installa de nombreux panneaux indi- to designate Olympic transportation routes and pickup points. This dans chacune des langues officielles: frangais, espagnol et anglais), these Bulletins, which totaled 275,000 copies, forty-four Olympic News- cateurs, des plans de Mexico, des itineraires des transports olympiques, furniture included specially-painted mail boxes and trash containers. The edita une gamme tres variee de publications. Signalons entre autres 44 letters (each accompanied by a Pictorial Review) were also published in des boites aux lettres, des corbeiiles a papier et des kiosques de information booths dotting the city were also designed by this department. Communiques olympiques et Photo-Revues en trois langues publies a three languages, with a total of 3,661,460 copies. These publications renseignements dans tous les points strategiques de la Ville (arrets In addition, the Department of Urban Design was responsible for the 3 661 460 exemplaires et qui, avec les Bulletins, furent distribues au were distributed to the IOC, national Olympic committees, international d'autobus entre autres). extensive interior and exterior decoration of the competition sites. Comite international olympique, aux centres culturels, aux Comite na- and national sports federations, universities, cultural centers, clubs, em- Large fiberglass sculptures, inspired by Mexico's traditional "Judas" tionaux olympiques, aux federations sportives nationales et Internationa- bassies, newspapers and magazines, as well as to many other organiza- Ce Departement etait egalement responsable de la decoration interieure fireworks figures, stood outside each site, and huge helium-filled bal- les, aux universites, aux clubs, aux ambassades, aux journaux et revues, tions and individuals throughout the world. They presented current re- et exterieure des sites de competition. De grands mannequins de fibre loons displaying the MEXICO 68 logotype and the five Olympic colors ainsi qu'a de nombreux organismes et personnalites du monde entier. ports on the progress of constructions and other preparations for the de verre, inspires des traditionnels "judas" mexicains, se dressaient a hovered gaily overhead. These were complemented by three-dimensional Ces deux publications presentaient la progression des chantiers et pre- Games, historical and contemporary sports reviews, historical and cultural 298 I'entree des installations. Servant de points de repere, d'immenses replicas of the MEXICO 68 logotype, which were placed at strategic paratifs olympiques, un panorama historique et culturel du Mexique, descriptions of Mexico, as well as a view of the country as it is today. sculptures aeriennes realisees avec des ballons de couleurs, ajoutaient locations at the competition sites. Plazas and access areas at the divers articles sur revolution des sports a travers les ages et enfin un encore a la beaute des sites que decoraient egalement des sculptures Olympic and Aztec stadiums—with a total surface area of more than etude detaillee du Mexique contemporain. The publications Department also produced a vast assortment of pro- du logotype MEXICO 68. Enfin, le sol des esplanades et degagements 100,000 square metres—were painted in concentric patterns of the grams and posters directly related to the sports competitions. Among des stades Azteca et olympique — plus de 100 000 nf — avaient ete unifying Olympic design, which integrated the various architectural ele- Le Service des Publications a produit par ailleurs diverses affiches et the most important of these were: 125,000 programs for the opening peints d'anneaux concentriques rayonnant autour des divers batiments. ments of the competition sites. brochures relatives aux competitions, dont 125 000 programmes des and closing ceremonies; 65,000 general programs arranged by sport and ceremonies d'Ouverture et de Cloture; 65 000 exemplaires du program- by days: 300,000 posters of the general program of sports; 21 deluxe En vue d'integrer chaque site de competition au programme general de The interior portions of each competition site—including walls, lamps, me general par jour et par sport; 21 programmes de luxe (un par sport) programs totaling 348,400 copies; 19 informative sports pamphlets design, tous les elements interieurs furent peints dans la couleur sym- banners, etc.—were decorated in the symbolic color designated for en 348400 exemplaires; 19 brochures sportives (2 850 000 exemplaires); totaling 2,850,000 copies; 20 booklets of official regulations totaling bolisant le sport concerne. Enfin, le Departement fut aussi charge du each sports, thus unifying the complex with the rest of the program. 20 reglements officiels tires a 271 000 exemplaires; 18 affiches spor- 271,000 copies; 18 sports posters totaling 287,000 copies; and 4,500 dessin de la vasque olympique, laquelle fut realisee en acier inoxydable The design of the stainless steel Olympic cauldron and its concrete tives (287 000 exemplaires) et 4 500 copies d'un ouvrage decrivant les copies of a book describing sports courts and playing fields. et placee sur un piedestal et un podium de beton. pedestal, as well as that of the podium, were also created by the installations sportives. Department of Urban Design. For the Cultural Program, the Publications Department produced 93 de- Pour la publicite nationale et Internationale, le Comite organisateur a Pour le Programme culturel, ces memes Services ont edite 93 program- luxe programs totaling 726,150 copies, 88 hand programs totaling utilise 650 colonnes de carton pliantes. D'autre part, une exposition The Organizing Committee produced numerous exhibitions, including mes de luxe (726 150 exemplaires); 82 programmes ordinaires (605 250 607,250 copies; 13 catalogues and sets of color reproductions of indi- intitulee "Les Sports dans I'Art precolombien" a ete inauguree a Greno- 650 collapsible display sets designed for use within Mexico as well as exemplaires); 13 catalogues de peinture (80 000 copies); 11 brochures vidual artists, totaling 80,000 copies; 11 cultural pamphlets totaling ble le 6 fevrier 1968, a I'occasion des Xes Jeux d'Hiver. Placee sous abroad. On February 6, 1969, the "Sports in Pre-Columbian Art" exhibi- culturelles (177 000 exemplaires); 8 guides d'expositions presentees a 177,000 copies; 8 guides to art exhibitions in Mexico City totaling 33,000 le patronage de MM. Andre Malraux, ministre de la Culture, et Michel tion was inaugurated at the X Winter Games in Grenoble. Sponsored by Mexico (33 000 copies); et trois livres, l'un sur I'oeuvre du photographe copies; books on the photographer Alvarez Bravo, the lithographer Ca- Caldegues, president du Oonseil municipal de Paris, elle comprenait Andre Malraux, the French Minister of Culture, and Miguel Caldegues, Alvarez Bravo, un autre sur les lithographies de Casimiro Castro et le simiro Castro, and the Salon of Mexican Plastic Arts; 19 posters of quatre-vingt-cinq pieces representatives des principales cultures mexi- President of the Paris City Council, this exhibition included eighty-five troisieme sur le Salon de la Plastique mexicaine; 19 affiches relatives events of the Cultural Program totaling 190,500 copies; and 58 posters

Source : Bibliothèque du CIO / IOC Library caines — Teotihuacan, azteque, olmeque, huasteque, maya et de I'Oc- pieces representative of the classic cultures of Mexico—Teotihuacan, Le 23 decembre 1966, le Congres de I'Union autorisait le ministere de the opening of the Games; the stamps of this series were illustrated with cident. Cette exposition regut la visite du general de Gaulle, alors presi- Mexica, Olmec, Huastec, Maya and those of the Western Cultures. The Finances mexicain a emettre une piece d'argent de vingt-cinq pesos, sports installations and elements from the Program of Olympic Identity. dent de la Republique frangaise, avant d'etre envoyee au musee Cer- exhibition was visited by Charles de Gaulle at Grenoble; later, it was pre- frappee au droit de I'embleme national et, au revers, d'une statue An issue depicting the Olympic Torch was also released at this time. nuschi et a la Maison de la Radio a Paris. sented in the Cernuschi Museum and the French Radio Building in Paris. precolombienne connue sous le nom de "Joueur de pelote". La premiere serie a atteint 250 millions de pesos, la seconde 500 millions. On December 23,1966, the Mexican Congress authorized the minting of En juin 1968, le Comite etait invite par le New York Graphic Center a In June, 1968, the New York Graphic Center invited the Committee to a silver coin with a value of twenty-five pesos. One side of the coin presenter les publications et le materiel graphique du Programme d'lden- display an exhibit incorporating the publications and designs of the Comme il a ete precise au debut de cet article, la deuxieme phase du bears the national emblem, and the reverse side depicts the pre-His- titie olympique, tandis que I'affiche MEXICO 68 figurait a I'exposition Program of Olympic Identity. The MEXICO 68 poster was also included in Programme d'ldentite olympique mettait en oeuvre tous les moyens panic ceramic figure known as the "Ball Player." The first issue of this "Mot et Image" organisee par le musee d'Art moderne de New York. the "Word and Image" exhibition at New York's Museum of Modern Art. d'information pour assurer le reportage en direct des evenements au coin totaled 250 million pesos and the second, 500 million. Le Programme d'ldentite olympique etait egalement present a la XlVe fur et a mesure de leur deroulement. Triennale de Milan, celebree en juin et juillet 1968. Le Departement The Program of Olympic Identity was represented at the XIV Triennial of The second phase of this vast information program consisted, as was de Design urbain y avait edifie un pavilion entierement decore du Milan in June and July of 1968. For this exhibition the Committee's Grace au Comite organisateur, qui s'est efforce de faciliter au maximum previously mentioned, of the direct transmission of the Olympic sports logotype MEXICO 68 ou etaient presentes des symboles, des affiches, Department of Urban Design constructed Mexico's pavillion, in which a la tache des specialistes, I'ampleur donnee a la diffusion des Jeux de events from the various competition sites. des publications, des ballons geants et une vue d'ensemble de la deco- three-dimensional treatment was given the MEXICO 68 logotype. On la XIX Olympiade constitue sans doute un fait sans precedent dans I'his- ration urbaine prevue pour les Jeux de Mexico. Enfin une exposition display in the pavillion were symbols, posters, publications, Olympic toire des communications. Trois centres de presse principaux et seize The Games of the XIX Olympiad were undoubtedly the best-covered event presentant un resume de I'Olympiade culturelle — sur divers ecrans ou balloons and illustrations of the urban design that Mexico City was to centres secondaires ont fonctionne jour et nuit du 3 septembre au 15 in the history of modern communications. The Organizing Committee spared no effort in providing all facilities required to assure this wide- etaient projetees sans discontinuer des diapositives — a ete inauguree have during the Games. On October 18, 1968, an exhibition presenting novembre. D'autre part, la cooperation apportee par le ministere des spread coverage. For the benefit of the press, three large centers and le 18 octobre 1968 a la maison de I'UNESCO, a I'occasion de la XVe a resume of the Cultural Olympiad by means of continuous multiple- Communications et des Transports a permis a 600 millions de telespec- sixteen sub-centers operated day and night between September 3 and Assemblee generale de cette institution. screen showings of film transparencies was inaugurated in conjunction tateurs d'assister a la premiere retransmission en couleur des Jeux. with the XV General Conference of UNESCO in Paris. November 15. The first color television transmission of the Olympic Games was beamed to 600 million viewers around the world through A Mexico, au rez-de-chaussee du siege du Comite organisateur construit Les principaux Centres de presse etaient situes au Village olympique, a facilities provided by Mexico's Ministry of Communications and Transpor- sur le Paseo de la Reforma, avaient ete installees pour la vente de On the first floor of the Organizing Committee's main office building I'hotel Maria Isabel et dans la Tour des Telecommunications, tandis tation working in collaboration with the Olympic Organizing Committee. souvenirs une "boutique olympique" et sa cafeteria entierement decorees on the Paseo de la Reforma in Mexico City, an Olympic boutique and que des centres secondaires etaient installes sur la plupart des sites The principal press centers were located at the Olympic Village, the du logotype en violet et orange. Par ailleurs, dans une salle voisine etait cafeteria—decorated with the MEXICO 68 logotype design in magenta de competition. Le centre du Village olympique etait dote d'un materiel Maria Isabel Hotel and the Telecommunications Tower of the Ministry montee une exhibition des creations du Programme d'ldentite olym- and orange—was installed for the sale of refreshments and Olympic ultramoderne, de bureaux de traduction et d'interview, d'une salle de of Communications and Transportation. The main center, at the Olympic pique presentees sur des surfaces transparentes qui, combinees avec des souvenirs. A display of the Program of Olympic Identity was also travail equipee de 153 machines a ecrire Olivetti avec cinquante-cinq Village, was equipped with the most advanced transmission equipment. panneaux reflechissants, donnaient une exposition mouvante et originale. presented; through the materials created by the program itself, which claviers differents, de cabines individuelles pour les journalistes, de In addition, it contained interview and translation areas, a new room were placed on transparent materials surrounded by reflecting surfaces, chambres noires avec appareils de developpement automatiques, de equipped with 153 Olivetti typewriters (with keyboards for fifty-five A cote de certificats, memorandums, papier a lettre, formulaires, invi- an illusion of multiple images and movement was achieved. services postaux, telephoniques, telegraphiques et douaniers, de salons, languages), individual cubicles for journalists, darkrooms with automatic tations et souvenirs officiels qui tous reproduisaient les motifs de base de bars et de restaurants. Les representants de la presse disposaient processors, mail, telephone, telegraph and customs services, information du Programme d'ldentite olympique, les dessinateurs du Comite creerent Special certificates, memorandums, stationery, formularies, invitations, de tous les equipements necessaires a la reception, a la transmission desks, lounges and restaurants. Facilities were provided for the reception, des medailles commemoratives et des timbres constituant un instrument and a wide variety of official souvenirs in different versions of the et a la reproduction des resultats, ainsi qui'a renvoi des bulletins et transmission and duplication of results, and the printing of bulletins supplementaire de promotion. Quatre series philateliques preolympi- basic design were also produced. Commemorative medals were minted communiques. Les deux autres centres principaux etaient pourvus des and other communiques. ques ont ete emises. La premiere reproduisait des ceramiques pre- and various series of stamps were issued on the occasion of the Games, memes services, bien qu'a une echelle moindre. colombiennes a theme sportif; la deuxieme etait illustree de croquis another effective method of promoting the Olympiad throughout the L'ensemble de ces centres de presse comptait 147 cabines telephoniques Within the network of centers and sub-centers, newsmen had at their de Diego Rivera, la troisieme et la quatrieme, de silhouettes d'athletes. world. Four pre-Olympic issues were released: the first was illustrated pour les appels a longue distance, 877 telescripteurs, 23 belinographes disposal 147 long-distance phone booths, 877 Teletypes, 23 Telephoto Le 12 octobre 1968, jour de I'ouverture des Jeux, a ete mise en circula- with pre-Hispanic ceramics related to sports; the second featured et 83 teletypes relies au service telex. D'autre part, 385 telephones machines and 83 Telex machines. An additional 385 telephones were tion une cinquieme serie. Consacree aux installations sportives et a sketches on sports themes by Diego Rivera; and the third and the etaient installes dans les salles de presse et 345 dans les stands des placed in the newsrooms, and 345 were located in the press stands at certains elements du Programme d'ldentite olympique, elle etait ac- fourth displayed silhouettes of athletes participating in Olympic sports. sites de competition. Enfin, les journalistes disposaient de 900 appareils the competition sites. Newsmen were also provided with 900 television compagnee d'un tirage special intitule "Flambeau olympique". On October 12, 1968, another series was released, in conjunction with

Source : Bibliothèque du CIO / IOC Library de television leur permettant de suivre le deroulement des divers evene- receivers on which they could follow events at other sites. Centers Comite organisateur et munie d'un ecran de huit metres, circulait dans which circulated among numerous public parks to provide convenient ments. Centres principaux et secondaires etaient relies par un systeme and sub-centers were linked by an internal communications network les jardins publics pour permettre a une bonne partie de la population viewing of the Olympic events for a large number of the city's population. de communication interne assurant la reception immediate des resultats which permitted nearly instantaneous reception of results from all com- de suivre les evenements. obtenus sur les differentes aires de competition. Durant les quinze petition areas. This network transmitted a total of 7.6 million characters The Office of Press Accreditation registered 4,377 representatives of the jours des Jeux, ce reseau a retransmis 7,6 millions de caracteres. Les during the fifteen days of competition. The extent to which these facil- Au Bureau de Presse se sont inscrites 4377 personnes (dont 355 Mexi- communications media, the largest number ever assembled to cover chiffres suivants donnent un apergu de I'intensite des echanges: 12 356 ities were employed is indicated by the following data: 12,356 long- cains), le plus grand nombre jamais vu a I'occasion d'une manifestation a single event. This included journalists, photographers, cinematogra- appels longue distance, representant un total de 2 059 heures et 10 distance calls lasting a total of 2,059 hours and 10 minutes; 7,476 internationale: journalistes, photographes, cineastes, commentateurs, phers, commentators, technicans, interpreters, administrative person- minutes; 7 476 messages par teletype (4,8 millions de mots); 7037 Telex messages with a total of 4.8 million words; 7,037 telegraphic techniciens, interpretes, personnel administratif de la radio et de la nel for radio and television, as well as reporters and representatives of depeches telegraphiques (1,7 million de mots); 38 876 telegrammes per- dispatches with a total of 1.7 million words; and 38,876 private telegrams television et correspondants des principales agences de presse mondiales. international news agencies. sonnels (777 520 mots). with a total of 777,520 words. En accord avec I'article 54 du Reglement olympique, le Service des In compliance with Regulation 54 of the IOC, the Department of Publi- En outre, entre le 12 et le 27 octobre, les centres de presse ont effectue In addition, between October 12 and 27 the following services were Publications et ses 191 employes ont enfin redige et edite les cinq cations has produced these five Commemorative Volumes of the Games 4500 agrandissements photographiques; reparti 152000 lettres, revues provided: 4,500 photographic enlargements; distribution of 152,000 pieces volumes du Memoire officiel des Jeux de la XIX Olympiade. of the XIX Olympiad, which involved the efforts of 191 persons. etc.; expedie par avion 1369 paquets; distribue 63 000 bulletins d'infor- of correspondence; the air-mailing of 1,369 packages; distribution of mation et 3 400 resumes des resultats, representant un total de 25 63,000 information bulletins and 3,400 results resumes containing a Compte tenu de I'ampleur du Programme d'ldentite olympique et de la Taking into account the magnitude of the programs of Information and millions de pages. total of 25,000,000 pages. vaste diffusion des Jeux, le pays a, non seulement contribue a I'essor du General Projection of the Games, Mexico gave a considerable impulse mouvement olympique, mais ausi realise une campagne publicitaire to the international Olympic movement and developed a publicity cam- Le television internationale a beneficie de I'installation d'une immense International television coverage of the Games was facilitated by the sans precedent qui a largement contribue a faire connattre le vrai paign without parallel in its history, which has done much to give the station terrestre pres de Tulancingo, dans I'Etat d'Hidalgo, laquelle installation of a huge terrestrial station near Tulancingo, in the state of visage du Mexique contemporain dans le monde. world a truer image of Mexico today. envoyait des signaux a un satellite servant de relais vers I'Europe. Ce Hidalgo, which transmitted to a satellite for relay to Europe. This 302 systeme a fonctionne pendant 225 heures et 14 minutes. Le reseau system was employed for a total of 225 hours and 14 minutes. The re- national de microondes a assure le reste des transmissions internatio- mainder of international transmission—as well as that beamed throughout nales et la diffusion dans le pays. Les emissions televisees en couleur Mexico—was sent by a national microwave network. Total coverage for (avec canal audio) ont atteint un total de 938 heures et 39 minutes, color television with audio channels was 938 hours and 39 minutes (720 dent 720 heures de diffusion internationale. Les images transmises hours of which were for international viewing). Images used for these avaient ete choisies par les membres du pool international. transmissions were selected by members of the International Pool.

La diffusion des Jeux a ete particulierement efficace a I'interieur du Throughout Mexico special attention was given to the coverage of the Mexique: du 12 au 27 octobre, 498 stations radiophoniques locales ont Games. From October 12 to 27, some 498 local radio stations broadcast assure le reportage des evenements sportifs et donne regulierement la reports on the sports events. In the interior of the republic, thirty-nine liste des resultats. De plus, trente-neuf villes de province ont regu cities received a total of 218 hours and 19 minutes of television 218 heures et 19 minutes d'emissions televisees. transmission time.

Manifestations sportives et culturelles de I'Olympiade ont ete largement For televised news reports within Mexico, the Organizing Committee

diffusees par la television a I'interieur du pays grace aux 43 000 metres provided nearly 150,000 feet of film on sports events and the Cultural Pages suivantes: environ 400 redacteurs, correcteurs, traducteurs, artistes, Overleaf: Nearly 400 writers, editors, translators, artists, designers, archi- de films produits par le Comite organisateur. De plus, 826 appareils Olympiad. In sixty schools within the Federal District, 826 television designers, architectes, photographes, chefs de production et imprimeurs ont tects, photographers, production experts and printers comprised the team which de television ont ete installes pour le public dans soixante ecoles du sets were installed for public use. These were subsequently donated to collabore, durant pres de quatre ans, au Programme d'ldentite olympique. Les collaborated for more than three and a half years on the Program of Olympic efforts combines des employes du Service des Publications et du Departement Identity. The combined efforts of the Departments of Publications and Urban District federal. Offerts par la suite au ministere de I'Education na- the Ministry of Public Education to form part of a closed-circuit edu- de Design urbain ont permis de creer une image unifiee du pays siege et des Design created a unifying image of Mexico and the Games of the XIX Olympiad tionale, ils sont aujourd'hui integres a un systeme educatif en circuit cational system. During the Games, the Organizing Committee provided Jeux de la XIX Olympiade et de la diffuser dans le monde entier. and gave world-wide identity to Mexico 68. ferme. Durant les Jeux, une unite mobile de television, appartenant au a special mobile television unit with an eight-meter projection screen.

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A partir de la combinaison, envisagee par Pedro Ramirez Vazquez, des cinq anneaux at de I'annee olympiques, Lance Wyman et Eduardo Terrazas ont congu le logotype MEXICO 68, puis I'ont developpe pour creer la celebre affiche des Jeux qui rappelle les motifs des Indiens huicholes (en bas a gauche). Cet od embleme a aussi servi de point de depart a I'alphabet olympique, I'un des principaux elements du Programme d'identite olympique.

Working from Pedro Ramirez Vazquez' concept of combining the five Olympic rings and the year 1968, Lance Wyman and Eduardo Terrazas developed the Les problemes linguistiques que posaient Tinformation et rorientation des par- Language problems associated with guiding and informing participants and the MEXICO 68 logotype, and through the extension of linear elements created ticipants et du grand public ont ete partiellement resolus par la creation d'une general public were minimized through the use of concise Olympic symbology. the widely acclaimed poster which recalls traditional Huichol design (below left). serie de pictogrammes. Plusieurs stylistes du Programme d'identite olympique A group of Olympic Identity Program designers collaborated on the creation From the logotype evolved the distinctive Olympic alphabet-a prominent ont travaille au dessin des symboles utilises pour designer les manifestations of these symbols, which were employed to designate the events and installa- element of the Olympic Identity Program. et les installations des programmes sportif et culturel. tions for both the sports program and the Cultural Olympiad.

Source : Bibliothèque du CIO / IOC Library Durant les quatre annees qui ont precede les Jeux, le Departement des Publi- In the course of the four-year Olympiad, the Department of Publications pro- cations a produit 27 revues et ouvrages distincts (576 numeros, pres de 17 duced nearly 17 million copies of 576 numbers of 27 distinct publications. A millions de copies). Les onze numeros du Bulletin Mexico 68,1'une des principales particularly important publication was the Mexico 68 Bulletin, of which eleven publications olympiques, contenaient une documentation originale sur les Jeux et numbers were issued. All the Bulletins contained original material related to 0 le Mexique, presentee sous cinq rubriques distinctes: Editorial, Preparatifs, the Games and the host country in a five-section format: Editorial, Preparations, Section sportive. Section culturelle et Section historique (page suivante). Sports, Culture, and History (overleaf).

Source : Bibliothèque du CIO / IOC Library mxm

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Le Communique olympique (ci-dessus et en haut a gauche) et sa Photo-Revue Among other important publications in the Program of Olympic Identity were en noir et blanc (en haut a droite) comptaient egalement parmi les principales the forty-four numbers of the Olympic Newsletter (above and top left) and i i f®TO> publications du Programme d'ldentite olympique. Une reproduction en couleur the accompanying Pictorial Review (top right). The center section in the d'un chef-d'oeuvre de I'architecture ou de I'art mexicains decorait le volet triptych format of each of the Newsletters carried a color reproduction of

Brragffi central de chacun des Communiques. Ces deux publications (pages suivantes) an outstanding example of Mexican art or architecture. Contents of both the etaient consacrees a des themes tres varies, les manifestations des program- Newsletter and the black-and-white Pictorial Review (overleaf) related to mes sportif et culturel bien sur, mais aussi le Mexique. the sports and cultural programs and the host country.

Source : Bibliothèque du CIO / IOC Library • X-XSa.'*.* '• ^ J'-

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Source : Bibliothèque du CIO / IOC Library Le Departement des Publications a edite une serie de 93 programmes de luxe The Department of Publications produced a series of 93 deluxe programs for pour la cinquieme manifestation du Programme culture! — le Festival interna- event number five of the Cultural Program~the International Festival of Fine tional des Arts. Ces publications (ci-dessous et page de droite) contenaient Arts. The programs (below and opposite) contained biographical sketches of une notice biographique des artistes ainsi que divers commentaires sur le performers and notes on the program as presented in Mexico City's mon- spectacle presente au Palais des Beaux-Arts de Mexico. La plupart de ces umental Palace of Fine Arts. Posters derived from the program covers programmes, ainsi que les atfiches inspirees de leurs couvertures (pages sui- (overleaf) were distributed throughout the world. Most of these posters were vantes), avaient ete dessines par Michael Gross et Bob Pellegrini. designed by Michael Gross and Bob Pellegrini.

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Source : Bibliothèque du CIO / IOC Library Publications les plus populaires du Programme d'ldentite olympique, les affi- Posters were probably the most popular publications in the Olympic Identity ches non seulement ont servi a promouvoir les Jeux et leur Programme culturel Program. They not only served to promote every aspect of the Games and the mais sont aussi devenues des souvenirs extremement convoites. En 1968, Cultural Program of the XIX Olympiad, but became coveted souvenirs. Al- 2 120 000 copies de 159 affiches ont ete imprimees. together, 2,120,000 copies of 159 posters were printed in 1968.

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Wm M ~[^KtkAo V5 sS~- Plusieurs des bulletins d'information muraux (page de gauche en haut) placardes TbooS. B-r™ dans le Mexique etaient illustres par le caricaturiste Abel Quezada. A cote de catalogues culturels (page de gauche) ont ete publiees des affiches inspirees ™JIIJ"lli"aa,M ^ ^

P^eiKSWOtESTlAS ^ r 4 «• i « •*••••• des timbres olympiques (ci-contre). Pages suivantes: plusieurs des publications SS W' IF Ir If If "QOE IE CM)SK E.STA MOS QUITAMOS EL SOMBRERO • OBRA.* \\ \ PARA RECIBIRLOS sportives imprimees et distribuees par le Comite organisateur. trkbwmaos ^ ' lAMJkn^MJJUk RM?A UST^P. 05 5 Drawings by Abel Quezada illustrated several of the "mural newspapers" (op- MiffWSWwi S fpTfltilw =i=s- =i?=" ~ posite, top) circulated throughout Mexico. Catalogues were published for many cultural events (opposite). Olympic stamps (right) gave rise to a series of sports posters. Overleaf: the Organizing Committee printed and distributed a

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Source : Bibliothèque du CIO / IOC Library Jamais dans I'histoire des Jeux modernes une ville n'avait cree un Programme d'ldentite olympique aussi complet. Chacune des installations et les principales avenues y conduisant avaient ete decorees par le Departement de Design *; - urbain, tandis que les anneaux du logotype etaient reproduits sur le sol de imm la vaste esplanade du Stade olympique (page de gauche).

Never in the history of the modern Games had a host city so clearly manifested Olympic identity. Each of the Olympic installations and the principal thorough- fares leading to them were decorated by the Department of Urban Design. The vast plaza of Olympic Stadium (opposite) was painted with radial elements- derived from the logotype-which served to demark entrances.

Source : Bibliothèque du CIO / IOC Library Le dessin de la vasque olympique et de son podium etait egalement inspire des themes du Programme d'ldentite olympique. Pour ne pas obstruer la vue des spectateurs des gradins inferieurs, le bas de la rampe d'acces §tait escamotable. La decoration de I'esplanade du stade Azteca (page de droite) etait con^ue autour d'un stabile d'Alexander Calder.

*tJAOO FHOXtAL (llZAOO lAUtAl. The design of the Olympic cauldron and its installation at Olympic Stadium was also a part of the Olympic Identity Program. To retain an unobstructed view from the lower stands, the bottom section of the access ramp retracted automatically. Decoration of the plaza at Aztec Stadium (opposite) emanates from the base of Alexander Calder's monumental sculpture.

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Donnant son unite au design olympique, les divers elements graphiques du programme se retrouvaient partout; sur les immenses panneaux et la sculpture monumentale du logotype MEXICO 68 qui egayaient la facade austere de I'Audi- torium national (page de droite), et meme sur les pavilions (ci-contre) et les ^ J- podiums (ci-dessus) decorant plusieurs des installations. ^ :: Unity of design was achieved through diversified application of the basic /- graphic elements of the program. Large fagade panels and a three-dimensional treatment of the MEXICO 68 logotype give the normally austere National Audi- w§ms9k torium (opposite, above) a strong imprint of Olympic identity. Even pennons mms (left) and podiums (above) evince variations of basic designs. um

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Les symboles qui expliquaient les billets et les voies d'acces avaient ete L'interieur des installations olympiques avait aussi ete personnalise. Ornes des dessines par un groupe de stylistes du Programme d'identite olympique. Tous symboles sportifs et de la colombe de la paix, des oriflammes de plastique 10 indiquaient tres clairements les heures des manifestations et la localisation transparent donnaient gaiete et couleur h I'Auditorlum national (ci-dessus) et des places reservees aux spectateurs venus de plus de 120 pays. a la Salle d'Armes olympique de la Magdalena Mixhuca. M Symbols replace dozens of words on Olympic tickets and along access routes. Olympic identity played a prominent role in the decoration of the interiors Created by a group of Identity Program designers, these symbols enabled of Olympic installations. Transparent plastic banners, embellished with sports visitors from more than 120 countries to arrive at the designated hour and symbols and the recurrent dove of peace, created a festive air at the locate their seats through correlative symbology at the installation. National Auditorium (above) and the Olympic Fencing Hall.

Source : Bibliothèque du CIO / IOC Library K

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mSmm Autre dement spectaculaire du Programme de Design urbain, d'immenses bal- n'' lons gonfles a Thulium et decores du logotype MEXICO 68 flottaient au dessus IliiiL** des sites de competition, sur les esplanades et dans les principales arteres de la ville, ainsi que dans toutes les stations terminales des services de transports olympiques (voir pages suivantes).

A spectacular feature of the Urban Design program was the use of huge lighter-than-air balloons as urban adornment. In plazas and along principal streets, in transportation terminals (overleaf) and hovering above the competition sites, these transparent balloons—emblazoned with the MEXICO 68 logotype—were a delightful element of the Olympic Identity Program.

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Les celebres "judas" mexicains avaient inspire les immenses mannequins de fibre de verre representant chaque type d'athlete olympique qui, veritables points de repere, se dressaient a I'entree des stationnements ou des esplanades entourant les diverses installations sportives des Jeux.

Mexico's famed "Judas" pyrotechnic figures were the inspiration for prodi- gious reinforced fiberglass sculptures representing players of each of the Olympic sports. Erected near vehicular access areas at the sports installations, they served as conspicuous landmarks for participants and visitors.

Source : Bibliothèque du CIO / IOC Library #

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{: !| EnTWilM i li Le Programme de Design urbain reduisait considerablement les problemes poses par I'orientation des spectateurs et la circulation automobile. Plusieurs ORMirf itineraires, empruntant les principales arteres de Mexico, etaient signales par des bandes de couleurs peintes sur les reverberes ainsi que de grandes bande- roles de plastique ornees du symbole de la paix (pages suivantes). Un plan MEXICO 68 (page de gauche) indiquant les principales installations et leurs voles d'acces avait aussi ete distribue aux visiteurs. OlMCB® Urban design greatly diminished problems of physical orientation and vehicular circulation during the Olympic period. Principal arteries were color-coded with well-defined bands painted on light poles. Aided by the correlative MEXICO 68 map (opposite), even newly-arrived visitors could readily find their way through the sprawling city to Olympic installations. Light poles were also adorned with long plastic banners corresponding to the color code and displaying the symbol of peace (overleaf).

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Source : Bibliothèque du CIO / IOC Library /

Source : Bibliothèque du CIO / IOC Library i L s symboles avaient egalement ete utilises pour le compiexe reseau de transports olympiques. Les panneaux codes (page de gauche) se referaient aux itine- aires indiques sur^ les plans de Mexico (ci-c|essous). Des boites aux lettres © et des corbeilles a papier etaient installees sur les panneaux indicateurs uraen dTsvmbol f t^^hr ^ leS ki0Sques de renseignements etaient tous pavoises as symbolesP et emblemes olympiques| . A 2 A 2^ B© # i^| — C© Urba Design syrnbolog, not only guided motorists but also informed users of PUEniA -r potto and Olympic transportation. Lettered signs (opposite) relate to trans- D® ,, i f porta ion routes shown on accompanying maps (below). Road signs were fre-

quently integrated into units containing mailboxes or trash receptacles. © V © ympic buses and information booths also exhibited the distinctive unified design created for the Program of Olympic Identity.

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Source : Bibliothèque du CIO / IOC Library Les elements graphiques designant les divers services reserves aux participants et aux visiteurs constituaient un veritable langage international, langage au- quel la mode eile-meme n'echappa pas. Page de droite: robes, costumes et bikinis reproduisaient le logotype et les affiches sportives.

Hundreds of words in dozens of languages were superseded by graphic symbols representing services and facilities for participants and visitors. Opposite: Even the fashion world felt the impact of Olympic identity: dresses, suits and bikinis display logotype and sports-poster prints.

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Veritable aubaine que les Jeux pour les designers et stylistes mexicains. Le flambeau olympique, les boutons, insignes et badges (a droite) ainsi que de nombreux souvenirs avaient ete crees par le Comite organisateur, tandis que plusieurs concessionnaires — Helen Vera et ses chapeaux olympiques entre autres (ci-dessus) — laissaient libre cours a leur imagination.

The Games of the XIX Olympiad inspired a veritable deluge of creations by Mexican designers. The Olympic Torch, identification badges and commemorative medallions (right), as well as many official souvenirs were designed by the Organizing Committee. Other souvenirs were produced by authorized concessionaires, and a series of Olympic-inspired hats (above) was created by Helen Vera.

Source : Bibliothèque du CIO / IOC Library liiiiiiii11188 i

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Au rez-de-chaussee du Centre olympique construit sur le Paseo de la Reforma avait ete montee une exposition reunissant la plupart des elements graphiques et des publications du Programme d'ldentite olympique. Inauguree pendant les Jeux, cette exhibition n'a ete fermee qu'a la fin de I'annee.

The ground floor of the Olympic Center on Paseo de la Reforma became the site for an exhibition of many of the graphic elements and publications in the Program of Olympic Identity. This exhibit, which was inaugurated during the Olympic period, remained open until the end of the year.

Source : Bibliothèque du CIO / IOC Library La decoration du restaurant at des stands (ci-dessus) du Centre olympique etait inspiree du logotype MEXICO 68, embleme qu'on retrouvait au musee d'Art moderne de Mexico (ci-contre) et a Paris (page ci-contre, col. de droite) oil les ballons olympiques annoncaient la Vie Biennale du musee d'Art moderne (au centre) et une presentation du Programme culturel dans les locaux de FUNESCO (en bas). A New York, le Graphics Center (en haut, col. de gauche) accueillait une exposition du Programme d'ldentite olympique tandis que les affiches MEXICO 68 etaient exhibees au musee d'Art moderne. Des colonnes publicitaires pliantes, expediables par la poste, completaient les expositions.

The MEXICO 68 logotype extends to the decor of the Olympic Center restaurant and its concession stands (above). Olympic Identity received global dissem- ination, from Mexico City's Museum of Modern Art (left) to Paris (opposite, right column), where Olympic balloons announce the VI Biennial at the Modern Art Museum (center) and an exposition of the Cultural Program was mounted at the UNESCO building (bottom). In New York (left column), an exhibit of the Identity Program was presented at the Graphics Center (top) and the logotype poster was displayed at the Museum of Modern Art. Folding units (bottom) formed mailable exhibits for world-wide distribution.

Source : Bibliothèque du CIO / IOC Library Le Comite organisateur avait congu et construit, sous la supervision de I'ar- chitecte Eduardo Terrazas, un pavilion special pour le XlVe Triennale de Milan. Version tridimensionnelle du logotype MEXICO 68, ce pavilion etait consacre a la presentation du Programme d'identite olympique.

Under the supervision of architect Eduardo Terrazas, the Organizing Committee designed and constructed a special pavilion for the XIV Triennial of Milan. The structure, a three-dimensional adaptation of the MEXICO 68 logotype, contained a presentation of the Olympic Identity Program.

Source : Bibliothèque du CIO / IOC Library Munich 72 Munich 72

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Ociobre 1968 October 1968 ' Rapport oHicie) f Official Report i sur la XXe Olympiads, on the XXth Olympiad, | publie par le ; issued by the ! Coma# organisateur OrganRmg Commime por e! I des Jeu* ; for the Games nijador : de !a XXe Olympiade of the XXth Olympiad : Munich • Munich SSiTp,.,. 1972 1972

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u Every host of the modem Games has given new Chaque visiteur des Jeux modernes a contribue a sa maniere a I'essor du mouvement et de I'iden- impetus to the Olympic movement and helped de- velop a distintive and unified identity. Many of the tite olympiques. Nombre des innovations apportees lors des Jeux de la XIX Olympiade ont d'ores et innovations of the Games of the XIX Olympiad are deja ete assimilees a la tradition olympique. being accepted as a part of the Olympic tradition.

Source : Bibliothèque du CIO / IOC Library L

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La station de Tulancingo (page de gauche), qui en 1968 etait la plus recente et The terrestrial station at Tulancingo (opposite), in 1968 the largest and new- la mieux equipee du genre, a ete utilisee pour la diffusion en couleur des Jeux est of its type in the world, beamed the first color television coverage of the Olympic Games to the Intelsat communications satellite for relay to Europe. ' en Europe, via un satellite de communications Intelsat. La nouvelle Tour des Telecommunications peut etre consideree comma le Q. G. operationnel a partir The new Telecommunications Tower of the Ministry of Communications and duquel I'Olympiade fut transmise a 600 millions de telespectateurs dans le Transportation (SCT) was the nerve cennter for the transmission of the Games monde. Amenagees au sommet de la tour, des installations microondes rela- to 600 million viewers around the world. Microwave installations atop the yaient les signaux televises vers la station de Tulancingo et le reseau national tower relayed television signals to the Tulancingo station and to the microwave microondes. Le ministre des Communications, M. J. A. Padilla Segura (en haut a network. SCT Minister Jose Antonio Padilla Segura (top left) shows President gauche) montre au president Diaz Ordaz les divers itineraires de ce reseau qui Diaz Ordaz the routes of the microwave network, which not only provided live permit d'assurer le reportage direct des manifestations dans 39 villes mexicai- coverage for 39 cities in Mexico but carried the transmission to the United nes et meme aux Etats-Unis. Les signaux emis etaient regus a la tour puis States. By microwave and cable, signals were received at the tower from each of distribues dans les salles de controle ou operaient des membres du pool the competition sites and distributed to the control rooms furnished members international. Ces derniers selectionnaient, grace aux complexes installations of the international television pool. There, using the vast monitoring and olympiques de controle et de reglage, les images qui, une fois assortis de switching installations provided especially for the Games, producers selected canaux audio, etaient retransmises vers differents pays. images and added audio channels for transmission to their respective countries.

Source : Bibliothèque du CIO / IOC Library ' i 8 | |i 1

Le principal centre de presse (page de gauche en haut) avait ete amenage au

:l M Village clympique ou residaient la plupart des informateurs. Des bureaux de renseignements, des stands individuels de documentation (en bas) et des aides de camp avaient ete mis a la disposition des journalistes. A I'etage inferieur se trouvaient un restaurant, un bar et une cafeteria ouverte jour et nuit. Les divers services de presse etaient annonces par des panneaux et des symboles : (ci-contre). Les centres de I'hotel Maria Isabel et de la Tour des Telecommu- nications disposaient des memes equipements.

The main press center for the Games of the XIX Olympiad (opposite, above) was located at Villa Olimpica where most newsmen were accommodated. Information desks and individual press release boxes (opposite, below), as well as a corps of "edecanes," kept newsmen constantly informed. Downstairs, an elegant restaurant, a bar, and a cafeteria open 24 hours a day, provided a wide-spectrum ai choice of food and drinks. Olympic symbology (left) helped direct newsmen to *$^M /yVl^ri ''- j . f' '' • .' press-center services. Other press centers at the Maria Isabel Hotel and the Telecommunications Tower offered similar services and equipment.

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Les journalistes du centre de presse du Village olympique disposaient de bu- Individual desks (top) and typewriters were provided for newsmen at the reaux individuels equipes de machines a ecrire (en haut), ainsi que de rafrai- Villa Olimpica Press Center, and hostesses served refreshments during work- chissements. Dans Tune des salles d'interview (ci-dessus a droite) le com- ing hours. In one of the interview rooms (above, right), Mexico's noted com- mentateur mexicain Jacobo Zabludowsky s'entretient avec Vera Caslavska. Les mentator Jacobo Zabludowsky talks with Vera Caslavska. The communications resultats etaient centralises au bureau des communications (page de droite) center (opposite) received results from sub-centers at competition sites through grace a un reseau telegraphique ultramoderne. M. Pedro Ramirez Vazquez (en a network of interconnected telegraphic units. Pedro Ramirez Vazquez inspects bas a gauche) inspecte quelques unes des installations du centre. some of the installations used for high-speed transmission of news dispatches.

Source : Bibliothèque du CIO / IOC Library Dans les installations sportives, les services de presse avaient ete amenages aussi pres que possible des aires de competition. En general, chaque section etait equipee de bureaux, de recepteurs de television et de telephones (sur com- mande). Des services specialises etaient reserves a la radio et a la television.

Press sections at the sports installations were located as near to competition areas as possible. Each section was generally furnished with writing desks and equipped with television receivers and telephones (upon request). Special sections were also assigned to radio and television.

Source : Bibliothèque du CIO / IOC Library i

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Des helicopteres et des nacelles hydrauliques avaient ete mis a la disposition Photographers of the International Pool get dramatic slants on the action des photographes du pool international par le Comite organisateur. La crea- from a towering hydraulic lift and from helicopters provided by the Organizing tion d'equipes de cameramen et de photographes limitait ie nombre des person- Committee. The use of television and photography pools minimized the number nes etrangeres aux competitions dans les installations sportives. of non-competitive personnel in competition areas.

Source : Bibliothèque du CIO / IOC Library fj!^t- jr.

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Des officiels du Comite organisateur — Manuel Noriega de la Concha, Alejan- dro Ortega San Vicente et Enrique Alvarez del Castillo — entourent M. Pedro Ramirez Vazquez durant une repetition de la ceremonie d'Ouverture, plusieurs semaines avant le debut des Jeux. Des soldats (page de gauche) tiennent le role des delegations sportives. Pages suivantes: essai des gigantesques anneaux olympiques gonfles a I'helium; repetition generale pour la fanfare ainsi que pour le transport du flambeau jusqu'a la vasque olympique.

Organizing Committee officials Manuel Noriega de la Concha, Alejandro Ortega San Vicente and Enrique Alvarez del Castillo accompany Pedro Ramirez Vazquez during a rehearsal of the opening ceremony several weeks before the actual event. Military personnel (opposite) represent the sports delegations. Overleaf; the giant helium-filled Olympic rings are test-inflated; the brass section practices fanfares; and a Mexican athlete strides through the role of carrying • H'j «.« the Olympic Torch into the stadium.

Source : Bibliothèque du CIO / IOC Library i i

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i • • •• •••- -•••- - :, "•- - -. - • *• V^Vv.VtVVvxv^N "•' Chaque detail des ceremonies devant se derouier au Stade olympique fut Every detail of the ceremonies at Olympic Stadium is carefully rehearsed; Boy minutieusement mis au point en presence d'un vaste public essentiellement Scouts take their places to practice the simultaneous release of the thousands - compose d'invites speciaux. Les boy-scouts s'alignent pour un dernier essai of doves that will fill the air on opening day. The final rehearsal is attended du lacher de pigeons prevu pour la ceremonie d'Ouverture. by a large number of specially-invited spectators.

Source : Bibliothèque du CIO / IOC Library : J

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Durant une repetition, !es boy-scouts liberent les milliers de ballons empri- sonnes dans une tranchee specialement amenagee entre la piste de tartan et les gradins reserves aux spectateurs des Jeux

From the moat separating the field and the grandstands, Scouts release a galaxy ' of colorful balloons as part of the rehearsal. On opening day, thousands of balloons soared skyward along with the helium-inflated Olympic rings

Source : Bibliothèque du CIO / IOC Library COMITE ORGANISATEUR DES JEUX DE LA XIX OLYMPIADE ORGANIZING COMMITTEE OF THE GAMES OF THE XIX OLYMPIAD

PRESIDENCE Chef des Forces auxil. des Sports equestres Tte. Corl. Cab. F^lix Hernandez J. GOVERNING BOARD Chief of Auxiliary Group for Equestrian Sports Chef des Forces auxil. a Acapulco Cap. 2^ Augusto Torijano Carrara President Arq. Pedro Ramirez Vazquez Chief of Auxiliary Group in Acapulco Chairman ler Secretaire Lie. Manuel Noriega de la Concha FORCES NAVALES AUXILIAIRES First Secretary AUXILIARY NAVAL FORCE 2e Secretaire Prof. Enrique C. Aguirre Second Secretary Commandant general Vicealmirante P. A. Diego Mujica N. Vice-president Agustm Legorreta Chief Commandant Vice-Chairman Membre Prof. Juan Figueroa Peralta Section d'Aviron de Cuemanco Member Cuemanco Rowing Section Membre Dr. Josue Saenz Chef de Section Cap. de Navi'o C. G. Hector Elfas R. Member Chief of Section Membre Carlos Abedrop Chef adjoint Caj^. de Inf. Pedro Cort6s Member Assistant Chief of Section Coordonnateur Lie. Hector Doporto Ramirez Section de Yachting d'Acapuleo Coordinator Acapulco Yachting Section Assistants Rafael Sotelo Coordonnateur general Contralmirante C. G. Raul Niembro G. Assistants Cap. Luis Perez Zarsoza General Coordinator Jose Miguel Acosta Bemal Chef de Section Tte. Alvaro Sandoval Peralta Joaqui'n Mier Mouth Chief of Section Chef du Detachement Groupe "Rego" Cap. de Corbeta Manuel Nunez G. SECRETARIAT GENERAL Chief of "Rego" Group Detachment GENERAL SECRETARIAT DIRECTION DE TECHNIQUE SPORTIVE Secretaire general Lie. Alejandro Ortega San Vicente OFFICE OF SPORTS TECHNIQUE General Secretary ler Secretaire Lie. Manuel Velazquez Carmona Directeurs Lie. Ruben Acosta Hernandez First Secretary Directors Tte. Corl. Victor Faugier Cordova Coordonnateurs Lie. Roberto Giron Gonzalez Tte. Corl. Antonio Haro Oliva Coordinator Lie. Jose Rafael Bustillos Zetina Prof. Carlos Jalife Elfas Lie. Ricardo Espino Zumbia Ing. Pablo Stock Meinel Dr. Sergio Mihalide lonesco Chef des Serv. administratifs Ing. Alvaro Gaxiola Head of the Administrative Department Assistants Alfredo Ordaz Chef adjoint des Serv. administratifs Prof. Antonio Rangel C. Assistants Maria Moran Assistant Head of the Administrative Department Sara Quero Granguilhome Conseillers techniques Barbara Lanworthy Technical Consultants Jacqueline Schnabel de Zetina Olivetti Fernando Romero Lopez Michelle Blanc de Delort Omega Alejo Loustau Tte. Agustm Ocejo Ulibarri Alvaro Heredia Lopez SECTION D'ATHLETISME Edgar Guillaumin ATHLETIC SECTION Antonio Medina Chef de Section Prof. Cesar Moreno Bravo "OFICIALIA MAYOR" Head of the Section EXECUTIVE SECTION Chef adjoint de Section Prof. Julian Medrano Pineda Assistant Head of the Section "Oficial Mayor" Lie. Enrique Alvarez del Castillo Chef des speakers Leopoldo Gonzalez G. Executive Officer Head of Announcers ler Secretaire Mario Lopez Espinosa Chef des juges Jorge Molina Cells First Secretary Head of Judges Chef du Bureau technique Prof. Roberto Gal legos Ruiz Chef adjoint des juges Jesus Ulibarri Nava Head of the Technical Office Assistant Head of Judges Coordonnateur Dr. Roberto Martinez Leclanche Chef du protocole Jose Rodriguez del Ri'o Coordinator Head of Ceremonies Chef des compteurs de tours Irma Elorriaga Mejia Assistants Silvia E. Barragan Head of Lap-Counters Assistants Cap. Hugo Madrid Chef des juges d'arrivee Horacio Contreras Luna Lie. Antonio Escudero V. Head of Finish-Line Judges Lie. Urbano Olea Figueroa Chef des chronometreurs Alfonso Lara Yescas Lie. Jos^ Alfonso Galindo Head of Time-Keepers Chef des juges de depart Abraham Ferreiro Toledano DETACHEMENT MILITAIRE OLYMPIQUE Head of Starting-Line Judges OLYMPIC MILITARY DETACHMENT Chef des juges de hauteur Prof. Jorge A. Almeida Vela Head of Judges for Height Commandant du Detachement Gral. de Div. Miguel Badillo Vizarra Chef des juges de longueur Profa. Rafaela Acosta Perea Commandant of the Detachment Head of Judges for Distance Chef des Forces auxil. des Villages olympiques Tte. Corl. Jose Ma. Rios de Hoybs Chef des juges du triple saut Prof. Edgar Valle Sanchez Chief of Auxiliary Group for Olympic Villages Head of Judges for Triple Jump Chef des Forces auxil. des Sports Corl. Inf. Rodolfo Perez Gutierrez Chef des juges du saut a la perche Prof. Roberto Perez Rasgado Chief of Auxiliary Group for Sports Head of Judges for Pole Vault Chef des Forces auxil. du Tir Tte. Corl. Inf. Felipe Trejo Gonzalez Chef des epreuves combinees Alberto Najera Ganza Chief of Auxiliary Group for Shooting Head of Combined Events

Source : Bibliothèque du CIO / IOC Library Chef des marqueurs Angel Vargas Orozco Responsable du balisage du parcours Gustavo Schmidt Head of Scoring Services Chef de compilation des resultats Francisco de Cima Chef de I'epreuve de course a pied Cap. Enrique Soto Paditla Official in Charge of Marking the Course Head of Compilation of Results Chef des services techniques Prof. Marcelo Save Monge Head of the Cross-Country Competition Chef des ceremonies de remise des prix Porfirio Rivera Chef du protocole Arq. Ernesto Aguilar C. Head of Technical Services SECTION DE CYCLISME Head of Awards Ceremonies Head of Ceremonies Chef du marathon Prof. Roque Sagardoy Garcia CYCLING SECTION Head of Marathon Chef des engins Rodolfo Robles Head of Apparatuses SECTION D'AVIRON Chef des epreuves de marche Prof. Francisco Lechon Garay Chef de Section Prof. Arturo Camacho Camacho Chef des entramements Manuel Garduno ROWING SECTION Head of Distance Walks Head of the Section Head of Training Chef des groupes Aurelio Archundia M. Chefs adjoints de Section Prof. Jose Pefia Figueroa Chef de Section Edmundo Rostan Fabre Head of Groups Assistant Heads of the Section Prof. Juan Chino Villegas SECTION DE HOCKEY Head of the Section Chef de I'intendance Jose L. Loranca Rodriguez Coordination des juges Prof. Raul Osornio Sandoval HOCKEY SECTION Chef adjoint de Section Manuel Jolly Prieto Head of Equipment Coordinator of Judges Assistant Head of the Section Chef du personnel feminin Alicia Libreros 0. Juge de departs Prof. Adolfo Cervantes Franco Chef de Section Arq. Ernesto C. Zubieta Chef des Services medicaux Manuel Huerta de la Sota Head of Women Personnel Starting-Line Judge Head of the Section Head of Medical Services Chef des entramements et de information sportive Jorge A. Ramirez Vargas Juge d'arrivees Manuel Norton Maldonado Head of Training Chef adjoint de Section Leoncio Armijo Romo Finish-Line Judge SECTION DE LUTTE and Sports Information Assistant Head of the Section Coordination du tableau de marquage Oscar Green Pefia Chef du protocole Eduardo Miles Knight WRESTLING SECTION Chef des juges du lancement du poids Maria Teresa Hurtado D. Scoreboard Coordinator Head of Judges for Shot Put Head of Ceremonies Prof. Gaudencio Jimenez Chef de Section Arq, Manuel Andrade Rodriguez Chef des juges du lancement du disque Chef de compilation des resultats SECTION DES SPORTS EQUESTRES Head of the Section et du marteau Head of Compilation of Results Maria del Rayo Qulntanar EQUESTRIAN EVENTS SECTION Chef adjoint de Section Felipe Rios del Valle Head of Judges for Discus and Assistant Head of the Section Hammer Throw SECTION D'HALTEROPHILIE Chef de Section Corl. Cab. E.E. Ruben Uriza Castro Chef de la pesee Mario Rfos Garcia Chef des juges du lancement du javelot WEIGHTLIFTING SECTION Cesar Guerrero Hernandez Head of the Section Head of the Weigh-ln Head of Judges for Javelin Throw Chef adjoint du Dressage Corl. Cab. E.E. Jaime Lara Zapet Superviseur des resultats finaux au Chef du controle des athletes Chef de Section Rene de la Cerda B. L. Hermilo Arce Valles Director of Dressage Village olympique Prof. Hilarion Rodriguez V. Head of Control of Athletes Head of the Section Chef du Concours complet Tte. Corl. Antonio Eguiza U. Chef adjoint de Section David Dommguez Cobo Supervisor of Final Results Head of the Three-Day Event at the Olympic Village SECTION DE BASKET-BALL Assistant Head of the Section Chef des Sauts Myr. Cab. Joaquin Hermida T. BASKETBALL SECTION Chef des Serv. de supervision technique Prof. Javier Gomez Chef des tableaux de marquage Director in Charge of Jumps Head of Technical Supervision et correcteur de donn^es Prof. Moises Romero Rebolloso Dir. des services medicaux Myr. M. V. Gustavo de la Colina Chef des entramements Prof. Jaime Figueroa Head of Scoreboards and Corrector of Data Chef de Section Prof. Juan Manzo Hernandez Head of Medical Services Head of Training Head of the Section Dir. des Services de distribution Chef adjoint de Section SECTION DE TIR Arq. Alberto Lara Galicia des documents et de I'information locale Cap. Jorge Perez Resendiz SECTION DE NATATION ET DE PLONGEONS Assistant Head of the Section SHOOTING SECTION Head of Distribution of Documents and SWIMMING AND DIVING SECTION Chef des competitions Prof. Francisco Ugartechea Official Local Information Director of Competition Chef de Section Jorge Septien Herran Chef du protocole Myr. Luis Mercado Lopez Chef de la Section de natation Ing. Javier Ortega Flores Head of the Section Chefs des arbitres Angel Zambrano Marin Head of Ceremonies Head of the Swimming Section Chef adjoint de Section Jose F. Zarate Gordillo Heads of Referees Jose Perea Lopez Responsable des terrains d'entramement et de saut Cap. 2^ Sergio Cadena Chef de la Section de plongeons Prof. Mario Tovar Velazquez Assistant Head of the Section Directeurs des rencontres Prof. Enrique Ramirez M. Official in Charge of Jumping and Head of the Diving Section Chef de programmation des competitions Gabriel Cervantes Directors of Games Prof. Mariano Teran G. Training Grounds Directeur des serv. administratifs Profa. Rosa Maria Rodriguez L. Head of Competition Programming Chefs de compilation des resultats Alberto Diaz Medina Dir. des services veterinaires Myr. Raul Armendariz Felix Administrative Director Directeur des eoreuves (Pistolet libre) Ernesto Lopez M. Heads of Compilation of Results Luis Beltran Palacios Head of Veterinary Service Directeur des installations Prof. Rafael Maldonado N. Event Director (Free Pistol) Chef du controle des entramements Prof. Joel Tentori Santm Director of Installations Directeur des epreuves (Tir rapide) Ignacio Mendoza Head of Control of Training SECTION D'ESCRIME Directeur des equipements Prof. Ignacio Rodriguez L. Event Director (Rapid Fire) FENCING SECTION Ernesto Montemayor SECTION DE BOXE Director of Equipment Directeur des epreuves (Fusil) Prof. Rafael Maldonado U. BOXING SECTION Assistant de la Section des plongeons Event Director (Rifle) Chef de Section Cap. David Romero Vargas Assistant to the Diving Section Head of the Section Chef de Section SECTION DE YACHTING Prof. Marco Antonio Mann G. Chef adjoint de Section Enriqueta Mayora Duenas Head of the Section SECTION DE WATER-POLO YACHTING SECTION Assistant Head of the Section WATERPOLO SECTION Chefs adjoints de Section Prof. Jose Rodriguez Islas Chef des juges Profa. Ana Lilia Obeso V. Chef de Section Tte. de Navio Alvaro Sandoval Peralta Assistant Heads of the Section Prof. Jorge Porras Rangel Head of Judges Chef de Section Prof. Ramon Velazquez Head of the Section Prof. Guillermo Jimenez C. Chef de compilation des resultats Benito Mares Rui'z Head of the Section Chef adjoint de Section Mario Collignon Orozco Head of Compilation of Results Prof. Ricardo Meza Meraz Assistant Head of the Section Directeur des rencontres Directeur technique Prof. Salvador Moreno Romo Chef du siege d' Acapulco Director of Matches Technical Director Manuel Arteche Cuevas SECTION DE FOOTBALL Directeur des installations Prof. Joaquin Perea Head of the Acapulco Site Chefs des entramements et Prof. Ruben Garcia M. FOOTBALL SECTION Director of Installations Secretaire adminjstratif Ing. Ramon Di'ez Gutierrez de compilation des resultats Prof. Alfonso Aceves R. Prof. Rosendo Santoyo Administrative Secretary Heads of Training and Compilation of Results Directeur des equipements Chef de Section Arq. Hector Ortiz Bemtez Director of Equipment Chef des "grumetes" Dr. Alfonso Serrano Officiel charge de la pesee Prof. Ignacio Zapata N. Head of the Section Head of "Grumetes" Official in Charge of Weighing-ln Chef adjoint des competitions Arq. Octavio G. Barreda M. SECTION DE PENTATHLON MODERNE Chef adjoint des "grumetes" Angel Ortiz Assistant Head in Charge of Competition SECTION DE CANOE-KAYAK MODERN PENTATHLON SECTION Assistant Head of "Grumetes" Chef du protocole adjoint Georges de Giorgio V. CANOEING SECTION Lie. Justo Fernandez del Valle Superviseur des quais Assistant Head in Charge of Ceremonies Chef de Section Myr. Sergio Escobedo Garduno Head of Docks Directeur des competitions Cesar Ortiz B. Chef de Section Head of the Section Rene Espino Arias Director of Competition Cap. Fernan Perez Casanova SECTION METEOROLOGIQUE Head of the Section Chef adjoint de Section METEOROLOGICAL SECTION Chef adjoint de Section Assistant Head of the Section Edgar Ubbelohde SECTION DE GYMNASTIQUE Myr. Cab. Jeronimo Garcia M. Assistant Head of the Section Chef de I'epreuve d'equitation GYMNASTICS SECTION Head of the Equestrian Competition Chef de Section Ing. J. Ignacio Valera V. Chef des Officiels Edgar Tams Chef de I'epreuve d'escrime Dagoberto Guevara Rascon Head of the Section Head of Officials Chef de Section Officier de securite Prof. Alfonso Taboada A. Head of the Fencing Competition Heriberto Chavez Head of the Section Tte. Eustaquio Leyva Garcia Assistants Ramon A. Limon Security Officer Chef de I'epreuve de tir Chefs adjoints de Section Prof. Juan Jose Zalce de la Peha Assistants Juan Rios Recamier Chef du controle des embarcations Head of the Shooting Competition Armando Salinas Assistant Heads of the Section Cap. Hector Chamorro Alvarez Gustavo Amparan Director of Boat Control Prof. Arturo Lopez Valdes Chef de I'epreuve de natation Profa. Lili Schluter Head of the Swimming Competition Carlos Garmendia

Source : Bibliothèque du CIO / IOC Library SPORTS D'EXHIBITION Dir. des Services d'Accueil Coordonnateur de I'Exposition Internationale Intendance de I'Athletisme Ing. Francisco Jose Rosenzweig DEMONSTRATION SPORTS de I'aeroport international de Mexico Lie. Jose Manuel Rodriguez Vera d'Artisanat Prof. Alfonso Soto Soria Administrator for Athletics Head of the Reception Office at the Mexico Coordinator of the International Exhibition of Intendance du Basket-ball Arq. Hector Serdin PELOTE BASQUE City International Airport Folk Arts Administrator for Basketball FRONTON Sous-directeur des Services Coordonnateur des Expositions de Philatelie Intendance de I'Aviron et du Canoe-Kayak Arq. Ignacio Escamilla Jauregui d'Accueil de I'aeroport international de Mexico Jorge Lona Valenzuela olympique et d'Histoire et d'Art des Jeux Administrator for Rowing and Canoeing Directeur des competitions Lie. Jorge Ugalde Assistant Head of the Reception Office at the olympiques Ing. Marte R. Gomez Intendance du Cyclisme Arq. Mario Vargas Campos Director of Competition Mexico City International Airport Coordinator of the Exhibitions of Olympic Administrator for Cycling Secretaire administratif Lie. Roberto Ugalde Rodriguez Coordonnatrice des bureaux de renseignements Barbara Cano Philately and the History and Art of the Intendance de I'Equitation Arq. Ernesto Varela Olmos Administrative Secretary Coordinator of Information Booths Olympic Games Administrator for Equestrian Sports Delegue du Jai-Alai Lie. Victor Fernandez MacGregor Coordonnatrice des Services d'Accueil pour les Intendance des comp. equestres a Avandaro Arq. Raul Noris Delegate for Jai-Alai groupes artistiques du Programme culturel Enriqueta Loaeza de Garcia Coordonnatrice de I'Exposition sur I'applieation de Administrator for Equestrian Sports at Avandaro Delegue de la Pelote a main nue Ing. Mario Jimenez Coordinator of Reception Services to Artistic I'Energie nucleaire pour le bien-etre de I'Humanite Arq. Ruth Rivera Intendance de I'Escrime Arq. Hector Cueto Delegate for Fronton Handball Groups in the Cultural Program Coordinator of the Exhibition on the Application Administrator for Fencing Delegue de la Paleta avec Dir. du Bureau de controle Ramon E. Alatorre of Nuclear Energy for the Welfare of Mankind Intendance du Football Ing. Manuel Sanchez Avifia Pelote de cuir Ing. Guillermo Fenton des Logements (B.C.L.) Administrator for Football Delegate for Paleta Head of the Lodging Control Office (L.C.O.) Intendance de la Gymnastique Arq. Alicia Meza with Leather Ball Dir. du B.C.L. a Acapuleo Urbano Rivas Coordonnateurs de I'Exp. Connaissance de I'Espace Lie. Miguel Aleman Velasco Administrator for Gymnastics Delegue du Frontennis Head of the L.C.O. in Aeapulco Coordinators of the Exhibition on Space Research Gaston Garcia Cantu Intendance du Hockey Ing. Ernesto Garza et de la Paleta avec pelote de caoutchouc Emilio Whelen Dir. des Serv. financiers du B.C.L. C P. Cesar Zarate Sotomayor Lie. Jaeobo Zabludovsky Administrator for Hockey Delegate for Frontenis and Paleta with Rubber L.C.O. Comptroller Prof. Alfonso Soto Soria Intendance de I'Halterophilie Arq. Esteban Garcia Woodward Ball Dir. du Bureau de Reservations du B.C. t Eduardo Chavez Coordonnateur du Programme de Genetique et de Administrator for Weightlifting Head of the Reservations Department of the L.C.O. Biologie humaines Dr. Alfonso Leon de Garay Intendance de la Lutte Arq. David Herrera TENNIS Dir. du Service des Hotels du B.C.L. Rafael Urunivela Coordinator of the Program on Human Genetics Administrator for Wrestling TENNIS Head of the Hotel Department of the L.C.O. and Biology Intendance de la Natation et des Plongeons Arq. Edmundo Gutierrez Bringas Dir. du Service des Billets du B.C.L. Jose Mendoza Caamano Coordonnateurs de I'Exposition Administrator for Swimming and Diving Directeur des competitions Francisco Guerrero Arcocha Head of the Ticket Department of the L.C.O. "Sites de Sport et de Culture". Intendance du Pentathlon moderne Arq. Ernesto Aguilar Coronado Director of Competition Rencontre de jeunes architectes Arq. Enrique Vergara Administrator for Modern Pentathlon Sous-directeur gen. des competitions Jean-Marie Lemaitre DIRECTION DES ACTIVITES ARTISTIQUES ET CULTURELLES Coordinator of the Exhibition of Sites for Sports Intendance du Tir Arq. Ramon de la Fuente General Sub-Director of Competition OFFICE OF ARTISTIC AND CULTURAL ACTIVITIES and Cultural Activities Administrator for Shooting Chef de la section Guadalajara Lie. Jose Angel Ochoa and of the Meeting of Young Architects Intendance du Volley-ball Ing. Gaston Claisse Head of the Section in Guadalajara Coordonateur general Arq. Oscar Urrutia Coordonnateur de la Publieite Administrator for Volleyball Chef de la section Mexico Lie. Alfredo Ramos General Coordinator au service de la Paix Raymundo Cuervo Llorenz Intendance du Water-polo Arq. Jaime Fabela Head of the Section in Mexico City Directeur Dr. Luis Aveleyra Arroyo Coordinator of the Program of Advertising in the Administrator for Waterpolo Arbitre general Manuel Rineon Gallardo Director Service of Peace Head Umpire Sous-directeur des Expositions Prof. Alfonso Soto Soria DIRECTION DU CONTROLE DU PROGRAMME Sub-Director for Exhibitions Coordonnateur de la Projection cinematographique OFFICE OF PROGRAM CONTROL DIRECTION DES RELATIONS PUBLIQUES Sous-directeur des Spectacles Julio Prieto et televisee des Jeux de la XIX Olympiade Jorge Saldafia OFFICE OF PUBLIC RELATIONS Sub-Director for Major Productions Coordinator of the Projection of the Games of the Directeur Arq. Adolfo Lopez Malo Sous-directeur administratif Gilberto Bosque XIX Olympiad in Motion Pictures and Television Director Directeur Lie. Roberto Casellas Leal Administrative Sub-Director Directeur de la ceremonie de reception du Feu Sous-directeur: Billets et Equipements Arq. Antonio Mann Rieaud Director Dir. du Programme artistique en province Guillermo Arriaga Olympique a Teotihuacan Julio Prieto Posada Sub-Director for Tickets and Equipment Sous-directeur Rafael Augusto Fusoni Director of the Artistic Program in the Provinces Director of the Arrival of the Olympic Sous-directeur: Programmation et Controle Arq. Luis Armida Bauche Assistant Director Coordonnateurs de la Reception offerte par la jeu- Flame at Teotihuacan Sub-Director for Programming and Control Directeur des Services de Presse Rafael Solana nesse du Mexique a la jeunesse du monde entier Prof. Juan Figueroa Peralta Chef du Dep. des Relations etrangeres Lie. Severn Lopez Mestre Chef du Departement des Billets Lie. Guillermo Alvarez Icaza Director of Press Services Coordinator for the Reception Offered by Mexico's Rosa Reyna Head of the Dept. of Foreign Relations Head of the Ticket Department Sous-dir. des Services de Presse Eduardo Maci'as Youth to the Youth of the World Chef du Dep. de Programmation et de Controle Ing. Juan Peimbert Assistant Director of Press Services Coordonnatrice du Camp olympique DIRECTION DU CONTROLE DES INSTALLATIONS Head of the Programming and Control Department Coordonnateur de la distribution des publications Arq. Alfonso Obregon de la Parra de la jeunesse Diana Salvat OFFICE OF INSTALLATION CONTROL Coordinator of Publications Distribution Coordinator of the Olympic Camp for World Youth Chef du Departement d'Urbanisme Ing. Roberto Marquez Millan Controle des publications Lie. Eduardo Ruiz Moncayo Directeur Arq. Luis Martinez del Campo Head of the Urban Design Department Publications Control Coordonnateur du Festival cinematographique Director Chef du Dep. des Equipements Jesus Sanchez Portas Chef de distribution Octavio Armengol Mission de la jeunesse Alberto Isaac Sous-directeur des Telecommunications Ing. Carlos Martinez Calderon Head of the Equipment Dept. Head of Distribution Coordinator of the Cinematographic Review on Sub-Director for Telecommunications Coordonnateur du Dep. des Equip, et des Billets Luis Jaime y Jaime Chef du Departement des souvenirs Raul Dommguez the Mission of Youth Sous-directeur des services d'Engineering Ing. Jose Monroy Tamayo Coordinator of the Dept. of Equipment and Tickets Head of the Souvenir Department Coordonnateur des Expositions des oeuvres Sub-Director for Engineering Services Bulletin d'information Carlos Sanchez Cardenas choisies de I'Art mondial Dr. Daniel F. Rubin de la Borbolla Sous-directeur des services d'Architecture Arq. Jorge Fernandez Flores Sous-directeur des Transports Ing. Alberto Buzali Cohen Olympic News Bulletin Raul de la Rosa Coordinator of the Exhibitions of Selected Works Sub-Director for Architectural Services Sub-Director for Jransportation Renata Bohne of World Art Chef de la Section des Travaux annexes Arq. Bulmaro Guzman Elizondo Coordonnateur general du Pare automobile C.P. Sergio Palma Garcia Coordonnateur du Festival Head of the Supplementary Works Section General Coordinator for Automobile Parking DIRECTION DES SERVICES D'ACCUEIL international des Arts Jose Luis Martinez Chef de la Section d'Architecture Arq. Jose Luis del Regil Chef du Dep. des Vehicules Enrique Delfm Beirana OFFICE OF COURTESIES TO VISITORS Coordinator of the Inter. Festival of the Arts Head of the Architectural Section Head of the Vehicle Dept. Coordonnateur de la Reunion Internationale de Chef de la Section des Travaux en province Arq. Armando Leon Cortes Chef-adjoint du Dep. des Vehicules Jorge Alba Espinoza Directrice Diana Salvat Sculpteurs Dr. Mathias Goeritz Head of the Section of Works in the Provinces Assistant Head of the Vehicle Dept. Director Coordinator of the Inter. Meeting of Sculptors Chef de la Section d'Engineering Ing. Salvador Fernandez del C. Chef du Dep. du Personnel operationnel Adalberto Palma Chacon Sous-directrice Margarita Velasco Pechir Head of the Engineering Section Head of the Operational Personnel Dept. Assistant Director Coordonnateur de la Rencontre Chef de la Section d'information Arq. Gabriel Garcia del Valle Chef des itineraires des transports Juan Jaime Gonzalez Santillan Dir. des Serv. d'Accueil Alberto Campillo Saenz Intern, de Poetes Lie. Agustm Yanez Head of the Information Section Head of Transportation Routing Head of Reception Services Coordinator of the International Reunion of Poets Chef de la Section des Telecommunications Ing. Pablo Zapiain Lechuga Coordonnateurs Ing. Daniel Villa Ennquez Dir. du controle des "aides de camp" Fernando Perez W. Head of the Telecommunications Section Coordinators Pedro Carriles Sanchez Head of "Edecan" Services Coordonnatrice du Festival de Peinture enfantine Susana Esponda Chef de la Section des Installations Dir. des "aides de camp" pour invites speciaux Alida Cardenas Coordinator of the Festival of Children's Painting complementaires de I'Olympiade culturelle Ing. Ernesto Olgum Romero DIRECTION ADMINISTRATIVE Head of "Edecan" Services to Special Guests Coordonnatrice du Festival mondial du Folklore Ana Merida Head of the Supplementary Installations ADMINISTRATIVE OFFICE Coordinator of the World Folklore Festival Section of the Cultural Olympiad Dir. des "aides de camp" affectes au CIO Mana Elke Solm Coordonnatrice du Ballet des cinq Continents Amalia Hernandez Cnef des Services administratifs Jorge Carriles Rubio Directeur C.P. Hector Ortega San Vicente Head of "Edecan" Services to the 1.0.C. Coordinator of the Ballet of the Five Continents Head of Administrative Services Director

Source : Bibliothèque du CIO / IOC Library Sous-directeur C.P. Benigno Murillo Alvarez RESTAURANTS Village Coapa Mario Adalberto Tejeda AVANDARO Sub-Director RESTAURANTS Coapa Village AVANDARO Chef du Dep. du Personnel Jaime Lomelm Alday Head of the Personnel Dept. Guillermo Garcia Bale^zar Coordonnateur Arq. Gerardo Audibert CHEFS DES CENTRES DE PRESSE DE PROVINCE Delegue Chef-adjoint du Dep. du Personnel Lie. Jorge Duefias Ramos Coordinator HEADS OF PRESS CENTERS IN THE PROVINCES Delegate Assistant Head of the Personnel Dept. Alfredo Graham Villar Controle des aliments Manuel Jimenez L. Secretaire administratif Chef du Dep. des Entrepots et Inventaires C.P. Rodolfo Roiz Freda Controller of Food Supplies Guadalajara Alejandro Ruiz Juarez Administrative Secretary Cap. Mario Beeerril Head of the Dept. of Stores and Inventories Assistant controleur des reserves Pedro Hernandez M. Acapuleo Lie. Agustm Landa Activites sportives Chef adjoint du Dep. des Entrepots Assistant for Storage Control Leon Victor Montoya Sports Activities Charlotte Yasbeck et Inventaires Manuel Almonacid Sixtos Coordination des fournisseurs Luis Roman Rivera Monterrey Mario H. Villarreal Activites eulturelles Assistant Head of the Dept. of Stores and Coordinator of Suppliers Avandaro Mayor Manuel Levy Cultural Activities Inventories Assistant controleur des fournisseurs Tomas Gonzalez Hernandez Puebla Prof. Marco Aurelio Mendoza Chef du Dep. des Services generaux Rodolfo Aviles Linares Assistant Coordinator of Suppliers COORDINATION GENERALE DES SERVICES DE DIFFUSION Head of the General Services Dept. CENTRAL OFFICE OF INFORMATION Chef du Dep. de Comptabilite C.P. Gilberto Morales Llanos PRESSE ETRANGERE COMPETITIONS EN PROVINCE Head of the Accounting Dept. FOREIGN PRESS COMPETITION IN THE PROVINCES Coordonnateur general lie. Jose Rogelio Alvarez Chef du Dep. des Archives Juan Huerta Castaneda General Coordinator Head of the Files Dept. Lie. Amado Tovilla Laguna Coordonnateur general Raymundo Cuervo Llorenz ACAPULCO Dir. des Services de Diffusion Chef du Dep. des Statistiques Lie. Jorge Guerrero M. General Coordinator ACAPULCO Director of Information Services Lie. Eugenio Mendoza Navarro Head of the Statistics Dept. Coordonnateur adjoint Alfonso Guarro Redacteurs Chef du Dep. de Controle des Achats Rolando Mora Ruiz Assistant Coordinator Delegue general Ing. Sergio Gonzalez Karg Editors Luis Gutierrez y Gonzalez Carlos llleseas Head of the Buying Control Dept. Coordination des Relations publiques Peter Celliers General Delegate Coordinator of Public Relations Secretaire administratif Arq. Manuel Orvafianos VILLAGE OLYMPIQUE Administrative Secretary PROTOCOLE OLYMPIC VILLAGE Chef des Services administratifs C.P. Pedro Loredo Vega Activites sportives Tte. de Navi'o Alvaro Sandoval P. OFFICE OF CEREMONIES AND PROTOCOL Head of Administrative Services Sports Activities Ing. Carlos Arias Bucoba Gouverneur du Village Olympique pour hommes Lie. Francisco Javier Miranda Chef des "aides de camp" Betina Verut Activites eulturelles Prof. Roberto Cevallos Coordination generale Dr. Eduardo Hay Governor of the Olympic Village for Men Head of "Edecanes" Cultural Activities General Coordinator Gouverneur du Village Olympique pour femmes Profa. Martha Andrade de del Rosal Coordination administrative Lie. Rafael Manterola Governor of the Olympic Village for Women CHEFS DES CENTRES DE PRESSE GUADALAJARA Administrative Coordinator Vice-administrateur adjoint Lie. Luis Linares Zapata HEADS OF PRESS CENTERS GUADALAJARA Coordination du protocole Lie. Miguel A. Rivera Oortes Assistant Executive General Protocol Coordinator Bureau administratif Lie. Jesus Ignacio Sanders Village olympique Lie. Hector Ezeta Coordination administrative Ing. Alberto Esponda Coordination des Congres Bn'gida Alexander Administrative Office Olympic Village Administrative Coordinator Coordinator of Conferences Bureau de renseignements Dr. Francisco Mann G. Hotel Maria Isabel Luis Morales Delegue Arq. Julio de la Pefia Information Office Maria Isabel Hotel Delegate SERVICES LINGUISTIQUES Bureau du personnel Lie. Jorge Lugo Vega Tour des Telecommunications Prof. Arturo Vazquez Tinoco Activites Sportives Victor Esponda Dubm LINGUISTIC SERVICES Personnel Relations Office Communications Tower Sports Activities Intendant general Gral. Luis Rivas Lopez Activites eulturelles Dolores H. de Holt Directrice Renee Danielle Wolfowitz General Administrator CHEFS DES CENTRES SECONDAIRES DE PRESSE Cultural Activities Director Bureau d'Accueil et de Controle Ernesto Gilabert Vazquez HEADS OF SECONDARY PRESS CENTERS Sous-direetriee Claire Merger de Grognard Reception and Control Office PUEBLA Sub-Director Mary Baran Stade de la Cite universitaire Oscar Salazar PUEBLA Assistants Coordonnateurs VILLAGE POUR HOMMES University City Stadium General Coordinators Lucia Noyola de Lozano MEN'S VILLAGE Consuelo V. de Aerenlund Piscine Olympique Jose Ceballos Delegue Prof. Enrique Martinez Marquez Coordination, revision et traduction textes anglais Olympic Pool Delegate Translation, Editing and Coordination of William K. Boone Directeur administratif Richard . Mc'Cdlim Lie. Enrique Ibarra Herrerra Auditorium national Ramon Rivera Secretaire administratif Fausto Rosas Toriz English Texts Administrative Director National Auditorium Administrative Secretary Coordination, revision et traduction textes espagnols Ernestina Ch. de Domenehina Maria Victoria Llamas Velodrome olympique Ing. Octavio Rocha Activites sportives Pedro Angel Palou Translation, Editing and Coordination of VILLAGE POUR FEMMES Olympic Velodrome Sports Activities Spanish Texts WOMEN'S VILLAGE Stevane Corbett Palais des Sports Arq. Jose Ma. Orozeo Activites eulturelles Profa. Martha Molina Sosa Coordination, revision et traduction textes frangais Sports Palace Cultural Activities Translation, Editing and Coordination of Rozenne Frere Directrice administrative Luz Maria Aranda C. Arene Mexico French Texts George Mareadier Administrative Director Lie. Augusto Cardenas Arena Mexico GUANAJUATO Coordination, revision et traduction textes allemands Miguel Fliirsheim Trommer Intendance Ladislao de Hoyos Cap. Carmen Duey Arias Stade Azteca Dr. Felipe Sanchez GUANAJUATO Translation, Editing and Coordination of Executive Administrator Aztec Stadium German Texts Ingrid Meyer Dra. Fanny Yanovich Xochimilco Armando Lombardo Delegue Lie. Euquerio Guerrero Coordination, revision et traduction textes russes VILLAGE DE PRESSE CUICUILCO Xochimilco Delegate Translation, Editing and Coordination of CUICUILCO PRESS VILLAGE Patinoire Revolucion Jorge Sayas Activites sportives (Leon, Gto.) Pedro Pons Ponce Russian Texts Revolucion Ice Rink Sports Activities (Leon, Gto.) Chef du secretariat Blanca Alicia G de Melfis Directeur administratif Lie. Juan Llorente Izquierdo Patinoire Insurgentes Carlos Gallardo Activites eulturelles Ing. Salvador Vazquez A. Head of the Secretarial Pool Administrative Director Insurgentes Ice Rink Cultural Activities Dir. des Relations publiques Lie. Raul Flores Prado Gymnase Churubusco Manuel Loaeza Secretaire administratif Floreneio Quiroz Director of Public Relations Churubusco Gymnasium Administrative Secretary FLAMBEAU OLYMPIQUE Salle d'Armes Magdalena Mixhuca Francisco Simancas OLYMPIC TORCH VILLAGE COAPA Fencing Hall at Magadalena Mixhuca MONTERREY COAPA VILLAGE Lie. Juan Manuel Gallastegui Stade principal Magdalena Mixhuca Ing. Eduardo Heredia MONTERREY Coordination generale Principal Stadium at Magdalena Mixhuca General Coordinator Coordonnateur general Arq. Pedro Alvarado Castanon Arq. Enrique Reinking W. Theatre Insurgentes Ariel Lopez de Hoyos Delegue Sergio Marcos Tueme Coordination a San Salvador General Coordinator Insurgentes Theatre Delegate Coordinator in San Salvador Chef du Village des juges et des arbitres Lie. Francisco Berrones Arq. Ruben Vargas Piscine de la Cite universitaire Raul Lojero Secretaire administratif Javier Lopez Castillon Coordination a Veracruz, Ver. Head of the Village for Judges and Officials University City Pool Administrative Secretary Coordinator in Veracruz, Ver. Chef du Village de Presse 1 Coordination a Jalapa, Ver. Carlos Rendon Aparieio Jorge de la Rosa Camp militaire N ? 1 Lie. Moises Ladron de Guevara Activites sportives Arq. Sebastian Maiz Montemayor Head of the Press Village Campo Militar N1? 1 Sports Activities Coordinator in Jalapa, Ver. Chef du Village des Groupes culturels Dr. Gerson Uribe J. Antonio Lares Valdes Campo Marte Oscar Salazar Activites eulturelles Lie. Manuel Trevifio Salinas Coordination a Orizaba, Ver. Head of the Village for Cultural Groups Campo Marte Cultural Activities Coordinator in Orizaba, Ver.

Source : Bibliothèque du CIO / IOC Library Coordination a Puebla, Pue. Lie. Francisco Diaz Sanchez SECTION CINEMATOGRAPHIQUE Coordinator in Puebla, Pue. CINEMATOGRAPHIC SECTION Coordination a Cordoba, Ver. Orlando Lara Sanchez Designers Beatrice Colle Nancy Earle Coordinator in Cordoba, Ver. Directeur general Graphic Designers Alberto Isaac Michael Gross General Director SECURITE ET SURVEILLANCE David Palladini Producteur en chef Federico Amerigo SECURITY AND PROTECTION Executive Producer Bob Pellegrini Directeur de Production Antonio de Salazar Susan Smith Coordonnateur Ing. Gabriel Palma Chacon Production Director Lance Wyman Coordinator Controle du laboratoire Armando Davila Assistant coordonnateur Ing. Miguel Inurreta Sanchez Laboratory Control Espagnol Huberto Batiz Assistant Coordinator Dir. de la cinematheque Galdino G6mez Spanish Emilio Carballido Superviseurs Jesus Aguilar de la Mora Head of the Film Library Juan Garcia Ponce Supervisors Raul Zayas Montiel Assistants du directeur Julio Pliego Juan Vicente Melo Narciso Vargas Castro Assistant Directors Rafael Castanedo Teresa Segovia Mario Sanchez Zamano Rafael Corkidi Hilario Gaytan Orozco Paul Leduc Anglais Bob Cleland Carlos Tamer Esper Giovanni Korporaal English Mary Jean Labadie Rafael Sanchez Garcia Felipe Cazals Jose Ma. Sanchez Ariza Frangais Janine Chauvet CENTRE D'ENREGISTREMENT Directeurs techniques French Suzanne Darmon REGISTRATION CENTER Technical Directors Photographie Antonio Reynoso Directeur de Production Ricardo Verdoni Directeur Ing. Leonardo Rapoport Photography Director Production Manager Serv. mecaniques et d'entretien Benjamin Montano Programmateurs Jose Luis Pecina Perez Mechanical and Maintenance Services Directeur des Serv. photographiques Francisco Uribe Programmers Cristina Andrade M. Musique Joaquin Gutierrez Heras Photography Department Juan A. Munayer C. Music Arnoldo A. Levinson E. Coiiseiller photographique Michael Samuelson Photographes Manuel Garay Photographic Consultant CENTRE D'ELABORATION DU PALMARES FINAL Photographers Martin Lasalle Michael Putnam CENTER FOR THE COMPILATION OF THE BOOK OF FINAL RESULTS Coordonnateurs de la production Jaime Alfaro Leonard Soned Coordinators of Production Jorge Camargo Chef du Centre Lie. Francisco Casanova Alvarez d0 Deg0 l 0 Director S fl J 1 - Conseiller sportif Wilebaldo Solfs Chef du Dep. d'imprimerie Victor Manuel Pulido LTsL K.™ ^ Head of the Printing Dept. Coordonnateurs des cameramen Chef du secretariat Enrique Barragan Capetillo Coordinators of Cameramen cSfmlfS Recherches .1 ftjtnnuinWion Miguel Cervantes Head of the Secretarial Pool Ricardo Carretero Research Jorge Landeta Chef du Dep. de redaction et de correction Enrique Fajardo Cardenas Gordon Clark Maria de la Luz Linares Head of Compilation ^nd Editing Ron Collins Lou Schultz Mike Davis Angeles Vilas TELECOMMUNICATIONS ET POLYCOPIE Ruben Garcia T TELECOMMUNICATIONS AND DUPLICATION SERVICES Harry Hart Jrafic Luis Beltran Tony Imi Traffic Rodolfo Mota Directeur Ing. Roberto Faudoa R. Roberto Sanchez Uribe Jorge Ortega Director Leon Sanchez Directeur administratif Jaime Funes Louis Walters Wse en pages et imprimerie Jose Luis Estrello Administrative Director Arthur Wooster Paste-up Assistant du Serv. des Communications Rodolfo Ovalle Gutierrez Assistant for Communications Services CONSEILS JURIDIQUES Design urbain Luis Corral Assistants du Serv. de Polycopie Sergio Miranda del Moral LEGAL CONSULTATION Urban Design Humberto Chapa Assistants for Duplication Services Arturo Guzman Ramos Juan Jose Duran Jorge Jasso Villarreal Conseiller juridique Lie. Fernando Alanis Fraga Manuel Escutia Conseiller technique Jorge Guinart Legal Consultant Ignacio Hernandez Technical Advisor Assessorat cinematographique Lie. David Chapela Jesus Lopez Cinematographic Consultant Raul Montoya SERVICES MEDICAUX Assessorat a I'aeroport Lie. Carlos Avendano Peter Murdoch MEDICAL SERVICES Consultant at the Airport Francisco Togno Assessorat a Nuevo Laredo Lie. Alberto Barradas Xavier Xiron Coordination generale Dr. Gilberto Bolahos Cacho Consultant in Nuevo Laredo General Coordinator Assessorat a Acapulco Lie. Agusti'n Avendano Design d'articles divers Sergio Chiapa Secretaire Dr. Juan Antonio Legaspl V. Consultant in Acapulco Lie. Carlos Cortes product Desi Chantal Durand Secretary Lie. Guillermo Gonzalez D. Chef des Services medicaux durant Irma Dubost entramements et competitions Dr. Juan Gonzalez Zavala Heinz Godelmann Head of Medical Services during Julia Johnson Training and Competitions Enrique Pontones Assistant des entramements et competitions Dr. Enrique Calatayud PROGRAMME D'IDENTITE OLYMPIQUE Dolores Sierra Campuzano Assistant for Training and Competitions PROGRAM OF OLYMPIC IDENTITY Manuel Villazon Dir. du Dep. des Relations Internationales Dr. Ramiro Sanzores Perez Jesus Virches Dir. of the Dept. of International Relations Directeur artistique et Coordonnateur Eduardo Terrazas Hector Xiron Organisateur du Congres mondial Artistic Director and Coordinator de Medecine sportive Dr. Rafael Giorgana Organizer of the World Congress of Sports Directrice du Serv. des Publications Beatrice Trueblood Medecine Director of Publications

Source : Bibliothèque du CIO / IOC Library COMMEMORATIVE VOLUMES OF THE GAMES OF THE XIX OLYMPIAD Photographies MEMOIRE OFFICIEL DES JEUX DE LA XIX OLYMPIADE Protographs

COMITE ORGANIZADOR DE LOS JUEGOS DE LA XIX OLIMPIADA Agfa Org. Tunstica Grecia Pag.: 249. Departamento de Publicaciones Allen, Steve Pags.: 122, 139, 140, 148, 156, Avenida de las Fuentes 170, Mexico 20, D. F. 279, 280, 281, 284, 286. Bernal, Armando Pag.: 109. Direction Beatrice Trueblood Boulahaya, Abbas Pags.: 88, 143, 183, 185, 225, Editor-in-Chief 233, 258. Breck Smith, Susan Pag.: 101. Direction artistique et Coordination Eduardo Terrazas de la Pena Buchanan, William Pags.: 212, 218, 222, 228, 229, Artistic-Director and Coordinator 230. Carrillo, Rafael Pags.: 206. Composition graphique Beatrice Trueblood Casasola Pags.: 73, 91, 107, 189. Design Cervantes, Miguel Pags.: 113, 175. Contreras, Jose Pags.: 99, 142, 143. Text Enrique Alvarez del Castillo Corral, Luis Pags.: 108, 143, 278. Textes Coureau, Jean Pierre Pags.: 88, 117, 175. Cruz, Fortino Pag.: 155. Supervision textes frangais Janine Chauvet D. A. Harissiadis Pag.: 249. English Editor Robert Cleland Davis, Ray Pag.: 140. Diaz Cortes, Alejandro Pags.: 176, 230, 237. Legendes James Dunlap Enciso, Enrique Pags.: 117, 119. Captions Estrada, Guillermo Pag.: 143. Futamura, Tamotsu Pags.: 144, 199, 214, 226, 227. Production Ricardo Verdoni Gallardo, Hector Pags.: 121, 149. Production Manager Garay, Manuel Pags.: 15, 64, 85, 91, 92, 93, 96, 98, 105, 109, Photo Laboratory Francisco Uribe 114, 115, 117, 135, 137, 144, 145, 156, 157, 161, Phototeque et Laboratoire 164, 174, 175, 176, 177, 178, 179, 183, 191, 200, 201, 202, 203, 209, 219, 229, 231, 277, 281, 283, 287. Hernandez, Joaquin Pags.: 143, 153, 154, 262. Ifiiguez Pags.: " 271, 286, 289. Iran Press Photographers Association Pag.: 61. Kishimto, Ken Pags.: 70, 71, 110, 139, 198, 205, 209, 215, 220, 221, 223. La Aficion Pags.: 16. 17. Landry, William Pags.: 135, 147, 185, 286. Lara, Jose Antonio Pag.: 216. Lara, Raul Pags.: 88, 114, 115, 153, 155, 175, 182, 205, 279, 282, 285, 287, 289. Lasalle, Martin Pags.: 141, 146, 148, 149, 157, 206, 207, 231, 267, 283. Leon Cortes, Armando Pag.: 121. Madrid, Alfredo Pag.: 64. Mauroyeni, Nick Pag.: 249. Mayo, Hnos. Pag.: 287. Mendez, Pablo Pags.: 204, 224, 277. Michaels, Duane Pag.: 119. Ministerio de Informacion y Turismo Pag.: 249. Molina, Saul Pag.: 154. Murayama, Takashi Pags.: 140, 145, 147, 213. Navarro, Anselmo Pag.: 68. Ortega, Arturo Pags.: 146, 207. Ortiz, Enrique Pags.: 144, 185. Orti'z, Jose Luis Pag.: 205. Palladini, David Pag.: 290. Pike, Pags.: 154, 294. Pool Internacional Pag.: 140. Pool Nacional Pags.: 67, 73, 84, 85, 86, 87, 96, 98, 99, 100, 104, 105, 106, 107, 109, Imprime au Mexique par Miguel Galas, S. A. 110, 111, 118, 119, 120, Printed in Mexico by Miguel Galas, S. A. 145, 147, 149, 152, 153, 160, 171, 173, 183, 208, Selection de couleurs De Leon Lizama 210, 211, 263, 284. Color selection De Leon Lizama

Source : Bibliothèque du CIO / IOC Library Putnam, Michael Pags.: 101, 113, 136, 137, 138, 152, 172, 177, 180, 181, 185, 189, 198, 208, 210, 216, 222, 231, 233, 252, 253, 254, 256, 257, 263, 278, 286, 287, 289, 291. Raider, Keneth Pags.: 121, 223. Rodriguez, Miguel Pag.: 145. Romero, Miguel Angel Pag.: 286. Ruelas, Roberto Pag.: 175. Sckelkwick, Robert Pag.: 84. Siegel, Larry Pag.: 284. Soberanes, Manuel Pags.: 219, 238, 239, 240. Soned, Leonard Pags.: 116, 132, 133, 138, 175, 261, 283, 286, 287, 289. Tena, Enrique Pag.: 219. Thecla Pag.: 65. Trejo, P. E. Pag.: 139. Uribe, Francisco Pags.: 85, 97, 108, 109, 116, 119, 137, 138, 160, 170, 186, 190, 271, 288, 292, 293. Villanueva, Jose de Jesus Pags.: 157, 212, 240. White Pag.: 271. Yampolski, Marianne Pags.: 115, 117, 177, 207, 209, 216, 217, 218, 228, 229, 232, 263, 280, 287. Zabe, Michel Pags.: 69, 112, 113, 153, 185, 265. Zendejas, Humberto Pags.: 234, 235. Zendejas, Luis Pags.: 146, 185, 223. Zoiner Pag.: 287.

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