Analogue & Digital Time Line
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The Early Years of the Acoustic Phonograph Its Developmental Origins and Fall from Favor 1877-1929
THE EARLY YEARS OF THE ACOUSTIC PHONOGRAPH ITS DEVELOPMENTAL ORIGINS AND FALL FROM FAVOR 1877-1929 by CARL R. MC QUEARY A SENIOR THESIS IN HISTORICAL AMERICAN TECHNOLOGIES Submitted to the General Studies Committee of the College of Arts and Sciences of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of BACHELOR OF GENERAL STUDIES Approved Accepted Director of General Studies March, 1990 0^ Ac T 3> ^"^^ DEDICATION No. 2) This thesis would not have been possible without the love and support of my wife Laura, who has continued to love me even when I had phonograph parts scattered through out the house. Thanks also to my loving parents, who have always been there for me. The Early Years of the Acoustic Phonograph Its developmental origins and fall from favor 1877-1929 "Mary had a little lamb, its fleece was white as snov^. And everywhere that Mary went, the lamb was sure to go." With the recitation of a child's nursery rhyme, thirty-year- old Thomas Alva Edison ushered in a bright new age--the age of recorded sound. Edison's successful reproduction and recording of the human voice was the end result of countless hours of work on his part and represented the culmination of mankind's attempts, over thousands of years, to capture and reproduce the sounds and rhythms of his own vocal utterances as well as those of his environment. Although the industry that Edison spawned continues to this day, the phonograph is much changed, and little resembles the simple acoustical marvel that Edison created. -
DVD/CD Rewritable Drive
IT 2-636-779-12 (1) 4F.B5U12.012 DVD/CD Rewritable Drive Operating Instructions JP FR DE ES IT CS DRU-810A © 2005 Sony Corporation Safety Regulations WARNING You are cautioned that any changes or modifications not expressly approved in this manual could void your authority to operate this equipment. To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. To avoid electrical shock, do not open the cabinet. Refer servicing to qualified personnel only. CAUTION: As the laser beam in the DRU-810A is harmful to the eyes, do not attempt to disassemble the cabinet. Refer servicing to qualified personnel only. The use of optical instruments with this product will increase eye hazard. The use of controls or adjustments or performance of procedures other than those specified herein may result in hazardous radiation exposure. This label is located on the bottom of the drive unit enclosure. Dieses Etikett befindet sich auf der Unterseite des Laufwerksgehäuses. 2 The DRU-810A is classified as a CLASS 1 LASER PRODUCT. The CLASS 1 LASER PRODUCT label is located at the bottom of the enclosure. Bei diesem DRU-810A handelt es sich um ein Laser-Produkt der Klasse 1. Das Etikett mit der Aufschrift LASER KLASSE 1 PRODUKT befindet sich auf der Unterseite des Gehäses. CLASS 1 LUOKAN 1 LASERLAITE LASER PRODUCT LASER KLASSE 1 KLASS 1 LASER APPARAT PRODUKT Compliance Statements Disposal of Old Electrical & Electronic Equipment (Applicable in the European Union and other European countries with separate collection systems) This symbol on the product or on its packaging indicates that this product shall not be treated as household waste. -
Oct-Dec 2009
QEDB ifibunugmpbtt Retort Journaqutfie ’Vintage (Pfionograpfi Society quew Zeaflsz A Society formed for the preservation of Recorded Sound 9011mm 45. 3355112. 1 @anbet/ifietembzt 2009 :3 bi}? [; E‘s \..x\ . .- s \ BINGOPHONE THREE VIEWS PICTURES ON CASE UNUSUAL ZONOPHONE THE PHONOGRAPHIC RECORD I VOLUME 45, ISSUE 1 OCTOBER/DECEMBER 2009 EDITOR: W.T. Norris SECRETARY: Mrs S McGuigan 650 Two Chain Road PO. Box 19839 Swannanoa 7476 Woolston Rangiora RD. 6 Christchurch 8241 NEW ZEALAND NEW ZEALAND E- mail: [email protected] FOR YOUR INFORMATION We are fast approaching the end of another year with only one meeting yet to be held as well as our annual Christmas fimction. Our members have been most helpful with providing material for this issue ofthe magazine. The committee also has agreed for another issue in full colour. We have good stocks ofparts including horns. Your editor and secretary wish all members a very Happy Christmas and Best Wishes for 2010. Walter Norris Editor ILLUSTRATIONS Front cover BINGOPHONE Robert Sleeman obtained this little beauty, and demonstated it at a meeting at his home. Although small, has very attractive designs on the sides of the case,an at- tractive machine. ZONOPHONE This model we have not seen. This picture was taken at Donley's Swap Meet. VISIT TO TIMARU Picture taken left to right, David Peterson, Alan Brehaut, Gavin East Tony Airs, Roger Brown, John Shaw, David Peterson, Gavin East, Walter Norris Tony Airs, Gavin East, Alan Brehaut, John Shaw, David Peterson Walter Norris, John Shaw Alan Brehaut with his Symphonion music box. QUEENS DOLLS HOUSE RECORD See article by Mr Crook 2 AUTOMATIC VICTROLA MODEL 1A This machine was offered on eBay and quoted as rare. -
Physical Object Collection
122• A GUIDE TO THE PHYSICAL OBJECT COLLECTION All object photographs & notes by John Kannenberg. Items in the Physical Object Collection are available for view by our visitors. Please request any physical objects you would like to inspect when arranging your visit. DONATIONS ARE WELCOME. OBJECT INFORMATION •123 Sony Walkman model WM-11D. The First Compact Disc. OBJECT 1 OBJECT 2 Sony Walkman WM-11D The First Compact Disc: Japan, 1985 Philips Classics, Japan, 1980 Four years after Sony released the original The first commercially available Compact Walkman portable cassette player, they Disc was released by Philips Classics in released the WM-11D, a fairly standard 1980. The original recording for the model whose only standout feature was its album was made in 1979. In a ceremony ability to ‘auto-stop’ playing a tape when to launch the beginning of the manufacture it was finished. It originally retailed for of the disc, musician Claudio Arrau was US$35. invited to the factory to press the ‘start’ button on the machinery. Please note: The Museum’s copy of this object is broken and does not function. Please be aware of this if you request to examine this object in person. We apologise for any inconvenience caused. 124• PHYSICAL OBJECT COLLECTION Sharp MiniDisc recorder, User’s Manual, and unopened MiniDisc, donated to the collection by Lydie Valentin. OBJECT 3 Sharp Minidisc Recorder France, 1990 As the Compact Disc format became the standard for music distribution, usage of other formats such as the LP record and the audio cassette rapidly – but as we have seen recently, temporarily – faded away. -
The Lab Notebook
Thomas Edison National Historical Park National Park Service U.S. Department of the Interior The Lab Notebook Upcoming Exhibits Will Focus on the Origins of Recorded Sound A new exhibit is coming soon to Building 5 that highlights the work of Thomas Edison’s predecessors in the effort to record sound. The exhibit, accompanied by a detailed web presentation, will explore the work of two French scientists who were pioneers in the field of acoustics. In 1857 Edouard-Léon Scott de Martinville invented what he called the phonautograph, a device that traced an image of speech on a glass coated with lampblack, producing a phonautogram. He later changed the recording apparatus to a rotating cylinder and joined with instrument makers to com- mercialize the device. A second Frenchman, Charles Cros, drew inspiration from the telephone and its pair of diaphragms—one that received the speaker’s voice and the second that reconstituted it for the listener. Cros suggested a means of driving a second diaphragm from the tracings of a phonauto- gram, thereby reproducing previously-recorded sound waves. In other words, he conceived of playing back recorded sound. His device was called a paléophone, although he never built one. Despite that, today the French celebrate Cros as the inventor of sound reproduction. Three replicas that will be on display. From left: Scott’s phonautograph, an Edison disc phonograph, and Edison’s 1877 phonograph. Conservation Continues at the Park Workers remove the light The Renova/PARS Environ- fixture outside the front mental Group surveys the door of the Glenmont chemicals in Edison’s desk and home. -
VHS and VCR (Edited from Wikipedia)
VHS And VCR (Edited from Wikipedia) SUMMARY A videocassette recorder, VCR, or video recorder is an electromechanical device that records analog audio and analog video from broadcast television or other source on a removable, magnetic tape videocassette, and can play back the recording. Use of a VCR to record a television program to play back at a more convenient time is commonly referred to as timeshifting. VCRs can also play back prerecorded tapes. In the 1980s and 1990s, prerecorded videotapes were widely available for purchase and rental, and blank tapes were sold to make recordings. Most domestic VCRs are equipped with a television broadcast receiver (tuner) for TV reception, and a programmable clock (timer) for unattended recording of a television channel from a start time to an end time specified by the user. These features began as simple mechanical counter-based single-event timers, but were later replaced by more flexible multiple-event digital clock timers. In later models the multiple timer events could be programmed through a menu interface displayed on the playback TV screen ("on-screen display" or OSD). This feature allowed several programs to be recorded at different times without further user intervention, and became a major selling point. The Video Home System (VHS) is a standard for consumer-level analog video recording on tape cassettes. Developed by Victor Company of Japan (JVC) in the early 1970s, it was released in Japan in late 1976 and in the United States in early 1977. From the 1950s, magnetic tape video recording became a major contributor to the television industry, via the first commercialized video tape recorders (VTRs). -
Multichannel Music and DVD Audio
Multichannel Music and DVD Audio Table of contents 1 Multichannel Music and DVD Audio.......................................................................... 2 Built with Apache Forrest http://forrest.apache.org/ Multichannel Music and DVD Audio 1. Multichannel Music and DVD Audio In the early years, fantastic sound meant fantastic music. With the advent of "surround sound", the emphasis shifted a bit, in the direction of film sound. Also, my present speakers (Bose Acoustimass 7) did not really make music sound "musically". Surround sound in the sense of matrix encoded "Dolby surround" also does not "promote" audiophile music. Already Dolby Digital 5.1 and DTS offer more for multichannel music (five discrete full-range channels, although with some compression). DVD Audio, together with Super Audio CD (SACD), presently offers the ultimate in modern audiophile audio reproduction. DVD Audio offers a sampling depth up to 24 bits, sampling frequence up to 192 kHz, and up to 6 channels. Instead of lossy compression, the music date may be compressed losslessly using Meridian Lossless Packing. DVD-Audio can also contain multimedia content like pictures, lyrics, etc. It can also be combined with video content, although audio of highest quality/bandwidth and video cannot coexist (for bandwidth reasons). DVD Audio comes with digital copy protection that is part of the specification, and not based on deliberately specification-violations and production of deliberately defect discs (like "copy protected" CD's). SACD has similar properties, however, it cannot be combined with multimedia content. It is said, e.g. by Wikipedia, that there is a format war between SACD and DVD Audio. It appears to me that formats wars in the 2000's run differently than the format war between VHS, Betamax and Video 2000; also compare the "format war" DVD-R vs. -
Midwinter 2005 ISSN 1534-0937 Walt Crawford
Cites & Insights Crawford at Large Libraries • Policy • Technology • Media Sponsored by YBP Library Services Volume 5, Number 2: Midwinter 2005 ISSN 1534-0937 Walt Crawford $20-$25 of 256MB for $40-$50 may be more Trends & Quick Takes typical. With XP computers typically having front-mounted USB slots, the primary setup The Hazy Crystal Ball requirement is security. It’s that time of year—time for pundits and gurus to ¾ Wireless Access: “Providing wireless access tell us what’s to come and for a few of them to spin frees up your public access computing termi- last year’s projections. nals for those who truly need them, and I was going to include snarky comments (or cred- makes your library the neighborhood ‘hot- its, when applicable) about last year’s forecasts—but I spot’ for information access.” see that last year got so confusing that I never ran a ¾ Thin Clients::: “Thin-client technology en- set of forecasts. Neither did I make one: That should ables you to extend the life of your existing be no surprise. computers, lower costs on expanding the number of patron terminals, and simplify WebJunction’s Emerging technologies maintenance procedures.” for small libraries ¾ Upgrading Your Operating Systems: “Tech- You could think of this as a counterpart to the LITA Soup Stock offers upgrades to Windows XP Top Technology Trends group, but with fewer partici- for $8 (libraries are eligible)…” The text calls pants (eight in the October 4 posting) and a small- Windows 2000 and 95 “antiquated.” library bent. The committee develops a quarterly “list of five technologies they think are worth considering Inside This Issue for your library.” I like the guidelines: “The committee Bibs & Blather.................................................................... -
Instruction Manual
English THANK YOU FOR YOUR PURCHASE Visit our website at www.i-Luv.com Model : iMM9400/9500 Instruction Manual ©2009 www.i-Luv.com iLuv is a trademark of jWIN Electronics Corp. iPod is a trademark of Apple Inc. registered in the U.S. and other countries. iPhone is a trademark of Apple Inc. All logos and brands are property of their respective owners. iPod not included in this package. Features and specifications are subject to change without prior notification. © 2009 jWIN Electronics Corp. All rights reserved. No portion of this printed material or product enclosed herewith including design, shape or graphics, may be reproduced or transmitted in any form without the expressed written consent of jWIN Electronics Corp. by any means, electronic or mechanical, including photocopying, recording or use of an information storage and retrieval system. Any unauthorized distribution or reproduction of this printed material or product, or any portion thereof, will be prosecuted to the fullest possible extent of the law. Designed in New York, USA / Printed in China Mini Audio System for your iPhone® or iPod® INTRODUCTION TABLE OF CONTENTS Thank you for purchasing iMM9400/9500. Unpack the unit and make sure all the accessories are Getting Started put aside so they will not be lost. We recommend that you retain the original carton and packaging Compatibility 4 materials for future use, should you transport or ship the unit in the future. Main Unit Assembly and Disassembly 5 • 4-MP3 CD / Audio CD playback system with integrated universal dock for your -
G98 DVD Audio Transport G98 DVD Audio Transport
G98 DVD Audio Transport G98 DVD Audio Transport Video scaling/resolution enhancement for single, high quality path to display DVD-ROM drive reads data PRELIMINARY with maximum accuracy Plays all CD and DVD optical G98AH rear panel shown above discs including hybrids Outline Specifications screen with pluge bars enables brightness setting of display device. Upsamples 2-channel digital Formats: DVD-Audio, DVD-Video, DVD-R; Video CD (VCD), Dimensions: Width – 440mm (17.32in); Depth – 350mm (13.78in) signals to 88.2/96kHz CVCD, MP3; CD Audio (CD-DA) including CD-R, plus connectors; Height – 90mm (3.54in) CD/DVD (DualDisc) and the CD layer of hybrids such Powerful multi-format as SACD Rack Mounting: Kit available from Meridian authorized dealers video processor with Weight: TBD Audio outputs: G98DH: 3 x digital coax main outputs plus MHR HDMI/DVI Smart Link digital output. 15 Pin ‘D’ type connector, Power: Universal supply 100–240V, 50–60Hz, 25W. plus 1 x aux digital coax. *analogue component limited to 480/576p. Unique MHR SmartLink con- G68AH: 6-channel analogue output on phonos, nects high-resolution digital 2V/47Ω plus 1 x optical Toslink aux out. signals to Meridian systems Video features: Automatic PAL or NTSC encoding on Composite and S-Video. NTSC black-level setup adjustable as 0 or 7.5IRE. 16:9 and 4:3 displays supported. Screen saver Decodes film soundtracks, timeout. enabling external upsam- Video Processor: Three composite video inputs, three S-Video inputs; pling to 24/96 composite, S-Video, component and HDMI outputs (HDMI also carries audio and is DVI compatible via Meridian’s G Series line of high performance Virtually every piece of audio equipment has an adaptor cable), all simultaneously active*; select- digital and analogue consumer audio compo- its own, characteristic sound. -
Th-D60 Th-D50 Th-D5 Th-D4
TH-D6D5D4[JC]EN.book Page 1 Friday, February 23, 2007 7:47 PM DVD DIGITAL THEATER SYSTEM TH-D60 Consists of XV-THD60, SP-THD6W, SP-THD6F, SP-THD6C and SP-THD6S TH-D50 Consists of XV-THD50, SP-THD5W, SP-THD5F, SP-THD5C and SP-THD5S TH-D5 Consists of XV-THD5, SP-THD5W, SP-THD5F, SP-THD5C and SP-THD5S TH-D4 Consists of XV-THD4, SP-THD5W, SP-THD5F, SP-THD5C and SP-THD5S (TH-D60 only) For Customer Use: INSTRUCTIONS Enter below the Model No. and Serial No. which are located either on the rear, bottom or side of the cabinet. Retain this information for future reference. Model No. Serial No. LVT1704-001B [J,C] TH-D6D5D4[JC]EN.book Page 1 Friday, February 23, 2007 7:47 PM Warnings, Cautions and Others Mises en garde, précautions et indications diverses CAUTION — button! Disconnect the mains plug to shut the power off completely (the STANDBY lamp goes off). When installing the apparatus, ensure that the plug is easily accessible. The button in any position does not disconnect the mains line. • When the system is on standby, the STANDBY lamp lights red. • When the system is turned on, the STANDBY lamp goes off. The power can be remote controlled. ATTENTION — Touche Déconnectez la fiche d’alimentation secteur pour couper l’alimentation complètement (le témoin STANDBY s’éteint). Lors de l’installation de l’appareil, assurez-vous que la fiche soit facilement accessible. La touche , dans n’importe quelle position, ne déconnecte pas le système du secteur. • Quand le système est en attente, le témoin STANDBY est allumé en rouge. -
Guide to Cataloging Slotmusic Based on AACR2 Chapters 6 and 9
Library Faculty Publications Library Faculty/Staff Scholarship & Research 7-2010 Guide to cataloging slotMusic based on AACR2 Chapters 6 and 9 Marcia Barrett Jim Alberts Cyrus Ford Zarganj University of Nevada, Las Vegas, [email protected] Steve Henry Michi Hoban See next page for additional authors Follow this and additional works at: https://digitalscholarship.unlv.edu/lib_articles Part of the Cataloging and Metadata Commons Repository Citation Barrett, M., Alberts, J., Zarganj, C. F., Henry, S., Hoban, M., Weitz, J. (2010). Guide to cataloging slotMusic based on AACR2 Chapters 6 and 9. 17. Online Audiovisual Catalogers. https://digitalscholarship.unlv.edu/lib_articles/242 This White Paper is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this White Paper in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This White Paper has been accepted for inclusion in Library Faculty Publications by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. Authors Marcia Barrett, Jim Alberts, Cyrus Ford Zarganj, Steve Henry, Michi Hoban, and Jay Weitz This white paper is available at Digital Scholarship@UNLV: https://digitalscholarship.unlv.edu/lib_articles/242 Guide to Cataloging SlotMusic Based on AACR2 Chapters 6 and 9 Last updated: July2010 Created by the SlotMusic Cataloging Joint Task Force: Online Audiovisual Catalogers (OLAC) – Cataloging Policy Committee (CAPC) Music Library Association (MLA) – Subcommittee on Descriptive Cataloging (SDC) Task Force Members: Marcia Barrett, chair (OLAC) Jim Alberts (MLA) Cyrus Ford (OLAC) Steve Henry (MLA) Michi Hoban (MLA) Jay Weitz (OLAC & MLA) Contents: I.