Heroes’ I Can Write About Are Phenomena.” — H.P
Total Page:16
File Type:pdf, Size:1020Kb
Load more
										Recommended publications
									
								- 
												  Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite EarthsWORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal.
- 
												  NEDOR HEROES! $ NEDOR HEROES! In8 Th.E9 U5SARoy Tho mas ’Sta nd ard Comi cs Fan zine OKAY,, AXIS—HERE COME THE GOLDEN AGE NEDOR HEROES! $ NEDOR HEROES! In8 th.e9 U5SA No.111 July 2012 . y e l o F e n a h S 2 1 0 2 © t r A 0 7 1 82658 27763 5 Vol. 3, No. 111 / July 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) Ronn Foss, Biljo White, Mike Friedrich Proofreaders Rob Smentek, William J. Dowlding Cover Artist Shane Foley (after Frank Robbins & John Romita) Cover Colorist Tom Ziuko With Special Thanks to: Deane Aikins Liz Galeria Bob Mitsch Contents Heidi Amash Jeff Gelb Drury Moroz Ger Apeldoorn Janet Gilbert Brian K. Morris Writer/Editorial: Setting The Standard . 2 Mark Austin Joe Goggin Hoy Murphy Jean Bails Golden Age Comic Nedor-a-Day (website) Nedor Comic Index . 3 Matt D. Baker Book Stories (website) Michelle Nolan illustrated! John Baldwin M.C. Goodwin Frank Nuessel Michelle Nolan re-presents the 1968 salute to The Black Terror & co.— John Barrett Grand Comics Wayne Pearce “None Of Us Were Working For The Ages” . 49 Barry Bauman Database Charles Pelto Howard Bayliss Michael Gronsky John G. Pierce Continuing Jim Amash’s in-depth interview with comic art great Leonard Starr. Rod Beck Larry Guidry Bud Plant Mr. Monster’s Comic Crypt! Twice-Told DC Covers! . 57 John Benson Jennifer Hamerlinck Gene Reed Larry Bigman Claude Held Charles Reinsel Michael T.
- 
												  4. the Superman/Kent Hypothesis: on the Epistemological Limit Between Human and SuperhumanPage no.57 4. The Superman/Kent hypothesis: On the epistemological limit between human and superhuman. Alexandros Schismenos PhD Scholar Philosophy of Science University of Ioannina Greece ORCID iD: http://orcid.org/0000-0001-8490-4223 E-Mail: [email protected] Abstract Everybody knows that Superman is Clark Kent. Nobody knows that Superman is Clark Kent. Located between these two absolute statements is the epistemological limit that separates the superhero fictitious universe from our universe of causal reality. The superheroic double identity is a secret shared by the superhero and the reader of the comic or the viewer of the movie, and quite often the superhero winks at the outside world, thus breaking the 4th wall and establishing this collusive relationship. However, in our hypothesis, we are interested in Superman not as a fictitious archetype, but rather as a fictitious metaphor. We are not interested in his double identity as the matrix of superheroic attributes and narratives, but rather as the differential limit between superhuman and human within the fictional universe. Because, the reader or the viewer may share the secret identity with Superman and also with Spiderman or Batman or any other superhuman, but the secret equivalence of Superman and Clark Kent contains another hidden antithesis. Keywords Epistemology; Superman; Nostalgia; Ubermensch; Cognition Vol 3 No 1 (2015) ISSUE – March ISSN 2347-6869 (E) & ISSN 2347-2146 (P) The Superman/Kent hypothesis by Alexandros Schismenos Page No. 57-65 Page no.58 The Superman/Kent hypothesis: On the epistemological limit between human and superhuman Everybody knows that Superman is Clark Kent.
- 
												  Batwoman and Catwoman: Treatment of Women in DC ComicsWright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2013 Batwoman and Catwoman: Treatment of Women in DC Comics Kristen Coppess Race Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the English Language and Literature Commons Repository Citation Race, Kristen Coppess, "Batwoman and Catwoman: Treatment of Women in DC Comics" (2013). Browse all Theses and Dissertations. 793. https://corescholar.libraries.wright.edu/etd_all/793 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. BATWOMAN AND CATWOMAN: TREATMENT OF WOMEN IN DC COMICS A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts By KRISTEN COPPESS RACE B.A., Wright State University, 2004 M.Ed., Xavier University, 2007 2013 Wright State University WRIGHT STATE UNIVERSITY GRADUATE SCHOOL Date: June 4, 2013 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Kristen Coppess Race ENTITLED Batwoman and Catwoman: Treatment of Women in DC Comics . BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts. _____________________________ Kelli Zaytoun, Ph.D. Thesis Director _____________________________ Carol Loranger, Ph.D. Chair, Department of English Language and Literature Committee on Final Examination _____________________________ Kelli Zaytoun, Ph.D. _____________________________ Carol Mejia-LaPerle, Ph.D. _____________________________ Crystal Lake, Ph.D. _____________________________ R. William Ayres, Ph.D.
- 
												  Project Superpowers Hardcover Ebook Free DownloadPROJECT SUPERPOWERS HARDCOVER PDF, EPUB, EBOOK Jim Krueger | 200 pages | 03 Dec 2008 | Dynamite Entertainment | 9781933305912 | English | Runnemede, United States Project Superpowers Hardcover PDF Book From the dawn of the 20th Century came a new chapter in mankind's history, unleashed during a time of great war and destruction. Only if they had a better writer on helm it may have caught on readily. All eight issues of the blockbuster Dynamite Entertainment mini-series Project Superpowers are collected in this hardcover edition, plus a cover gallery, Alex Ross sketches and designs, and unseen artwork! Alex Ross wraps the world-building phase of his Dynamite superhero universe with an explosive throwdown between literal gods and god-like heroes. Carter's ancestor arrives to argue with The American Spirit, to convince Carter that he did indeed do the right thing. Jul 09, Matt Beal rated it really liked it. Hardcover , pages. Dynamite Entertainment. Dynamic Man decides to change his strategy for combating the heroes; he will call out the nationwide Police Corp, a fascistic cadre of stormtroopers, and use them to manipulate the media, making martyrs of the Dynamic Family. Green Lama's friend and manservant Tsarong is fried by a Crusader ray blast, while another Crusader burns a gaping hole in Fighting Yank's chest which matches the hole Black Terror punched in the chest of Dynamic Man. There are a number of spin-off limited series from this series [13] including:. Dec 27, Rich Meyer rated it it was amazing Shelves: read-in Just a moment while we sign you in to your Goodreads account.
- 
												  Heret, by Illustrator and Comics Creator Dan Mucha and Toulouse Letrec Were in BreretonFeatured New Items FAMOUS AMERICAN ILLUSTRATORS On our Cover Specially Priced SOI file copies from 1997! Our NAUGHTY AND NICE The Good Girl Art of Highest Recommendation. By Bruce Timm Publisher Edition Arpi Ermoyan. Fascinating insights New Edition. Special into the lives and works of 82 top exclusive Publisher’s artists elected to the Society of Hardcover edition, 1500. Illustrators Hall of Fame make Highly Recommended. this an inspiring reference and art An extensive survey of book. From illustrators such as N.C. Bruce Timm’s celebrated Wyeth to Charles Dana Gibson to “after hours” private works. Dean Cornwell, Al Parker, Austin These tastefully drawn Briggs, Jon Whitcomb, Parrish, nudes, completed purely for Pyle, Dunn, Peak, Whitmore, Ley- fun, are showcased in this endecker, Abbey, Flagg, Gruger, exquisite new release. This Raleigh, Booth, LaGatta, Frost, volume boasts over 250 Kent, Sundblom, Erté, Held, full-color or line and pencil Jessie Willcox Smith, Georgi, images, each one full page. McGinnis, Harry Anderson, Bar- It’s all about sexy, nubile clay, Coll, Schoonover, McCay... girls: partially clothed or fully nude, of almost every con- the list of greats goes on and on. ceivable description and temperament. Girls-next-door, Society of Illustrators, 1997. seductresses, vampires, girls with guns, teases...Timm FAMAMH. HC, 12x12, 224pg, FC blends his animation style with his passion for traditional $40.00 $29.95 good-girl art for an approach that is unmistakably all his JOHN HASSALL own. Flesk, 2021. Mature readers. NOTE: Unlike the The Life and Art of the Poster King first, Timm didn’t sign this second printing.
- 
												  BYSTANDER TOKENS Text from Player’S Guide 1/29/2014BYSTANDER TOKENS Text from Player’s Guide 1/29/2014 ©2015 WIZKIDS/NECA, LLC TM & © DC Comics. (s15) PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Under Pages to Print>Pages input the pages you would like to print. (See Table of Contents) 3. Under Page Sizing & Handling>Size select Actual size. 4. Under Page Sizing & Handling>Multiple> Pages per sheet select Custom and enter 3 by 3. ©2015 WIZKIDS/NECA, LLC TM & © DC Comics. (s15) Text from Player’s Guide 1/29/2014. PRINTING INSTRUCTIONS (CONTINUED) 5. Under Page Sizing & Handling>Multiple> Orientation select Landscape. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border (under Page Sizing & Handling>Multiple). 7. Click OK. 8. When cutting out tokens use dotted 3 1 lines as a guide or use a 1/8”–1/2” hole punch (readily available at most hobby or scrapbooking stores). ©2015 WIZKIDS/NECA, LLC TM & © DC Comics. (s15) Text from Player’s Guide 1/29/2014. TABLE OF CONTENTS Adeline Wilson™, 54 Dehydrated Henchman, 67 Alfred Pennyworth™, 7 Detective Chimp™, 33 Amadeus Arkham, 70 Dolphin™, 57 Amanda Waller™, 41 Dr. Jeremiah Arkham™, 23 Angry Spirit, 40 Eddie Fyers™, 34 Black Lantern Risen, 73 Green Lantern Initiate, 75 Businesswoman, 18 Harvey Bullock™, 22 Carol Ferris™, 24 Iris West-Allen™, 19 Congo Bill™, 59 Jaina Hudson, 86 Congorilla™, 60 Jimmy Olsen™, 25 Cowgirl, 79 Joe Chill™, 53 Dane Dorrance™, 44 Jonathan Kent™, 11 Daxamite, 76 Kamandi™, 61 ©2015 WIZKIDS/NECA, LLC TM & © DC Comics.
- 
												  Maskierte HeldenAleta-Amirée von Holzen Maskierte Helden Zur Doppelidentität in Pulp-Novels und Superheldencomics Populäre Literaturen und Medien 13 Herausgegeben von Ingrid Tomkowiak Aleta-Amirée von Holzen Maskierte Helden Zur Doppelidentität in Pulp-Novels und Superheldencomics DiePubliziert Druckvorstufe mit Unterstützung dieser Publikation des Schweizerischen wurde vom Nationalfonds Schweizerischen Nationalfondszur Förderung derzur wissenschaftlichenFörderung der wissenschaftlichen Forschung. Forschung unterstützt. Die vorliegende Arbeit wurde von der Philosophischen Fakultät der Universität Zürich im Frühjahrssemester 2018 auf Antrag von Prof. Dr. Ingrid Tomkowiak und Prof. Dr. Klaus Müller-Wille als Dissertation angenommen. Weitere Informationen zum Verlagsprogramm: www.chronos-verlag.ch Umschlagbild: Steve Ditko (Zeichner), Stan Lee (Autor) et al.: «Unmasked by Dr. Octopus», in: Spider-Man Classics Vol. 1, No. 13, April 1994, S. 5 (Nachdruck aus: The Amazing Spider-Man 12, Mai 1964). © Marvel Comics © 2019 Chronos Verlag, Zürich Print: ISBN 978-3-0340-1508-0 E-Book (PDF): DOI 10.33057/chronos.1508 5 Inhalt Einleitung 7 Maskerade und Geheimnis 17 Verbergen und Zeigen – Enthüllung durch Verhüllung 18 Geheimnisbedrohung und -bewahrung: Narrative Koordinaten der Doppelidentität 30 Masken, Rollen, Identitäten 45 «Die ganze Welt ist eine Bühne» – die metaphorische Maske 49 Interaktion und Identität, Konformität und Einzigartigkeit 56 Interpretationsansätze zur Doppelidentität (der Mann aus Stahl und der unscheinbare Reporter) 67 Die zivile Identität
- 
												  Valerian 741.5 Classic French Sci-Fi Epic 741.5 Hits the States in Comics and Film Plus...Hanna-Barberians! July 2017— NoMEANWHILE VALERIAN 741.5 CLASSIC FRENCH SCI-FI EPIC 741.5 HITS THE STATES IN COMICS AND FILM PLUS...HANNA-BARBERIANS! JULY 2017— NO. SEVEN AND… A TRIBUTE TO ADAM WEST BW The Comics & Graphic Novel Bulletin of Valerian is a spatio-temporal agent of straight-forward space opera of the Adam West passed away June Galaxity, center of the gargantuan Ter- earlier stories. Volume 2, the source of 9th, 2017, at the age of 89. A fa- ran Galactic Empire. Laureline is a our cover and the panel below, begins “Camp Is For Cowards” miliar face on the TV screens of the peasant girl from the 11th Century who the transition into more complex sto- New Frontier, West became an in- sussed out that this handsome stranger ries, with Laureline taking a stronger ternational star when he took the was from the far-flung future. Together role as writer Pierre Christin began to lead role of the Caped Crusader in they patrol space and time, putting the reflect on social issues such as femi- the ABC network’s 1966 adapta- cuffs on rogue time travelers and space nism. Throughout the series, the art of tion of the classic DC superhero, invaders. Introduced in Pilote, the fore- Jean-Claude Mezieres walked the fine Batman. Though the series was most French comic magazine of the line between cartoonish exuberance the epitome of camp, West played 1960s, Valerian set an international and rough-hewn realism. His tech has it straight. He became a role model - standard for science fiction comics, in- a physicality worthy of Wallace Wood.
- 
												  An Interview with Dez Skinn Vaughan, PhillipUniversity of Dundee ‘No Cricket Strips Here!’ An Interview with Dez Skinn Vaughan, Phillip Published in: Studies in Comics DOI: 10.1386/stic.8.1.85_7 Publication date: 2017 Document Version Peer reviewed version Link to publication in Discovery Research Portal Citation for published version (APA): Vaughan, P. (2017). ‘No Cricket Strips Here!’ An Interview with Dez Skinn. Studies in Comics, 8(1), 85-102. https://doi.org/10.1386/stic.8.1.85_7 General rights Copyright and moral rights for the publications made accessible in Discovery Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from Discovery Research Portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain. • You may freely distribute the URL identifying the publication in the public portal. Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 No cricket strips here! An interview with Dez Skinn Phillip Vaughan, University of Dundee Dez Skinn is a highly experienced and outspoken editor, publisher and writer, whose career spans five decades. Skinn is a key figure in the development of the British comics industry in the 1970s and 1980s. He started his career at IPC Magazines, starting as a sub-editor, and working mainly on IPC’s humour titles such as Cor!!, Whizzer & Chips and Buster.
- 
												  PREVIEWS OrderOrder PREVIEWS Form V11#11 For New Publications Scheduled to Ship in January, 2002 ORDER DEADLINE: NOVEMBER 10, 2001 PLACE STORE STAMP HERE Name _______________________________ Address _____________________________ City _________________State ___________ Zip ___________ Phone# _______________ Signature (Required) __________________ Your signature indicates that you are authorized to order items that are designated as “Adult,” and you are at least 18 years old. PLEASE PRINT CLEARLY! QTY TITLE PRICE Please note that the toy items on this order form may not be available at every store. Shipping times and prices may vary. For items sold by assortment (marked with an "*"), retailers cannot guarantee receiving specific items. Ask your retailer for more information when you order. PAGE 21 PREVIEWS PUBLICATIONS SPOT ______NOV01 0001 VIDEO VAULT CATALOG 2002 ..................................................................................MSRP: $0.75 = $ ____________ ____________NOV01 0003 PRIMO FLYER VOL XII #1 ..................................................................................................SRP: PI = $ ____________ ____________NOV01 0004 PREVIEWS VOL XII #1 ..............................................................................................MSRP: $3.25 = $ ____________ ____________NOV01 0005 PREVIEWS VOL XII CONSUMER ORDER FORM #1 ............................................................SRP: PI = $ ____________ ____________NOV01 0007 PREVIEWS ADULT VOL XII #1 ............................................................................................SRP:
- 
												  X-Men, Dragon Age, and Religion: Representations of Religion and the Religious in Comic Books, Video Games, and Their Related Media Lyndsey EGeorgia Southern University Digital Commons@Georgia Southern University Honors Program Theses 2015 X-Men, Dragon Age, and Religion: Representations of Religion and the Religious in Comic Books, Video Games, and Their Related Media Lyndsey E. Shelton Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/honors-theses Part of the American Popular Culture Commons, International and Area Studies Commons, and the Religion Commons Recommended Citation Shelton, Lyndsey E., "X-Men, Dragon Age, and Religion: Representations of Religion and the Religious in Comic Books, Video Games, and Their Related Media" (2015). University Honors Program Theses. 146. https://digitalcommons.georgiasouthern.edu/honors-theses/146 This thesis (open access) is brought to you for free and open access by Digital Commons@Georgia Southern. It has been accepted for inclusion in University Honors Program Theses by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. X-Men, Dragon Age, and Religion: Representations of Religion and the Religious in Comic Books, Video Games, and Their Related Media An Honors Thesis submitted in partial fulfillment of the requirements for Honors in International Studies. By Lyndsey Erin Shelton Under the mentorship of Dr. Darin H. Van Tassell ABSTRACT It is a widely accepted notion that a child can only be called stupid for so long before they believe it, can only be treated in a particular way for so long before that is the only way that they know. Why is that notion never applied to how we treat, address, and present religion and the religious to children and young adults? In recent years, questions have been continuously brought up about how we portray violence, sexuality, gender, race, and many other issues in popular media directed towards young people, particularly video games.