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Off-Beats and Cross Streets: a Collection of Writing About Music, Relationships, and New York City
University of Southern Maine USM Digital Commons Stonecoast MFA Student Scholarship 2020 Off-Beats and Cross Streets: A Collection of Writing about Music, Relationships, and New York City Tyler Scott Margid University of Southern Maine, [email protected] Follow this and additional works at: https://digitalcommons.usm.maine.edu/stonecoast Recommended Citation Margid, Tyler Scott, "Off-Beats and Cross Streets: A Collection of Writing about Music, Relationships, and New York City" (2020). Stonecoast MFA. 135. https://digitalcommons.usm.maine.edu/stonecoast/135 This Open Access Thesis is brought to you for free and open access by the Student Scholarship at USM Digital Commons. It has been accepted for inclusion in Stonecoast MFA by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. Off-Beats and Cross-Streets: A Collection of Writing about Music, Relationships, and New York City A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUTREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS, UNIVERSITY OF SOUTHERN MAINE, STONECOAST MFA IN CREATIVE WRITINC BY Tyler Scott Margid 20t9 THE UNIVERSITY OF SOUTHERN MAINE STONECOAST MFA IN CREATIVE WRITING November 20,2019 We hereby recommend that the thesis of Tyler Margid entitled OffÙeats and Cross- Streets be accepted as partial fulfillment of the requirements for the Degree of Master of Fine Arts Advisor Florio -'1 4rl:ri'{" ¡ 'l¡ ¡-tÁ+ -- Reader Debra Marquart Director J Accepted ¿/k Dean, College of Arts, Humanities, and Social Sciences Adam-Max Tuchinsky At¡stract Through a series of concert reviews, album reviews, and personal essays, this thesis tracks a musical memoir about the transition from a childhood growing up in a sheltered Connecticut suburb to young adulthood working in New York City, discovering relationships and music scenes that shape the narrator's senss of identity as well the larger culture he f,rnds himself in. -
Behavioral Health Services for People Who Are Homeless, TIP 55
A TREATMENT IMPROVEMENT PROTOCOL Behavioral Health Services for People Who Are Homeless TIP 55 A TREatMENT IMPROVEMENT PROTOCOL Behavioral Health Services for People Who Are Homeless TIP 55 U.S. DEPARTMENT OF HEALTH AND HUMAN SERVICES Substance Abuse and Mental Health Services Administration Center for Substance Abuse Treatment 1 Choke Cherry Road Rockville, MD 20857 Behavioral Health Services for People Who Are Homeless Acknowledgments This publication was produced under contract number 270-09-0307 by the Knowledge Applica tion Program (KAP), a Joint Venture of The CDM Group, Inc., and JBS International, Inc., for the Substance Abuse and Mental Health Services Administration (SAMHSA), U.S. Department of Health and Human Services (HHS). Christina Currier served as the Contracting Officer’s Representative. Disclaimer The opinions expressed herein are the views of the consensus panel members and do not neces sarily reflect the official position of SAMHSA or HHS. No official support of or endorsement by SAMHSA or HHS for these opinions or for the instruments or resources described is intended or should be inferred. The guidelines presented should not be considered substitutes for individu alized client care and treatment decisions. Public Domain Notice All materials appearing in this volume except those taken directly from copyrighted sources are in the public domain and may be reproduced or copied without permission from SAMHSA or the authors. Citation of the source is appreciated. However, this publication may not be repro duced or distributed for a fee without the specific, written authorization of the Office of Com munications, SAMHSA, HHS. Electronic Access and Copies of Publication This publication may be ordered for free from SAMHSA’s Publications Ordering Web page at http://store.samhsa.gov. -
Cold Chisel Announce First Ever Outdoor Summer Tour
COLD CHISEL ANNOUNCE FIRST EVER OUTDOOR SUMMER TOUR SPECIAL GUESTS ON “BLOOD MOON 2020 TOUR” INCLUDE PAUL KELLY, HOODOO GURUS BIRDS OF TOKYO, KASEY CHAMBERS TROY CASSAR-DALEY, MAGIC DIRT AND MORE TICKETS ONSALE FROM MONDAY, 21 OCTOBER There’s nothing more Australian than hot sun, warm waves and Cold Chisel. The band's classic songs like Khe Sanh, Flame Trees, Bow River, My Baby, Cheap Wine, Saturday Night and You Got Nothing I Want have become the soundtrack to our summers. Since their legendary Last Stand way back in 1983, Cold Chisel has reformed for just four national tours, but they almost always played indoors and those gigs didn’t happen over the holidays. Now, for the first time ever, this legendary Australian band will be playing 14 very special outdoor shows in Australia and New Zealand during summer. Between New Year’s Eve and the second weekend of February, they’ll do gigs on the beach, gigs by the river and gigs in the bush. You’ve never seen anything like it before. You’ll never see anything like it again. Pre-sale tickets will go onsale on Wednesday 16 October at 2.00pm (local times) with General Public onsale from Monday, 21 October at 11.00am (local times) via the official ticket links here. It’s called the Blood Moon Tour 2020 - named after a rare lunar eclipse where the sun, earth and moon all briefly align before returning to their own orbits. "You might get to see a blood moon once in your life”, explains the band’s main songwriter and piano player, Don Walker. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
The OCE Lamron, 1957-02-04
.Phillis and.Glenn '57· Sweethearts ' AM RoN during intermisison of the dance,. Vol. 34, No. 15 Monday, February 4 1957 Oregon College of Education Presentation Highlight by the two sponsoring club pres- 1 Of the Winier Formal idents, John LaFountaine and C . Phyllis Seid, brought to a climax Offlffll 11 ee To the theme, "Sweetheart the highlight of this annual af- J Plans Progress for Annual Folks' festival Serenade," Phyllis Seid, senior w~ . from Portland, and Glenn Bro Selected on the basis of schol strom, junior from Monmouth, arship, personality, service to . were chosen Collecto Coed and the school and attendanse at OCE Wolf Knight "Sweethearts" for for two or more terms, the two "Sweethearts" were unaware of their selection until the an nouncement was made last Sat urday night. Music floating across the can- 1 opy-covered gymnasium was fur nished by the "Stardusters," a band specially imported from Pa cific university. Les Birdsal, Wolf Knights' general chairman, and Mary Ann Jensen and Bonnie Newell, di rected decoration and clean-up activities for the dance. 'Dry' Night Club Glenn Brostrom To Open in Gym With the plans for '57 Folkswagon progressing rapidly, the Folks' Festival committee chair On February 16 men took time out to be photographed. Pictured are (from left to right) Shirley Kurtz, John Get tel, Virginia Chapman, Loretta Twombley, Audrey Arrington, Jim Beck, Gene Rosaschi, Lynn Monmouth, one of Oregon's Huston, Ruth Schweizer, Wanda Stevens, Helen Bergeron, Sumi Kobayashi and Aloha Taylor. two "dry" towns, will welcome an authentic night club when Qr. I Audrey Arrington, g e n er a 1 rangements to conduct the par- clubs will be held. -
Read Razorcake Issue #48 As a PDF
RIP THIS PAGE OUT Razorcake LV D ERQD¿GH QRQSUR¿W PXVLF PDJD]LQH GHGLFDWHG WR If you wish to donate through the mail, PLEASE supporting independent music culture. All donations, subscriptions, please rip this page out and send it to: and orders directly from us—regardless of amount—have been large Razorcake/Gorsky Press, Inc. components to our continued survival. $WWQ1RQSUR¿W0DQDJHU PO Box 42129 Razorcake has been very fortunate. Why? By the mere fact that Los Angeles, CA 90042 we still exist today. By the fact that we have over one hundred regular contributors—in addition to volunteers coming in every week day—at a time when our print media brethren are getting knocked down and out. Name What you may not realize is that the fanciest part about Razorcake is the zine you’re holding in your hands. We put everything we have into Address it. We pay attention to the pragmatic details that support our ideology. Our entire operations are run out of a 500 square foot basement. We don’t outsource any labor we can do ourselves (we don’t own a printing press or run the postal service). We’re self-reliant and take great pains E-mail WRFRYHUDERRPLQJIRUPRIPXVLFWKDWÀRXULVKHVRXWVLGHRIWKHPXVLF Phone industry, that isn’t locked into a fair weather scene or subgenre. Company name if giving a corporate donation 6RKHUH¶VWRDQRWKHU\HDURIJULWWHGWHHWKKLJK¿YHVDQGVWDULQJDW disbelief at a brand new record spinning on a turntable, improving our Name if giving on behalf of someone quality of life with each spin. Donation amount If you would like to give Razorcake some -
Seattle Campus Master Plan Eis Hearing
________________________________________________________ _ SEATTLE CAMPUS MASTER PLAN EIS HEARING ________________________________________________________ _ Taken at UW Tower 4333 Brooklyn Avenue Northeast, 4th Floor Seattle, Washington REPORTED BY: Thad Byrd, CCR REPORTED ON: October 26, 2016 SEATTLE, WASHINGTON; WEDNESDAY, OCTOBER 26, 2016 7:01 p.m. -- oo 0 oo -- HEARING OFFICER: I'm going to call the hearing to order. Thank you for coming. Let the record show that this public hearing began at 7 o'clock p.m. on Wednesday, October 26th, 2016. This hearing is being held pursuant to the State Environmental Policy Act, Chapter 43.21C, Revised Code of Washington, implementation of the State Environmental Policy Act, Washington Administrative Code 197-11-502 and 197-11-535 and the rules and regulations of the University of Washington, including Chapter 478-324 Washington Administrative Code. A copy of the Draft Environmental Impact Statement and plan are available for review at this hearing. CUCAC, the City University Community Advisory Committee is a co-sponsor of this hearing. I would like to introduce Matt Fox, Co-Chair of CUCAC. MATT FOX: Thank you. HEARING OFFICER: My name is Jan Arntz, Hearing Officer for the University of Washington. With me is Julie Blakeslee, UW Environmental Planner. Julie is also the 2 representative from the UW SEPA Advisory Committee. The purpose of this hearing is to gather specific comments on the Draft Environmental Impact Statement for the University of Washington Seattle Campus Master Plan issued on October 5th, 2016. The proposed action is adoption of a new Campus Master Plan for the University's Seattle Campus. -
Cold Chisel the Live Tapes - Vol
Cold Chisel The Live Tapes - Vol. 1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Live Tapes - Vol. 1 Country: Australia Released: 2013 Style: Classic Rock, Pub Rock MP3 version RAR size: 1284 mb FLAC version RAR size: 1798 mb WMA version RAR size: 1658 mb Rating: 4.3 Votes: 918 Other Formats: XM MP1 VOC MPC AA AU MMF Tracklist 1 Standing On The Outside 2 Cheap Wine 3 No Plans 4 HQ454 Monroe 5 Saturday Night 6 Everybody 7 Yakuza Girls 8 My Baby 9 Rising Sun 10 Summer Moon 11 Choir Girl 12 All For You 13 You Got Nothing I Want 14 Merry Go Round 15 Flame Trees 16 Khe Sanh 17 Bow River 18 When The War Is Over 19 Dead & Laid To Rest 20 Four Walls 21 Goodbye (Astrid Goodbye) Extra Features 22 In The Studio With Cold Chisel - Everybody 23 In The Studio With Cold Chisel - No Plans 24 In The Studio With Cold Chisel - Dead And Laid To Rest 25 In The Studio With Cold Chisel - All For You 26 In The Studio With Cold Chisel - Get Back On The Road Companies, etc. Manufactured By – Universal Music Australia Pty Ltd Distributed By – Universal Music Australia Pty Ltd Phonographic Copyright (p) – Cold Chisel Pty. Ltd. Copyright (c) – Cold Chisel Pty. Ltd. Filmed At – Hordern Pavilion Notes Hordern Pavilion, Sydney April 18, 2012 Cold Chisel The Live Tapes - Vol. 1 Special Guest - Lanie Lane Barcode and Other Identifiers Barcode: 0 602537 621682 Other versions Category Artist Title (Format) Label Category Country Year The Live Tapes Vol 1 (DVD, CCDVD005 Cold Chisel Universal Music CCDVD005 Australia 2013 Comp) Related Music albums to The Live Tapes - Vol. -
Cold Chisel to Be the First Australian Band to Headline Hanging Rock
COLD CHISEL TO BE THE FIRST AUSTRALIAN BAND TO HEADLINE HANGING ROCK JOINED BY MASSSIVE LINEUP OF AUSTRALIAN ROCK THE LIVING END, MARK SEYMOUR & THE UNDERTOW AND STONEFIELD In a career already jam packed with achievements, legendary rockers Cold Chisel are set to notch up yet another, becoming the first ever Australian band to headline a concert at Victoria’s iconic Hanging Rock. The concert, on Saturday 21 November, will notably be the only Victorian show on Cold Chisel’s One Night Stand national tour. "It's great to be the first Australian band to headline at Hanging Rock," said the band's piano player and chief songwriter Don Walker. "It's a location with incredible history and mystery. I hope we can add something to that, and I hope no-one goes missing." Joining Cold Chisel for this one night only concert will be a huge lineup of Aussie rock with The Living End, Mark Seymour & The Undertow and Stonefield all confirmed to perform. “We can't wait to play Hanging Rock," said frontman Jimmy Barnes. "And with such a great collection of Victorian artists - The Living End, Mark Seymour & The Undertow and Stonefield – playing with us, it certainly won't be a picnic." Cold Chisel’s November 21 Hanging Rock concert will see the band join illustrious names such as Bruce Springsteen, Leonard Cohen, Rod Stewart and the Eagles to have headlined the iconic venue. With a history that spans forty years and a reputation forged through blistering live shows and a catalogue of much-loved songs and albums, Cold Chisel has become a part of the nation's psyche. -
FOR IMMEDIATE RELEASE October 30, 2014 MASCOT RECORDS AND
FOR IMMEDIATE RELEASE October 30, 2014 MASCOT RECORDS AND JIMMY BARNES ANNOUNCE JANUARY 27 RELEASE DATE FOR HINDSIGHT 15th Studio Album Marks Barnes' 30th Anniversary of Debut As Solo Artist, and Features Little Steven, The Baby Animals, Tina Arena & Joe Bonamassa, Family Members Diesel and Mahalia, and More in Celebrating Extraordinary Milestone New York --- Mascot Label Group's Provogue label and Jimmy Barnes have announced a January 27, 2015 release date for HINDSIGHT . The album marks his 30th anniversary as a solo artist, and his 15th studio release since stepping away from Cold Chisel. No Australian artist has enjoyed a more prolific, legendary career down under than Barnes, who has enjoyed fame and success on a global scale. He enjoyed an unparalleled and unbroken streak of six chart-topping albums in a row, spanning the 1980s and into the ’90s. Just like Cold Chisel previously, his solo work literally provided the soundtrack for a generation of Australians. The incredible statistics of nine number one albums in total (all but one of his 14 studio albums debuting inside the Top 3), alongside his dual induction in to the ARIA Hall of Fame (as a solo artist and member of Cold Chisel), have cemented Barnes legacy as one of the great Australian recording artists of all time. HINDSIGHT sees Barnes surrounded by family and friends, revisiting some of the biggest hits from throughout his solo career, along with a few deeper cuts. His family members contributing to the album include daughter Mahalia, son David Campbell and brother-in-law Diesel. His friends who collaborated on the recordings feature Jon Cain and Neil Schon of Journey, The Living End, Tina Arena, Steven Van Zandt, Joe Bonamassa and more. -
Understanding Stephen Collins Foster His World and Music
Understanding Stephen Collins Foster His World and Music by Joanne O’Connell B.A., University of Miami, 1971 M.A., Florida International University, 2002 Submitted to the Graduate Faculty of the University of Pittsburgh in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 University of Pittsburgh School of Arts and Sciences This dissertation was presented by Joanne O’Connell It was defended on March 23, 2007 and approved by Dr. Van Beck Hall, Professor, Department of History Dr. Peter Karsten, Professor, Department of History Dr. Deane L. Root, Professor, Department of Music Dissertation Advisor: Dr. Edward Muller, Professor, Department of History ii Copyright by Joanne O’Connell 2007 iii Understanding Stephen Collins Foster, His World and Music Joanne O’Connell, PhD University of Pittsburgh, 2007 This dissertation is an explanation of the life and music of the American composer Stephen Collins Foster in terms of his historical world. Foster captured the essential dynamics of the antebellum mind and heart, which accounted for the immense popularity of his music even during the composer’s lifetime. Consequently, by placing Foster and his music within the historical context of his own antebellum society, culture, and history, I sought explanations for the following: the function of sentimentality in Foster’s tear-inducing parlor songs and in his blackface plantation songs; the Copperhead, anti-Lincoln politics of the Foster family; Foster’s non-companionate marriage to the high-tempered -
College Voice Vol. 35 No. 3
Connecticut College Digital Commons @ Connecticut College 2010-2011 Student Newspapers 10-4-2010 College Voice Vol. 35 No. 3 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_2010_2011 Recommended Citation Connecticut College, "College Voice Vol. 35 No. 3" (2010). 2010-2011. 17. https://digitalcommons.conncoll.edu/ccnews_2010_2011/17 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 2010-2011 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. MONDAY. OaOBER 4. 2010 VOLUME XXXV· ISSUE 3 A Mosque near Ground Zero? A Camel on the Runway Students and faculty gather to discuss the fuss JERRELL MAYS informing me that I was kicked STAFF WRITER out of CELS. Shortly before SHANNON KEATING leaving Scotland, I pretty much proposed Islamic cultural center Lisette Roman' 12 who inspired Earlier this year, many Conn CONTRIBUTOR got the same e-mail again. So, I near Ground Zero. Sandwiched this particular educational effort. students received paid intern- was kicked out twice." When he Clustered into the Alice John- amongst their peers, students and "This summer, in my local ships over the summer. entreated them to let him make son room, approximately fifty staff quietly enjoyed cookies and newspaper, I read a reader's poll David Kelley' 11 was not one up the missed meetings, their re- members of the Connecticut Col- coffee as a distinguished panel regarding the construction of the of those students.