Papua New Guinea
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AMS112 1978-1979 Lowres Web
--~--------~--------------------------------------------~~~~----------~-------------- - ~------------------------------ COVER: Paul Webber, technical officer in the Herpetology department searchers for reptiles and amphibians on a field trip for the Colo River Survey. Photo: John Fields!The Australian Museum. REPORT of THE AUSTRALIAN MUSEUM TRUST for the YEAR ENDED 30 JUNE , 1979 ST GOVERNMENT PRINTER, NEW SOUTH WALES-1980 D. WE ' G 70708K-1 CONTENTS Page Page Acknowledgements 4 Department of Palaeontology 36 The Australian Museum Trust 5 Department of Terrestrial Invertebrate Ecology 38 Lizard Island Research Station 5 Department of Vertebrate Ecology 38 Research Associates 6 Camden Haven Wildlife Refuge Study 39 Associates 6 Functional Anatomy Unit.. 40 National Photographic Index of Australian Director's Research Laboratory 40 Wildlife . 7 Materials Conservation Section 41 The Australian Museum Society 7 Education Section .. 47 Letter to the Premier 9 Exhibitions Department 52 Library 54 SCIENTIFIC DEPARTMENTS Photographic and Visual Aid Section 54 Department of Anthropology 13 PublicityJ Pu bl ications 55 Department of Arachnology 18 National Photographic Index of Australian Colo River Survey .. 19 Wildlife . 57 Lizard Island Research Station 59 Department of Entomology 20 The Australian Museum Society 61 Department of Herpetology 23 Appendix 1- Staff .. 62 Department of Ichthyology 24 Appendix 2-Donations 65 Department of Malacology 25 Appendix 3-Acknowledgements of Co- Department of Mammalogy 27 operation. 67 Department of Marine -
Captain Bligh
www.goglobetrotting.com THE MAGAZINE FOR WORLD TRAVELLERS - SPRING/SUMMER 2014 CANADIAN EDITION - No. 20 CONTENTS Iceland-Awesome Destination. 3 New Faces of Goway. 4 Taiwan: Foodie's Paradise. 5 Historic Henan. 5 Why Southeast Asia? . 6 The mutineers turning Bligh and his crew from the 'Bounty', 29th April 1789. The revolt came as a shock to Captain Bligh. Bligh and his followers were cast adrift without charts and with only meagre rations. They were given cutlasses but no guns. Yet Bligh and all but one of the men reached Timor safely on 14 June 1789. The journey took 47 days. Captain Bligh: History's Most Philippines. 6 Misunderstood Globetrotter? Australia on Sale. 7 by Christian Baines What transpired on the Bounty Captain’s Servant on the HMS contact with the Hawaiian Islands, Downunder Self Drive. 8 Those who owe everything they is just one chapter of Bligh’s story, Monmouth. The industrious where a dispute with the natives Spirit of Queensland. 9 know about Captain William Bligh one that for the most-part tells of young recruit served on several would end in the deaths of Cook Exploring Egypt. 9 to Hollywood could be forgiven for an illustrious naval career and of ships before catching the attention and four Marines. This tragedy Ecuador's Tren Crucero. 10 thinking the man was a sociopath. a leader noted for his fairness and of Captain James Cook, the first however, led to Bligh proving him- South America . 10 In many versions of the tale, the (for the era) clemency. Bligh’s tem- European to set foot on the east self one of the British Navy’s most man whose leadership drove the per however, frequently proved his coast of Australia. -
Becoming Art: Some Relationships Between Pacific Art and Western Culture Susan Cochrane University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1995 Becoming art: some relationships between Pacific art and Western culture Susan Cochrane University of Wollongong Recommended Citation Cochrane, Susan, Becoming art: some relationships between Pacific ra t and Western culture, Doctor of Philosophy thesis, , University of Wollongong, 1995. http://ro.uow.edu.au/theses/2088 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. BECOMING ART: SOME RELATIONSHIPS BETWEEN PACIFIC ART AND WESTERN CULTURE by Susan Cochrane, B.A. [Macquarie], M.A.(Hons.) [Wollongong] 203 CHAPTER 4: 'REGIMES OF VALUE'1 Bokken ngarribimbun dorlobbo: ngarrikarrme gunwok kunmurrngrayek ngadberre ngarribimbun dja mak kunwarrde kne ngarribimbun. (There are two reasons why we do our art: the first is to maintain our culture, the second is to earn money). Injalak Arts and Crafts Corporate Plan INTRODUCTION In the last chapter, the example of bark paintings was used to test Western categories for indigenous art. Reference was also made to Aboriginal systems of classification, in particular the ways Yolngu people classify painting, including bark painting. Morphy's concept, that Aboriginal art exists in two 'frames', was briefly introduced, and his view was cited that Yolngu artists increasingly operate within both 'frames', the Aboriginal frame and the European frame (Morphy 1991:26). This chapter develops the theme of how indigenous art objects are valued, both within the creator society and when they enter the Western art-culture system. When aesthetic objects move between cultures the values attached to them may change. -
Second Session, Commencing at 11.30 Am AUSTRALIAN GOLD
Second Session, Commencing at 11.30 am AUSTRALIAN GOLD COINS 323* Queen Victoria, second type, 1857. Nearly very fi ne. $500 ADELAIDE ASSAY OFFICE 324* Queen Victoria, second type, 1866. Nearly extremely fi ne. $750 319* Ex J. and J. Edwards Collection. Adelaide pound, 1852, second type with crenellated inner circle on reverse. Ex mount, very good/good. $1,000 SYDNEY MINT SOVEREIGNS 325* Queen Victoria, second type, 1866. Good very fi ne. $500 326 Queen Victoria, second type, 1866. Nearly very fi ne. $400 320* 327 Queen Victoria, fi rst type, 1855. Good very fi ne. Queen Victoria, second type, 1866, 1867. In a Monetarium case of sale, very fi ne. (2) $3,000 $1,000 321* 328* Queen Victoria, fi rst type, 1855. Very fi ne. Queen Victoria, second type, 1867. Contact mark behind $2,000 neck, otherwise nearly extremely fi ne. $500 322* Queen Victoria, fi rst type, 1855. Rim bruise under date, otherwise nearly fi ne. 329* Queen Victoria, second type, 1867. Very fi ne. $1,250 $450 Ex J. and J. Edwards Collection. 26 SYDNEY MINT HALF SOVEREIGNS 330* Queen Victoria, second type, 1868. Nearly extremely fi ne. $650 337* Queen Victoria, fi rst type, 1856. Nearly fi ne. $600 Ex J. and J. Edwards Collection. 331* Queen Victoria, second type, 1870. Nearly uncirculated/ uncirculated. $600 338* Queen Victoria, second type, 1861. Good very fi ne. $700 339 332* Queen Victoria, second type, 1861. Very good. Queen Victoria, second type, 1870. Considerable mint $200 bloom, extremely fi ne. $800 340* Queen Victoria, second type, 1866. -
Jane Awi Thesis (PDF 5MB)
“CREATING NEW FOLK OPERA FORMS OF APPLIED THEATRE FOR HIV AND AIDS EDUCATION IN PAPUA NEW GUINEA” [JANE PUMAI AWI] [DOCTOR OF PHILOSOPHY] Master of Arts (Humanities) Bachelor of Arts in Literature Diploma in Theatre Arts Supervisors Professor Brad Haseman Dr. Andrea Baldwin Dr. Greg Murphy Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Faculty of Creative Industry Queensland University of Technology 2014 KEYWORDS Communication, awareness, HIV and AIDS, Voluntary, Testing and Counselling, folk opera, applied theatre, theatre for development, drama, script, performance, performativity, theatre, theatricality, intercultural theatre, intra-cultural, indigenous knowledge, cultural performances, metaphor, signs, symbols, Papua New Guinean worldview, Melanesian way, Papua New Guinea and Kumul. Table of Contents i Abstract This research investigated the potential of folk opera as a tool for HIV and AIDS education in Papua New Guinea. It began with an investigation on the indigenous performativities and theatricalities of Papua New Guineans, conducting an audit of eight selected performance traditions in Papua New Guinea. These traditions were analysed, and five cultural forms and twenty performance elements were drawn out for further exploration. These elements were fused and combined with theatre techniques from western theatre traditions, through a script development process involving Australians, Papua New Guineans and international collaborators. The resulting folk opera, entitled Kumul, demonstrates what Murphy (2010) has termed story force, picture force, and feeling force, in the service of a story designed to educate Papua New Guinean audiences about HIV and the need to adopt safer sexual practices. Kumul is the story of a young man faced with decisions on whether or not to engage in risky sexual behaviours. -
National Newsletter
National Newsletter Australian Institute for the Conservation of Cultural Material (Inc.) ISSN 1834-0598 No 124 March 2013 Contents 2 President’s Report 3 A new vision: redesigning the UC conservation course 5 University of Canberra update – a new laboratory 6 Marcelle Scott – an appreciation by two former students 6 Special Interest Group News 7 AICCM Bulletin Editor – Farewell to the old and welcome to the new 8 The ICOM-CC 17th Triennial Conference in Melbourne 2014 10 The Meaning of End of an era: Materials in Modern and Contemporary Art Marcelle Scott retires 13 Conference Report 14 Workshop Review from the CCMC 15 Course Review 16 The 2012 winners of the ADFAS/AICCM Marcelle Scott (CCMC) & Dr Ian MacLeod Prize for Conservation (WAM) at the Heritage Victoria Labs. Student of the Year Photo: Jane Walton student, CCMC 18 Christmas in the divisions Institutional News 20 NSW 24 ACT 24 SA 25 Vic 27 Trawling the Internet Photographic Conference, Objects SIG meets in Konservator Ken finds love Te Papa, Wellington Melbourne President’s Report President’s Report In early March, National Council met that Council can explore to further Other major events coming up soon are in Melbourne for our annual two day, the association. Creative Partnerships our National Conference – in Adelaide face-to-face meeting. We use these two Australia aims to be a ‘one-stop-shop’ in October this year. A very interesting days to develop a focus for the coming to promote, encourage and facilitate and challenging theme – Conservation year and to choose some projects that business, philanthropic and donor and Conservators in a Wider Context provide a balance – some that are support for the arts. -
Pacific Island History Poster Profiles
Pacific Island History Poster Profiles A Note for Teachers Acknowledgements Index of Profiles This Profiles are subject to copyright. Photocopying and general reproduction for teaching purposes is permitted. Reproduction of this material in part or whole for commercial purposes is forbidden unless written consent has been obtained from Queensland University of Technology. Requests can be made through the acknowldgements section of this pdf file. A Note for Teachers This series of National History Posters has been designed for individual and group Classroom use and Library display in secondary schools. The main aim is to promote in children an interest in their national history. By comparing their nation's history with what is presented on other Posters, students will appreciate the similarities and differences between their own history and that of their Pacific Island neighbours. The student activities are designed to stimulate comparison and further inquiry into aspects of their own and other's past. The National History Posters will serve a further purpose when used as a permanent display in a designated “History” classroom, public space or foyer in the school or for special Parent- Teacher nights, History Days and Education Days. The National History Posters do not offer a complete survey of each nation's history. They are only a profile. They are a short-cut to key people, key events and the broad sweep of history from original settlement to the present. There are many gaps. The posters therefore serve as a stimulus for students to add, delete, correct and argue about what should or should not be included in their Nation's History Profile. -
USP Workshop
USP workshop Thursday 25 August 2016 “Researchers need to be free, to be open to the immersive experience of exploratory research, receptive to the power of what you read, attentive to the voices you encounter, allow them to move you, change your minds and generate new understandings… archives are often the start of many histories yet to be written or imagined. These future possibilities are precious and exciting.” (Ballantyne, 2015) The aim of PMB Help with long-term preservation of the documentary heritage of the Pacific Islands and to make it accessible. What the PMB does • Arrange, lists and copies archives • Provide access • Provide support to researchers • Supports archives and libraries in the Pacific Islands Why? Archives are often in vulnerable conditions out in the islands —Cyclones, tsunamis —Mould, pests —Political instability —Few resources Scholars, students and Church of Melanesia archives in Santo, researchers of all kinds use Vanuatu, 2012 archives for their work Vulnerable documents The Bureau’s collection Over 4000 reels of microfilm Reels in PMB Ms. Series by Content Government Diaries Letters Church/ Whaling mission Types of documents Letters Diaries Photographs Novels, stories, music Dictionaries Church and mission records Company records Poster promoting maternal & child health in PNG, c.1956. (Jean Chambers collection, PMB 1255/1; PMB Photo9/01.) Types of documents Shipping registers Youth and womens’ group newsletters Newspapers Scientific papers Broadcast reports (ABC) Minutes and accounts Posters Poster advertising the Goroka show, 1968 (Norman Wilson papers, PMB 1246/42.) PMB Photograph Collection Over 80 photographic collections 1849- Solomon Islands PNG Cook Islands Vanuatu Samoa Niue PMB Photo 43. -
Morobe & Madang Provinces
© Lonely Planet Publications 124 lonelyplanet.com MOROBE & MADANG PROVINCES •• History 125 HISTORY Volcanic eruptions at Rabaul in 1937 Ancient axe heads that have been found sug- prompted a decision to move the capital of Morobe & Madang gest people have been living in this part of New Guinea to Lae, but WWII intervened PNG for about 40,000 years. Simbai settle- and instead Lae, Salamaua and Rabaul be- ments date back 15,000 years. Bilbil and Yabob came major Japanese bases. The Japanese also Provinces people in Madang Province are famous for took Madang. their pots, which they’ve been trading with In early 1943 the Japanese, reeling from Morobe peoples and Highlanders for eons. defeats at Milne Bay and the Kokoda Track, If you have just rolled down the pot-holed roads of the Highlands on an arse-spanking The first European to spend any length attempted to take Port Moresby by attacking PMV, Morobe and Madang, with their beaches and bays, will be as welcome as a shot of of time on the PNG mainland was Russian towards Wau, marching over the mountains quinine after a bout of malaria. biologist Nicolai Miklouho-Maclay. He ar- from Salamaua. The Battle of Wau was fought rived at Astrolabe Bay, south of the present hand-to-hand after the ammunition ran out, Geographically speaking they are similar – both rise from pristine beaches and bays of site of Madang, in 1871 and stayed for 15 with villagers watching in much the same way that foreign researchers (with an advanced Papua New Guinea’s northern coast into a series of thickly forested hills, imposing mountain months before leaving to regain his health, which was badly affected by malaria. -
PACIFIC MANUSCRIPTS BUREAU Catalogue of South Seas
PACIFIC MANUSCRIPTS BUREAU Room 4201, Coombs Building College of Asia and the Pacific The Australian National University, Canberra, ACT 0200 Australia Telephone: (612) 6125 2521 Fax: (612) 6125 0198 E-mail: [email protected] Web site: http://rspas.anu.edu.au/pambu Catalogue of South Seas Photograph Collections Chronologically arranged, including provenance (photographer or collector), title of record group, location of materials and sources of information. Amended 18, 30 June, 26 Jul 2006, 7 Aug 2007, 11 Mar, 21 Apr, 21 May, 8 Jul, 7, 12 Aug 2008, 8, 20 Jan 2009, 23 Feb 2009, 19 & 26 Mar 2009, 23 Sep 2009, 19 Oct, 26, 30 Nov, 7 Dec 2009, 26 May 2010, 7 Jul 2010; 30 Mar, 15 Apr, 3, 28 May, 2 & 14 Jun 2011, 17 Jan 2012. Date Provenance Region Record Group & Location &/or Source Range Description 1848 J. W. Newland Tahiti Daguerreotypes of natives in Location unknown. Possibly in South America and the South the Historic Photograph Sea Islands, including Queen Collection at the University of Pomare and her subjects. Ref Sydney. (Willis, 1988, p.33; SMH, 14 Mar.1848. and Davies & Stanbury, 1985, p.11). 1857- Matthew New Guinea; Macarthur family albums, Original albums in the 1866, Fortescue Vanuatu; collected by Sir William possession of Mr Macarthur- 1879 Moresby Solomon Macarthur. Stanham. Microfilm copies, Islands Mitchell Library, PXA4358-1. 1858- Paul Fonbonne Vanuatu; New 334 glass negatives and some Mitchell Library, Orig. Neg. Set 1933 Caledonia, prints. 33. Noumea, Isle of Pines c.1850s- Presbyterian Vanuatu Photograph albums - Mitchell Library, ML 1890s Church of missions. -
Download PNG Adventurous Training Guide by Reg Yates
The PNG Adventurous Training Guide 2017 By Reg Yates RFD [email protected] Melbourne, February 2017 “Time spent on reconnaissance is seldom wasted” “Planning & Preparation Prevents Poor Performance” This Guide provides outline military or colonial history notes on the following, 8 day - 10 day activities; it does not contain sketch maps, photos or images; readers should consult the various books listed (though some are out of print, or very expensive) and the survey maps suggested; there is no index. Subject to Reg Yates‟ copyright as author this Guide may be circulated free to anyone wanting to read and learn more about Australians in Papua & New Guinea since the First World War. Bougainville; including Porton Plantation, Slater‟s Knoll, Torokina and Panguna‟s abandoned mine. Shaggy Ridge; including Nadzab, Lae War Cemetery and Kaiapit. Huon Peninsula including Finschafen, Scarlet Beach and Sattelberg; “Fear Drive My Feet” by the late Peter Ryan, MM, MID; Mt Saruwaged and Kitamoto‟s IJA escape route; Wau-Salamaua including the Black Cat and Skin Diwai tracks; Bulldog-Wau Army Road and the Bulldog Track; Rabaul- Bita Paka and AE-1; Lark Force and Tol Plantation; the IJA underground hospital Mt Wilhelm; with local guides Walindi Plantation, as a base for battlefield survey tours to Cape Gloucester, Willaumez Peninsula and Awul/Uvol; reconnaissance for caving in the Nakanai mountains; and scuba-diving and snorkelling; Sepik River; Houna Mission to Angoram paddling a dugout canoe; Wewak and Dagua by 4WD; White-water rafting on the Watut River; Mt Victoria trek; Karius & Champion‟s 1926-1928 crossing of the Fly River-Sepik River headwaters; Hindenburg Range. -
Wau–Salamaua
CHAPTER 8 WAU-SALAMAUA E have seen how the frontal attack of the Japanese on Moresb y W over the Owen Stanley Range and the flank attack on Milne Ba y were associated with a threat by the enemy on the northern flank, whe n he made unopposed landings at Lae and Salamaua . These landings not only constituted a potential danger to Moresby and provided valuable site s for enemy bases, but also gave access to the Wau-Bulolo Valley . This area, famous for its alluvial gold mining, had been developed i n previous years by the enterprise of air services, which had establishe d airfields capable of linking strategic points in an otherwise most difficul t terrain. The precipitous Kuper Range rose to 10,000 feet in places, an d cut off these coastal centres from the interior, where in a deep cleft the Bulolo and Watut Rivers flowed in a basin still several thousand fee t above sea level . Progress through this country was slow and laborious ; it exemplified a common feature of the uplands of New Guinea, wher e time of travel was much more significant than distance . Travel by foot often demanded incessant clamberings up and down rough rocky ravines and crossing fast streams, and at the higher mountain elevations over 5,000 feet the moss country began, treacherous and forbidding . The usual variants of tropical growth were seen in different parts of this valley , but of a specially wild ruggedness . The foothills, often very steep, wer e covered with kunai grass, and the slopes above were clothed with thic k forest made almost impenetrable by dense jungle growth.