Captain Bligh
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AMS112 1978-1979 Lowres Web
--~--------~--------------------------------------------~~~~----------~-------------- - ~------------------------------ COVER: Paul Webber, technical officer in the Herpetology department searchers for reptiles and amphibians on a field trip for the Colo River Survey. Photo: John Fields!The Australian Museum. REPORT of THE AUSTRALIAN MUSEUM TRUST for the YEAR ENDED 30 JUNE , 1979 ST GOVERNMENT PRINTER, NEW SOUTH WALES-1980 D. WE ' G 70708K-1 CONTENTS Page Page Acknowledgements 4 Department of Palaeontology 36 The Australian Museum Trust 5 Department of Terrestrial Invertebrate Ecology 38 Lizard Island Research Station 5 Department of Vertebrate Ecology 38 Research Associates 6 Camden Haven Wildlife Refuge Study 39 Associates 6 Functional Anatomy Unit.. 40 National Photographic Index of Australian Director's Research Laboratory 40 Wildlife . 7 Materials Conservation Section 41 The Australian Museum Society 7 Education Section .. 47 Letter to the Premier 9 Exhibitions Department 52 Library 54 SCIENTIFIC DEPARTMENTS Photographic and Visual Aid Section 54 Department of Anthropology 13 PublicityJ Pu bl ications 55 Department of Arachnology 18 National Photographic Index of Australian Colo River Survey .. 19 Wildlife . 57 Lizard Island Research Station 59 Department of Entomology 20 The Australian Museum Society 61 Department of Herpetology 23 Appendix 1- Staff .. 62 Department of Ichthyology 24 Appendix 2-Donations 65 Department of Malacology 25 Appendix 3-Acknowledgements of Co- Department of Mammalogy 27 operation. 67 Department of Marine -
H.M.S. Bounty on April 27, 1789, She Was an Unrated, Unassuming Little
On April 27, 1789, she was an unrated, unassuming little ship halfway through a low-priority agricultural mission for the Royal Navy. A day later, she was launched into immortality as the H.M.S. Bounty site of history’s most famous mutiny. THE MISSION THE SHIP THE MUTINY Needless to say, it was never supposed to be Yes, it had sails and masts, Originally constructed For reasons having to do with the weather and this much trouble. but Bounty didn’t carry as the bulk cargo hauler the life cycle of breadfruit Royal Navy Lt. enough guns to be rated Bethia, the vessel was trees, the Bounty’s stay William Bligh was as a warship and therefore renamed and her masts in the tropical paradise commissioned to take could not officially be called and rigging completely of Tahiti stretched to the newly outfitted a “ship” — only an armed redesigned to Lt. Bligh’s five months. 24 days Bounty to the island transport. own specifications. after weighing anchor of Tahiti to pick up By any reckoning, Bounty to begin the arduous some breadfruit trees. was very small for the voyage home, Christian These were then to be mission it was asked — brandishing a bayonet carefully transported to perform and the and screaming “I am in to the West Indies, dangerous waters it hell!” — led 18 mutineers into Bligh’s cabin and where it was hoped would have to sail. Breadfruit. that their starchy, packed him off the ship. William Bligh, in melon-like fruit Bligh responded by cementing his place in naval a picture from his would make cheap history with a 4,000-mile journey, in an memoir of the mutiny. -
Becoming Art: Some Relationships Between Pacific Art and Western Culture Susan Cochrane University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1995 Becoming art: some relationships between Pacific art and Western culture Susan Cochrane University of Wollongong Recommended Citation Cochrane, Susan, Becoming art: some relationships between Pacific ra t and Western culture, Doctor of Philosophy thesis, , University of Wollongong, 1995. http://ro.uow.edu.au/theses/2088 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. BECOMING ART: SOME RELATIONSHIPS BETWEEN PACIFIC ART AND WESTERN CULTURE by Susan Cochrane, B.A. [Macquarie], M.A.(Hons.) [Wollongong] 203 CHAPTER 4: 'REGIMES OF VALUE'1 Bokken ngarribimbun dorlobbo: ngarrikarrme gunwok kunmurrngrayek ngadberre ngarribimbun dja mak kunwarrde kne ngarribimbun. (There are two reasons why we do our art: the first is to maintain our culture, the second is to earn money). Injalak Arts and Crafts Corporate Plan INTRODUCTION In the last chapter, the example of bark paintings was used to test Western categories for indigenous art. Reference was also made to Aboriginal systems of classification, in particular the ways Yolngu people classify painting, including bark painting. Morphy's concept, that Aboriginal art exists in two 'frames', was briefly introduced, and his view was cited that Yolngu artists increasingly operate within both 'frames', the Aboriginal frame and the European frame (Morphy 1991:26). This chapter develops the theme of how indigenous art objects are valued, both within the creator society and when they enter the Western art-culture system. When aesthetic objects move between cultures the values attached to them may change. -
Mutiny on the Bounty: a Piece of Colonial Historical Fiction Sylvie Largeaud-Ortega University of French Polynesia
4 Nordhoff and Hall’s Mutiny on the Bounty: A Piece of Colonial Historical Fiction Sylvie Largeaud-Ortega University of French Polynesia Introduction Various Bounty narratives emerged as early as 1790. Today, prominent among them are one 20th-century novel and three Hollywood movies. The novel,Mutiny on the Bounty (1932), was written by Charles Nordhoff and James Norman Hall, two American writers who had ‘crossed the beach’1 and settled in Tahiti. Mutiny on the Bounty2 is the first volume of their Bounty Trilogy (1936) – which also includes Men against the Sea (1934), the narrative of Bligh’s open-boat voyage, and Pitcairn’s Island (1934), the tale of the mutineers’ final Pacific settlement. The novel was first serialised in the Saturday Evening Post before going on to sell 25 million copies3 and being translated into 35 languages. It was so successful that it inspired the scripts of three Hollywood hits; Nordhoff and Hall’s Mutiny strongly contributed to substantiating the enduring 1 Greg Dening, ‘Writing, Rewriting the Beach: An Essay’, in Alun Munslow & Robert A Rosenstone (eds), Experiments in Rethinking History, New York & London, Routledge, 2004, p 54. 2 Henceforth referred to in this chapter as Mutiny. 3 The number of copies sold during the Depression suggests something about the appeal of the story. My thanks to Nancy St Clair for allowing me to publish this personal observation. 125 THE BOUNTY FROM THE BEACH myth that Bligh was a tyrant and Christian a romantic soul – a myth that the movies either corroborated (1935), qualified -
Second Session, Commencing at 11.30 Am AUSTRALIAN GOLD
Second Session, Commencing at 11.30 am AUSTRALIAN GOLD COINS 323* Queen Victoria, second type, 1857. Nearly very fi ne. $500 ADELAIDE ASSAY OFFICE 324* Queen Victoria, second type, 1866. Nearly extremely fi ne. $750 319* Ex J. and J. Edwards Collection. Adelaide pound, 1852, second type with crenellated inner circle on reverse. Ex mount, very good/good. $1,000 SYDNEY MINT SOVEREIGNS 325* Queen Victoria, second type, 1866. Good very fi ne. $500 326 Queen Victoria, second type, 1866. Nearly very fi ne. $400 320* 327 Queen Victoria, fi rst type, 1855. Good very fi ne. Queen Victoria, second type, 1866, 1867. In a Monetarium case of sale, very fi ne. (2) $3,000 $1,000 321* 328* Queen Victoria, fi rst type, 1855. Very fi ne. Queen Victoria, second type, 1867. Contact mark behind $2,000 neck, otherwise nearly extremely fi ne. $500 322* Queen Victoria, fi rst type, 1855. Rim bruise under date, otherwise nearly fi ne. 329* Queen Victoria, second type, 1867. Very fi ne. $1,250 $450 Ex J. and J. Edwards Collection. 26 SYDNEY MINT HALF SOVEREIGNS 330* Queen Victoria, second type, 1868. Nearly extremely fi ne. $650 337* Queen Victoria, fi rst type, 1856. Nearly fi ne. $600 Ex J. and J. Edwards Collection. 331* Queen Victoria, second type, 1870. Nearly uncirculated/ uncirculated. $600 338* Queen Victoria, second type, 1861. Good very fi ne. $700 339 332* Queen Victoria, second type, 1861. Very good. Queen Victoria, second type, 1870. Considerable mint $200 bloom, extremely fi ne. $800 340* Queen Victoria, second type, 1866. -
Globalizing the Routes of Breadfruit and Other Bounties
http://muse.jhu.edu/journals/journal_of_colonialism_and_colonial_history/v008/8.3deloughrey.html Globalizing the Routes of Breadfruit and Other Bounties Journal of Colonialism and Colonial History 8:3 | © 2008 Elizabeth DeLoughrey Globalizing the Routes of Breadfruit and Other Bounties Elizabeth DeLoughrey Cornell University 1. The eighteenth-century British quest for Tahitian breadfruit and the subsequent mutiny on the Bounty have produced a remarkable narrative legacy of maritime romance and revolution in print, film and the popular imagination. William Bligh’s first attempt to transport the Tahitian breadfruit to the Caribbean slave colonies in 1789 resulted in a well-known mutiny orchestrated by his first mate Fletcher Christian, the pursuit, capture, and court martial of the mutineers who returned to Tahiti, and the flight of Christian and his colleagues to Pitcairn Island where they established a troubled society of Europeans and Tahitians. As a historical narrative rehearsed almost exclusively on the Pacific stage, the breadfruit transplantation has been segregated from its Caribbean roots. Despite the loss of officers, crew, and one thousand breadfruit seedlings, the British government decided to repeat the attempt and successfully transplanted the tree to their slave colonies four years later.1 Here I focus on the colonial mania for what was popularly conceived as an icon of liberty, the breadfruit, and the British determination to transplant over three thousand of these Tahitian food trees to the Caribbean plantations to “feed the slaves.”2 Tracing the routes of the breadfruit from the Pacific to the Caribbean, I read this historical event as a globalization of the island tropics, particularly evident in human and plant migration, creolization, and consumption. -
Jane Awi Thesis (PDF 5MB)
“CREATING NEW FOLK OPERA FORMS OF APPLIED THEATRE FOR HIV AND AIDS EDUCATION IN PAPUA NEW GUINEA” [JANE PUMAI AWI] [DOCTOR OF PHILOSOPHY] Master of Arts (Humanities) Bachelor of Arts in Literature Diploma in Theatre Arts Supervisors Professor Brad Haseman Dr. Andrea Baldwin Dr. Greg Murphy Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Faculty of Creative Industry Queensland University of Technology 2014 KEYWORDS Communication, awareness, HIV and AIDS, Voluntary, Testing and Counselling, folk opera, applied theatre, theatre for development, drama, script, performance, performativity, theatre, theatricality, intercultural theatre, intra-cultural, indigenous knowledge, cultural performances, metaphor, signs, symbols, Papua New Guinean worldview, Melanesian way, Papua New Guinea and Kumul. Table of Contents i Abstract This research investigated the potential of folk opera as a tool for HIV and AIDS education in Papua New Guinea. It began with an investigation on the indigenous performativities and theatricalities of Papua New Guineans, conducting an audit of eight selected performance traditions in Papua New Guinea. These traditions were analysed, and five cultural forms and twenty performance elements were drawn out for further exploration. These elements were fused and combined with theatre techniques from western theatre traditions, through a script development process involving Australians, Papua New Guineans and international collaborators. The resulting folk opera, entitled Kumul, demonstrates what Murphy (2010) has termed story force, picture force, and feeling force, in the service of a story designed to educate Papua New Guinean audiences about HIV and the need to adopt safer sexual practices. Kumul is the story of a young man faced with decisions on whether or not to engage in risky sexual behaviours. -
National Newsletter
National Newsletter Australian Institute for the Conservation of Cultural Material (Inc.) ISSN 1834-0598 No 124 March 2013 Contents 2 President’s Report 3 A new vision: redesigning the UC conservation course 5 University of Canberra update – a new laboratory 6 Marcelle Scott – an appreciation by two former students 6 Special Interest Group News 7 AICCM Bulletin Editor – Farewell to the old and welcome to the new 8 The ICOM-CC 17th Triennial Conference in Melbourne 2014 10 The Meaning of End of an era: Materials in Modern and Contemporary Art Marcelle Scott retires 13 Conference Report 14 Workshop Review from the CCMC 15 Course Review 16 The 2012 winners of the ADFAS/AICCM Marcelle Scott (CCMC) & Dr Ian MacLeod Prize for Conservation (WAM) at the Heritage Victoria Labs. Student of the Year Photo: Jane Walton student, CCMC 18 Christmas in the divisions Institutional News 20 NSW 24 ACT 24 SA 25 Vic 27 Trawling the Internet Photographic Conference, Objects SIG meets in Konservator Ken finds love Te Papa, Wellington Melbourne President’s Report President’s Report In early March, National Council met that Council can explore to further Other major events coming up soon are in Melbourne for our annual two day, the association. Creative Partnerships our National Conference – in Adelaide face-to-face meeting. We use these two Australia aims to be a ‘one-stop-shop’ in October this year. A very interesting days to develop a focus for the coming to promote, encourage and facilitate and challenging theme – Conservation year and to choose some projects that business, philanthropic and donor and Conservators in a Wider Context provide a balance – some that are support for the arts. -
Pacific Island History Poster Profiles
Pacific Island History Poster Profiles A Note for Teachers Acknowledgements Index of Profiles This Profiles are subject to copyright. Photocopying and general reproduction for teaching purposes is permitted. Reproduction of this material in part or whole for commercial purposes is forbidden unless written consent has been obtained from Queensland University of Technology. Requests can be made through the acknowldgements section of this pdf file. A Note for Teachers This series of National History Posters has been designed for individual and group Classroom use and Library display in secondary schools. The main aim is to promote in children an interest in their national history. By comparing their nation's history with what is presented on other Posters, students will appreciate the similarities and differences between their own history and that of their Pacific Island neighbours. The student activities are designed to stimulate comparison and further inquiry into aspects of their own and other's past. The National History Posters will serve a further purpose when used as a permanent display in a designated “History” classroom, public space or foyer in the school or for special Parent- Teacher nights, History Days and Education Days. The National History Posters do not offer a complete survey of each nation's history. They are only a profile. They are a short-cut to key people, key events and the broad sweep of history from original settlement to the present. There are many gaps. The posters therefore serve as a stimulus for students to add, delete, correct and argue about what should or should not be included in their Nation's History Profile. -
The Story of HMS Pandora
The Pandora Story Although reasonably successful in her challenging mission— capturing 14 of the 25 Bounty mutineers in Tahiti—HMS Pandora came to grief on the Great Barrier Reef. She was hulled on what’s now known as Pandora Reef, and sank in 30 metres of water, 120 km east of Cape York. Many died—crew and prisoners alike. But there were many more amazing feats of survival and seamanship. In this section, we explore the events surrounding the Pandora’s final voyage … Oswald Brett's impression of the Pandora's last moments afloat. Captain Bligh's remarkable story of survival The Bounty mutineers set Captain William Bligh adrift with 18 men in an eight-metre, two-masted launch. He had been allowed to take some navigational equipment and papers, and enough food to last for five days. The 19 castaways tried to supplement their rations with food from Tofua. All but one escaped with their lives following an attack by hostile Tofuans. Fearing to make another landfall, Bligh decided to head straight for Timor-about 3600 (nautical) miles (about 6480 km) away. "We had no relief with the day save its light. The sea was constantly breaking over us and kept two persons bailing, and we had no choice how to steer for we were obliged to keep before the waves to avoid filling the boat." Dodd Bounty (Bligh's journal entry for 14 May 1789) The cold and wet conditions in the launch were agonising. The exhausted men bailed constantly. What little food they had quickly became wet and almost inedible. -
" Mutiny on the Bounty": a Case Study for Leadership Courses
DOCUMENT RESUME ED 360 669 CS 508 256 AUTHOR Leeper, Roy V. TITLE "Mutiny on the Bounty": A Case Study for Leadership Courses. PUB DATE Apr 93 NOTE 13p.; Paper presented at the Joint Meeting of the Southern States Communication Association and the Central States Communication Association (Lexington, KY, April 14-18, 1993). PUB TYPE Speeches/Conference Papers (150) Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Behavioral Objectives; Case Studies; Class Activities; Classification; *Films; Higher Education; *Leadership; Thinking Skills IDENTIFIERS Gagnes Taxonomy; *Mutiny on the Bounty (Film) ABSTRACT Although there are drawbacks to the case study method, using films presents opportunities for instructors to teach to the "higher" levels presented in learning objective taxonomies. A number of classifications of learning outcomes or objectives are well served by a teaching style employing the case approach. There seem to be as many different types of case study methods as there are writers on the subject. Perhaps the most useful typology of case methods, in part because of its simplicity, is that de-eloped by Gay Wakefield for the public relations field. Because of the clarity of character and issue development, the 1935 film version of "Mutiny on the Bounty" was chosen for use in a sophomore level course titled "Principles of Leadership." Using Wakefield's typology, the film is a case history which becomes a case analysis during class discussion. Almost all lf the topics that would be covered in a course in leadership are present in the film. The film meets the requirements of a good case as set out by other typologies of case studies. -
USP Workshop
USP workshop Thursday 25 August 2016 “Researchers need to be free, to be open to the immersive experience of exploratory research, receptive to the power of what you read, attentive to the voices you encounter, allow them to move you, change your minds and generate new understandings… archives are often the start of many histories yet to be written or imagined. These future possibilities are precious and exciting.” (Ballantyne, 2015) The aim of PMB Help with long-term preservation of the documentary heritage of the Pacific Islands and to make it accessible. What the PMB does • Arrange, lists and copies archives • Provide access • Provide support to researchers • Supports archives and libraries in the Pacific Islands Why? Archives are often in vulnerable conditions out in the islands —Cyclones, tsunamis —Mould, pests —Political instability —Few resources Scholars, students and Church of Melanesia archives in Santo, researchers of all kinds use Vanuatu, 2012 archives for their work Vulnerable documents The Bureau’s collection Over 4000 reels of microfilm Reels in PMB Ms. Series by Content Government Diaries Letters Church/ Whaling mission Types of documents Letters Diaries Photographs Novels, stories, music Dictionaries Church and mission records Company records Poster promoting maternal & child health in PNG, c.1956. (Jean Chambers collection, PMB 1255/1; PMB Photo9/01.) Types of documents Shipping registers Youth and womens’ group newsletters Newspapers Scientific papers Broadcast reports (ABC) Minutes and accounts Posters Poster advertising the Goroka show, 1968 (Norman Wilson papers, PMB 1246/42.) PMB Photograph Collection Over 80 photographic collections 1849- Solomon Islands PNG Cook Islands Vanuatu Samoa Niue PMB Photo 43.