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1988 Tour of North America
1988 TOUR OF NORTH AMERICA Interstate 88 Tour, part 1: Summer Tour of North America. JUNE 7 Concord, California Concord Pavilion 9 Sacramento, California Cal Expo Amphitheatre 10 Berkeley, California Greek Theatre, University Of California 11 Mountain View, California Shoreline Amphitheatre 13 Salt Lake City, Utah Park West, Park City 15 Denver, Colorado Fiddler's Green Amphitheatre 17 St Louis, Missouri The Muny, Forest Park 18 East Troy, Wisconsin Alpine Valley Music Theatre 21 Cuyahoga Falls, Ohio Blossom Music Center 22 Cincinnati, Ohio Riverbend Music Center 24 Holmdel, New Jersey Garden State Performing Arts Center 25 Holmdel, New Jersey Garden State Performing Arts Center 26 Saratoga Springs, New York Saratoga Performing Arts Center 28 Canandaigua, New York Finger Lakes Performing Arts Center 30 Wantagh, New York Jones Beach Theater, Jones Beach State Park JULY 1 Wantagh, New York Jones Beach Theater, Jones Beach State Park 2 Mansfield, Massachussetts Great Woods Performing Arts Center 3 Old Orchard Beach, Maine Old Orchard Beach Ballpark 6 Philadelphia, Pennsylvania Frederick Mann Music Center 8 Montreal, Quebec, Canada Forum de Montréal 9 Ottawa, Ontario, Canada Ottawa Civic Centre Arena 11 Hamilton, Ontario, Canada Copps Coliseum 13 Charlevoix, Michigan Castle Fares Music Theatre 14 Chicago, Illinois Poplar Creek Music Theatre, Hoffman Estates 15 Indianapolis, Indiana Indiana State Fairground Grandstand 17 Rochester, Michigan Meadowbrook Music Theatre, Oakland University 18 Rochester, Michigan Meadowbrook Music Theatre, Oakland -
GESAMTTEXT Final2vati Korrpdfi
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES Diplomarbeit Titel der Diplomarbeit Bob Dylan - Never Ending Tour - Werk eines 'Performing Artist' Verfasser Michael Gizicki Angestrebter Grad Magister der Philosophie (Mag. phil.) Wien, im Oktober 2009 Studienkennzahl lt. Studienblatt: A316 Studienrichtung lt. Studienblatt: Musikwissenschaft Betreuer: Ass.-Prof. Mag. Dr. August Schmidhofer Konzert Nr.1800 der Never Ending Tour am 12.11.2005, Mailand, Italien (li. Stu Kimball, re. Bob Dylan) 1 Inhaltsverzeichnis Danksagung 5 Einleitung 6 1.Kapitel: Historische Vorbedingungen und Kontext 9 1.1 Bob Dylans "Gospel-Phase" 9 1.2 Die Achtziger Jahre 10 1.3 Das Jahr 1988 13 1.4 Dylans Studiowerk ab 1989 14 1.4.1 "Oh Mercy" 1989 14 1.4.2 "Under The Red Sky" 1990 15 1.4.3 "Good as I Been To You" 1992 und "World Gone Wrong" 1993 15 1.4.4 1997: "Time Out Of Mind" - Rückkehr eines großen Künstlers 16 1.4.5 "Things Have Changed" 2000 und "Love and Theft" 2001 17 1.4.6 "Modern Times" 2006 17 1.4.7 "Together Through Life" 2009 18 2.Kapitel: Die Never Ending Tour 20 2.1. Der Name und seine Entstehung 20 2.2. Vorbedingungen: Das Jahr '87 im Detail 22 2.3. Zahlen und Fakten zur NET 30 2.4. Die Chronologie: Das Geschehen der Tourjahre : Repertoire, Format, Setlisten, Bands 33 2.4.1 Die Touren '88 bis '90 33 2.4.2 1991 bis Herbst '92 38 2.4.3 Die Jahre 1993 bis 1996 39 2.4.4 Die Zeit 1997 - 1999 43 2.2.5 2000 / 2001 / 2002 / 2003 47 2.4.6 2004 bis 2009 53 2 3.Kapitel: Dylans "performing art" in den Konzerten der NET 55 3.1. -
Adam-Bomb-Epk.Pdf
THE HISTORY ADAM BOMB The History 1 THE HISTORY THE OFFICIAL BIOGRAPHY ADAM BOMB The History 2 CONTENTS Chapter 1: Biography 4 Chapter 2: Discography 18 Chapter 3: St ories 23 Copyright © 201 5 by Adam “Bomb” Brenner 2nd edition 2016 No reproduction without permission. All rights reserved. www.adambomb.com Research and design: Gernotte Frickenberger ADAM BOMB The History 3 Chapter 1 Biography Chapter 1 1963 Adam was born as Adam Brenner in Seattle, Washington USA. Adam formed the cover band TYRANT with singer GEOFF TATE who later formed QUEENSRŸCHE . First the band was called Spectrum and they 1979 played Judas Priest, UFO or Rush songs. Normally, they had gigs at High Schools. After a ‘battle of bands’ the band broke up. One of the first gigs Adam met EDWARD VAN HALEN in a hotel in Tacoma Washington. He asked Eddie to sign his guitar and wound up getting a three hour guitar lesson. Those three hours changed his life forever. Later he joined the band TKO from Seattle. Adam co-wrote 1980 most of the new material of the band and recorded the album IN YOUR FACE . But TKO couldn’t get a record deal. The album was too heavy for the current music market, Disco was still the main thing. Without a deal, Adam eventually left and was re- placed. TKO ended up with a record deal releasing In Your Face on Combat Records in 1984. Reissue 2008 with Adam on back cover Adam was asked to audition for KISS . Ace Frehley, the original guitar player, left the band before. -
Still on the Road 2012 Tour of South and Central America
STILL ON THE ROAD 2012 TOUR OF SOUTH AND CENTRAL AMERICA JANUARY 12 Los Angeles, California Hollywood Palladium Theater Santa Monica, California Groove Masters Studios , Tempest recording sessions APRIL 15 Rio de Janeiro, Brazil Citibank Hall 17 Brasilia, Brazil Ginasio Nilson Nelson 19 Belo Horizonte, Brazil Chevrolet Hall 21 São Paulo, Brazil Credicard Hall 22 São Paulo, Brazil Credicard Hall 24 Porto Alegre, Brazil Pepsi On Stage 26 Buenos Aires, Argentina Teatro Gran Rex 27 Buenos Aires, Argentina Teatro Gran Rex 28 Buenos Aires, Argentina Teatro Gran Rex 30 Buenos Aires, Argentina Teatro Gran Rex MAY 2 Santiago, Chile Movistar Arena 5 Heredia, Costa Rica Palacio de los Deportes 7 Monterrey, Mexico Auditorio Banamex 9 Guadalajara, Mexico Auditorio Telmex 11 Mexico City, Mexico Pepsi Center 12 Mexico City, Mexico Pepsi Center 25 Washington, District Of Columbia East Room, The White House, Medal Of Freedom Ceremony Bob Dylan: Still On The Road – 2012 Tour of South and Central America 33790 Hollywood Palladium Theater Los Angeles, California 12 January 2012 Critics' Choice Movie Awards 1. Blind Willie McTell Bob Dylan (vocal & harmonica), Stu Kimball (guitar), Charlie Sexton (guitar), Donnie Herron (banjo), Tony Garnier (bass), George Recile (drums). Notes. Blind Willie McTell was performed as a tribute to Martin Scorsese. Introduction by Olivia Harrison. Stereo TV recording, 6 minutes. Session info updated 13 January 2012. Bob Dylan: Still On The Road – 2012 Tour of South and Central America 33795 Groove Masters Studios Santa Monica, California January - March 2012 Tempest recording sessions, produced by Jack Frost 1. Duquesne Whistle (Bob Dylan-Robert Hunter/Bob Dylan) 2. -
Señor (Tales of Yankee Power)”: a Window Into Bob Dylan’S Existential and Religious World
chapter 1 “Señor (Tales of Yankee Power)”: A Window into Bob Dylan’s Existential and Religious World Reidar Aasgaard Professor, idéhistorie, IFIKK, Universitetet i Oslo Professor of History of Ideas, IFIKK, University of Oslo Abstract: “Señor (Tales of Yankee Power)” is a central song on Street-Legal, the album Bob Dylan released in 1978, a short time before his Christian conversion experience and the so-called Christian album trilogy of 1979–1981. Within the set- ting of a journey through a half-real, half-mythical landscape, the song describes an encounter between an I-figure, the singer, and his travel companion, a mysterious, silent “señor”, with the singer going through a process of growing frustration lead- ing to a state of existential despair. The article gives a close, narrative reading of the lyrics and analyzes the song within the contexts of the album, of the development of Dylan’s religious language, of his performances of the song from 1978 to 2011, and of his own comments on it. The main conclusion is that “Señor” can be read in different ways, but that religion, and Christianity in particular, plays an important and integral part in the various readings. The song reflects Dylan’s artistic and per- sonal situation at the time, also by foreshadowing his conversion experience, but at the same time belongs within a long trajectory of Dylan songs from the 1960s until today which deal with fundamental human themes related to history, society, social relations, religion, and life in general. Keywords: Bob Dylan, Christianity, Bible, literary analysis, contextual analysis Samandrag: «Señor (Tales of Yankee Power)» er ein sentral song på Street-Legal, albumet Bob Dylan gav ut i 1978, kort tid før sitt kristne gjennombrot og den såkalla kristne albumtrilogien frå 1979–81. -
Eyolf Østrem
thingsTT twice Eyolf Østrem Contents Preface vii IYou’ve Been With the Professors 1 1 Analysing Dylan Songs 3 Methodological Considerations The Object............................ 3 The harmony........................... 7 Analysing an Idea......................... 8 2 ‘Beauty may Only Turn to Rust’ 13 The Beautiful world of Bob Dylan................ 14 Beauty and the Beast....................... 16 Proportion and expression..................... 20 Expression and style........................ 22 3 ‘Going Through All These Things Twice’ 25 The Ritual of a Bob Dylan Concert The External Similarites: Ceremony................ 27 The Rolling Thunder Revue................... 30 The Gospel Years......................... 33 The Voice of a Generation.................... 33 Secular Ritual........................... 37 Functions and means....................... 41 Dylan and ritual revisited..................... 45 Postscript............................. 49 4 The Momentum of Standstill 51 or: Time Out Of Mind and the Blues Dylan and the Blues....................... 53 i ii CONTENTS In the Evening.......................... 53 I Pity The Poor Immigrant.................... 55 Standing (Still) in the Doorway.................. 57 Ring Them Bells......................... 62 Highlands............................ 65 II Harmony and Understanding 67 5 ‘What I learned from Lonnie’ 69 An exploration of some remarks in Chronicles Secrets in the back room..................... 69 Melodies out of triplets – Axioms and numbers.......... 71 Rhythm: The Link Wray ‘Rumble’ -
2017 Yale Invitational
The 22nd Annual Yale Invitational December 2-3, 2017 || New Haven, Connecticut Bob Dylan Division Round 1 Round 2 Round 3 Round 4 Summary π v. Baylor Δ v. Fordham LC A π v. UMBC A Δ v. Columbia A 4-4-0 American WLT W W W L W L L L CS: 21 OCS: 65.5 Jolene PD +6 +9 +1 -4 +6 -8 -1 -3 PD: 6 π v. Northwestern Δ v. Yale A Δ v. Emory π v. Brown 4-4-0 Arizona WLT L L L L W W W W CS: 18 OCS: 64 Autumn Leaves PD -2 -4 -6 -2 +4 +6 +9 +8 PD: 13 Δ v. American π v. Emory π v. Kentucky Δ v. Illinois 3-5-0 Baylor WLT L L W L W W L L CS: 12 OCS: 70.5 Summer Days PD -6 -9 +4 -2 +15 +2 -3 -2 PD: -1 π v. Brown Δ v. Rochester A π v. Wesleyan A Δ v. Michigan A 0-8-0 Boston College WLT L L L L L L L L CS: 14.5 OCS: 51.5 Drifter's Escape PD -1 -1 -8 -14 -19 -23 -6 -22 PD: -94 Δ v. Boston College π v. NYU A π v. Illinois Δ v. Arizona 3-5-0 Brown WLT W W L L L W L L CS: 10.5 OCS: 67 All Along The Watchtower PD +1+1-29-2-5+5-9-8 PD: -46 Δ v. Rochester B π v. Yale B π v. -
Dylan Review, Summer 2020
DYLAN REVIEW, SUMMER 2020 MASTHEAD CO-EDITORS Raphael Falco, University of Maryland, Baltimore County Paul Haney, University of Massachusetts, Boston Lisa O'Neill Sanders, Founder DR, Saint Peter's University Shelby Nathanson, Digital Editor Nicole Font, Assistant to the Editors EDITORIAL BOARD Mitch Blank, New York City Michael Gilmour, Providence University College (Canada) Nina Goss, Fordham University Charles O. Hartman, Connecticut College Jonathan Hodgers, Trinity College, Dublin Robert Reginio, Alfred University Christopher Rollason, Luxembourg Richard Thomas, Harvard University Dylan Review 2.1 (Summer 2020) DYLAN REVIEW, SUMMER 2020 TABLE OF CONTENTS SPECIAL TOPIC: CALL FOR SUBMISSIONS………………….……………………………..2 REVIEWS Charles O. Hartman, Rough and Rowdy Ways: Containing History….………....3 John Hunt and Tim Hunt, Travelin’ Thru ...…………………..……………………....16 THE DYLANISTA………………………………………………………………………………28 ARTICLES Richard F. Thomas, “And I Crossed the Rubicon”: Another Classical Dylan....35 Graley Herren, Young Goodman Dylan: Chronicles at the Crossroads..……..65 SONG CORNER Anne Margaret Daniel, “Murder Most Foul”….…………………………………….83 INTERVIEWS Mark Davidson…………………………………………………………………………... 95 LETTERS………………………………………………………………………………….…...106 CONTRIBUTORS…………………………………………………………………….………107 BOOKS RECEIVED………………………………………………………………………….109 BOB DYLAN LYRICS, COPYRIGHT INFORMATION……………………………………110 1 Dylan Review 2.1 (Summer 2020) SPECIAL TOPIC: CALL FOR SUBMISSIONS THE COPS DON’T NEED YOU AND MAN THEY EXPECT THE SAME For the next issue of the Dylan Review, Winter 2.2, the Editors invite articles and Song Corner essays on the special topic of political authority and race in Dylan’s work. Up on Housing Project Hill It’s either fortune or fame You must pick one or the other Though neither of them are to be what they claim If you’re lookin’ to get silly You better go back to from where you came Because the cops don’t need you And man they expect the same This familiar stanza from “Just Like Tom Thumb’s Blues” sets the tenor for the Editors’ special topic. -
Stairs PD Its Format Several Different Ways, Including Adding An- Ud-Weis* 'R Broadcasting, Has Been in See, Nouncers for the First Time
Busby Becomes Motown President/CEO MCA Records President/ Black Music and Exec. VP /Art- ist Development Jheryl Busby has been named President/ CEO of Motown Records, fol- lowing several weeks of nailing down final details. MCA Entertainment Group Chairman Irving Azoff noted, "Jheryl's leadership in the building of the Black Music Di- vision at MCA is a true success story. His ability in finding new talent and developing careers has led to triumphs with Patti Labelle, Jody Watley, the Jets, Jheryl Busby New Edition, Gladys Knight & the Pips, Pebbles, and Steph- Commented Busby, "I have WAVE NET ADDS ANNOUNCERS anie Mills. That combination of been challenged with the second A RADIOTHON instinct and executive abilities phase of the Motown story, and makes him the most appropri- we plan to continue the theme of i'OU Sebastian Catches ate choice to helm Motown. We `Yesterday, lbday, and For- Jiot'ions are cropping up know he is the perfect man to be ever.' entrusted with Motown's rich every but as with any type of out - The Wave PD Post BUSBY /See Page of- the -ordina y radio even`, dangers lurk. heritage and strong future." 26 The KTWV /Los Angeles PD K SJO /San Jose s Ken Anthony chair, which had been vacant suggests how you can make your since Frank Cody 's departure WLLZ Plays lt Close To The Fest radiothon run smoothly and effectively. in January, will be filled August Page 44 22 by KGRX /Phoenix PD John Sebastian. In taking the "Wave" programming position, Sebas- tian will dissolve his Eclectic Radio consultancy and focus THE R&R INTERVIEW: completely on his duties at the NAC station. -
Filip Lee Joker Playlist
Filip Lee Joker playlist vlastní písně interpret název Filip Lee Joker Zpověď Filip Lee Joker Český Krumlov Filip Lee Joker Vltavská Filip Lee Joker Singa Happy Songa Filip Lee Joker Tak jsem šel Filip Lee Joker Dálnice Filip Lee Joker Čas Filip Lee Joker Píseň ze smutku Filip Lee Joker Surreálné léto Filip Lee Joker Hymna práce Filip Lee Joker Zbyde mi splín převzaté písně interpret název Bella Ciao Bedna od whisky Slavící z Madridu Diana Bláznova ukolébavka Dirty Old Town Canción Del Mariachi AC/DC You Shook Me All Night Long G Animals House Of The Rising Sun Beatles Norwegian Wood (This Bird Has Flown) Beatles In My Life Beatles Helter Skelter Beatles Revolution Beatles Hey Jude Beatles Let It Be Beatles Twist And Shout Beatles Ticket To Ride Beatles While My Guitar Gently Weeps Am Big Bad Voodoo Daddy Diga diga do Dm Blue Effect Sluneční hrob Bob Dylan A Hard Rain's A-Gonna Fall Bob Dylan Simple Twist Of Fate Bob Dylan It's Alright, Ma (I'm Only Bleeding) Bob Dylan Gotta Serve Somebody Bob Dylan Pay In Blood Bob Dylan Mississippi Bob Dylan Thunder On The Mountain Bob Dylan Don't Think Twice It's All Right Bob Dylan Born In Time Bob Dylan Everything Is Broken Bob Dylan Soon After Midnight Bob Dylan Blowin' In The Wind Bob Dylan Like A Rolling Stone Bob Dylan Subterranean Homesick Blues Bob Dylan Masters Of War Bob Dylan Things Have Changed Bob Dylan In My Time Of Dyin' Bob Dylan All Along The Watchtower Bob Dylan Knockin‘ on heaven‘s door Bob Dylan You Ain't Goin' Nowhere Bob Dylan Rainy Day Woman Bob Dylan Just Like A Woman Bob Dylan -
Campus Crier Central Washington University
Central Washington University ScholarWorks@CWU CWU Student Newspaper University Archives and Special Collections 8-13-1976 Campus Crier Central Washington University Follow this and additional works at: http://digitalcommons.cwu.edu/cwu_student_newspaper Recommended Citation Central Washington University, "Campus Crier" (1976). CWU Student Newspaper. 1439. http://digitalcommons.cwu.edu/cwu_student_newspaper/1439 This Book is brought to you for free and open access by the University Archives and Special Collections at ScholarWorks@CWU. It has been accepted for inclusion in CWU Student Newspaper by an authorized administrator of ScholarWorks@CWU. For more information, please contact [email protected]. {' CWSC, Ellensburg WA: August 13, 1976: Vol. 49, No. 27 J:Q.12. Names, Biggest Events, Best Ever Roughest, Toughest Rodeo Set for Labor Day by STAN LONG mount. Instead, clowns distract have been presided over by and Sunday performances last But low-cost lodging is available, the bull while the rider runs for charming young cowgirls, and this year. On Sunday, 2,000 people as Central will once again be :the nearest fence. The 54th annual Ellensburg year's rodeo is. no exception. were turned away, and Monday's offering dorm rooms at the rate of Rodeo-billed as "the largest three Clowns, then, are an important Earlier this year, Tami Willette of performance though not a sellout, $7 .50 per person per night. Those performance rodeo in the world" part of any big time show, and this Roslyn was elected queen. Her drew a record crowd. wishing to make reservations are will begin at 10 am Saturday, year's rodeo features two of the court consists· of Terry Lowe, With so many people in town -advised to call (509) 963-1312 or September 4, with a parade down finest-barrel man Bob Rome and Ellensburg, and Kathy Clark, overnight. -
Phil Ochs Song Night Friday October 26Th Join Us As We Sponsor a Song Night the Sum of the Two Parts
Volume 38, No. 10 Oct 2012 Phil Ochs Song Night Friday October 26th Join us as we sponsor a Song Night the sum of the two parts. Their harmo- rousing as a call to arms. Through con- celebrating the songs and legacy of Phil nies and arrangements are nothing less temporary songwriting, informed by the Ochs. Phil Ochs was a singer-songwriter than transcendent, taking the listener into deep roots of gospel, blues and folk, the who died tragically in 1976. Since 1983 his deep realms of emotion. With the stir- trio weaves a tapestry of harmony that is sister, Sonny, has been keeping his mem- ring themes of their songs, the result of brilliantly fresh and yet familiar. Imagine ory and songs alive with a series of song this powerful delivery is a provocative and Crosby, Stills, and Nash with hints of the nights comprised of a group of accom- moving experience. With Greg’s brilliant, Dixie Hummingbirds. In less than two plished folk artists assembled for concert versatile and driving guitar work and Ter- years of touring nationally, Brother Sun’s tours around the country. These song ry’s excellent playing of the harmonica, debut CD reached #2 on Folk-DJ, and nights commemorate the life and music mandolin, dulcimer and rhythm guitar, they’ve played to standing ovations at Fal- of the late folksinger while also highlight- their instrumental arrangements are the con Ridge, Kerrville, Old Songs, Philly ing new talents who make music in the perfect vehicle to carry the songs. Folk and numerous other venues.