Psalms and Hymns and Spiritual Songs
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Metronome Magazine
•Our 31st Year Proudly Promoting The Music Scene• FREE November 2016 Boyan Hristov Nicole Knox Murphy Department of Everything Tom Guerra Also: Metronome Madness, CD Reviews, The Time Machine & more Tom Guerra by Brian M. Owens Singer-songwriter-guitarist Tom like Bob Dylan (laughs). I think it was technical proficiency some of the young school, which had no real art program to Guerra is a world class musical tour-de- (producer) Jim Chapdelaine who told me kids I see on YouTube have. speak of. As such, I started really getting force. Boasting high profile credentials that our styles are formed not only by our METRONOME: What kind of guitar(s) into music as a form of expression. Writing playing with the likes of the Mambo influences, but also by our limitations. I do you play? it seemed like a good idea. Sons, the Delrays and the Dirty Bones think there’s a lot of truth in that. I know I love all types of old instruments, METRONOME: How many original during his esteemed career, Guerra has my many limitations and try to work but my main guitars are older Fender songs do you have in your catalog? earned his journeyman status. On his around them; you have to be creative Stratocasters. I think they’re the perfect I think between the Dirty Bones, latest solo release, Trampling Out The when you have a five note vocal range electric guitar, and the one that allows the Delrays, the four Mambo Sons albums, Vintage, Guerra displays his mastery (laughs). With that being said, playing the player’s style to come through the most. -
The 2018 - 2019 the HALLIFORDIAN
HallifordianThe 2018 - 2019 The HALLIFORDIAN 2 Introduction Contents Introduction .......................................................................................................... page 3 Autumn Highlights ............................................................................................. page 13 Spring Highlights ............................................................................................... page 50 Summer Highlights............................................................................................. page 85 Art Exhibition ..................................................................................................... page 116 House Reports .................................................................................................. page 128 Old Hallifordians............................................................................................... page 136 3 The HALLIFORDIAN scheme at the school with new facilities for our Sixth Form students, a new Science Laboratory, two new Foreword IT Studios, major investment in the IT infrastructure of the school and significant investment in the by The Headmaster Design Technology workshop. These new facilities This has been quite a year for us all and as we look have been incredibly well received by our students back over the last twelve months, I feel so incredibly and I am delighted that this coming summer a proud to be Headmaster of such a wonderful School. further development plan has been approved by the At Speech Day, I reflected on -
Reaching Heights a Newsletter of Heights Christian Church VOLUME 27, NO
Reaching Heights A Newsletter of Heights Christian Church VOLUME 27, NO. 6 December, 2016 WORSHIP AND WONDER ADVENT AND CHRISTMAS AT HEIGHTS CHRISTIAN CHURCH Advent is a time of waiting a time to prepare ourselves for the coming of Emmanuel, God With Us. December 4 2nd Sunday of Advent – Peace Isaiah 11:1-10 December 11 3rd Sunday of Advent – Joy Isaiah 35:1-10 Christmas Caroling at Campbell Court (see pg. 5 for details) th December 18 4 Sunday of Advent – Love Matthew 1:18-25 Christmas Tasting Party Following morning worship, we will gather in the Campbell Room to share and celebrate this festive season with our annual Tasting Party Everyone is asked to bring your favorite finger food to share with our HCC family, friends and guests. December 24 Christmas Eve — 7:15 p.m. Our traditional Christmas Eve candlelight service. We will prepare our hearts for the birth of the Savior. Come be a part of the celebration in song, word and prayer. December 25 Merry Christmas — 10 a.m. Worship A casual worship experience in the Campbell Room around the fireplace Neighbors, friends and family are always welcome Sharing love in and around the Community! UP-LIFTING DEVOTIONALS The congregation offers free Advent reflections for adults. Partners in Prayer Advent 2016 focuses on all of Advent—a season in which we prepare for the celebration of the birth of the Christ Child. This devotional can be found at every entrance to the Sanctuary and in the Campbell Room. Also . The holiday hustle is soon to arrive. -
A Selection of Hymns from the Best Authors. MS. Notes
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com | | ; N S * O F \ H Y M N s, FROM THE BEST AUTHors, rn rended to BE AN A P P E N D 1 x - | - A t o at: Ds. wATTs’s PSALMs ano HYMNS. - A B x j o H N R - A* i r r o N. A. m. , » ,” r o v R r H e d r r r o N, / 1scivPING. The NAMEs or the Tunes adaptzd Te MAN Y OF THE HY M N S, SOLD BY MR. RIPP ON, AND AT H1s v EsTRY, cARTER LAN E, TooLry-sT REr r ; MR. DILLY AND MR. RoBINsoN, LoNDοN; MR. ÉRowN, pristors MR. BINNs, L e Eds; MR. GRAY, EDINBURGH; ANP ex THE BAPTIST MIN IST E R s AT PHIL AD ELP y 1A, BostroN, AND New-York. «^ / * * --> y - r { (* / . » /C * i Gnfered at Stationers lball. - - 1 , N. B. The Number of the Hymn always anſwers · to the Number of the Page thus : { - | Hymn 33 - page 33. * Hymn 433 * - page 433. Hymn 434 - Page 434 • - - - --- -*-- Rg - -" , -, ---- * * , | | * * * A | * - --, - v -- *-, f - - - ». ! - |- - *** * * , , * 7* " r - * - * 4 - , r, - | · - - - | x * ( iii ; * P R E F A C E. HE Hymns and Pſalms of that ſweet Singer in Iſrael, T Dr. Watts, have juſtly obtained a diſtinguiſhed Repu- . tation, among different Denominations of good Men, and rendered his Memory dear to Thouſands. They appear to me better adapted to public Worſhip than any other Book which I have feen; and it would pain me very much, to find any One fufpećting my moſt cordial. -
Still on the Road 2012 Tour of South and Central America
STILL ON THE ROAD 2012 TOUR OF SOUTH AND CENTRAL AMERICA JANUARY 12 Los Angeles, California Hollywood Palladium Theater Santa Monica, California Groove Masters Studios , Tempest recording sessions APRIL 15 Rio de Janeiro, Brazil Citibank Hall 17 Brasilia, Brazil Ginasio Nilson Nelson 19 Belo Horizonte, Brazil Chevrolet Hall 21 São Paulo, Brazil Credicard Hall 22 São Paulo, Brazil Credicard Hall 24 Porto Alegre, Brazil Pepsi On Stage 26 Buenos Aires, Argentina Teatro Gran Rex 27 Buenos Aires, Argentina Teatro Gran Rex 28 Buenos Aires, Argentina Teatro Gran Rex 30 Buenos Aires, Argentina Teatro Gran Rex MAY 2 Santiago, Chile Movistar Arena 5 Heredia, Costa Rica Palacio de los Deportes 7 Monterrey, Mexico Auditorio Banamex 9 Guadalajara, Mexico Auditorio Telmex 11 Mexico City, Mexico Pepsi Center 12 Mexico City, Mexico Pepsi Center 25 Washington, District Of Columbia East Room, The White House, Medal Of Freedom Ceremony Bob Dylan: Still On The Road – 2012 Tour of South and Central America 33790 Hollywood Palladium Theater Los Angeles, California 12 January 2012 Critics' Choice Movie Awards 1. Blind Willie McTell Bob Dylan (vocal & harmonica), Stu Kimball (guitar), Charlie Sexton (guitar), Donnie Herron (banjo), Tony Garnier (bass), George Recile (drums). Notes. Blind Willie McTell was performed as a tribute to Martin Scorsese. Introduction by Olivia Harrison. Stereo TV recording, 6 minutes. Session info updated 13 January 2012. Bob Dylan: Still On The Road – 2012 Tour of South and Central America 33795 Groove Masters Studios Santa Monica, California January - March 2012 Tempest recording sessions, produced by Jack Frost 1. Duquesne Whistle (Bob Dylan-Robert Hunter/Bob Dylan) 2. -
SHUFFLE Concert 1933©
SHUFFLE Concert 1933© PROGRAM K. Weill The Seven Deadly Sins (1900–1950) “Prologue” for Soprano and Piano J. Turina Piano Trio in B minor, No. 2, Op. 76 (1882–1949) 1st movement: Lento – Allegro molto moderato J. Kern/O. Harbach arr. Dan Kaufman “Smoke Gets in Your Eyes” for Ensemble (1885–1945) S. Barber Sonata for Cello and Piano, Op. 6 (1910–1981) 3rd movement: Allegro appassionato D. Fields/J. McHugh arr. Dan Kaufman “Hey! Young Fella!” for Ensemble (1894–1969) A. Berg arr. Jonathan Keren Lulu (1885–1935) “Lied der Lulu” for Soprano and Ensemble Gospel/Rev. T. A. Dorsey “Take My Hand, Precious Lord” for Oboe and Piano (1899–1993) INTERMISSION E. Vardaro/C. E. Flores arr. Jonathan Keren Tango: “Mia” for Ensemble (1905–1971) Jaroslav Ježek Violin Sonata (1906–1942) 1st movement: Allegro vivo C. Oberfeld/René Pujol & Ch.-L. Pothier arr. Jonathan Keren (1903–1945) French Chanson: “La Femme Est Faite Pour L’homme” D. Shostakovich arr. Uriel Vanchestein Preludes, Op. 34, for Violin, Clarinet, and Piano (1906–1975) Preludes Nos. 6, 18, 4, and 24 D. Ellington arr. Dan Kaufman “Sophisticated Lady” for Cello and Piano (1899–1974) B. Bartók arr. Jonathan Keren 5 Dances from Mikrokosmos for Ensemble (1881–1945) D. Bruce/F. G. Lorca Blood Wedding (1970–) “Nana Del Caballo Grande”/ “Lullaby of The Big Horse” for Ensemble 0 J. Kander/F. Ebb arr. Jonathan Keren Cabaret (1927–) “Cabaret” for Soprano and Ensemble Foreword I would like to start by thanking all of you for helping us make this project a reality. Without your support this ambitious program would never have materialized. -
Señor (Tales of Yankee Power)”: a Window Into Bob Dylan’S Existential and Religious World
chapter 1 “Señor (Tales of Yankee Power)”: A Window into Bob Dylan’s Existential and Religious World Reidar Aasgaard Professor, idéhistorie, IFIKK, Universitetet i Oslo Professor of History of Ideas, IFIKK, University of Oslo Abstract: “Señor (Tales of Yankee Power)” is a central song on Street-Legal, the album Bob Dylan released in 1978, a short time before his Christian conversion experience and the so-called Christian album trilogy of 1979–1981. Within the set- ting of a journey through a half-real, half-mythical landscape, the song describes an encounter between an I-figure, the singer, and his travel companion, a mysterious, silent “señor”, with the singer going through a process of growing frustration lead- ing to a state of existential despair. The article gives a close, narrative reading of the lyrics and analyzes the song within the contexts of the album, of the development of Dylan’s religious language, of his performances of the song from 1978 to 2011, and of his own comments on it. The main conclusion is that “Señor” can be read in different ways, but that religion, and Christianity in particular, plays an important and integral part in the various readings. The song reflects Dylan’s artistic and per- sonal situation at the time, also by foreshadowing his conversion experience, but at the same time belongs within a long trajectory of Dylan songs from the 1960s until today which deal with fundamental human themes related to history, society, social relations, religion, and life in general. Keywords: Bob Dylan, Christianity, Bible, literary analysis, contextual analysis Samandrag: «Señor (Tales of Yankee Power)» er ein sentral song på Street-Legal, albumet Bob Dylan gav ut i 1978, kort tid før sitt kristne gjennombrot og den såkalla kristne albumtrilogien frå 1979–81. -
2017 Yale Invitational
The 22nd Annual Yale Invitational December 2-3, 2017 || New Haven, Connecticut Bob Dylan Division Round 1 Round 2 Round 3 Round 4 Summary π v. Baylor Δ v. Fordham LC A π v. UMBC A Δ v. Columbia A 4-4-0 American WLT W W W L W L L L CS: 21 OCS: 65.5 Jolene PD +6 +9 +1 -4 +6 -8 -1 -3 PD: 6 π v. Northwestern Δ v. Yale A Δ v. Emory π v. Brown 4-4-0 Arizona WLT L L L L W W W W CS: 18 OCS: 64 Autumn Leaves PD -2 -4 -6 -2 +4 +6 +9 +8 PD: 13 Δ v. American π v. Emory π v. Kentucky Δ v. Illinois 3-5-0 Baylor WLT L L W L W W L L CS: 12 OCS: 70.5 Summer Days PD -6 -9 +4 -2 +15 +2 -3 -2 PD: -1 π v. Brown Δ v. Rochester A π v. Wesleyan A Δ v. Michigan A 0-8-0 Boston College WLT L L L L L L L L CS: 14.5 OCS: 51.5 Drifter's Escape PD -1 -1 -8 -14 -19 -23 -6 -22 PD: -94 Δ v. Boston College π v. NYU A π v. Illinois Δ v. Arizona 3-5-0 Brown WLT W W L L L W L L CS: 10.5 OCS: 67 All Along The Watchtower PD +1+1-29-2-5+5-9-8 PD: -46 Δ v. Rochester B π v. Yale B π v. -
A Message from Mayor Ronald M. Serpico Speaking of Sunny, Glorious Days and Baseball!
The Official Newsletter of the Village of Melrose Park TheROSE Winter 2017 A Message From Mayor Ronald M. Serpico Speaking of Sunny, Glorious Days and Baseball! Dear Neighbors, This is incredible – I am writing this letter with the windows opened in my office and it's February! As I drove around town I saw people in shorts walking or biking! I felt like a bear waking up from his long winter's hibernation to a beautiful spring day, but instead of a glorious day in April the calendar staring this old bear in the face showed Feb. 22 to be the date. We have also bro- ken the 134-year-old record of 64 consecutive days without a measurable amount of fallen snow. And speaking of sunny days, I am proud to announce that one of my goals as mayor came to fruition on a bright Dec. 22 morn- ing when I helped cut the ribbon for the new 25th Avenue railroad overpass just south of Lake Street and then had the honor of driving the first car over it. That's right, the days of endless waits are finally over as we can now drive above the 59 Metra trains and 52 freight trains that Ronald M. Serpico pass through this location daily. On average, 19,000 vehicles travel this stretch of 25th Avenue each and every day. The over- Mayor pass will benefit residents by serving as a conduit for economic development, quicker emergency vehicle response times and a safer traffic flow. This is much more than a railroad overpass – this is a bridge to a better quality of life for our entire community. -
Dylan Review, Summer 2020
DYLAN REVIEW, SUMMER 2020 MASTHEAD CO-EDITORS Raphael Falco, University of Maryland, Baltimore County Paul Haney, University of Massachusetts, Boston Lisa O'Neill Sanders, Founder DR, Saint Peter's University Shelby Nathanson, Digital Editor Nicole Font, Assistant to the Editors EDITORIAL BOARD Mitch Blank, New York City Michael Gilmour, Providence University College (Canada) Nina Goss, Fordham University Charles O. Hartman, Connecticut College Jonathan Hodgers, Trinity College, Dublin Robert Reginio, Alfred University Christopher Rollason, Luxembourg Richard Thomas, Harvard University Dylan Review 2.1 (Summer 2020) DYLAN REVIEW, SUMMER 2020 TABLE OF CONTENTS SPECIAL TOPIC: CALL FOR SUBMISSIONS………………….……………………………..2 REVIEWS Charles O. Hartman, Rough and Rowdy Ways: Containing History….………....3 John Hunt and Tim Hunt, Travelin’ Thru ...…………………..……………………....16 THE DYLANISTA………………………………………………………………………………28 ARTICLES Richard F. Thomas, “And I Crossed the Rubicon”: Another Classical Dylan....35 Graley Herren, Young Goodman Dylan: Chronicles at the Crossroads..……..65 SONG CORNER Anne Margaret Daniel, “Murder Most Foul”….…………………………………….83 INTERVIEWS Mark Davidson…………………………………………………………………………... 95 LETTERS………………………………………………………………………………….…...106 CONTRIBUTORS…………………………………………………………………….………107 BOOKS RECEIVED………………………………………………………………………….109 BOB DYLAN LYRICS, COPYRIGHT INFORMATION……………………………………110 1 Dylan Review 2.1 (Summer 2020) SPECIAL TOPIC: CALL FOR SUBMISSIONS THE COPS DON’T NEED YOU AND MAN THEY EXPECT THE SAME For the next issue of the Dylan Review, Winter 2.2, the Editors invite articles and Song Corner essays on the special topic of political authority and race in Dylan’s work. Up on Housing Project Hill It’s either fortune or fame You must pick one or the other Though neither of them are to be what they claim If you’re lookin’ to get silly You better go back to from where you came Because the cops don’t need you And man they expect the same This familiar stanza from “Just Like Tom Thumb’s Blues” sets the tenor for the Editors’ special topic. -
Filip Lee Joker Playlist
Filip Lee Joker playlist vlastní písně interpret název Filip Lee Joker Zpověď Filip Lee Joker Český Krumlov Filip Lee Joker Vltavská Filip Lee Joker Singa Happy Songa Filip Lee Joker Tak jsem šel Filip Lee Joker Dálnice Filip Lee Joker Čas Filip Lee Joker Píseň ze smutku Filip Lee Joker Surreálné léto Filip Lee Joker Hymna práce Filip Lee Joker Zbyde mi splín převzaté písně interpret název Bella Ciao Bedna od whisky Slavící z Madridu Diana Bláznova ukolébavka Dirty Old Town Canción Del Mariachi AC/DC You Shook Me All Night Long G Animals House Of The Rising Sun Beatles Norwegian Wood (This Bird Has Flown) Beatles In My Life Beatles Helter Skelter Beatles Revolution Beatles Hey Jude Beatles Let It Be Beatles Twist And Shout Beatles Ticket To Ride Beatles While My Guitar Gently Weeps Am Big Bad Voodoo Daddy Diga diga do Dm Blue Effect Sluneční hrob Bob Dylan A Hard Rain's A-Gonna Fall Bob Dylan Simple Twist Of Fate Bob Dylan It's Alright, Ma (I'm Only Bleeding) Bob Dylan Gotta Serve Somebody Bob Dylan Pay In Blood Bob Dylan Mississippi Bob Dylan Thunder On The Mountain Bob Dylan Don't Think Twice It's All Right Bob Dylan Born In Time Bob Dylan Everything Is Broken Bob Dylan Soon After Midnight Bob Dylan Blowin' In The Wind Bob Dylan Like A Rolling Stone Bob Dylan Subterranean Homesick Blues Bob Dylan Masters Of War Bob Dylan Things Have Changed Bob Dylan In My Time Of Dyin' Bob Dylan All Along The Watchtower Bob Dylan Knockin‘ on heaven‘s door Bob Dylan You Ain't Goin' Nowhere Bob Dylan Rainy Day Woman Bob Dylan Just Like A Woman Bob Dylan -
Phil Ochs Song Night Friday October 26Th Join Us As We Sponsor a Song Night the Sum of the Two Parts
Volume 38, No. 10 Oct 2012 Phil Ochs Song Night Friday October 26th Join us as we sponsor a Song Night the sum of the two parts. Their harmo- rousing as a call to arms. Through con- celebrating the songs and legacy of Phil nies and arrangements are nothing less temporary songwriting, informed by the Ochs. Phil Ochs was a singer-songwriter than transcendent, taking the listener into deep roots of gospel, blues and folk, the who died tragically in 1976. Since 1983 his deep realms of emotion. With the stir- trio weaves a tapestry of harmony that is sister, Sonny, has been keeping his mem- ring themes of their songs, the result of brilliantly fresh and yet familiar. Imagine ory and songs alive with a series of song this powerful delivery is a provocative and Crosby, Stills, and Nash with hints of the nights comprised of a group of accom- moving experience. With Greg’s brilliant, Dixie Hummingbirds. In less than two plished folk artists assembled for concert versatile and driving guitar work and Ter- years of touring nationally, Brother Sun’s tours around the country. These song ry’s excellent playing of the harmonica, debut CD reached #2 on Folk-DJ, and nights commemorate the life and music mandolin, dulcimer and rhythm guitar, they’ve played to standing ovations at Fal- of the late folksinger while also highlight- their instrumental arrangements are the con Ridge, Kerrville, Old Songs, Philly ing new talents who make music in the perfect vehicle to carry the songs. Folk and numerous other venues.