Peterson Family History Part 4: 1950-2014
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2016 RMWA Catalogue of Results
2016 CATALOGUE OF RESULTS THE ROYAL AGRICULTURAL SOCIETY OF VICTORIA THANKS AND ACKNOWLEDGES THE FOLLOWING SPONSORS PRESENTING PARTNER OF THE AWARDS PRESENTATION TROPHY SPONSORS 2016 Catalogue of Results The Royal Agricultural Society of Victoria Limited ABN 66 006 728 785 ACN 006 728 785 Melbourne Showgrounds Epsom Road Ascot Vale VIC 3032 Telephone +61 3 9281 7444 Facsimile +61 3 9281 7592 www.rasv.com.au List of Office Bearers As at 23/08/2016 Patron Her Excellency the Honourable Linda Dessau AM – Governor of Victoria Board of Directors M. J. Coleman (Chair) D. S. Chapman D. Grimsey A. J. Hawkes N. E. King OAM J. A. Potter P. J. B. Ronald OAM S. C. Spargo AM Chairman M. J. Coleman Chief Executive Officer M. O’Sullivan Company Secretary J. Perry Organising Committee Angie Bradbury (Chair) Tom Carson (Chair of Judges) David Bicknell Chris Crawford Matt Harrop Samantha Isherwood Gabrielle Poy Matt Skinner Nick Stock Event Manager, Beverage Damian Nieuwesteeg Telephone: +61 3 9281 7461 Email: [email protected] Contents CEO’s Message 3 Chair of Judges’ Report 5 Judges’ Biographies 6 2016 Major Trophy Winners 14 2016 Trophy Winners 18 2016 Report on Entries 20 Past Jimmy Watson Memorial Trophy Winners 21 2016 Results 23 Best Vermouth Best Sparkling Best Riesling Best Chardonnay Best Semillon Best Sauvignon Blanc or Blend of Semillon & Sauvignon Blanc Best Single Varietal White Best White Blend Best Sweet White Wine Best Rosé Best Cabernet Sauvignon, Merlot or Blend of Bordeaux Varieties Best Single Varietal Red Best Grenache, Red Rhone Varietal or Blend of Red Rhone Varieties Best Shiraz/Cabernet Blend Best Red Blend Best Mature Wine Best Fortified Best Organic or Biodynamic Wine Victorian Wines of Provenance Exhibitors List 104 Royal Melbourne 2 Wine Awards CEO’s Message MARK O’SULLIVAN RASV CEO The Royal Agricultural Society of Victoria (RASV) is delighted to present the winners of the 2016 Royal Melbourne Wine Awards (RMWA), Australia’s most respected wine show, recognising and rewarding excellence in Australian winemaking. -
SECONDARY Education Resource
Shearing the rams painted at Brocklesby station, Corowa, New South Wales, and Melbourne, 1888–90 oil on canvas mounted on board 121.9 x 182.6 cm National Gallery of Victoria, Melbourne, Felton Bequest Fund, 1932 SECONDARY Education resource Secondary Education Resource 1 For teachers How to use this secondary student learning resource This extraordinary exhibition CURRICULUM ALIGNMENT brings together Tom Roberts’ most famous paintings loved by All the themes in the Tom Roberts exhibition can be used with visual arts students from Year 7–10 and beyond. all Australians. Paintings such as Some may be more relevant to specific years given connections to other learning areas such as History and Shearing the rams 1888–90 and Civics and Citizenship at the same level as outlined under A break away! 1891 are among each theme that follows. the nation’s best-known works The Arts – Visual Arts: Year 7 and 8 of art. • Experiment with visual arts conventions and techniques (ACAVAM118) Tom Roberts is a major exhibition of works from the • Develop ways to enhance their intentions as artists national collection as well as private and public collections through exploration of how artists use materials, from around Australia. techniques, technologies and processes (ACAVAM119) • Develop planning skills for art-making by exploring The secondary student learning resource for the Tom techniques and processes used by different artists Roberts exhibition highlights the relevance of Roberts’ (ACAVAM120) oeuvre to today’s contemporary world. Themes explored include Australian life, landscape, portraiture, Federation • Practise techniques and processes to enhance and making a nation, Aboriginal and Torres Strait Islander representation of ideas in their art-making (ACAVAM121) histories, immigration and the influences of other artists. -
Provenance of Australian Food Products: Is There a Place for Geographical Indications?
Provenance of Australian food products: is there a place for Geographical Indications? By William van Caenegem, Peter Drahos and Jen Cleary Provenance of Australian food products: is there a place for Geographical Indications? by William van Caenegem, Peter Drahos and Jen Cleary July 2015 RIRDC Publication No 15/060 RIRDC Project No PRJ-009251 © 2015 Rural Industries Research and Development Corporation. All rights reserved. ISBN 978-1-74254-806-7 ISSN 1440-6845 Provenance of Australian food products: is there a place for Geographical Indications? Publication No. 15/060 Project No. PRJ-009251 The information contained in this publication is intended for general use to assist public knowledge and discussion and to help improve the development of sustainable regions. You must not rely on any information contained in this publication without taking specialist advice relevant to your particular circumstances. While reasonable care has been taken in preparing this publication to ensure that information is true and correct, the Commonwealth of Australia gives no assurance as to the accuracy of any information in this publication. The Commonwealth of Australia, the Rural Industries Research and Development Corporation (RIRDC), the authors or contributors expressly disclaim, to the maximum extent permitted by law, all responsibility and liability to any person, arising directly or indirectly from any act or omission, or for any consequences of any such act or omission, made in reliance on the contents of this publication, whether or not caused by any negligence on the part of the Commonwealth of Australia, RIRDC, the authors or contributors. The Commonwealth of Australia does not necessarily endorse the views in this publication. -
Immunity from Seizure
Immunity from Seizure THE NATIONAL GALLERY IMMUNITY FROM SEIZURE Australia's Impressionists 07 Dec 2016 - 26 Mar 2017 The National Gallery, London, Trafalgar Square, London, WC2N 5DN Immunity from Seizure IMMUNITY FROM SEIZURE Australia's Impressionists 07 Dec 2016 - 26 Mar 2017 The National Gallery, London, Trafalgar Square, London, WC2N 5DN The National Gallery is able to provide immunity from seizure under part 6 of the Tribunals, Courts and Enforcement Act 2007. This Act provides protection from seizure for cultural objects from abroad on loan to temporary exhibitions in approved museums and galleries in the UK. The conditions are: The object is usually kept outside the UK It is not owned by a person resident in the UK Its import does not contravene any import regulations It is brought to the UK for public display in a temporary exhibition at a museum or gallery The borrowing museum or gallery is approved under the Act The borrowing museum has published information about the object For further enquiries, please contact [email protected] Protection under the Act is sought for the objects listed in this document, which are intended to form part of the forthcoming exhibition, Australia's Impressionists. Copyright Notice: no images from these pages should be reproduced without permission. Immunity from Seizure Australia's Impressionists 07 Dec 2016 - 26 Mar 2017 Protection under the Act is sought for the objects listed below: Charles Conder (1868-1909) Purchased 1888 © AGNSW X9159 Departure of the Orient - Circular Quay 1888 Place of manufacture: Australia Oil on canvas Object dimensions: 45.1 × 50.1 cm Art Gallery of New South Wales, Sydney. -
Ten Journeys to Cameron's Farm
Ten Journeys to Cameron’s Farm An Australian Tragedy Ten Journeys to Cameron’s Farm An Australian Tragedy Cameron Hazlehurst Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Author: Hazlehurst, Cameron, 1941- author. Title: Ten Journeys to Cameron’s Farm / Cameron Hazlehurst. ISBN: 9781925021004 (paperback) 9781925021011 (ebook) Subjects: Menzies, Robert, Sir, 1894-1978. Aircraft accidents--Australian Capital Territory--Canberra. World War, 1939-1945--Australia--History. Australia--Politics and government--1901-1945. Australia--Biography. Australia--History--1901-1945. Dewey Number: 320.994 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU Press Printed by Griffin Press © Flaxton Mill House Pty Ltd 2013 and 2015 Cover design and layout © 2013 ANU E Press Cover design and layout © 2015 ANU Press Contents Part 1 Prologue 13 August 1940 . ix 1 . Augury . 1 2 . Leadership, politics, and war . 3 Part 2 The Journeys 3 . A crew assembles: Charlie Crosdale and Jack Palmer . 29 4 . Second seat: Dick Wiesener . 53 5 . His father’s son: Bob Hitchcock . 71 6 . ‘A very sound pilot’?: Bob Hitchcock (II) . 99 7 . Passenger complement . 131 8 . The General: Brudenell White (I) . 139 9 . Call and recall: Brudenell White (II) . 161 10 . The Brigadier: Geoff Street . 187 11 . -
Part 4 Australia Today
Australia today In these pages you will learn about what makes this country so special. You will find out more about our culture, Part 4 our innovators and our national identity. In the world today, Australia is a dynamic business and trade partner and a respected global citizen. We value the contribution of new migrants to our country’s constant growth and renewal. Australia today The land Australia is unique in many ways. Of the world’s seven continents, Australia is the only one to be occupied by a single nation. We have the lowest population density in the world, with only two people per square kilometre. Australia is one of the world’s oldest land masses. It is the sixth largest country in the world. It is also the driest inhabited continent, so in most parts of Australia water is a very precious resource. Much of the land has poor soil, with only 6 per cent suitable for agriculture. The dry inland areas are called ‘the Australia is one of the world’s oldest land masses. outback’. There is great respect for people who live and work in these remote and harsh environments. Many of It is the sixth largest country in the world. them have become part of Australian folklore. Because Australia is such a large country, the climate varies in different parts of the continent. There are tropical regions in the north of Australia and deserts in the centre. Further south, the temperatures can change from cool winters with mountain snow, to heatwaves in summer. In addition to the six states and two mainland territories, the Australian Government also administers, as territories, Ashmore and Cartier Islands, Christmas Island, the Cocos (Keeling) Islands, Jervis Bay Territory, the Coral Sea Islands, Heard Island and McDonald Islands in the Australian Antarctic Territory, and Norfolk Island. -
C H a R D O N N
CHARDONNAY Notes AUSTRALIAN WINE DISCOVERED YOUR NOTES Australia’s unique climate and landscape have fostered a fiercely independent wine scene, home to a vibrant community of growers, winemakers, viticulturists, and vignerons. With more than 100 grape varieties grown across 65 distinct wine regions, we have the freedom to make exceptional wine, and to do it our own way. We’re not beholden by tradition, but continue to push the boundaries in the pursuit of the most diverse, thrilling wines in the world. That’s just our way. Notes CHARDONNAY T H E EVOLUTION Chardonnay has enjoyed the industry’s highs OF A CLASSIC and weathered its lows with resilience, and it continues to hold a special place for Australian wine lovers. Its Australian journey is a roller-coaster ride of dramatic proportions. Notes TO DAY - The history of WE’LL Chardonnay in Australia - How it’s grown - How it’s made - The different styles - Where it’s grown - Characteristics and COVER… flavour profiles Notes THE HISTORY 1908 1969 Penfold’s experimental Craigmoor’s cuttings OF CHARDONNAY vineyard now Tyrrell’s HVD identified as one of vineyard is planted in Hunter the best Chardonnay IN AUSTRALIA Valley, and is now one of clones with European the oldest Chardonnay provenance in Australia. vineyards in the world. 1820s 1830s 1918 Chardonnay is one of the Chardonnay cuttings from original varieties brought Kaluna Vineyard in Sydney’s to Australia and thrives in Fairfield are given to a Roth the warm, dry climate. family member, who plants them at Craigmoor Vineyards in Mudgee. Notes EARLY 1970s 1980s Consumer preferences A new style of shift to table wines, with 1979 Chardonnay enters the new styles produced, Winemaker Brian Croser wine market. -
Honouring Australians in the 1970S
The definitive version is available at http://wileyonlinelibrary.com http://onlinelibrary.wiley.com/doi/10.1111/ajph.12317/full The Politics of National Recognition: Honouring Australians in a Post-Imperial World1 Karen Fox and Samuel Furphy Abstract The announcement in January 2015 that Prince Philip had been chosen to receive an Australian knighthood (an honour which itself had been controversially revived the previous year) sparked a fury of debate about honours, and about the continuance of a British connection in Australia’s national life. Such debates were not new, echoing earlier arguments about honours as a national or imperial symbol. Through two related case studies – the Australian honours system and the Australian of the Year award – this article explores the politics of national recognition in 1970s and 1980s Australia. We consider both the politics involved in the creation and alteration of awards by which individual achievement and service are recognised by the nation, and the politics involved in imagining and recognising an Australian nation as expressed in those awards. We argue that these two institutions were more than a means to acknowledge hard work or sacrifice; they were also significant sites for contests over the nature of Australia’s post-imperial identity. Like most modern nations, Australia uses an official system of honours to acknowledge and celebrate the services and achievements of its citizens. This formal system is complemented by the more populist Australian of the Year award. In the twenty-first century these two honorific institutions are familiar and – with some notable exceptions – widely valued and accepted elements of the social and symbolic landscape. -
1 Ia Magical Place
iA magical place - the art of Meg Benwell An essay by Joe Pascoe For me she is a unique colourist. Colour is the heartbeat of these paintings and for Meg, colour is her way of expressing her joy in life, Stephen Benwell.1 To know Meg Benwell and, and to perhaps share an Alpine cigarette and a glass of Chablis, was to be in conversation with someone who was a true aesthete. She was an antidote to suburban banality and an invitation to her house for dinner was to be treasured. Meg Benwell’s paintings, from her early pieces such as Positano (1952) to her last works like Golden Forest (2007), formed a pathway that led toward a symbolic depiction of nature and a playful cosmology that embraced the viewer with its gentle revelations. Meg was never famous, but her work was lovingly collected and admired. 1 Stephen Benwell, speech notes for the opening of ‘Meg Benwell – a retrospective exhibition presented by the Shepparton Art Gallery’, Caulfield Arts Complex, 8/5/1993. 1 Meg Benwell Positano 1952 Meg Benwell Golden Forest 2005 Viewed most broadly, she extends the linage implied by lining up Australian artists Margaret Preston, John Brack and Ian Fairweather, whose influences can all be glimpsed in Meg Benwell’s earlier work – influences backlit by such Europeans as Raoul Dufy and Georgio de Chirico. Like her famous contemporary, Fred Williams, Meg Benwell soon made the trees her protagonist, more than the horizon line. Though her colour patches and lines became her signature strokes - as opposed to the paint knurls and floating varnishes used by Fred Williams. -
Wine and Health Through the Ages
WINE AND HEALTH THROUGH THE AGES WITH SPECIAL REFERENCE TO AUSTRALIA BY DR. PHILIP NORRIE MBBS (NSW), MSc (Sydney), MSocSc (Hons) (CSU) FPA Cert, FIBA A Thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Social Ecology and Lifelong Learning University of Western Sydney 2005 DEDICATION This thesis is dedicated to my family - my wife Belinda and my sons Andrew and Alexander for their love and support and to the concept of preventative medicine (the best way to treat a disease is not to get it in the first place) using oenotherapy. ACKNOWLEDGEMENTS I would like to thank the following people for helping me research and write my thesis. Professor Stuart Hill, my supervisor for his guidance, patience and support during the whole process - it was much appreciated. Brenda Heagney, the chief librarian at the Medical History Library of the Royal Australasian College of Physicians for her continued support over the years with all my research and books, not just for this PhD thesis. Jan Willoughby, my secretary, for all her typing and clerical assistance. She deserves a medal for reading my handwriting, following my arrows and understanding my "pto's" and "inserts". Dr. Gordon Troup, physicist at Monash University, for sharing his vast knowledge about antioxidants. Shirley Parnell, Secretary of the West Surrey Geneological Society in UK . The staff of each state library, in Australia, Public Records Office in UK, St. Bartholomew's Hospital London, Sydney Hospital and NSW State Archives. All current Wine Doctors for completing their questionnaires. And the families of all past Wine Doctors for providing family histories and documents. -
Fletcher's of Collins Street: Melbourne's Leading Nineteenth-Century Art Dealer, Alexander Fletcher
“Fletcher’s of Collins Street” : Melbourne’s Leading Nineteenth-Century Art Dealer, Alexander Fletcher (1837– 1914) “Fletcher’s of Collins Street”: Melbourne’s Leading Nineteenth-Century Art Dealer, Alexander Fletcher Collins Street in the 1880s was the hub of the art trade in Melbourne, with an ever-expanding population of art galleries and artists’ studios. What Pickersgill’s Victorian Railways Tourist’s Guide of 1885 calls “the most fashionable thoroughfare in the city” extended for a mile up the hill from Spencer Street Railway Station in the west to Treasury in Spring Street to the east. The heart of the fashionable retail trade in Collins Street in the 1880s, as it still is today, was in the middle section formerly known as “The Block”, between Swanston and Elizabeth Streets. Here shoppers once browsed the fancy window displays of drapers, milliners, coiffeurs, tailors and music dealers, and beyond them, those of several art dealers. As a journalist from the Melbourne periodical Bohemia remarked in late 1890 “one can generally find a picture in the Collins Street windows worth looking at.”[1] In the late 1880s and early 1890s, Collins Street east (that is, east of the General Post Office), stretching from The Block to the genteel doctors’ quarter of upper Collins Street, was where many leading artists had their studios. Among them were the purpose-built 1887 studios in Grosvenor Chambers occupied by Tom Roberts, Fred McCubbin, and others (the building may still be seen but the studios were thoughtlessly destroyed in the 1970s).[2] In May 1888, eighteen, or just under one- third of the artists in the Victorian Artists’ Society had studio addresses in Collins Street east. -
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lllllllllllllllllllllllll!/lllllllllllllllllllllllllllllllllllll 3 4067 02569 8258 l�i v �Z-�0 ·A� w {)!; .-.. .. .'' f! HEF�RE ..... \)� I SlEEP ... ...... RayWhitrod was born in Adelaide in 1915. He matriculated fromhigh school dur ing the Depression. While cycling around South Australian Riverlands in a vain attempt to find work as a fruit-picker he learnt of a scheme to recruit teenagers as police cadets. Thus began a police career- interrupted by war service and a stint with ASIO- that led to his appointments as the Conunissioner of the Commonwealth, Papua New Guinea, and, subsequently, the Commissioner of Queensland Police Force. After seven hard years trying to eliminate mal practice in the Queensland force, Ray Whitrod was forcibly presented by the Bjelke-Petersen government with a deputy conunissioner, whom he knew to be deeply corrupt. Whitrod resigned in protest in 1976� Ray Whitrod was active in the establishment of the South Australian Victims of Crime Service. He has had a lifelong involvement with Scouting and has been awarded many hon ours, including appointment as Companion of the Order of Australia and a doctorate from the Australian National Uni versity. But once, when asked on ABC Radio what he person ally regarded as his finest achievement, he replied, "Marrying Mavis." RAY· BEF�RE WHITR�ll I SlEEP Memoirs of a Modern Police Commissioner University of Queensland Press SS&H .o1296644 [Man o gt"'aph s J 2001 Received on : 12-02-02 First published 2001 by University of Queensland Press Box 6042, St Lucia, Queensland 4067 Australia www.uqp.uq.edu.au © Ray Whitrod This book is copyright.Ex cept for private study, research, criticism or reviews, as permitted under the Copyright Act, no part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means without prior written permission.