2014-2015 | Submitted to Alberta Innovation and Advanced Education | June 01, 2014 HELLO and WELCOME
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Changing Horizons
Changing Horizons SASKATCHEWAN ARTS BOARD 2015-2016 ANNUAL REPORT MISSION: VALUES: TABLE OF CONTENTS: The Saskatchewan Arts Board recognizes, • Accessibility — We are committed to Letter of Transmittal 2 encourages and supports the arts to enrich providing accessible and user-friendly Message from the Chair 3 community well-being, creativity, diversity and services for our clients. Message from the Chief Executive Officer 4 prosperity. • Diversity — We are committed to building Board & Staff 5 an organization that reflects the ever- VISION: Stories 6 increasing diversity of the people of A creative society where the arts, artistic Saskatchewan and which embraces a In Memory 35 expression and innovation play a dynamic role broad scope of creativity and artistic Strategic Plan 36 and are accessible to everyone in expression through the arts. Permanent Collection: New Acquisitions 38 Saskatchewan. • Accountability — Our policies and Permanent Collection: Works on Loan 40 processes are transparent and reflect a Grants & Funding 42 commitment to effective stewardship for Jurors, Assessors & Advisors 46 the public trust we hold. Management Responsibility for Financial Information 48 • Collaboration — We recognize greater Auditor's Report 48 outcomes will be achieved through Financial Statements 49 collaboration, partnerships and the engagement of clients, staff and Notes to the Financial Statements 51 stakeholders. • Excellence — Our commitment to focusing on our clients and going above and beyond to support excellence in the arts. • Adaptability — Our ability to think differently, innovate and continuously evolve in order to support our clients and the dynamic role of the arts within a creative society. Cover Image: Gabriela García-Luna Blue Wheat , 2011 Giclée print on paper Photo courtesy of the artist The Saskatchewan Arts Board provides opportunities to change horizons for people across Saskatchewan. -
Goose Lane Editions Fall 2018 Where to Begin? with a Heartbeat
Goose Lane Editions Fall 2018 Where to begin? With a heartbeat. A word. An image. Fall 2018. A season of provocation, of entertainment, of complete absorption. A season of ideas. And of emotion. “This is where the heart of feminism beats.” — Annie Lennox on Powered by Love This fall our selection of new titles includes books destined for everyone’s reading list: a provocative (and yes, decidedly controversial) book on the myths of mammography by investigative journalist Renée Pellerin; a memoir of a river by one of Canada’s best nature writers, Wayne Curtis; and the first of two volumes on the Great Trail by hiker extraordinaire Michael Haynes. “Blunt, honest and well-researched.” — Flurt on F-Bomb Readers will be entranced by fabled lawman Strother Purcell in Ian Weir’s deadpan revisionist western and pulled into the undertow of history in Paul Carlucci’s ravaged high-rise of the north. In icehouse poetry, renowned poet Patricia Young and first-book author Dominque Bernier-Cormier will encourage readers to cast their gaze on a pungent, pulsating universe. Full stop. And then, with much ado, we’ll unveil a dazzling array of illustrated books, including three distinctive books of photography. ...Everything Remains Raw records the evolution of the Toronto hip hop scene through graffiti, magazine shoots, and behind-the-scenes documentary photographs. The Lost City documents the vanished neighbourhoods of Saint John razed by the progress of “urban development” in arresting, black-and-white photographs by Ian MacEachern. In One Wave, Ned Pratt transforms the Newfoundland landscape into distillations of form and colour — without a hint of nostalgia. -
Jessica Eaton
JESSICA EATON Press Pack 612 NORTH ALMONT DRIVE, LOS ANGELES, CALIFORNIA 90069 TEL 310 550 0050 FAX 310 550 0605 WWW.MBART.COM JESSICA EATON BORN 1977, Regina, Saskatchewan EDUCATION 2006 BFA Photography, Emily Carr University of Art and Design, Vancouver SOLO & TWO PERSON EXHIBITIONS 2016 M+B, Los Angeles, CA Transmutations, Galerie Antoine Ertaskiran, Montreal, QC 2015 Wild Permutations, Oakville Galleries at Centennial Square, Oakville, ON Custom Colour, Higher Pictures, New York, NY Wild Permutations, MOCA Cleveland, Cleveland, OH 2014 Jessica Eaton: New Works, Jessica Bradley Gallery, Toronto, ON Ad Infinitum, The Photographers’ Gallery/The Hospital Club, London, UK 2013 Flash: Jessica Eaton, California Museum of Photography, Riverside, CA Hyères 2013: International Festival of Fashion and Photography, Hyères, France 2012 Polytopes, M+B, Los Angeles, CA Squeezed Coherent States, Clint Roenisch Gallery, Toronto, ON 2011 Cubes for Albers and LeWitt, Higher Pictures, New York, NY The Whole is Greater Than The Sum of The Parts: Lucas Blalock and Jessica Eaton, Contact Gallery / Contact Photography Festival 2011, Toronto, ON 2010 Strata: New works by Jessica Eaton, Red Bull 381 Projects, Toronto, ON Umbra Penumbra, PUSH Galerie, Montréal, QC 2009 Variables, LES Gallery, Vancouver Photographs, Hunter and Cook HQ, Toronto, ON GROUP EXHIBITIONS 2016 There is nothing I could say that I haven’t thought before, in collaboration with Cynthia Daignault, Stems Gallery, Brussels, Belgium 2015 Russian Doll, M+B, Los Angeles, CA Are You Experienced?, -
Fall Exhibitions & Programs Brochure
ESKER FOUNDATION Fall 2019 Esker Foundation 3/32 WELCOME WE WELCOME YOU This fall we present the work of Hudson-based artist Jeffrey Gibson and Toronto-based artist Nep Sidhu. Both articulate complex histories and the contemporary struggle to uphold, dismiss, or renegotiate these narratives through work that is itself dense, culturally specific, and technically magnificent. Both artists favour collaboration as a way to expand practice, open conversation, and create community. Presenting their work together for the first time, Esker endeavours to create space for cross-cultural communication to flourish, and for difficult conversations to happen. As an institution we acknowledge it can be far more important to reflect on how we listen rather than reacting to what we hear. While working on these two exhibitions over the last year it has become increasingly clear that although both artists have a fierce commitment to material exploration, what resonates with me now is an underlying theme of inheritance. I borrow from the exhibition text of Jeffrey Gibson: heT Anthropophagic Effect at the New Museum this past spring: “Inheritance, of course, refers to what is handed down, usually through family, tradition, or even by chance. But it also points to other modes by which people come to own: the disposses- sion or erasure of others, for instance. Yet, whether by generosity or violence, inheritance leaves a trace; individual and collective bodies are marked by, and in turn mark, the objects and ideas they only 1 Jeffrey Gibson: The Jeffrey Gibson, 2019. temporarily possess.”1 Anthropophagic Effect. Courtesy of the artist, Curators: Johanna Burton, Sikkema Jenkins, NYC; Keith Haring, Director and Kavi Gupta, Chicago; Kablusiak continues in the Project Space this fall with their installa- Curator of Education and and Roberts Projects, Public Engagement, and Los Angeles. -
Alberta College of Art + Design
Catalyst FALL 2013 art + design in our community and beyond ALBERTA COLLEGE OF ART + DESIGN art + design in our community and beyond ALBERTA COLLEGE OF ART + DESIGN President’s Message 1 On Campus Academic Update 2 ACADSA Show + Sale 2 Nurturing the Creative Entrepreneur – Centre for Creativity + Entrepreneurship 3 White Walls, Infinite Possibilities – Illingworth Kerr Gallery 4 The Art of Learning – Extended Studies 5 Telling ACAD’s Stories SCHOOL OF CRAFT + EMERGING MEDIA Code + Clay– Katrina Chaytor 6 Andy Nichols Photography EDITORIAL PHOTOGRAPHY Ground Control to Major Tom – Catherine Larose 8 Computer Canvases – Paul Robert 10 Brieanne Biblow Alex Middleton Shifting Gears – Natalie Lauchlan 12 Kara Tersen WRITING SCHOOL OF CRITICAL + CREATIVE STUDIES Natalie Sit Zombies, Dinosaurs, Ghosts, Oh My! – Alex Link 14 EDITING A Wicked Problem – John Calvelli 16 GOOD Company Wordplay – Derek Beaulieu 18 DESIGN Molding Theory – Nicole Burisch 20 McAra Printing PRINTING ACAD at a Glance 22 ALBERTA COLLEGE OF ART + DESIGN Telling ACAD’s Stories (continued) 1407 - 14 AVE NW CALGARY, ALBERTA CANADA SCHOOL OF COMMUNICATION DESIGN T2N 4R3 403.284.6238 WWW.ACAD.CA An Unexpected Journey – Wayne Traudt 28 Back to Basics – Ray Ferraro 30 Make Art for your Friends – Geoff McFetridge 32 A Student of the Medium – Tim Okamura 34 SCHOOL OF VISUAL ART 36 COVER PHOTO: Susan Turcot. Hide and A Life Aquatic – Laurel Johannesson Seek (2012). Charcoal on paper, each 39 Finding Home – Marty Kaufman 38 x 53 cm. Courtesy the artist and Illingworth Kerr Gallery. Critic’s Choice – Don Kottmann 40 Presented as part of the exhibition Susan From Pencil to Lens – Yuqi Kang 42 Turcot, Illingworth Kerr Gallery, September 26 to October 26, 2013. -
MAX Orange, Yellow and Teal Shelters Exhibit Select on Paper on Paper Works from the City of Calgary’S Public Art Collection
EDMONTON TRAIL SAIT NORTH HILL FOOTHILLS MEDICAL CENTRE MO SUNRIDGE MALL Continued on Continued from ALBERTA CHILDREN’S next page previous page HOSPITAL GENESIS CENTRE CENTRE ST 4 ST NW H BRENTWOOD 7 SHOP 19 ST NE RUSSET RD RUNDLE 5 32 AVE NE SADDLETOWNE 44 AVE NE 9 EAT CIRCLE RUNDLESIDE DR 1 WHITEHORN DR 8 31 ST NW BRENTWOOD MARTINDALE FALSHIRE CASTLERIDGE BLVD DR BLVD 6 2 3 4 U OF C 1. SADDLETOWNE CIRCLE Mixed Bed Calgary City Hall West Young Wrestling Fans, Mallia Wild Rice, Lily Pads and 3. Katie Ohe and Diana Un-Jin Cho Artist: Cathrine Greene Artist: Ray Van Nes Calgary Artist: John Snow Summer Breezes Sun Trailing Date: 1987 Date: 1993 Artist: George Webber Date: 1972 Artist: Ted Godwin Artist: William Anderson Medium: Woodcut and Medium: Palladium print Date: 1978 Medium: Lithograph on paper Date: 1986 Date: 1989 intaglio on paper on paper Medium: Silver gelatin print Medium: Oil on canvas Medium: Silver gelatin print MAX Orange, Yellow and Teal shelters exhibit select on paper on paper works from the City of Calgary’s Public Art Collection. Summer Altar East Window, 7. 32 AVE NE Melody Artist: Cathrine Greene Grace Presbyterian Church Sam Livingston Artist: Barbara Milne Counter Untitled #7 Each work represents a unique perspective of an artist Date: 1989 Artist: Ray Van Nes Artist: Lisa Brawn Date: 1990 Artist: Helena Hadala, RCA Artist: Gregory Arnold Medium: Woodcut and Date: 1993 Date: 2009 Medium: Oil on canvas who has resided in Calgary at some point in their lives. Date: 1982 Date: 1967 intaglio on paper Medium: Palladium print Medium: Polychrome woodcut Works featured range in age from 80 years old to art Medium: Woodcut on paper Medium: Acrylic on board on paper created in this decade, and are created by many artists Flight of Fancy 9. -
Calgary Arts Development 2 Community Investment 3 Engagement 12 Spaces 18 Awareness 20 Alberta Arts Flood Rebuild 20 Governance 23 People 24
• • • CITY OF CALGARY • RECEIVED • IN ENGINEERING TRADITIONS ROOM • • • • • 2014 • Accountability Report • • •• • calgaryarts development • • •I • • • •t t t Artist ic D irector Je an Gra n d- Maitre an d Alberta Ba l le t Comp any Art ist Hay na Gu tierr ez Committees. Assessors and Volunteers Volunteers and Assessors Committees. About Calgary Arts Development Development Arts Calgary About TABLE OF CONTENTS CONTENTS OF TABLE Alberta Arts Flood Rebuild Rebuild Flood Arts Alberta 2014 Prograi n Partners Partners n Prograi 2014 Community Investment Investment Community Opening Message Message Opening Engagement Engagement Governance Governance Awareness Awareness Spaces Spaces People People 24 24 23 23 27 27 25 25 20 20 20 20 18 18 12 12 2 2 3 1 • • • Opening Message • What is the goal of arts development? Calgary Arts Develop For a city to thrive, it needs a healt hy arts ecosystem, from ment's mission is to support and strengthen the arts to individual artists and grassroots companies to community • benefit all Calgarians. Creativity is an important currency in led marching bands and dance schools, and our largest • today's world, cultural vi tality is essential in building shared cornerstone institutions. We invest in operational funding prosperity, and art infusing the lives of Calgarians has the for organizations (Operating Grant Program), support for • power to make our city a better place for everyone. artists' professional development (Artist Opportunity Grant • Program), arts development activit ies such as Living a Creative There are many people who share a belief that arts in Life, and project support through the crowdfunding platform • everyday life helps build connection and vibrancy in our city. -
When Edouard Manet Exhibited in the Conservatory, Critics Accused Him of Making Concessions to the Public. the P
AKIMBLOG VANCOUVER CALGARY PRAIRIES WINNIPEG ONTARIO TORONTO MONTREAL EAST COAST ALL MONTREAL TAMMER ELSHEIKH COETUS FLOREUS A T GALERIE NICOLAS ROBERT August 01, 2018 J’aime 36 When Edouard Manet exhibited In the Conservatory, critics accused him of making concessions to the public. The painting features a welldressed couple in a greenhouse, comically missing each other’s vacant stares and looking rigid amid an explosion of plant life. More recently the “excessively finished” work was read as an “anxious attempt to reconsolidate the visual field in whose disassembly Manet had already participated.” For art historian Jonathan Crary, the malaise of modernity is signalled in the “fraudulent earthly paradise” of a greenhouse. Coetus Floreus at Galerie Nicolas Robert might also be mistaken for a conservative display of skillfully rendered flowers, figures, and faces. Continuities between the honeymoon phase of European modernity and our more circumspect latecapitalist era appear throughout the exhibition. But if the motif of flowers was used by Manet to stage a conflict between nature and culture, this group exhibition exposes our tendency nowadays to recode nature as culture. Lorna Bauer, The Westmount Conservatory and Greenhouse, 2018, inkjet print A provocative link is made between Manet’s century and our own in Lorna Bauer’s The Westmount Conservatory and Greenhouse. Bauer began photographing the iconic Westmount building between its renovations while preparing for a residency in Paris to study the green spaces of Baron Haussmann’s 19th Century urban renewal program. The photo’s middle ground is occupied by zinnia flowers visible through paint, plaster, or milkshake spatter on a pane of glass. -
Immortalityvulnerability
Pwww.poetsandartists.comA Issue #62, April 2015 IMMORTALITYvulnerability GeffreyDavis GOSS183 Publishing Group Didi Menendez, DenisPeterson Publisher, Curator, Editor Sergio Gomez, Curator MichelleDoll www.poetsandartists.com DebraBalchen Issue #62, April 2015 2015© PoetsArtists Contributors YukiToy SergioGomez DidiMenendez VictoriaSelbach DaliahAmmar CesarConde VincentKatz JoycePolance ChrisLeib TimothyRobertSmith JohnWalker www.poetsandartists.com JamesNeedham PThis is PoetsArtistsA third year showing at the Zhou B Art Center. Sergio Gomez and I start planning RonAndrola the shows a year in advance. The hardest part in planning the show is coming up with a theme. We NadineRobbins start to discuss early so as to give the artists and poets invited enough time to create their works for JavierChavira the publication and group show. JeffBess It is my pleasure to continue my third collaboration with This last year Nadine Robbins had a photo curator Didi Menendez in this exhibition as part of the Zhou shoot with Howard Tullman who is a well known MatthewHittinger B Art Center program of exhibitions. The title Immortality entrepreneur and art collector in Chicago and who and Vulnerability was given to all the invited artists about has always been very supportive of PoetsArtists. ReinerHansen one year in advance. Artists and poets were selected from Nadine Robbins initiated the shoot since her work across the country to participate. Each artist and poet was is in his collection and because she was working AnekaIngold asked to respond to this theme from their own point of on a new series of paintings and thought Howard view and with their own visual language and writing style. would make a great subject. -
Annual Report Front Cover: Finn O’Hara (B
2016–2017 | Annual Report Front cover: Finn O’Hara (b. 1972) in collaboration with Steve Driscoll (b. 1980), The only real thing in his life was his dreams, 2017, digital chromogenic print, 114.3 x 152 cm, Courtesy of the artists 2016–2017 | Annual Report 2016–2017 | Annual Report Contents McMichael Philosophy 1 McMichael Canadian Art Collection: A Year in Review 2 Highlights from 12 Months of Extraordinary 6 Art and Experiences On Display from the McMichael Collection 10 Special Exhibitions 14 Loans 18 Acquisitions l Permanent Collection 20 A Tribute to Our Donors 24 Board of Trustees 28 McMichael Canadian Art Foundation 28 McMichael Honorary Council 28 Staff 28 McMichael Volunteer Committee 28 Financial Summaries and Statements 29 McMICHAEL PHILOSOPHY McMichael Vision To be recognized as an extraordinary place to visit and explore Canadian culture and identity, and the connections between art and nature. “…extraordinary place to visit…” A physical and virtual gathering place that provides an engaging and continually changing experience to targeted audiences and communities, driving new and repeat visits. “…explore Canadian culture and identity…” Enabling our visitors to understand who we are as Canadians and where we fit in the global context over time, through the medium of art. “…connections between art and nature.” Bringing together and integrating the visual arts with the natural world and creating a cultural landscape uniting the visual arts with the natural world. McMichael Mission To interpret and promote Canadian, Indigenous, and Inuit art, to attract local, national, and international audiences. McMichael Values Excellence We are the best in our sector, are leaders in our field, and have achieved a national and global reputation. -
LPG Litdistco Catalogue Fall 2021
Dear Booksellers, Librarians, and Friends of the LPG, Thank you for your on-going support of Canadian independent literature and the publishers that make up the Literary Press Group. We’re looking forward to getting together again to celebrate books as a community. Here are a few updates about our Sales Collective as we head into the second half of 2021: • We are pleased to have long-time LPG member, DC Books, join the LPG Sales Collective. We are also welcoming new member, Renaissance Press of Gatineau, QC, as of June 1, 2021. • Please note that Insomniac Press is no longer represented through the LPG’s Sales Collective. • Please note that no Fall titles were announced for Bluemoon Publishers, DC Books or Stonehouse Publishing. Happy Reading, Tan Light Sales Manager ___________________ The Literary Press Group of Canada 234 Eglinton Ave. E, Suite 401 Toronto, ON M4P 1K5 e: [email protected] p: 416.483.1321 x4 1 LPG Sales Collective Fall 2021 LitDistCo Clients Table of Contents 4 Beach Blonde by John Reynolds 5 Frame by Frame: An Animator's Journey by Co Hoedeman 6 Miraculous Sickness by ky Perraun 7 Coming to Canada by Starkie Mak 8 Gibbous Moon by Dennis Cooley, Michael Matthews 9 Green Parrots in my Garden: Poems from the Arab Middle East by Jane Ross 10 Papillons sur le toit de ma patrie by Sanaz Safari, Alice Anugraham 11 Beyond the Terrazzo Veranda by Morra Norman 12 Breaking Words: Literary Confessions by George Melnyk 13 You have been Referred: My Life in Applied Anthropology by Michael Robinson 14 Enormous Hill, The by Judd Palmer, -
Landscapes and Silence Part I
Landscapes and Silence Part I Terry Billings Gabriela García-Luna Risa Horowitz Zachari Logan Sheila Spence Curated by Wayne Baerwaldt with 21C Curators and Tanya Abraham A collateral exhibition of the 2016 Kochi-Muziris Biennale December 11th, 2016 to March 29th, 2017 Kashi Art Gallery: Town House Quiros Street, Fort Kochi, Kochi 682001 Kerala, India Landscapes and Silence, Part I © Landscapes and Silence Group, 2016 ISBN 978-0-9958798-1-2 (paperback) Landscapes and Silence It is with the collaborative support oF Edgar Pinto and exhibition co-curator Tanya Abraham oF Kashi Art Gallery and The Art Outreach Society (TAOS) in Kochi, Kerala, that the exhibition Landscapes and Silence has been realized. Mixed media art- works by fve Canadian artists are presented with those of their Indian counterparts to allow the artists and their audience to contemplate diverse concepts oF silence in rapidly changing natural and rural landscapes. Landscapes and Silence Features recent and new works by Canadian artists Terry Billings, Gabriela García-Luna, Risa Horowitz, Zachari Logan, and Sheila Spence. For centuries artists have represented the idyllic peace and quiet oF the countryside and, For the most part, their artistic output supported the moral, aesthetic, and spiritual values oF a largely urban audience For art. Studies oF the landscape and its traditional sense of quietude associated with co-dependent fora and fauna were widely recognized as portals to the sublime. Times have changed. The landscape becomes an elusive Other, and artists bring new forms of critique and hybrid me- dia to represent landscapes and their changing values and meanings.