The Journal of Preservation Techn~-~Og~

Total Page:16

File Type:pdf, Size:1020Kb

The Journal of Preservation Techn~-~Og~ I INTERNATIONAL BULLETIN Vol. XXXVIIII, No.4 2007 ~~~ JiM Ii THE JOURNAL OF PRESERVATION TECHN~-~OG~ The Association '0' Preservation Technology • Association poue I, preservation et ses leclmiqu"" INTERNATIONAL The Development of Finite-Element lYIodels and the Horizontal Thrust of Guastavino Domes SEZER ATAMTURKTUR AND THOMAS E. BOOTHBY Modern engineering tools applied to Introduction testing, cannot be obtained for every building under investigation; conse- structural analysis of two existing The Guastavino vaulting system, ini- quently the mechanical properties that tially promoted by Rafael Guastavino Guastavino tile domes prove the were calibrated based on the nonde- Moreno and continued by his son, existence of horizontal thrust, in structive dynamic tests were compared Rafael Guastavino Esposito, has in- to the results of direct measurement on spite of the elder Rafael Guastavino's spired numerous studies in architectural specimens in laboratories and found to claims to the contrary. history and historic preservation. It is be in good agreement. Once the appro- the intention of this article to further the priate boundary conditions and material understanding and appreciation of properties were obtained through the Guastavino domes and to present means ANSYS model, the domes were then of investigating their structural behavior modeled in the frame-analysis program with modern engineering tools. For SAP 9.0 nonlinear, a program widely these purposes the finite-element (FE) used by engineers in practice. method is extensively employed through the computerized package ANSYS. The findings of these studies are used to Overview: Rafael Guastavino and assess the characteristics of Guastavino Cohesive Construction vaulting, specifically focusing on the Rafael Guastavino transferred a thou- question of horizontal thrust in domes. sand-year-old system of Catalan vault- The results presented are supported by ing from Spain to the United States, analytical models and field and labora- with the additional refinement of re- tory tests conducted on the City-County placing the traditional mortar with Building entrance-vestibule domes in rapidly hardening portland cement. Pittsburgh and the New York State Using this version of Catalan vaulting, Education Building Reading Room he achieved spans of three to five times domes in Albany, both of which were the typical span of a traditional Catalan designed by Henry Hornbostel. vault.' The capabilities of Cuastavino Because the FE modeling of a historic vaulting, or, in the elder Guastavino's masonry structure poses two major words, "cohesive construction," con- challenges - the identification of the tributed to the structure of many impor- boundary conditions and the effective tant buildings between the 1890s and material properties - two separate 1940s and resulted in more than 1,000 model-refinement efforts were under- examples in North America.' taken to achieve an acceptably accurate During his career the elder Guasta- representation of a structural system. In vino, a successful marketer, developed a the early stages of this research, a form number of rationales to promote his of dynamic-vibration testing was used novel technique. One argument pro- for the verification and updating of the moted by Guastavino, which appears to boundary conditions. To obtain effective be widely accepted by historians, is that mechanical characteristics of the assem- cohesive domes exert no thrust on their bly, static compressive tests on tile and supports.' A dome without a lateral mortar specimens obtained from the thrust does not require thick walls; hence, State Education Building were con- lower building costs give it a great advan- ducted, and the combined elastic con- tage over other systems. This argument Fig 1. View of the underside of the loggia straints of tile and mortar were homoge- surely contributed to Guastavino's domes, City-County Building, Pittsburgh, Penn- nized. These results, although more reputation for inexpensive and quickly sylvania. Photograph by Sezer Atamturktur. reliable than nondestructive dynamic 21 22 APT BULLETIN: JOURNAL OF PRESERVATION TECHNOLOGY / 38:4.2007 Fig. 2. Detail of the domes at the City-County Building. Photograph by John Fig. 3. Tile buttresses above the loggia domes. City-County Building. G. Waite. Photograph by Thomas E. Boothby. erected vaulting in the early 1900s. This The cracks are confined to a small zone 40 inches (150 em) connect the truss assertion, largely unquestioned for 100 around the intersection between the tile chords to the dome shell (Fig. 5). The years, has only recently been challenged buttresses and the back of the dome. domes are non bearing, as they are by a historian of technology, Santiago The dome thickness varies from three fully detached from the upper floor. Huerta." Huerta's critique is comprehen- to seven layers. The interior surface is The tile vaults have a thickness of three sive and thorough in identifying the finished with decorative tiles that create courses.' No apparent cracks on the nature and origins of the widespread a highly ornamented and colorful finish. back of the tile domes were observed fallacies concerning the behavior of this The intrados of the vestibule domes are during the visual site survey. 6 structural system. In addition to describ- exposed to the weather, whereas the ing a procedure for the detailed analyti- extrados are less susceptible to climatic Analytical Methodology: cal modeling of this type of structure, changes. The upper balcony floor, Finite-Element. Method the present article supplements Huerta's mainly carried by concrete beams, is in arguments by using contemporary engi- contact with the apex of each dome. In general, analytical modeling of neering tools to estimate the horizontal Although the structural effect of this masonry structures is a particularly thrust of a working Guastavino dome. connection and the extent of the support challenging task. The true behavior of of the domes to the balcony floor are masonry, both in tension and in com- pression, is nonlinear; however, the Description: Structures of Interest unclear, this study assumed the domes to be non bearing and independent from needed stress-strain law is seldom avail.•. City-County Building (1916). The City- the balcony. able, Due to the orientation of the mors County Building has three side-by-side tar joints, the material is anisotropic an·' New Vork State Education Building spherical segmental domes of 22-foot inhomogeneous. On the other hand, 0$ (1911). In the State Education Building, (6.7 m) radius that span the entrance significant progress in the assessment of twelve identical rib-and-dome units are vestibule (Figs. 1 and 2). Through the a masonry structure can be made assunz arranged in a three-by-four grid: a use of pendentives and stone masonry ing masonry as a linearly elastic repetitive circular system. The spherical arches, the tile domes are inserted into a isotropic and homogenous material; __. domes are truncated from a 21-foot 33-foot-by-33-foot (10 m) square bay thus avoiding the complications in the' radius (6.3 m) over 29-foot-by-29-foot and supported by stone piers. At the constitutive law, as well as the conver- (8.9 m) bays with 6-foot (1.8 m) rise. core of each pier a steel lattice column gence issues associated with nonlinear The transformation from a circular plan continues towards the back of the analysis," In the present paper, these domes and supports the balcony floor. to a square bay is accomplished by uncertainties are mitigated by obtainio means of pendentives and slender Between these steel columns and the material properties experimentally fro,:. ribbed arches (Fig. 4). The domes are dome webbing, at the four pendentive specimens of the material used in con supported by slender iron columns that corners, tile burrresses were added to struction and by experimentally veri continue past the vaults and join the bolster the back of the domes (Fig. 3). ing the assumed boundary conditions trusses that carry the upper floor loads. The conditions survey on the back of used in modeling the structure. The truss members contact the dome the domes revealed the development of shell at every 45 degrees in plan, where approximately O.l-inch (2 mm) cracks small tile blocks 16 inches (40 em) by at all four corners towards the apex. FINITE-ELEMENT MODELS AND THE HORIZONTAL THRUST OF GUASTAVINO DOMES 23 compressive tests obtained the Young's modulus (E) and Poisson's ratio (v). Subsequently, these values are homoge- nized based on the methods of mechan- ics of materials to obtain the effective values to be entered into the FE model. Boundary conditions for Guastavino domes. In addition to the difficulty in assessing the material properties, the assessment of the physical definition of the connections between adjacent mem- bers is particularly challenging for com- plex masonry systems. Because none of the theoretical fixed or free boundary conditions available on analysis pro- grams exist in real structures, their use introduces approximation; the choice of one or the other depends on an accurate understanding of both the behavior of the structure and the technology and Fig. 4. View of the New York State Library Reading Room domes, New York State Education Building, Albany, New York. Guastavino Company catalog, 1920. capacity of the FE software. Addition- ally the elastic joint restraints in a ma- sonry structure are dependent on the Mechanical Properties of the used in Guastavino construction have
Recommended publications
  • Seismic Performance Assessment of Masonry Tile Domes Through Nonlinear Finite-Element Analysis
    Seismic Performance Assessment of Masonry Tile Domes through Nonlinear Finite-Element Analysis S. Atamturktur, M.ASCE1; and B. Sevim2 Abstract: This article discusses a combined analytical and experimental study on the nonlinear seismic performance of two Guastavino-style masonry domes located in the United States. The seismic performance of these masonry domes is simulated with nonlinear finite-element (FE) models. To support the assumptions and decisions established during the development of the FE models, the vibration response of the domes is measured on-site and systematically compared against the numerical model predictions. Linear FE models are developed that are in close agreement with the measured natural frequencies and in visual agreement with the measured mode shapes. Next, these linear models are extended into the nonlinear range by incorporating the Drucker-Prager damage criterion. Finally, nonlinear FE models are used to assess the performance of these two domes under seismic loadings obtained from the 1940 El Centro earthquake acceleration records. The predicted displacements and internal tensile stress levels are used to make inferences about the potential behavior of these two buildings under the selected earthquake load. DOI: 10.1061/(ASCE)CF.1943-5509.0000243. © 2012 American Society of Civil Engineers. CE Database subject headings: Experimentation; Modal analysis; Finite element method; Nondestructive tests; Earthquakes; Masonry; Seismic effects. Author keywords: Experimental modal analysis; Nonlinear finite element analysis; Nondestructive testing; Earthquake performance; Masonry tile domes; Timbrel vaulting; Catalan vault. Introduction to ensure the structural safety of existing Guastavino tile domed and vaulted structures, particularly during extreme events such The inherent rigidity of the dome enabled early builders to achieve as earthquakes and high winds.
    [Show full text]
  • Vertical Access
    TECHNICAL VERTICAL TECHNICALPast Past Projects Projects and and Current Current Research Research on on Guastavino Guastavino Tile Ceilings,Ceilings, Domes Domes and and Vaults Vaults VERTICAL HIGHLIGHTACCESS HIGHLIGHT access P AST P ROJECTS P AST PUniversitatROJECTS Politècnica de Catalunya in Barcelona, Spain. B IBBILIOGRAB LIOGRAP HYP HY Kent coordinated the construction of a full-size Guastavino As part of our work inspecting and documenting historic s part of our work inspecting and documenting historic ThThee following following is a selectedis a selected bibliography bibliography of general of resourcesgeneral resourcesuseful in the buildings, Vertical Access (VA) has been involved with veral vaultbuildings, as part Vertical of a hands-on Access (VA) workshop has been for involved the APTI with annual studyuseful and inevaluation the study of and structures evaluation incorporating of structures Guastavino incorporating construc- projects investigating original Guastavino tile ceilings, vaults conference several projects held investigating in 2013. original Guastavino tile tionGuastavino systems: construction systems: and domes. Notable buildings constructed with Guastavino ceilings, vaults and domes. Notable buildings constructed ◗ ◗ Collins, George R. “The Transfer of Thin Masonry Vaulting Kelly Streeter, a licensed structural engineer with VA, has Collins, George R. “The Transfer of Thin Masonry Vaulting tile surveyed by VA in New York City include Cram and Awith Guastavino tile surveyed by VA in New York City include Cram fromfrom Spain Spain to toAmerica.” America.” Journal Journal of the of Societythe Society of Architectural of Architec - undertaken a testing and research program to define and Goodhue’s St. Thomas Church and Bertram Goodhue’s St.and Goodhue’s St. Thomas Church and Bertram Goodhue’s St.
    [Show full text]
  • Past Projects and Current Research on Guastavino Tile Ceilings, Domes and Vaults ACCESS HIGHLIGHT
    VERTICAL TECHNICAL Past Projects and Current Research on Guastavino Tile Ceilings, Domes and Vaults ACCESS HIGHLIGHT P AST P ROJECTS B I B LIOGRA P HY s part of our work inspecting and documenting historic The following is a selected bibliography of general resources useful in the buildings, Vertical Access (VA) has been involved with study and evaluation of structures incorporating Guastavino construc- several projects investigating original Guastavino tile tion systems: ceilings, vaults and domes. Notable buildings constructed ◗ Collins, George R. “The Transfer of Thin Masonry Vaulting Awith Guastavino tile surveyed by VA in New York City include Cram from Spain to America.” Journal of the Society of Architectural and Goodhue’s St. Thomas Church and Bertram Goodhue’s St. Historians 27 (October 1968): 176-201. Appendices I and II of Bartholomew’s Church, St. Paul’s Chapel at Columbia University, the article include further bibliographic references. Oyster Bar in Grand Central Terminal, the Battery Maritime Building ◗ The Guastavino Fireproof Construction Company/George and the Federal Reserve Bank. Outside of New York City, VA has Collins Architectural records and drawings. Drawings and performed survey work on All Saints Cathedral in Albany, NY, designed Archives. Avery Architectural and Fine Arts Library, Columbia by Robert W. Gibson, and Cram, Goodhue and Ferguson’s Cadet University. Chapel at the United States Military Academy. In the fall of 2006, VA performed a comprehensive investigation of St. Francis de Sales Church ◗ Guastavino, Rafael. Essay on the Theory and History of Cohesive in Philadelphia, a Byzantine Revival structure designed by Henry D. Construction. Boston: Ticknor, 1892.
    [Show full text]
  • Seismic Considerations for Guastavino Ceiling, Vault, And
    Seismic Considerations for Guastavino Ceiling, Vault, and Dome Construction Author(s): Doug Robertson Source: APT Bulletin: The Journal of Preservation Technology, Vol. 30, No. 4, Preserving Historic Guastavino Tile Ceilings, Domes, and Vaults (1999), pp. 51-58 Published by: Association for Preservation Technology International (APT) Stable URL: https://www.jstor.org/stable/1504710 Accessed: 29-08-2018 15:42 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Association for Preservation Technology International (APT) is collaborating with JSTOR to digitize, preserve and extend access to APT Bulletin: The Journal of Preservation Technology This content downloaded from 24.4.7.238 on Wed, 29 Aug 2018 15:42:09 UTC All use subject to https://about.jstor.org/terms Seismic Considerations for Guastavino Ceiling, Vault, and Dome Construction DOUG ROBERTSON The seismic and program improve- Guastavino construction is found pre- in past earthquakes has been seldom and ments to the Hearst Memorial dominantly in turn-of-the-century archi- poorly documented. tecture across the eastern United States, The findings presented in this article Mining Building on the University with fewer examples as you travel fur- are based on investigations and evalua- of California, Berkeley campus, ther from New York City, the home of tions related to the seismic behavior of will be the first project in which the Guastavino Company.
    [Show full text]
  • The Search for a Hard, Durable, Acoustically Absorbant, Modular
    EXPLORING NOVEL, HARD, ACOUSTICALLY ABSORBENT, MATERIALS by Randall J. Rehfuss Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Architecture Michael Ermann (Committee Chair) Martha Sullivan Nathan King, DDes May 8th, 2017 Blacksburg, VA Keywords: material, acoustically absorbent, 3D printing, Rafael Guastavino, Wallace C. Sabine, Cohesive Construction, Helmholtz resonator, porous, vaults, impedance, absorption DEDICATION I give my sincere thanks for all those especially my wife and parents who endlessly encouraged and supported me through this pursuit. I also highly appreciate the help and guidance extended by my college friends, faculty, and advisors. Your support and mentorship often provided the inspiration to persevere. ACKNOWLEDGEMENTS I would like to express my gratitude to Michael Ermann for providing a hands-on approach to investigating architecture and acoustics. I appreciate his guidance, insight, and encouragement during this research. I would like to thank my committee Martha Sullivan and Nathan King whose knowledge and assistance in ceramics and 3D technologies were invaluable. I would also like to thank professors Michael Rohn and Dr. Christopher Williams of the Mechanical Engineering Department for use of their labs’ equipment and support provided by their graduate students. Finally much of this research would not have been possible without the help of my colleagues Andrew Hulva and Aaron Kanapesky providing critical support throughout the process both in and out of studio. i ABSTRACT At the turn of the 20th century two contemporaries in their respective fields teamed up to develop a solution to an acoustic problem with the hard-surfaced vaulted ceilings being installed in many large spanning rooms being built at the time.
    [Show full text]
  • Shelly Neitzel GHPR 651 January 23, 2012 Michigan Central Station
    Shelly Neitzel GHPR 651 January 23, 2012 Michigan Central Station http://commons.wikimedia.org/wiki/File:Mcshie.jpg The Michigan Central Station was built in 1912-3 in the ornate Beaux-Arts style1, although, as seen in the 2008 photograph above, only the vestiges of the once grand building and setting remain. Named for the Ecole des Beaux-Arts in Paris, Beaux-Arts Classicism came to America with architects as they returned from their European studies in the late 19th century and flowered after the World’s Columbian Exposition of 1893. Many American prominent architects, including Henry Hobson Richardson, Louis Sullivan, Richard Morris Hunt, and Charles Follen McKim studied at the Ecole des Beaux-Arts.2 Beaux-Arts Classicism was used more commonly for public buildings than for private residences, although some of the grandest American homes of the 1880s through the 1920s were built in the Beaux-Arts style. 3 For example, The Breakers, located in Newport, Rhode Island and designed by Richard Morris Hunt in 1892 for Cornelius Vanderbilt, is arguably the most well-known Beaux-Arts residence in the United States. 1 Kelli B. Kavanaugh, Detroit’s Michigan Central Train Station (Charleston: Arcardia, 2001), 26. 2 Leland M. Roth, American Architecture: A History (Boulder: Westview, 2001), 252, 274, 224, 291. 3 Virginia and Lee McAlester, A Field Guide to American Houses, (New York: Alfred A. Knopf, 1984), 378-383. 1 http://en.wikipedia.org/wiki/File:The_Breakers_Newport.jpg From A Field Guide to American Houses, p. 378 Characteristics of Beaux-Arts buildings include projecting facades or pavilions with large, usually paired, columns or pilasters.4 The structures are executed in masonry and typically have a rusticated base (see above illustration).
    [Show full text]
  • 2021.03.30 Lecture Notes 3:00 Lecture 3 – Geometric Innovations in Architecture Share Powerpoint (Check Box for Video Audio On) Mute Everyone, Unmute Self
    2021.03.30 Lecture Notes 3:00 Lecture 3 – Geometric Innovations in Architecture Share PowerPoint (check box for video audio on) Mute everyone, unmute self. Turn on captions. Welcome to 3rd lecture within Guastavino Structural Tile Vaulting in Pittsburgh. Erin O’Neill co-hosting, field any questions in Chat. Q&A at break & end. Guastavino lived in the heart of the Industrial Revolution that developed new materials and machinery for manufacturing, saw a maturing of Building Science, the subject of last week’s lecture and the focus of today’s architectural practice. Today, we will take a step back to the periods before modern engineering, to the practice of architecture as geometry, proportion, scale, massing, perspective… In particular, the revival of historical styles from antiquity: Gothic, Romanesque, Classical Greek, and a few new traditions popular at turn century: Arts & Crafts, Art Deco, … Columbian Exposition of 1893 in Chicago (Chicago World’s Fair) was a turning point for the Beaux-Arts movement in American architecture. Many American architects in the late 19th century were trained at Ecole des Beaux-Arts in Paris, which emphasized the study of historical precedents and the principles of symmetry and proportion found in the classical architecture of antiquity. Countries from around the world constructed national pavilions in the south side of Chicago’s Jackson Park. Guastavino was selected as the principal architect for the Spanish Pavilion (he had built past pavilions: in Vienna of 1873 and in Philadelphia of 1876). Selected for Chicago’s Fair by a committee with two Valencians, hiring one of their own and he was established within the United States where the construction was going to occur.
    [Show full text]
  • Guastavino Tile Construction: an Analysis of a Modern Cohesive Construction Technique
    University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 1992 Guastavino Tile Construction: An Analysis of a Modern Cohesive Construction Technique Ann Katharine Milkovich University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Milkovich, Ann Katharine, "Guastavino Tile Construction: An Analysis of a Modern Cohesive Construction Technique" (1992). Theses (Historic Preservation). 255. https://repository.upenn.edu/hp_theses/255 Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: Milkovich, Ann Katharine (1992). Guastavino Tile Construction: An Analysis of a Modern Cohesive Construction Technique. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/255 For more information, please contact [email protected]. Guastavino Tile Construction: An Analysis of a Modern Cohesive Construction Technique Disciplines Historic Preservation and Conservation Comments Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: Milkovich, Ann Katharine (1992). Guastavino Tile Construction: An Analysis of a Modern Cohesive Construction Technique. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This thesis or dissertation is available at ScholarlyCommons: https://repository.upenn.edu/hp_theses/255 UNivERsmy* PENNSYLVANIA. UBRARIES GUASTAVINO TILE CONSTRUCTION: An Analysis of a Modern Cohesive Construction Technique Ann Katharine Milkovich A THESIS The Graduate Program in Historic Preservation Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE 1992 "VuQ.U David A.
    [Show full text]
  • Fall Extra 2013 Letter
    The Society of Architectural Historians Missouri Valley Chapter News Volume XIX Number 3B Fall Extra 2013 Letter www.stlouisarchitecture.org ADA LOUISE HUXTABLE Muschamp. Her columns were republished in several collections, and she wrote a few new studies, including The Tall AND ST. LOUIS Building Artistically Reconsidered (1984), The Unreal America: by Esley Hamilton The Architecture of Illusion (1997), and Frank Lloyd Wright, a Life (2004). She became the architectural critic for the Wall The death of Ada Louise Huxtable on January 7, 2013, at the Street Journal in 1997, when most people would have retired, age of 91 triggered an outpouring of appreciation from and contributed her last piece to the paper a month before her architecture enthusiasts (of a certain age) around the world. death. Most of the people who admired her most got to know her through the New York Times, which hired her as as the first architecture critic on the staff of an American newspaper in 1963. That was a critical moment in architecture and urban planning, as the Mid-Century Modern movement was cresting, the disaster that was federally-funded urban renewal was just beginning to become apparent, and the relentless destruction of historic buildings, foremost among them New York’s Pennsylvania Station, was precipitating the militant rise of the historic preservation movement. Huxtable’s job put her in the position to comment on all of this, and she did so with penetrating candor. She reported on all these events as they occurred, but more importantly, she saw beyond them to the larger contexts.
    [Show full text]
  • Structure and History of Guastavino Vaulting at the Metropolitan Museum of Art
    Structure and History of Guastavino Vaulting at the Metropolitan Museum of Art by Jonathan Calman Ellowitz Bachelor of Arts in English, Skidmore College, 2007 Post-baccalaureate certificate in Civil and Environmental Engineering, Tufts University, 2013 Submitted to the Department of Civil and Environmental Engineering in Partial Fulfillment of the Requirements for the Degree of Master of Engineering in Civil and Environmental Engineering at the Massachusetts Institute of Technology June 2014 © 2014 Jonathan Calman Ellowitz. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author:_____________________________________________________________ Department of Civil and Environmental Engineering May 9, 2014 Certified by:___________________________________________________________________ John A. Ochsendorf Professor of Architecture and Civil and Environmental Engineering Thesis supervisor Accepted by:___________________________________________________________________ Heidi M. Nepf Chair, Departmental Committee for Graduate Students Structure and History of Guastavino Vaulting at the Metropolitan Museum of Art by Jonathan Calman Ellowitz Submitted to the Department of Civil and Environmental Engineering on May 9, 2014, in Partial Fulfillment of the Requirements for the Degree of Master of Engineering in Civil and Environmental Engineering Abstract The R. Guastavino Company constructed structural masonry vaults for wings E and H of the Metropolitan Museum of Art, New York (the Museum) between 1910 and 1912. In the early 1960s the Museum relocated the Egyptian and Near- and Far-Eastern galleries to these wings, which in combination with growing numbers of visitors doubled the design live load for the vaults.
    [Show full text]
  • Architecture Structure ARCH 250-001 JIANG, Jennifer Assignment # 2
    Architecture Structure JIANG, Jennifer ARCH 250-001 Assignment # 2 Left: Rafael Guastavino y Moreno (1842-1908); Right: Rafael Guastavino y Esposito (1872-1950) The Guastavino Family: Medieval Techniques Adapted to the Modern Context Prof. Pieter Sijpkes McGill School of Architecture December 13 2014 The Cathedral of St. John the Divine, the City Hall Subway Station, the Grand Central Terminal, the Greenpoint Saving Bank, and the Boston Public Library are several recognized American “blue ribbon” buildings in which, for instance, these constructions would not stand without the Guastavinos Company and its technology behind the Catalan vault. Ranging from grand religious and government institutions to minor residential and recreational projects, more than 1000 buildings spanning from the 1880s and the 1940s around the United States came from the genius of Rafael Guastavinos, or more accurately, the Guastavinos family: Rafael I (although he was not the first in his lineage with that name) and son, Rafael II. Known for his pragmatic and formal style, Rafael I actively employed laminated vaults in numerous industrial buildings in Barcelona, most significantly in his factory for the Batllò Brothers (presently called the Clock Building) of 1869-75. In 1881, Valencian architect-builder Rafael I Guastavino and his son emigrated from Barcelona to the U.S. He left behind him building exemplars for later practitioners of Catalan vaulting. Gaudí and Domenech y Montaner were among the many architects who fully exploited the Catalan vaults into their works, and furthermore contributed to Barcelona’s identity and political symbolism. Catalan vaults –contemporary practices refer as “Guastavino System” of “timbrel vaults,” “flat arches,” or “fireproof construction”— are retraced from antiquity practices by the Egyptians, then the Byzantium, the Sassanians, and the Moslems.
    [Show full text]
  • 2021.04.06 Lecture Notes 3:00 Lecture 4 – Structural Innovations in Engineering Share Powerpoint (Check Box for Video Audio On) Turn on Captions
    2021.04.06 Lecture Notes 3:00 Lecture 4 – Structural Innovations in Engineering Share PowerPoint (check box for video audio on) Turn on captions. Mute everyone, unmute self Welcome to 4th lecture within Guastavino Structural Tile Vaulting in Pittsburgh. Erin O’Neill co-hosting, field any questions in Chat. Q&A at break & end. Guastavino benefitted from arriving in America at the start of a renaissance in architecture, inspired by the Beaux-Arts movement and fueled by the Industrialists new found wealth, as we saw in last week’s lecture on Architectural innovations. Today we will be focusing on his innovations in Engineering, that coincided with the developments of new modern materials: Portland cement, steel, and concrete. 1885 Structural Clay Tile Vaults (Valencian) On October 24, 1889, as Boston Public Library was under construction, Guastavino delivered a lecture to Society of the Arts at MIT (published in 1892 as Essay on the Theory and History of Cohesive Construction: Applied Especially to the Timbrel Vault), constructing demonstration arches of plaster tile method: ordinary boards cut to proper curve as centering, on which laid course of flat brick tiles (12”x6”x1”), joints in Plaster of Paris (fast setting). First course completed, centering removed and second course laid with Portland cement (high strength), breaking joints with the first course, as with the third course, completing the arch with 4” thickness (3 layers of 1” thin tile bricks, 2 layers 1/2" mortar). [ Timbrel term invented by Guastavino, derived from drum-like nature of the thin vaults, that resonated when struck.] Unlike traditional stone vaults, dry stacked without mortar, use gravity for stability, transferring the loads through center of stones lined as a path, Catalan cohesive tile construction strength of mortar bonding making tiles act as single cohesive material, like a board (bóveda tabicada), transferring loads downward at the end, eliminating lateral thrusts of stone vaults.
    [Show full text]