Bear Family Records UK Stock List 29/02/2004
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I'll Hang Around As Long As You Will Let Me : Hard Country Music, the White Working Class, and the Experience of Loss in the American Neoliberal Context
Smith ScholarWorks Theses, Dissertations, and Projects 2018 I'll hang around as long as you will let me : hard country music, the white working class, and the experience of loss in the American neoliberal context Nicholas Johnston Smith College Follow this and additional works at: https://scholarworks.smith.edu/theses Part of the Politics and Social Change Commons, Psychology Commons, and the Sociology of Culture Commons Recommended Citation Johnston, Nicholas, "I'll hang around as long as you will let me : hard country music, the white working class, and the experience of loss in the American neoliberal context" (2018). Masters Thesis, Smith College, Northampton, MA. https://scholarworks.smith.edu/theses/2096 This Masters Thesis has been accepted for inclusion in Theses, Dissertations, and Projects by an authorized administrator of Smith ScholarWorks. For more information, please contact [email protected]. I’LL HANG AROUND AS LONG AS YOU WILL LET ME: HARD COUNTRY MUSIC, THE WHITE WORKING-CLASS, AND THE EXPERIENCE OF LOSS IN THE AMERICAN NEOLIBERAL CONTEXT A project based upon an independent investigation, submitted in partial fulfilment of the requirements for the degree of Master of Social Work. Nicholas S. Johnston Smith College School for Social Work Northampton, Massachusetts 01063 2017 Nicholas S. Johnston I’ll Hang Around as Long as You Will Let Me: Hard Country Music, the White Working-Class, and the Experience of Loss in the American Neoliberal Context ABSTRACT This paper utilises the object relations theories of Ronald Fairbairn to conceptualise the narratives of Hard Country music, and understand how they relate to the shifting experiences of the male, white working-class in America in the latter half of the twentieth century. -
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mow!,'mum INN nn %AUNE 20, 1981 $2.75 R1-047-8, a.cec-s_ Q.41.001, 414 i47,>0Z tet`44S;I:47q <r, 4.. SINGLES SLEEPERS ALBUMS COMMODORES.. -LADY (YOU BRING TUBES, -DON'T WANT TO WAIT ANY- POINTER SISTERS, "BLACK & ME UP)" (prod. by Carmichael - eMORE" (prod. by Foster) (writers: WHITE." Once again,thesisters group) (writers: King -Hudson - Tubes -Foster) .Pseudo/ rving multiple lead vocals combine witt- King)(Jobete/Commodores, Foster F-ees/Boone's Tunes, Richard Perry's extra -sensory sonc ASCAP) (3:54). Shimmering BMI) (3 50Fee Waybill and the selection and snappy production :c strings and a drying rhythm sec- ganc harness their craziness long create an LP that's several singles tionbackLionelRichie,Jr.'s enoughtocreate epic drama. deep for many formats. An instant vocal soul. From the upcoming An attrEcti.e piece for AOR-pop. favoriteforsummer'31. Plane' "In the Pocket" LP. Motown 1514. Capitol 5007. P-18 (E!A) (8.98). RONNIE MILSAI3, "(There's) NO GETTIN' SPLIT ENZ, "ONE STEP AHEAD" (prod. YOKO ONO, "SEASON OF GLASS." OVER ME"(prod.byMilsap- byTickle) \rvriter:Finn)(Enz. Released to radio on tape prior to Collins)(writers:Brasfield -Ald- BMI) (2 52. Thick keyboard tex- appearing on disc, Cno's extremel ridge) {Rick Hall, ASCAP) (3:15). turesbuttressNeilFinn'slight persona and specific references tc Milsap is in a pop groove with this tenor or tit's melodic track from her late husband John Lennon have 0irresistible uptempo ballad from the new "Vlaiata- LP. An air of alreadysparkedcontroversyanci hisforthcoming LP.Hissexy, mystery acids to the appeal for discussion that's bound to escaate confident vocal steals the show. -
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] KÜNSTLER George McCormick and Earl Aycock TITEL Better Stop, Look And Listen Gonna Shake This Shack Tonight LABEL Bear Family Records KATALOG # BCD 17121 PREIS-CODE AH EAN-CODE ÆxAKABMRy171214z ISBN-CODE 978-3-89916-541-8 FORMAT 1 CD Digipack mit 40-seitigem Booklet GENRE Country / Rockabilly ANZAHL TITEL 29 SPIELDAUER 66:06 G Endlich die erste CD-Wiederveröffentlichung von George und Earl, einem der klassischen Hillbilly-Duos! G 29 Top-Titel aus den 50ern, eingespielt in Nashville mit Musikern u.a. aus der Band von Hank Williams und des A-Teams! G Mit allen sechs 78er-Platten von George McCormick und Earl Aycock sowie sechs Singles von George McCormick. G Sweet Little Miss Blue Eyes und If You Got Anything Good werden häufig als zwei der besten Country-Duette aller Zeiten bezeichnet. G Drei der Songs sollte eigentlich Hank Williams aufnehmen, der dann aber starb. G George McCormick war musikalischer Kopf von Porter Wagoners Wagonmasters und Dolly Partons erster Duettpartner in Wagoners TV-Show. G Earl Aycock arbeitete später als DJ in Texas und Louisiana. G Zur CD gehört ein 40-seitiges Booklet von Martin Hawkins; es enthält unveröffentlichte Interviews mit George McCormick. INFORMATIONEN Diese CD präsentiert zwei sehr unterschiedliche Sänger und Musiker, die in nur zwei Jahren einige der besten und interessante- sten Aufnahmen der 1950er-Jahre eingespielt haben. Der damals noch vorherrschende Hank-Williams-Sound machte nur lang- sam Platz für neue Strömungen innerhalb der populären Country Music und des aufkommenden Rockabilly. -
OCTOBER 31, 2005 ARTIST DAVID ALLAN COE TITLE Unchained
SHIPPING DATE: OCTOBER 31, 2005 ARTIST DAVID ALLAN COE TITLE Unchained / Son Of The South; plus LABEL Bear Family Records CATALOG # BCD 16129 PRICE-CODE AH EAN-CODE 4 0 0 0 1 2 7 1 6 1 2 9 1 ISBN-CODE 3-89916-126-2 FORMAT CD GENRE Country / Outlaw TRACKS 25 PLAYING TIME 79:04 KEY SELLING POINTS • Concludes Bear Family's exclusive documentation of the outlaw pioneer's best work…mostly unreissued on CD until now • The soulful songs and rock 'n' roll attitude are a sharp contrast to the sterility of today's country music • Includes classic duets with Johnny Cash, Waylon Jennings, Willie Nelson, and Dickey Betts of the Allman Brothers Band • Previously unissued bonus tracks • Essential listening for everyone who loves Waylon, Willie, and the '70s outlaws SALES NOTES It has been several years since we at Bear Family began our exclusive documentation of David Allan Coe's recordings for Columbia Records during the outlaw era. With all the talk of outlaws in the 1970s, Coe was the only true outlaw of the lot, having spent his youth and early 20s in various jails. Now our series is winding up. His records weren't charting as before, but the quality never lets up. UNCHAINED/SON OF THE SOUTH not only includes some of David Allan's best songs, but also incredible duets with Waylon Jennings and his wife, Jessi Colter, as well as Willie Nelson, and Waylon and Willie together. In addition, there's even a duet with the Allman Brothers' guitarist, Dickey Betts. -
Sag19781204.Pdf
1 Sagamore 12/4/78 Food drlvo... Contributions of non perishable food Items to be distributed to needed families in the Indianap IUPUI News olis area are currently being ac cepted by the IU PU I Black Stu Madrigal Dinners this weekend dent Union Donations of food or cash may seated before the grand procession, IUPUI * Union Building will be the be made either at the BSU office scene of Christmas festivities begin which starts at 7 :30 pm Tickets cost in Cavanaugh Hall. Room 001-B, m i* this Friday $5 SO each for IU P U I students. 17 each or at the Otixens MulU-Service for faculty, staff and the general pub The annual Madrigal Dinners- Center 601 E 17th S t , India lic. and may be purchased at the complete with pomp, pageantry and napolis. Indiana, 46302. in care of Union Building Director's Office medieval aura— will be presented KojoGaidi ‘The Sounds of Christmas" will fill Dec. 8 through 10 in the Union Cafe The BSU also needs volunteers the cafeteria Dec. 11. The event will teria. Costumed IUPUI Chamber for transportation to help deliver open with • roast turkey dinner at 6 30 Singers will dine at the high table in a baskets of food on Dec 14 to fam pm Dinner tickets will be available at setting reminiscent of the 18th cen dies selected by the Community the door at a cost of $2 48 each. tury; a procession will usher in the Service Council Those desiring Music of the holiday season will fol wassail bowl, and special fanfare will more information about the pro low at 7:30 pm in a concert featuring announce the boar's head and flaming ject or wishing to offer their ser the New York Street Singers, the plum pudding A strolling minstrel vices should contact Cheryl IUP U I Chamber Singers and the Indi will entertain guests with Old English Vertner at 164-2779 anapolis Philharmonic Orchestra court songs of the Yuletime season under the direction of Charles On the menu for the evening is roast Manning Pediatrics.. -
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] ARTIST/ A: John Wayne, Dean Martin & Ricky TITLE Nelson: My Rifle, My Pony And Me Lee Marvin: Wand’rin’ Star B: Johnny Cash: Bonanza Gene Pitney: The Man Who Shot Liberty Valance LABEL Bear Family Productions CATALOG # BLX 006 PREIS-CODE BFEP EAN-CODE ÇxDTRBAMy000065z FORMAT 7” VINYL EP in picture sleeve • Limited Edition Direct Metal Mastering • 500 numbered copies GENRE Country G Four classic Western songs from the golden era of Western movies. G A vinyl single in legendary EP-size: 45 RPM, four titles – and a picture sleeve! G Includes Johnny Cash’s vocal version of the ‘Bonanza’-theme tune. G With Lee Marvin’s notorious vocal debut Wand’rin’ Star! INFORMATION “We’ll have western films as long as the cameras keep turning“ said John Wayne – and the Duke personally presents Dean Mar- tin and Ricky Nelson singing My Rifle, My Pony And Me from ‘Rio Bravo.’ There is a long tradition of movie themes sung by con- temporary Pop or Country singers: Frankie Laine and Roy Rogers, Marty Robbins, Eddy Arnold and Willie Nelson – they all interpreted the themes from Western movies and TV series. And actors such as Clint Eastwood or Kirk Douglas also made some (more or less convincing) attempts as singers. Here BEAR FAMILY presents – for the first time on vinyl since decades – an exceptional collectors item: the theme tunes from three Western classics (‘Rio Bravo,’ ‘Paint Your Wagon’ and ‘Bonanza’) plus Gene Pitney’s ballad about The Man Who Shot Liberty Va- lance, inspired by the movie of the same name featuring James Stewart. -
August 2012 Newsletter
August 2012 Newsletter ------------------------------------ Yesterday & Today Records P.O.Box 54 Miranda NSW 2228 Phone: (02) 95311710 Email:[email protected] www.yesterdayandtoday.com.au ------------------------------------------------ Postage Australia post is essentially the world’s most expensive service. We aim to break even on postage and will use the best method to minimise costs. One good innovation is the introduction of the “POST PLUS” satchels, which replace the old red satchels and include a tracking number. Available in 3 sizes they are 500 grams ($7.50) 3kgs ($11.50) 5kgs ($14.50) P & P. The latter 2 are perfect for larger interstate packages as anything over 500 grams even is going to cost more than $11.50. We can take a cd out of a case to reduce costs. Basically 1 cd still $2. 2cds $3 and rest as they will fit. Again Australia Post have this ludicrous notion that if a package can fit through a certain slot on a card it goes as a letter whereas if it doesn’t it is classified as a “parcel” and can cost up to 5 times as much. One day I will send a letter to the Minister for Trade as their policies are distinctly prejudicial to commerce. Out here they make massive profits but offer a very poor number of services and charge top dollar for what they do provide. Still, the mail mostly always gets there. But until ssuch times as their local monopoly remains, things won’t be much different. ----------------------------------------------- For those long term customers and anyone receiving these newsletters for the first time we have several walk in sales per year, with the next being Saturday August 25th. -
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] ARTIST Clyde Stacy TITLE Hoy Hoy Gonna Shake This Shack Tonight LABEL Bear Family Records CATALOG # BCD 17152 PRICE-CODE AH EAN-CODE ÆxAKABMRy171528z ISBN-CODE 978-3-89916-586-9 FORMAT 1 CD digipac with 28-page booklet GENRE Rockabilly TRACKS 22 PLAYING TIME 52:45 G ‘Hoy Hoy’ indeed! This record really rocks – 22 tracks recorded by an important but little-reissued Oklahoma-born singer from the classic era of rock'n'roll! G Here are all 12 tracks issued on six singles on the CANDLELIGHT,BULLSEYE, and LEN record labels between 1957 and 1961! G Also another 10 vocal and instrumental tracks not originally issued – and with Big Al Downing on piano! G When Clyde’s So Young/Hoy Hoy hit #68 in June 1957 it was the first Hot 100 entry by an artist based in the Lubbock area of Texas – beating Clyde’s high school mate Buddy Holly by six months! G Relocating to Pennsylvania in 1958, Clyde recorded in New York and registered Top 30 hits in Canada with So Young, Baby Shame and Nobody’s Darling! G Clyde’s TV appearances included 'Bandstand' and 'The Patti Page Show'! G The 28-page booklet by Wayne Russell expertly tells Clyde’s story from Oklahoma to Lubbock, to Scranton and back home. It contains rare photographs and interviews with Clyde Stacy! G Now, Clyde is scheduled to make his European debut at the Hemsby Rock'n'Roll Weekender in May 2011, and plans to 'warm-up' at the Las Vegas Rockabilly Weekend in April. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
November 2009 Newsletter
November 09 Newsletter ------------------------------ Yesterday & Today Records PO Box 54 Miranda NSW 2228 Phone/fax: (02)95311710 Email:[email protected] Web: www.yesterdayandtoday.com.au ------------------------------------------------ Postage: 1cd $2/ 2cds 3-4 cds $6.50 ------------------------------------------------ Loudon Wainwright III “High Wide & Handsome – The Charlie Poole Project” 2cds $35. If you have any passion at all for bluegrass or old timey music then this will be (hands down) your album of the year. Loudon Wainwright is an artist I have long admired since I heard a song called “Samson and the Warden” (a wonderfully witty tale of a guy who doesn’t mind being in gaol so long as the warden doesn’t cut his hair) on an ABC radio show called “Room to Move” many years ago. A few years later he had his one and only “hit” with the novelty “Dead Skunk”. Now Loudon pundits will compare the instrumentation on this album with that on that song, and if a real pundit with that of his “The Swimming Song”. The backing is restrained. Banjo (Poole’s own instrument of choice), with guitar, some great mandolin (from Chris Thile) some fiddle (multi instrumentalist David Mansfield), some piano and harmonica and on a couple of tracks some horns. Now, Charlie Poole to the uninitiated was a major star in the very early days of country music. He is said to have pursued a musical career so he wouldn’t have to work and at the same time he could ensure his primary source of income, bootleg liquor, was properly distilled. He was no writer and adapted songs he had heard to his style. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
ROCK'n'roll's 1ST DECADE Week Three
ROCK'N'ROLL’S 1ST DECADE Week Three: Rock in the Mid-1950s Recommended Listening: Chuck Berry, The Anthology (Chess, 2000). Two-CD, 50-song compilation of his most essential tracks from the mid-1950s through the early 1970s, including hits and his most influential non- hits. These include some of the most familiar and most-covered songs in all of rock, important both for the quality of the songwriting and the many classic riffs in tunes like "Johnny B. Goode," "Roll Over Beethoven," "Rock and Roll Music," "Sweet Little Sixteen," and "Reelin' & Rockin'." The single-disc collection The Great Twenty-Eight contains most of his most well known songs. Johnny Cash, The Sun Years (Rhino, 1990). Cash is usually considered a country artist, not a rock one. There's no denying, however, that much of his mid-1950s material for Sun had a rockabilly and pop-rock flavor. This has his most popular recordings for the label, including the hits "I Walk the Line," "Ballad of a Teenage Queen," and "Folsom Prison Blues." Fats Domino, Fats Domino Jukebox: 20 Greatest Hits the Way You Originally Heard Them (Capitol, 2002). Fats Domino had more than 20 hits, but this has the most famous ones by the greatest exponent of New Orleans rock'n'roll, including "The Fat Man," "Ain't That a Shame," and "Blueberry Hill." Wanda Jackson, Queen of Rockabilly (Ace, 2000). Commonly and rightfully referred to as the best woman rock artist of the 1950s, Jackson was more than that. She was one of the best rockabilly singers, period.