SEM and CORD Joint Annual Meeting Table of Contents

Organizers ...... 2

Acknowledgements ...... 3-4

Boards and Staff ...... 5

Exhibitors and Advertisers ...... 6

General Information ...... 6 – 8

Seeger Lecture ...... 9

Special Events ...... 10

Schedule at a Glance...... 11

Pre-Conference Symposium ...... 12

Annual Conference Program ...... 13 – 57

Index of Chairs, Discussants, Panelists, Performers, Presenters ...... 58 – 61

Advertisements ...... 62 – 77

Hotel Map ...... 78

2011 Joint Annual Meeting SEM and CORD 1 November 17 – 20, 2011 • Philadelphia, Pennsylvania

SEM and CORD Joint Annual Meeting Organizers

2011 Joint Annual Meeting Society for Ethnomusicology Congress on Research in Dance

Moving Music / Sounding Dance

November 17 – 20, 2011 ● Philadelphia, Pennsylvania

Conference Host University of Pennsylvania Department of Music

SEM/CORD Joint Local Arrangements SEM 2011 Program Committee CORD 2011 Program Committee Committee Sally Ness, Co-Chair Gregory Barz, Chair University of California, Riverside Carol Muller, Chair Vanderbilt University University of Pennsylvania Danielle Robinson, Co-Chair Monica Hairston York University

Sylvia Alajaji Center for Black Music Research Franklin and Marshall Ana Paula Höfling University of California, Los Angeles

Sarah Morelli Miriam Giguere University of Denver Miriam Phillips Drexel University University of Maryland

Adriana Helberg Barley Norton Barbara Sellers-Young York University University of Pittsburgh Goldsmiths, University of London

Adrienne Kaeppler Michael Ketner John-Carlos Perea Smithsonian Institution University of Pennsylvania San Francisco State University Tomie Hahn Christopher Washburne Rensselaer Polytechnic Institute Allyn Miner University of Pennsylvania Columbia University Evadne Kelly York University Timothy Rommen University of Pennsylvania Anita Gonzalez State University of New York, New Paltz

Kariamu Welsh Asante Justine Lemos Temple University University of California, Riverside

Nina Ohman, Volunteer Coordinator Zoila Mendoza University of Pennsylvania University of California, Davis

Paul Scolieri Barnard College

Theresa Buckland De Montfort University

2011 Joint Annual Meeting SEM and CORD 2 November 17 – 20, 2011 • Philadelphia, Pennsylvania

SEM and CORD Joint Annual Meeting Acknowledgements

From the SEM/CORD 2011 Joint Local Arrangements Committee Chair From the SEM 2011 Program Chair

Welcome All to SEM-CORD 2011 Joint Annual Meeting in Philadelphia! We Welcome to the program of the 56th Annual Meeting of the Society for are delighted to have so many of you visit Philadelphia just before Ethnomusicology. Over 400 members from throughout the world offer papers, Thanksgiving. We have several exciting events: Thursday night’s music and dance performance; Friday night’s European and Arab music performances, chair sessions, respond to panels, screen films, lead workshops, and . . . host both off site; and Saturday night’s Samba Party and food and fund raiser for receptions to celebrate this year’s joint conference theme with CORD Philly’s hungry and homeless. (Congress on Research in Dance), “Moving Music, Sounding Dance.” Interspersed throughout the meeting in Philadelphia are joint SEM/CORD A multitude of hearty thanks go to Miriam Giguere, Dance Professor at Drexel University (and Penn alum), who has organized a splendid performance for paper sessions as well as panels dedicated to the conference’s sub-themes: Thursday evening, and to her team of student technicians; to Ian MacMillen Where Music Meets Dance, Advocacy and Outreach, Health and Healing, (Penn) and Adriana Helberg (University of Pittsburgh), who have given us the Interculturalism, Hybridity, and Local Philadelphia Communities. Several Friday night European folk music event; Hanna Khoury (Penn), Al-Bustan, and the Arab Music Ensemble for supporting the event that honors Jihad workshops, local area walking tours, educational outreach programs, Racy on Friday; Tim Rommen (Penn) and Mike Stevens for the PhillyBloco receptions, special interest group meetings, and joint sessions with CORD Samba Party; and grad students for hosting the food and fund drive for the round out the rich, full agenda. Several film screenings are scheduled during hungry. daily sessions in addition to an evening of films. In addition, dance workshops

Special thanks to graduate students in Music at the University of and parties, concerts, and university- and press-sponsored receptions (and Pennsylvania who have worked really hard to bring to you the Google map of who could resist what has quickly become an annual conference highlight, the local restaurants, performance sites, and public transportation; they have “High Tea Party” sponsored by the British Forum for Ethnomusicology). An joyfully participated in the planning and implementation of that project. They are: Suzanne Bratt, Jessamyn Doan, Laura Donnelly, Glenn Holtzman, innovative highlight introduced this year is live video streaming of panels and Brooke McCorkle, Evelyn Owens, Emily Joy Rothchild, Jessica Swanston, and workshops throughout the annual meeting. Members and non-members Lee Veeraraghavan. Director of the Penn Jazz ensembles, Wade Dean, has led throughout the world will have access to one panel per paper session, creating the ensemble you will hear Thursday evening, and has been a great contributor to grad student labor. a unique global community for the work, research, and ideas of our Society. The annual President’s Round Table focuses on the issue of Music and There is one awesome graduate student who has truly made local HIV/AIDS in Africa, highlighting the release of the volume The Culture of arrangements happen—Nina Ohman. Thank you Nina! Penn Music business AIDS in Africa (Oxford University Press). This year’s Seeger Lecturer, Randy administrator Maryellen Malek deserves a special thanks for her support of the Pre-Conference event, and helping us to manage the other special events. Martin, will address the spirit of the joint conference with a paper on the And particular thanks to the Dean of the School of Arts and Sciences at Penn, politicalities of both music and dance. A big shout out must go out to the Local Rebecca Bushnell, Associate Dean Jeff Kallberg, and Department of Music Arrangements Committee chaired by Carol Muller, SEM’s executive director Chair Emma Dillon, all for the financial support for the reception and musical happenings here in Philly. The Penn Music Department and Ira Harkavy, Stephen Stuempfle, everyone in the Indiana University Conferences office, Associate Vice President and Director of the Netter Center for Community and the 2011 Program Committee (Chris Washburne, Sarah Morelli, Monica Partnerships, supported our Pre-Conference Symposium, “Music, Dance, and Hairston, Barley Noron, and John-Carlos Perea). We meet this year in Civic Engagement.” And particular thanks go to Kariamu Welsh, Miriam Philadelphia, the site of our Society’s first ever meeting back in 1956 that was Giguere, and Laura Katz who were wonderfully supportive in creating the program for the Pre-Conference Symposium, held at Penn. also hosted by the University of Pennsylvania. That first meeting’s program chair, Melville Herskovits, is surely out there smiling and impressed with the This promises to be a warm and rich gathering of a growing number of special diversity of our body and our research topics. The 2011 meeting stands interests groups, with exciting programming and wonderful music. Let’s hope it is one that goes down as truly memorable, and that you come to know and prepared to rock Philadelphia for a few short days, and we fully expect to love what Philadelphia has to offer this long weekend. make a significant enough impression on the city so that we will be invited back in another 55 years! Thanks finally to Steve Stuempfle and the SEM Business Office, and Drew Norris and Indiana University Conferences. Gregory Barz, Chair Warm wishes, SEM 2011 Program Committee Carol Muller, Chair Blair School of Music SEM/CORD Joint Local Arrangements Committee University of Pennsylvania Vanderbilt University

2011 Joint Annual Meeting SEM and CORD 3 November 17 – 20, 2011 • Philadelphia, Pennsylvania

SEM and CORD Joint Annual Meeting Acknowledgements

From the CORD 2011 Program Co-Chairs From the SEM Student Concerns Committee and the CORD Graduate Student Committee On behalf of CORD, we would like to welcome all to Philadelphia for the 2011 Annual CORD Conference, Moving Music/Sounding Dance. It’s high Welcome students to this very exciting joint conference! Whether this is time for music and dance to celebrate their common ground, and where your first time to participate in a conference or you have attended for better to do that than in the city of brotherly love! With this joint many years, we extend our warm welcome and best wishes for a conference, held in common with the Society for Ethnomusicology, we stimulating and invigorating conference experience. hope to forge pathways of (re)connection between the fields of Your societies’ advocacy groups—SEM’s Student Concerns Committee ethnomusicology and dance studies that will prove long lasting and (SEM-SCC) and the CORD Graduate Student Committee—invite you to meaningful. Through the various panels, roundtables, workshops, lecture participate in several events on this year’s program: demonstrations, and other events that will take place, the conference seeks to draw attention to the startling multiplicity of sounds in dance  SEM Student Open Meeting, Thurs 12:30 pm and to the myriad ways in which music moves its listeners. Over 180  CORD Students, Board of Directors, and Senior Faculty Meet and artists, scholars, and educators join us this year from Asia, Europe, North Greet, Thurs 12:30pm America, Oceania, and South America, representing 14 individual  CORD Student Open Meeting, Fri 12:30 pm countries. We will honor Mark Franko, Susan Reed, and Barbara Sellers-  Joint SEM/CORD First-Time Attendees and New Members Young for their outstanding contributions to dance studies. Special thanks Reception, Thurs 5:30pm are due to our Local Arrangements Committee (especially Miriam  “Ethnomusicology and the Changing Job Market: A Dialogue for Young Scholars,” Fri 8:30 am Giguere) and to our 2011 Program Committee (Theresa Buckland, Ana  “Balancing Performance with Academic Pursuits: A Collaborative Paula Höfling, Miriam Phillips, Barbara Sellers-Young, Adrienne Conversation,” co-sponsored by Students of SEM & CORD, Sat Kaeppler, Tomie Hahn, Evadne Kelly, Anita Gonzalez, Justine Lemos, 12:30 pm Zoila Mendoza, and Paul Scolieri), to Ashanti Pretlow at the CORD Office in Birmingham, and to Juliet McMains, CORD Board of Directors Also, keep an eye out for folks wearing “Talk to Me” buttons; they can outgoing Conference Chair. We would also like to thank CORD’s new answer many of your questions and help you steer your way through the Dance Research Journal publisher, Cambridge University Press, for conference. sponsoring the Awards Reception. Enjoy the conference, everyone, and make the most of the Philadelphia music and dance scene! Please know that your presence here is valued. Student members are critically important for the continued growth of these oft-intertwined disciplines. In that spirit, consider getting involved in our many ongoing Danielle Robinson and Sally Ann Ness projects during the year—we’d love to have you on board. CORD 2011 Program Committee Co-Chairs In the meantime, may the weekend be a rewarding one for you.

Yours, Charlotte D’Evelyn, Ian Goldstein, Elizabeth Whittenburg Ozment, and Justin Hunter, SEM-SCC Officers Asheley Smith, CORD Graduate Student Representative

2011 Joint Annual Meeting SEM and CORD 4 November 17 – 20, 2011 • Philadelphia, Pennsylvania

SEM and CORD Joint Annual Meeting Boards and Staff

SEM 2011 Board of Directors CORD 2011-2012 Board of Directors

Gage Averill, President Marta Savigliano, President University of British Columbia University of California Riverside

Harris M. Berger, President Elect Libby Smigel, Treasurer Texas A&M University Dance Heritage Coalition

Maura Donohue, Recording Secretary Jennifer C. Post, Secretary Hunter College Scottsdale, Arizona Anthony Shay, Vice President Gregory Barz, Treasurer Pomona College Vanderbilt University Helen Thomas, Editorial Board Chair Timothy J. Cooley, First Vice President University of the Arts London University of California, Santa Barbara Melissa Blanco Borelli, Member-At-Large Eileen M. Hayes, Second Vice President University of Surrey University of North Texas Pallabi Chakravorty, Member-At-Large Michael Frishkopf, Member-at-Large, Even Year Swarthmore College University of Alberta Elizabeth Chin, Member-At-Large Victoria Lindsay Levine, Member-at-Large, Odd Year Art Center College of Design Colorado College Clare Croft, Member-At-Large University of Michigan

SEM Business Office Anne Flynn, Member-At-Large University of Calgary Stephen Stuempfle, Executive Director Rachel Caswell, Financial/Database Specialist Danielle Goldman, Member-At-Large Heather McFadden, Program Assistant The New School Jessie Wallner, Webmaster Juan Eduardo Wolf, Webmaster Judith Hamera, Member-At-Large Eric Bindler, Video-Streaming Coordinator Texas A&M University

Eric Handman, Member-At-Large Indiana University Conferences University of Utah

Kevin Knerr, Director Petri Hoppu, Member-At-Large Drew Norris, Assistant Director / SEM Conference Coordinator University of Tampere

Henry Spiller, Member-At-Large University of California Davis CORD Business Office Sheron Wray, Member-At-Large Ashanti Pretlow, Executive Director University of California, Irvine Stewart Little, Administrative Assistant Asheley Smith, Graduate Student Representative University of California, Riverside

2011 Joint Annual Meeting SEM and CORD 5 November 17 – 20, 2011 • Philadelphia, Pennsylvania

SEM and CORD Joint Annual Meeting General Information

Exhibitors and Advertisers Registration

Alexander Street Press * Onsite conference registration is located at the Liberty Coat Check on the American Folklife Center, Library of Congress * Liberty Ballroom level of the hotel.

Ashgate Publishing Company * Registration hours are:

Cambridge University Press * Wednesday, November 16 7:30am – 6pm Colby College Thursday, November 17 7:30am – 5pm Friday, November 18 7:30am – 4pm Dance/UP * Saturday, November 19 7:30am – 12noon; 6:30 – 8:00pm Documentary Educational Resources Sunday, November 20 8:00 – 9:00am

Edwin Mellen Press * Please note that a conference name badge is required for attending or

Indiana University Press * presenting at any program session.

Liverpool University Press Book Exhibit McFarland *

Oxford University Press * The Book Exhibit is located in Liberty Ballroom A.

Princeton Book Company Publishers * Book Exhibit hours are:

Routledge * Thursday, November 17 11:00am – 6:00pm Smithsonian Folkways * Friday, November 18 8:00am – 6:00pm Saturday, November 19 8:00am – 1:00pm The Scholar's Choice *

UCLA Ethnomusicology Publications * Speaker Prep Room University of Chicago Press *

University of Illinois Press * The Speaker Prep Room is located in Salon 1 on the Freedom /Independence Ballroom level of the hotel. The room is set with the same University of Texas Press AV equipment used in the program session rooms. Presenters may sign up for a short block of time to familiarize themselves with the equipment University of Virginia Music Department prior to their session. University Press of Mississippi * Speaker Prep Room hours are: W. W. Norton & Company, Inc. *

Wesleyan University Press * Thursday 8:00 – 9:00am; 12:30 – 1:30pm; 5:15 – 6:15pm Friday 8:00 – 9:00am; 12:30 – 1:30pm; 5:15 – 6:15pm

* Indicates a table in the book exhibit area. Saturday 8:00 – 9:00am; 12:30 – 1:15pm Sunday 8:00 – 9:00am

2011 Joint Annual Meeting SEM and CORD 6 November 17 – 20, 2011 • Philadelphia, Pennsylvania

SEM and CORD Joint Annual Meeting General Information

Video-Streaming Schedule for SEM Sessions Program Supplement

The Society for Ethnomusicology is offering live and archived video- Changes or additions to the program will be listed on the bulletin board in streams of selected sessions from its 2011 Annual Meeting in the conference registration area. Philadelphia. These streams are provided as part of an effort to increase access, nationally and internationally, to the content of our meeting. For a list of sessions and viewing instructions, please visit the SEM website Disabled Persons (www.ethnomusicology.org) and select Conferences/Current/Program. The Sheraton Philadelphia Downtown complies with the Americans with SEM gratefully acknowledges Indiana University Bloomington Disabilities Act of 1990, its regulations and guidelines. The staff will be Collaborative Technologies for providing video-streaming services for our pleased to assist persons with special needs or inquiries. 2011 Annual Meeting.

In Case of Emergency SEM/CORD Joint First-Time Attendees and New Members Reception Dial “0” on your room phone or from any house phone.

All first-time attendees of an SEM or CORD annual meeting and new members of SEM or CORD are invited to a reception in the Horizons Activities Table Rooftop Ballroom on Thursday, November 17, at 5:30 – 6:30 pm. A variety of guides and promotional brochures will be available at the activities table, located near the registration area. Be sure to stop by! Silent Auction

The Silent Auction is located in the Book Exhibit and is organized by the Student Concerns Committee. Proceeds from the auction are used to subsidize student registration fees at the Annual Meeting. The auction is open during Book Exhibit hours and will end at 12:00 pm on Saturday, one hour prior to the closing of the Book Exhibit at 1:00 pm. Items won must be paid for and retrieved on Saturday between 12:00 and 1:30 pm; the Student Concerns Committee will not be able to mail sold items. The Committee is unable to accept credit cards, but can accept cash and checks. Please join in the fun and friendly competition and support student participation in the Annual Meeting!

Job Interviews

Interview times and sign-ups are posted on the bulletin board in the conference registration area. The SEM Board of Directors discourages conducting interviews in sleeping rooms.

2011 Joint Annual Meeting SEM and CORD 7 November 17 – 20, 2011 • Philadelphia, Pennsylvania

SEM and CORD Joint Annual Meeting General Information

Hotel Information Charles Seeger Prize Papers

Unless otherwise indicated, conference sessions and meetings take place at the For the Charles Seeger Prize guidelines, visit the SEM website Sheraton Philadelphia Downtown, 201 North 17th Street, Philadelphia, (www.ethnomusicology.org) and select Prizes/Seeger Prize. All Pennsylvania 19103. Phone: (215) 448-2000. Fax: (215) 448-2864 submissions for the prize must be made in electronic format. Download a

copy of the submission form from the website and enter the information Restaurants at the Hotel requested. Email a copy of the form and a copy of your paper as Word or The Terrace PDF attachments to the SEM Business Office at [email protected]. Hours: Sunday – Saturday 6:30am - 2:30pm: 5:00 - 10:00pm Include your last and first name in the names of the attached files Atmosphere: A la Carte/Buffet (last_first_xxx). Your paper must not exceed 12 double-spaced pages and must be the version that you read at the Annual Meeting. If you have Phillips Seafood Restaurant supplementary audio-visual material that comprises the central object of Hours: Sunday – Thursday 5:00pm - 10:00pm; your analysis, you may email up to 3 files as attachments. AV Friday - Saturday 5:00pm- 11:00pm attachments should be in standard formats and together must total no Atmosphere: Upscale Casual Dining more than 3 MB. Each file must include your last name and first name in

the file name (last_first_xxx). As an alternative to sending AV files, you The Lobby Bar Hours: Monday – Saturday: 11:00am – 1:30am; may provide a web URL with your files. Email with attachments must be Sunday 12:00noon – 1:30am received by the SEM Business Office at [email protected] no later Atmosphere: Atrium than November 23, 2011.

Parking

Conference participants can park in the “self-park” garage for a special daily rate of $20 (normal rate is $45).

Fitness Center

Complimentary for guests

Business Center

Open 24/7.

2011 Joint Annual Meeting SEM and CORD 8 November 17 – 20, 2011 • Philadelphia, Pennsylvania

SEM and CORD Joint Annual Meeting SEM Seeger Lecture

The 2011 Charles Seeger Lecture Randy Martin is Professor and Chair of Art and Public Policy and Director of the Graduate Program in Arts Politics at the Tisch School of the Arts, New York University. He is the author of Performance as Political Act:

The Embodied Self (Bergin and Garvey, 1990); Socialist Ensembles: Theater and State in Cuba and Nicaragua (University of Minnesota Press, 1994); Critical Moves: Dance Studies in Theory and Politics (Duke University Press, 1998); On Your Marx: Relinking Socialism and the Left (University of Minnesota Press, 2001); Financialization of Daily Life

(Temple University Press, 2002); Empire of Indifference: American War and the Financial Logic of Risk Management (Duke University Press, 2007); and Under New Management: Universities, Administrative Labor and the Professional Turn (Temple University Press, 2011). He has edited collections on U.S. Communism, sport and academic labor and, most

recently, Artistic Citizenship: A Public Voice for the Arts (with Mary Schmidt Campbell) and The Returns of Alwin Nikolais: Bodies, Boundaries, and the Dance Canon (with Claudia Gitelman). In addition, Saturday, November 19 he has published over one hundred articles, chapters, and reviews. He is 4:00 – 5:30 pm presently working on a book entitled Knowledge, LTD: Toward a Social Liberty Ballroom B, C & D Logic of the Derivative. Complex Harmonic Movements: Politicalities of Music and Dance Dr. Martin holds degrees in sociology from the University of California, Randy Martin, Professor and Chair of Art and Public Policy Berkeley, the University of Wisconsin, Madison, and the City University Director of the Graduate Program in Arts Politics of New York. He has studied, taught, and performed in dance, theater, Tisch School of the Arts, New York University and clowning in the United States and abroad. He also studied flute and saxophone and played in orchestras and jazz ensembles. Previously, he Introduction served as Professor and Chair of Social Science at Pratt Institute, Associate Dean of Faculty at Tisch School of the Arts, President and Vice Gage Averill, Dean, Faculty of Arts, University of British Columbia President of the Cultural Studies Association (U.S.), and as an editor of President, Society for Ethnomusicology the journal Social Text. He currently sits on the National Advisory Board of Imagining America: Artists and Scholars in Public Life.

2011 Joint Annual Meeting SEM and CORD 9 November 17 – 20, 2011 • Philadelphia, Pennsylvania

SEM and CORD Joint Annual Meeting Special Events

Wednesday, November 16 Friday, November 18 (continued)

9:00am – 5:00pm Pre-Conference Symposium 8:00 – 10:00pm CORD & SEM Dance Section Dance Workshop Series Music, Dance, and Civic Engagement University of Pennsylvania Embodying Music in Senegal: A Somatic and Amato Recital Hall, Irvine Auditorium Diaspora Portrait 34th and Spruce Streets Independence Ballroom – D

8:30am – 2:30pm Ethnomusicology Goes to Middle School, SEM Afro-Cuban Dialogues Education Section Freedom Ballroom – F Meade Gen George C School, 1600 N. 18th Street Layers of Rhythm: An Exposition on Bharatanatyam Choreography and Music Co-Construction in the Thursday, November 17 Contemporary Context of Chennai Freedom Ballroom – F 5:30 – 6:30pm SEM/CORD Joint First-Time Attendees and New Members Reception Singing Dance and Sensing Sound Horizons Rooftop Ballroom Salon 10 Open to all first time attendees, new members and reception hosts 10:00 – 11:00pm SEM Dance Section, CORD, & Cross-Cultural Dance 6:30 – 8:00pm SEM/CORD Joint Welcome Reception Resources Reception Liberty Ballroom – B & C Salon 5/6 Open to all registered conference attendees Open to all conference attendees and participants

9:00 – 11:00pm SEM/CORD Music and Dance Concert Liberty Ballroom – B & C Saturday, November 19

1:45 – 3:45pm SEM General Membership Meeting Friday, November 18 Liberty Ballroom – B,C&D

5:30 – 7:00pm CORD Awards Ceremony/Reception 4:00 – 5:30pm SEM Seeger Lecture Liberty Ballroom A & B Liberty Ballroom – B,C &D Ticket Required - $15.00 per attendee Sponsored by Cambridge University Press 5:45 – 7:15pm SEM Banquet Horizons Rooftop Ballroom 7:30 – 9:30pm The Drexel University Mediterranean Ensemble Tickets required Presents A Mostly Balkan Party . . . Philly Style The Stein Auditorium, Drexel University Campus 3215 Market St 7:30 – 10:30pm PhillyBloco Dance Party Liberty Ballroom – A&B 8:00 – 10:00pm A.J. Racy and The Arabesque Music Ensemble Sponsored by the University of Pennsylvania in Concert Department of Music Presented by Al-Bustan Seeds of Culture Ticket Required. Last minute ticket purchases Trinity Center for Urban Life available at Registration Desk from 6:30 – 8:00pm. 22nd and Spruce Streets Ticket required.

2011 Joint Annual Meeting SEM and CORD 10 November 17 – 20, 2011 • Philadelphia, Pennsylvania

SEM and CORD Joint Annual Meeting Schedule at a Glance

Wednesday, November 16, 2011 Saturday, November 19, 2011

Registration 7:30am – 6:00pm Liberty Coat Check Committee Meetings 7:00 – 8:00am Meeting Rooms Pre–Conference 9:00am – 5:00pm Univ. of Pennsylvania Registration 7:30am – 12noon Liberty Coat Check Exhibit Hall Open 8:00am – 1:00pm Liberty – A Paper Session 9 8:30 – 10:30am Meeting Rooms Thursday, November 17, 2011 Paper Session 10 10:45am – 12:15pm Meeting Rooms Lecture-Demonstrations 12:30 – 1:30pm Meeting Rooms Registration 7:30am – 5:00pm Liberty Coat Check Committee Meetings 12:30 – 1:30pm Meeting Rooms Paper Session 1 8:30 – 10:30am Meeting Rooms SEM General Membership 1:45 – 3:45pm Liberty – B,C&D Paper Session 2 10:45am – 12:15pm Meeting Rooms Meeting Exhibit Hall Open 11:00am – 6:00pm Liberty Ballroom A Paper Session 11 - CORD 1:45 – 3:45pm Meeting Rooms Committee Meetings 12:30 – 1:30pm Meeting Rooms Seeger Lecture 3:45 – 5:15pm Liberty – B,C&D Lecture-Demonstrations 12:30 – 1:30pm Meeting Rooms SEM Banquet 5:45 – 7:15pm Horizons Ballroom Paper Session 3 1:30 – 3:30pm Meeting Rooms PhillyBloco Dance Party 7:30 – 10:30pm Liberty – A&B Paper Session 4 3:45 – 5:15pm Meeting Rooms First-Timers’ Reception 5:30 – 6:30pm Horizons Ballroom Welcome Reception 6:30 – 8:00pm Liberty – B &C Sunday, November 20, 2011 SEM/CORD Concert 9:00 – 11:00pm Liberty – B &C Committee Meetings 7:30 – 11:00pm Meeting Rooms Committee Meetings 7:00 – 9:00am Meeting Rooms Film Screenings 8:00 – 10:30pm Salon 5/6 Registration 8:00 – 9:00am Liberty Coat Check Paper Session 12 8:30 – 10:30am Meeting Rooms Paper Session 13 10:45am – 12:15pm Meeting Rooms Friday, November 18, 2011

SEM Chapters 7:00 – 8:00am Independence – A Committee Meetings 7:00 – 8:00am Meeting Rooms Registration 7:30am – 4:00pm Liberty Coat Check Exhibit Hall Open 8:00am – 6:00pm Liberty – A Paper Session 5 8:30 – 10:30am Meeting Rooms Paper Session 6 10:45am – 12:15pm Meeting Rooms Lecture-Demonstrations 12:30 – 1:30pm Meeting Rooms Committee Meetings 12:30 – 1:30pm Meeting Rooms Paper Session 7 1:45 – 3:45pm Meeting Rooms Paper Session 8 4:00 – 5:30pm Meeting Rooms CORD Awards Reception 5:00 – 7:30pm Liberty – A &B Mediterranean Ensemble 7:30 – 9:30pm Drexel University Dance Workshop Series 8:00 – 10:00pm Meeting Rooms SEM Concert 8:00 – 10:00pm Trinity Center SEM, CORD, & 10:00 – 11:00pm Salon 5/6 CCDR Reception

2011 Joint Annual Meeting SEM and CORD 11 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Wednesday, November 16 Pre-Conference Symposium and Other Events

Pre-Conference Symposium 1:15 – 2:30 pm Lunch with performance by Penn Student Ensemble Wednesday, November 16, 2011

9:00 am – 5:00 pm 2:30 – 4:30 pm PANEL Four: Music and Dance Student Research Amato Recital Hall, Irvine Auditorium through and with Community Partners University of Pennsylvania 34th and Spruce Streets

4:30 – 5:00 pm Wine, cheese, and conversation

Music, Dance, and Civic Engagement

Program For a Guide to music and dance performances on Wednesday evening in

the vicinity of the University of Pennsylvania, visit the SEM website 8:15 – 9:00 am Coffee and registration (www.ethnomusicology.org) and select Conferences/Current/Special

Events. An online map Guide is provided at the bottom of the Special 9:00 am Welcome, Carol Muller, Department of Music, Events page. University of Pennsylvania

9:15 am Ira Harkavy, Director, Netter Center for

Community Partnerships and Associate Vice- President, University of Pennsylvania 9:00am – 2:00pm Ethnomusicology Goes to Middle School 9:30 am PANEL ONE: Evolving Spaces, Engaging the SEM Education Section Meade Gen George C School Community 1600 N. 18th Street

10: 30 am PANEL TWO: Festival Participation and 9:00am – 5:00pm Attendance CORD Board of Directors Salon 10

11:30 – 11:45 am Coffee break 1:00 – 3:00pm CORD Editorial Board Meeting Salon 2 11:45 am – 1:15 pm PANEL THREE: Making Art, Engaging 3:00 – 9:00pm Communities SEM Board of Directors SEM President’s Suite

2011 Joint Annual Meeting SEM and CORD 12 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Thursday, November 17 Session 1, 8:30 – 10:30am

8:00 am – 12:00pm SEM Presidential Suite 1C Independence Ballroom – B ▪SEM SEM Board of Directors Issues in Contemporary Ethnomusicology I Chair: Chad Hamill, Northern Arizona University

1A Freedom Ballroom – E, Live Video-Streaming ▪SEM 8:30 Performing Ethnomusicology: Melding Once-Distant Sensibilities Process, Influence and Meaning in African Creativity Through Character Portrayals Chair: Kofi Agawu, Princeton University Ama O Aduonum, Illinois State University

8:30 Musical Dialogues: Syntheses of Binary Musical Forms into Ewe 9:00 Audible Circumambulation: Octave Cycling in “A Thousand Calls Agbadza Music to the Buddha” James Burns, Binghamton University Beth Szczepanski, Ohio State University/Otterbein University

9:00 Making Sense and Making Meaning in Musical Creativity: 9:30 Song, Dance, and the Manifestation of Power: Native American Beyond Purely Artistic-Aesthetic Processing in Egwu Amala Ceremonies of the Columbia Plateau Ndubuisi Nnamani, University of Alberta Chad Hamill, Northern Arizona University

9:30 The Minimalist Impulse in African Musical Creativity 10:00 Learning about John Blacking’s Ideas from an Investigation on Kofi Agawu, Princeton University his Research on Africa (1956-1965) Vahideh Eisaei, Perth, Australia 10:00 African Genealogies of Minimalism Martin Scherzinger, New York University 1D Independence Ballroom – C ▪SEM Round Table – Moving Experiences: Dancing as a 1B Independence Ballroom – A ▪SEM Pedagogical Tool in the Music Classroom Global Popular Music Chair: Joanna L Bosse, Michigan State University Chair: Elizabeth K Keenan, Fordham University *Sponsored by the Dance Section

8:30 The Limits of Contextualization: What "History" and "Identity" 8:30 Joanna L Bosse, Michigan State University Cannot Explain about Malagasy Heavy Metal Marcia Ostashewski, Cape Breton University/ Markus I Verne, University of California, Los Angeles University of Alberta/University of Victoria Marta Robertson, Gettysburg College 9:00 Indie Rock: The New "World Music"? Ted Solis, Arizona State University Elizabeth K Keenan, Fordham University

9:30 From Sean-n_s Nua to Techno as Gaeilge: Hybridity and Authenticity in Irish-Language Popular Music Erin Stapleton-Corcoran, University of Chicago

10:00 Community of Catharsis: Musical Mediations on the 2009 Iranian Presidential Elections Laudan Nooshin, City University London

2011 Joint Annual Meeting SEM and CORD 13 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Thursday, November 17 Session 1, 8:30 – 10:30am

1E Freedom Ballroom – F ▪SEM 1G Logans 2 ▪SEM Sounding Religion in the Public Sphere American Musics I Chair: Monique M Ingalls, Rutgers University Chair: Robert Fry, Vanderbilt University

8:30 Worship in the Streets: Performing Religion, Nation, and 8:30 “They Required of Us a Song”: Reconstructing Performances in Ethnicity through Music in Toronto’s Jesus in the City Parade Colonial American Borderlands Monique M Ingalls, Rutgers University Glenda Goodman, Harvard University

9:00 Pluralism, Tolerance and Engagement with the “Mainstream”: 9:00 Federal Funding, National Culture: Understanding the NEA’s Navigating Ismaili-Muslim Identities in Public Musical Influence on Cultural Production in the U.S. Performances Loribeth T Gregory, Independent Scholar Carolyn Landau, King’s College London 9:30 Becoming a True Blues Fan: Performing and Preserving the King 9:30 Anything But a “Silent Night”: Tonga’s Royal Maopa Brass Band Biscuit Blues Festival and the Tradition of Christmas Eve Serenading Robert Fry, Vanderbilt University David M Kammerer, Brigham Young University-Hawai’i 10:00 Robert Palmer, “World Music,” Subaltern Hybridity, and the 10:00 When Sacred Space becomes Secular Space: How a Church’s Study of the Individual Saturday Dinner Show for Charity Eases Sunday Morning Rolf Groesbeck, University of Arkansas-Little Rock Tensions Deborah Justice, Indiana University 1H Salon 3/4 ▪SEM ¡Qué movida!: Improvisation in Latin American Music and Dance 1F Freedom Ballroom – G ▪SEM Chair: Jane L Florine, Chicago State University Preservation and Transformation: Historical Vignettes of *Co-sponsored by LACSEM and Dance Section the Music of the Pennsylvania Dutch Chair: Dorcinda C Knauth, SUNY Dutchess 8:30 Learning to Improvise in Bomba Susanna Sloat, Independent Scholar 8:30 Waking from its Centennial Slumber, the Revival of the Pennsylvania Dutch Zitter 9:00 Re-contextualizing Traditions: Playing and Dancing Mexican Dorcinda C Knauth, SUNY Dutchess Sones Around the Tarima Raquel Paraiso, University of Wisconsin, Madison 9:00 A Shout Before We Go: A Look at the Pennsylvania Dutch Spiritual Tradition 9:30 Music and Dance Improvisation in Argentine Malambo Don Yoder, University of Pennsylvania Performance Jane L Florine, Chicago State University 9:30 Pennsylvania Dutch Music and the Transformation of German Culture 10:00 Discussant Dan Grimminger, Kent State University (Trumbull) Barbara Browning, New York University

10:00 The Music of the Snow Hill Cloister: In the Shadows No More Denise Seachrist, Kent State University

2011 Joint Annual Meeting SEM and CORD 14 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Thursday, November 17 Session 1, 8:30 – 10:30am

1I Salon 5/6 ▪SEM 1K Parlor C ▪SEM Recovering and Composing Hybridity through Histories of Jewish “Routes” Music: Identity and Exchange in Music and Violence Contemporary Jewish Diasporas Chair: Jessica A Schwartz, New York University Chair: Evan Rapport, The New School

8:30 Between Continuity and Disruption: Strategic Hybridity in the 8:30 Carving the Next Layer of Sephardi Identity: The Hillulot Music Musical Activism of Rongelapese Women of Moroccan Jews in Brooklyn Jessica A Schwartz, New York University Samuel R Thomas, City University of New York, Graduate Center

9:00 Martial Cosmopolitans: Apache War and Song beyond Borders 9:00 Exploring a Legacy of Jewish-Muslim Interaction: Musical during the “Loco Outbreak” Encounters of Bukharian Jews and Central Asian Muslims in the T. Christopher Aplin, Independent Scholar Post-Soviet Era Evan Rapport, The New School 9:30 Musical Fabulation and the Retelling of Violence in 1840s Algeria Kristy Riggs, Columbia University 9:30 Diaspora Jewishness: The Power of “Diaspora” in Contemporary American Jewish Music 10:00 War Memories Revisited: Hybrid Nationalism and Discourses of Jeff Janeczko, Milken Archive of American Jewish Music Cultural Purity in Japanese Military Song Festivals Sarah McClimon, University of Hawai’i at Manoa 10:00 Discussant Mark Slobin, Wesleyan University

1J Parlor A ▪SEM The Danzon in Cuba and Mexico Chair: Robin D Moore, University of Texas

8:30 Flute Improvisation in the Cuban Danzon Sue Miller, University of Leeds

9:00 New Generations, Older Bodies: Danzon Dancing and Age in the Port of Veracruz, Mexico Hettie Malcomson, University of Manchester

9:30 Danzon, Nostalgia, and Masculinity on the Mexican Dance Floor Alejandro Madrid, University of Illinois at Chicago

10:00 Danzones and Cultural Controversies of the 1880s Robin D Moore, University of Texas

2011 Joint Annual Meeting SEM and CORD 15 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Thursday, November 17 Session 2, 10:45 – 12:15pm

2A Freedom Ballroom – E, Live Video-Streaming ▪SEM 2C Independence Ballroom – B ▪SEM Dancing Matter(s): Embodied Practices in Music and Dance Rueda de Casino: Dancing the Clave-based Rhythms of Timba Chair: Tomie Hahn, Rensselaer Polytechnic Institute *Sponsored by the Dance Section 10:45 “Rueda de Casino: Dancing the Clave-based Rhythms of Timba” Ryan O Mead and Sidney Weaverling, Independent Scholars 10:45 Dancing with Sensible Objects Tomie Hahn, Rensselaer Polytechnic Institute 2D Independence Ballroom – C ▪SEM 11:15 Dancing with the Drum: Teaching and Learning Sundanese Rethinking Hybridity: Indian Popular Music and the Jaipongan Global Landscape Sean Williams, Evergreen State College Chair: Bradley G Shope, Texas A&M Corpus Christi

11:45 Dancing Instruments; Objectivity in Musical Performance 10:45 Mimicking Carmen Miranda: Latin American Popular Music in Sally Ann Ness, University of California, Riverside Live-Venue Cabarets and on Screen Bradley G Shope, Texas A&M Corpus Christi

2B Independence Ballroom – A ▪SEM 11:15 Shifting Song Sensibilities and Gendered Subjectivities in South India Music, Movement, and Manner: Synchronicities in Chinese Kaley Mason, University of Chicago and Indian Cinemas Chair: Natalie R Sarrazin, College at Brockport, State 11:45 Hybridity as “Confusion”: South Indian Fusion in Chennai University of New York Niko Higgins, Columbia University *Sponsored by the Dance Section

10:45 Picturizing Synergy: Style, Gendered Choreographies and Sound 2E Freedom Ballroom – F ▪SEM in Hindi film Mapping Minstrelsy, Building Memory, and Negotiating Natalie R Sarrazin, College at Brockport, State University of New Legacy: The Antebellum Banjo in the Twenty-First Century York Chair: Greg C Adams, University Maryland, College Park

11:15 Breaking through Great Walls: Music and Martial Arts 10:45 Mapping the Minstrel Family Tree: Blackface Banjo Players, ca. Choreography in Chinese and Indian Film 1830-1850 Victor A Vicente, Chinese University of Hong Kong Lucas Bowman, Appalachian State University

11:45 Interactions between Communist China and Capitalist Hong 11:15 More Than a Banjo? Historical Reproductions and Mr. Sweeney’s Kong in Music and Choreography During the 1960s Legacy Siu Wah Yu, Chinese University of Hong Kong Richard Jones-Bamman, Eastern Connecticut State University

11:45 Early Minstrel Banjos in the Twenty-First Century: (Re)Negotiating the Face of “America’s Instrument” Greg C Adams, University Maryland, College Park

2011 Joint Annual Meeting SEM and CORD 16 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Thursday, November 17 Session 2, 10:45 – 12:15pm

2F Freedom Ballroom – G ▪SEM 2H Salon 3/4 ▪SEM Colonial Transitions in the Eastern Indian Ocean Vocal Epistemologies: Bodies, Pedagogy, Practice Chair: Katherine Butler Schofield, King’s College London Chair: Robert O Beahrs, University of California, Berkeley

10:45 Historiographies of Music in the Malay World 10:45 Echoing through the Nine Skies: Embodied Knowledge Production David R M Irving, King’s College London in Tuvan Throat-Singing Pedagogy Robert O Beahrs, University of California, Berkeley 11:15 The Awadh Transition: Local Perspectives of the “Hindustani Airs” Episode 11:15 Cocolo Japanese Gospel Choir: Mediating Spiritual and Racial Katherine Butler Schofield, King’s College London Difference through Vocal Adduction Marti Newland, Columbia University 11:45 Malaysia and the South Asian Modern: Tamil Music, Coloniality, Labor 11:45 Dwelling in my Throat: Sound and Experience in a North Indian Jim Sykes, King’s College London Classical Dhrupad Tradition Sumitra Ranganathan, University of California, Berkeley

2G Logans 2 ▪SEM Ethnomusicology within Music Industries 2I Salon 5/6 ▪SEM Chair: Alejandro Madrid, University of Illinois, Chicago Miscellaneous Issues in Ethnomusicology I Chair: Jessica L Getman, University of Michigan, Ann Arbor 10:45 The Price of Profit: Changing and Challenging Priorities in the Christian Recording Industry 10:45 Firefly & Filkers: Creative Process and the Formation of Andrew T Mall, DePaul University Community in Fan Song Jessica L Getman, University of Michigan, Ann Arbor 11:15 Copy bhi milega [Copies are also available]: Reproduction and Distribution in India’s Family-Run Music Stores 11:15 Reducing Injury, Reusing the Past, Recycling Musicality: Healing Jayson Beaster-Jones, Texas A&M University and Historically-Informed Performance Kailan R Rubinoff, University of North Carolina at Greensboro 11:45 From Brasilidade to Global Cosmopolitanism: Shifts in Record Industry Strategies from a Country on the Move 11:45 Performing Against Representation: Japanese Works for Balinese Kariann Goldschmitt, New College of Florida Gamelan Peter Steele, Wesleyan University

2011 Joint Annual Meeting SEM and CORD 17 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Thursday, November 17 Session 2, 10:45 – 12:15pm

2J Parlor A ▪SEM 2M Freedom Ballroom – H ▪CORD Kurath Revisited: Examining the Relationship Between Race, Rock, and Rebellion: Teen Dance in the 1950's Music and Movement in Native North America Chair: Marcia Ostashewski, Cape Breton 10:45 Rhythmic Rebellion: Teen Dance Shows of the 1950s University/University of Alberta/University of Victoria Julie Malnig, Gallatin School, New York University

10:45 Métis and First Nations traditional fiddle dances: Reconstruction 11:15 Tube Dancing: Television, Rock 'n' Roll, and Whiteness and Experimentation Carrie Stern, Dance Teaching Artist Sarah L Quick, Winthrop University

11:15 Performing Difference: The Texas Two-Step and Navajo Country 2N Salon 10 ▪CORD Western Bands Great Composers/Collaborative Gestures Kristina Jacobsen, Duke University Chair: Daniel Callahan

10:45 Claude Debussy’s Chansons de Bilitis and the Emergence of 2K Parlor C ▪SEM Modern Dance Film Screening – Birds of Passage/ Aves de paso Christian Matjias, University of Michigan

10:45 Rachel Lears, New York University 11:05 Composing for Movement: Dialoguing with Dance Luiz Barcellos, Universidade Federal do Parana

2L Independence Ballroom – D ▪SEM/CORD 11:25 Reviving: "Roaratorio" from Joyce to Cage to Cunningham to Lent Joint Panel: Local Philadelphia Communities Carrie Noland, University of California, Irvine Chair: Miriam Giguere, Drexel University 11:45 The Intrinsic Duality of Movement and Sound: Investigating The 10:45 Sufjan Stevens and the Magic Snowflake: Sound and Spatiality in Intersections of Dance and Music Through Bach Headlong Dance Theater’s Explanatorium Josephine Amber Kao, University of Michigan Laura Vriend, University of California, Riverside

11:15 My Laudations Shorten for me the Journey to the Saints': The 2O Logans 1 ▪CORD Poetics of Exile in an Islamic Community of Philadelphia Sacred Journeys, Spaces, Sounds Christine Dang, University of Pennsylvania Session Chair: Asheley Smith

11:45 Welcome to the United Stated of Africa: Kwame Nkrumah's 10:45 Sacred Sound: Tuning the Cosmic Strings of the Subtle Dancing Philadelphia Years, African Nationalism, and Hip-Hop Body Perspectives on Unity in the New Africa Andrea Mantell Seidel, Florida International University Abimbola N. Cole, UCLA 11:15 Sacred Spaces: History and Practice in Christian Sacred Dance Emily Wright, Belhaven University

11:45 Voyager, A Journey into Our Outer Spaces: A Choreographic and Scholarly Exploration Lizzie Leopold, Northwestern University

2011 Joint Annual Meeting SEM and CORD 18 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Thursday, November 17 Lunch Block, 12:30-1:30pm Session 2, 10:45 – 12:15pm

12:30 – 1:30pm 12:30 – 1:30pm

SEM SIG for the Study of Music and Violence Independence Ballroom – D Salon 3/4 CORD Lecture-Demonstration: Equal Footing: A Marriage Between SEM Sound Studies SIG Dance and Music in Dagbamba Performance of Northern Ghana. Salon 5/6 Habib Iddrisu, Northwestern University

SEM Audio Visual Committee Freedom Ballroom – G Freedom Ballroom – H

SEM Sound Future Campaign Committee Lecture-Demonstration: The Trouble With Collaboration, or How Icarus Parlor C In Particular Got Fried and Refried Melanie Kloetzel, University of Calgary SEM Dance Section John Masserini, Northern Arizona University Independence Ballroom – C

SEM Archiving SIG Salon 10 Freedom Ballroom – F Lecture-Demonstration: “Sound Painter”: A Technological Bridge SEM Indigenous Music SIG Between Dance and Music Logan 2 Sybil Huskey, University of North Carolina at Charlotte Celine Latulipe, David Wilson, Melissa Word SEM Crossroads Project Independence Ballroom – B Parlor B SEM SIG on Sacred and Religious Music Parlor A Graduate Student Brown Bag Lunch Series: Making Connections Graduate Students: Bring your lunch and join CORD Board Members SEM Student Open Meeting, Sponsored by the Student Concerns and other senior members of CORD for this opportunity to meet and Committee network with senior faculty and artists from around the country and Independence Ballroom – A abroad.

2011 Joint Annual Meeting SEM and CORD 19 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Thursday, November 17 Session 3, 1:45 – 3:45pm Session 2, 10:45 – 12:15pm

3A Freedom Ballroom – E, Live Video-Streaming ▪SEM 3C Independence Ballroom – B ▪SEM The Inter Dimensions of Musical Improvisation National and Transnational Imaginaries: Dilemmas of Power Chair: Michael B Bakan, Florida State University and Representation in European Romani Music and Dance Chair: Sonia T Seeman, University of Texas, Austin 1:45 Intercultural, Intergenerational, and Inter-Neurophysiological Encounters along the Autism Spectrum: Improvisation as a 1:45 From Ali’s Dance to Kuperlika: Erasure and Ethnonational Self- Sociomusical Process in the Music of the Artism Ensemble Fashioning Michael B Bakan, Florida State University Sonia T Seeman, University of Texas, Austin

2:15 Inter-Genre Personal Styles: Performance and Discourse in 2:15 Of Bellydance and Brass: Nationalism and the Re-Imagining of Contemporary Improvisation Romani Musical Performance in Vranje, Serbia Siv Lie, New York University Alexander Markovic, University of Illinois at Chicago

2:45 Lingua Franca or Local Vernaculars? Jazz Hybridity in a World of 2:45 Who Was It? The “Black Gypsy Waltz” and Post-War Purity Music Michael Beckerman, New York University Tom Greenland, Independent Scholar 3:15 Gypsy Music without Roma? Imagining the Balkans in Clubs and 3:15 “The Revolution Never Ended?”: Improvisation, Festivals Interdisciplinarity, and Social Action on the Lower East Side Carol Silverman, University of Oregon Scott Currie, University of Minnesota

3D Independence Ballroom – C ▪SEM 3B Independence Ballroom – A ▪SEM What Hope Sounds Like: Music and Healing in Haiti's Pre African Musics I and Post-Quake (Re) Construction Chair: Jennifer Kyker, University of Rochester Chair: Rebecca D Sager, Independent Scholar

1:45 Death of the Zombie: Re-inscribing Production in Cameroon's 1:45 Expressive Culture in Crisis: Vodou Singing, Civic Organizing, Migrant Ghost Songs and Hope for Healing in Haiti Dennis M Rathnaw, University of Iowa Rebecca D Sager, Independent Scholar

2:15 Baganda Abalanga: Advocacy through Collaboration 2:15 Kanaval Timoun: A Children's Carnival Performance Extends Rachel R Muehrer, York University Healing to a Port-au-Prince Community Lois Wilcken, La Troupe Makandal 2:45 Musical and Political Transformation: A Case Study of Guinea- Conakry 2:45 Reconstructing a National and Cultural Identity through the Nomi Dave, University of Oxford Healing Power of Music: The Ecole de Musique Sainte Trinite Mary Procopio, Mott Community College 3:15 Be na Laar ni na: The Politics of Sisterhood, Global Feminist Networks, and International Development as Examined in 3:15 Power and Potential in Contemporary Haitian Music: Mizik Dagara Female Song Texts Angaje, Cultural Action and Community-Led Development in Pre- Sidra Lawrence, University of Texas at Austin and Post-Quake Port-au-Prince Rebecca Dirksen, University of California, Los Angeles

2011 Joint Annual Meeting SEM and CORD 20 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Thursday, November 17 Session 3, 1:45 – 3:45pm Session 2, 10:45 – 12:15pm

3E Freedom Ballroom – F ▪SEM 3G Logans 2 ▪SEM Techno-Mediated Performance: Virtual, Visceral, African Perspectives on the Integration of Music and Spectacular Dance in Performance Contexts Chair: Kiri Miller, Brown University Chair: Marie Agatha Ozah, Duquesne University *Co-sponsored by the Dance Section and the African Music Section 1:45 Virtual Transmission, Visceral Practice: Dance Central and the Cybershala 1:45 The Collective Creation of Musical Form in Cape Verdean Batuku Kiri Miller, Brown University Susan Hurley-Glowa, University of Texas, Brownsville

2:15 From Live Performance to Mashup: Mediated Performance in 2:15 Moninkim: A Symbiotic Performance of Ritual, Music and Dance Popular Music by the Ejagham People J. Meryl Krieger, Indiana University-Purdue University Marie Agatha Ozah, Duquesne University Indianapolis 2:45 Malawian Approaches to Dance, Music, and the Creation of 2:45 Dances with Zombies: Michael Jackson and Movement in the Age Sacred Spaces of Post-Industrial Reproduction Clara E Henderson, Indiana University Judith Hamera, Texas A&M University 3:15 Maximizing Artistic Groove and Affect through Innovative 3:15 Downloading Dance: OK Go, YouTube, and the Future of Pop Creative Strategies:The Case of Borborbor of/by the Ghanaian Sydney Hutchinson, Syracuse University Ewe Youth George Dor, University of Mississippi

3F Freedom Ballroom – G ▪SEM Gendered Intimacies and Musical Negotiations of Space 3H Salon 3/4 ▪SEM Chair: Ian R MacMillen, University of Pennsylvania Issues in Contemporary Ethnomusicology II Chair: Vivia K Kieswetter, York University 1:45 Sensuality, Exchange, and Violence in Nepali Nightclubs Anna Stirr, St. John’s College, University of Oxford 1:45 Everlasting Arms, Soldier Making and Resurrected Mommas: Archetypes and Identity in Southern Gospel Music 2:15 On the Sonic Politics of Spinning Vivia K Kieswetter, York University Gavin Steingo, Columbia University 2:15 Recording, Remembering and Using the Sounds of Africa 2:45 Conscription into Intimacy: Young Men, Power, and the Gendered Noel Lobley, University of Oxford, Pitt Rivers Museum Inclusion of Croatian Tambura Musicians Ian R MacMillen, University of Pennsylvania 2:45 The Shifting Cultivation of Music in the Highlands of Cambodia Todd W Saurman, SIL International 3:15 Discussant Jane Sugarman, CUNY Graduate Center 3:15 An “Acoustically Perfect Hall”?: Engineering Space in Classical Recordings Gregory Weinstein, University of Chicago

2011 Joint Annual Meeting SEM and CORD 21 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Thursday, November 17 Session 3, 1:45 – 3:45pm Session 2, 10:45 – 12:15pm

3I Salon 5/6 ▪SEM 3K Parlor C ▪SEM Music and Dance I Round Table – Singing Out: National and Local Chair: Bernard Ellorin, University of Hawai'i at Manoa Perspectives on LGBTQ Choruses Chair: Heather MacLachlan, University of Dayton 1:45 Digital Dance and Digital Bodies: Tracing Cinematic Myth in The Matrix and Tron: Legacy 1:45 Heather MacLachlan, University of Dayton Sean Nye, University of Minnesota Samuel Dorf, University of Dayton Joseph Buches, Philadelphia Gay Men's Chorus 2:15 Why are Hungarian Dance Cycles so Long? Flow and Making Alan Harler, Mendelssohn Club of Philadelphia Space with Improvisation Judith E Olson, American Hungarian Folklore Centrum 3L Independence Ballroom – D ▪SEM/CORD 2:45 Revival and Survival of Traditional Dance in Newfoundland and Joint Panel: Where Music Meets Dance Labrador: A Practitioner?s Perspective Chair: Corinna Campbell, Harvard University Jane Rutherford, Independent Scholar 1:45 The Reinvention of Music-Dance Connections in Contemporary 3:15 Rolling the Agong: Homogenizing and Theatricalizing Philippine Theatre Dance: Postcolonial and Intercultural Constructions Gong-Chime Music through Dances of the “Bayanihan Tradition” Luísa Roubaud, Faculty of Human Movement -UTL and INET-MD Bernard Ellorin, University of Hawai'i at Manoa 2:15 Danceability in the Nightclub Setting: a musicological and sociological enquiry 3J Parlor A ▪SEM Tami Gadir, University of Edinburgh Round Table – Sound and Sense in the Muslim World: The Politics of Listening 2:45 Self, the Now and the Art Object in Music and Dance Chair: Deborah Kapchan, New York University Adrienne M Brown,

1:45 Jonathan Glasser, College of William and Mary 3:15 Illuminating the Intersections: An Experiment in Conveying How Rich Jankowsky, Tufts University Music and Dance Relate in Khmer Classical Performance Galeet Dardashti, Independent Scholar Joanna Pecore Deborah Kapchan, New York University Michael Frishkopf, University of Alberta

2011 Joint Annual Meeting SEM and CORD 22 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Thursday, November 17 Session 3, 1:45 – 3:45pm Session 2, 10:45 – 12:15pm

3M Freedom Ballroom – H ▪CORD 3O Parlor B ▪CORD Sounding the Floor: the Kin-aesthetics of Percussive Dance Reinventing Dance-Music Collaborations Chair: Kara Yoo, Yale University 1:45 Foot, Floor, Footwork: Embodied Culture through Kathak and Flamenco Foot Percussion 1:45 Music Delivery, Collaboration and the Concert Dance Subculture Miriam Phillips, University of Maryland Christian Cherry, University of Oregon

2:15 Into and Out of the Floor: Weaving Music and Braiding Tradition 2:15 The "Spontaneous" of Lisbon; a Dance Experience for Mature in Irish Dance People Kathleen Spanos, University of Maryland, College Park Luisa Alegre, Universidade Técnica de Lisboa - FMH- PhD Student Professor Margarida Moura, Universidade Técnica de Lisboa 2:45 Dance the Tune: a Listening-based Approach to Percussive Step Dance 2:45 HOTMOUTH: Practicing Possibilities Nic Gareiss Grisha Coleman, Arizona State University

3N Logans 1 ▪CORD Dancing Nation, Dancing Community Chair: Eva Ayumami, University of Surrey

1:45 Dancing Nationhood in Contemporary Spain Eva Aymami, University of Surrey

2:15 Performing Nation’s Angels and Princesses: The Female Dancing Subjects of a Century-Old Iranian Nationalist Stage Ida Meftahi, University of Toronto

2:45 Student Values Engaging in Dance and Music Education Monica Frichtel, Temple University

2011 Joint Annual Meeting SEM and CORD 23 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Thursday, November 17 Session 4, 4:00 – 5:30pm Session 2, 10:45 – 12:15pm

4A Freedom Ballroom – E, Live Video-Streaming ▪SEM 4D Independence Ballroom – C ▪SEM “Sathima's Windsong”: Cape Jazz and the New African Ethnomusicology of the Individual Diaspora Chair: Kenneth S Habib, Cal Poly, San Luis Obispo Chair: Carol Muller, University of Pennsylvania 4:00 Cut Piece, Yoko Ono, and the Troubled Collective 4:00 Discussant: Don Yon, York University Miki Kaneda, University of California, Berkeley

4:30 Sounding Belonging: The Aesthetics of Collaboration, Multiplicity, 4B Independence Ballroom – A ▪SEM and Individualization among NYC Experimental Composer- South East Asian Musics I Performers Chair: Stephen M Mamula, Rhode Island College Amanda L Scherbenske, Wesleyan University

4:00 "Showing the Way": Music and Movement in Vietnamese-Hmong 5:00 The Iconic Fairouz, the Nationalism of Music, and the Dabke of Funeral Rituals Lebanon Lonán Ó Briain, University of Sheffield Kenneth S Habib, Cal Poly, San Luis Obispo

4:30 Cambodians, Mass Media, and Processes of Musical Recovery and Indigeneity in the early 21st Century 4E Freedom Ballroom – F ▪SEM Stephen M Mamula, Rhode Island College Contemporary Music Traditions and Repertoires Chair: Andrew L Kaye, Columbia University 5:00 Intercultural Influences in Balinese Contemporary Composition Wayan Sudirana, University of British Columbia 4:00 Genre Ownership and Boundary Negotiation in Detroit Electronic Music Denise Dalphond, Indiana University 4C Independence Ballroom – B ▪SEM Changing Diasporas (Home and Abroad) I 4:30 Tango as Repertoire Item in the Evolution of Cinema Chair: Karen Liu, University of California, Santa Barbara Andrew L Kaye, Columbia University

4:00 Let the Balalaika’s Ring! Current Initiatives in the Promotion and 5:00 Metaphors of Emotion and the Commodification of Flamenco in Preservation of Russian Folk Music in America North America Jonathan W Johnston, Roanoke Chowan Community College Tony Dumas, University of California, Davis

4:30 Maintaining the Ladzekpo Legacy: Performing Ghanaian Music and Dance in the Diaspora Karen Liu, University of California, Santa Barbara

5:00 An Ethnographic Inquiry into the Enculturative Process of Tabla Drumming for a Diaspoic Asian Indian Community Elizabeth L Tavit, Boston University

2011 Joint Annual Meeting SEM and CORD 24 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Thursday, November 17 Session 4, 4:00 – 5:30pm Session 2, 10:45 – 12:15pm

4F Freedom Ballroom – G ▪SEM 4H Salon 3/4 ▪SEM Issues in Local/Indigenous Cultures and Communities Issues in Contemporary Ethnomusicology III Chair: Kim Carter Muñoz, University of Washington Chair: Anna R Beresin, The University of the Arts (UARTS)

4:00 E Ô Ho’olauna Kona!: An Insider Critique of an Indigenous 4:00 Painting Motion: A Multimedia Approach for the Recording of Program of Kamehameha Schools Urban Children's Lore Chadwick Pang, University of Hawai'i at Manoa Anna R Beresin, The University of the Arts (UARTS)

4:30 “¡Ay, Ay, Yay! ¡Kualī Timihotilīj ‘What Beautiful Danciiiing’!": 4:30 I am a Seed of Peace: Music and Israeli-Arab Peacemaking Multicultural Nationalism in El Festival de la Huasteca and Micah Hendler, Yale University Embedded Náhuatl Performance of Folklore, Transnational- Popular and Local Identity Kim Carter Muñoz, University of Washington 4I Salon 5/6 ▪SEM Instruments and Instrumental/Vocal Ensembles 4G Logans 2 ▪SEM Chair: David C Fossum, Brown University Healing and Religion Chair: Jeffrey A Jones, Edison Community College 4:00 North Sulawesi Choral Music: A Local Portrait of a Globalizing Genre 4:00 A Healing Community: Socio-Emotional Capital Among Andre de Quadros/Miguel Felipe, Boston University/Mount Psychobillies Holyoke College Kim Kattari, University of Texas at Austin 4:30 Seeking New Identities for the Koto: Tradition, Hybridity, and 4:30 Music, Optimal Experience, and Healing in the Skiffle Bunch Cultural Meaning Steel Orchestra of San Fernando, Trinidad Shino Arisawa, Tokyo Gakugei University Jeffrey A Jones, Edison Community College 5:00 A Wealth of Ways: Canonizing Individual Variants in Turkmen 5:00 Pole Dancing for Jesus: Gesture, Masculinity and the Circus of Instrumental Music Sexual Ambiguity in Gospel Performance David C Fossum, Brown University Alisha L Jones, University of Chicago

2011 Joint Annual Meeting SEM and CORD 25 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Thursday, November 17 Session 4, 4:00 – 5:30pm Evening Block Session 2, 10:45 – 12:15pm

4J Parlor A ▪SEM 5:30 – 6:30pm SEM/CORD Joint First-Time Attendees and New Historical Issues Members Reception Chair: Katie Graber, Independent Scholar Horizons Rooftop Ballroom

6:00 – 7:30pm SEM/CORD Joint Welcome Reception 4:00 Cultural Nationalism on Tour: Concerts of Irish Traditional Music Hors d’oeuvres and cash bar and Dance Abroad in the Early Twentieth Century Sponsored by the University of Pennsylvania School of Arts Tes Slominski, Independent Scholar and Sciences and Department of Music, CORD, and SEM Liberty Ballroom – B&C 4:30 A Multicultural Counter-Culture? A Case Study of the Electric Circus, 1967-1971 7:30 – 9:00pm Society for Arab Music Research Molly J McGlone, University of Pennsylvania Salon 3/4

5:00 Armchair Tourism for American "Middlebrows": World Music and 7:30 – 11:30pm Film Screenings ▪SEM Salon 5/6 Dance on 1950s Television

Anna E Nekola, Denison University 7:30 – 9:00 Follow Me Down: The Work of Today's Louisiana Prison Songs (Benjamin Harbert) * Sponsored by Music and Violence Special Interest Group

4K Hotel Lobby – “Philadelphia Soundwalk” 9:00 – 10:00 Conflict-o Rumba: The Persistence of Memory (Berta Jottar) *Sponsored by Sound Studies Special Interest Group 10:00 – 11:30 Sean O Se: A Life in Song and Story (Matthew Allen) 4:00 Bill Bahng Boyer, New York University

8:00 – 9:00pm SEM Latin American/Caribbean Studies Music Section Independence Ballroom – A

4L Independence Ballroom – D ▪CORD 8:00 – 10:00pm SEM Association for Chinese Music Research Plenary: Dance Ethnography: Past, Present, and Future Independence Ballroom – B Moderator: Theresa Buckland, De Montfort University SEM Education Section Forum 4:00 Susan Reed, Bucknell University Independence Ballroom – C Adrienne Kaeppler, Smithsonian Institution 9:00 – 10:00pm Afro – Brazilian Drum and Dance Workshop Anita Gonzalez, State University of New York, New Paltz Sponsored by the SEM Latin American & Caribbean Shakina Nayfack, Stage Director and Choreographer Music Section Independence Ballroom – A

9:00 – 10:30pm SEM Local Arrangements Committees (2011/2012) and Program Committees (2011/2012) Parlor A

9:00 – 11:00pm SEM/CORD Music and Dance Concert Sponsored by Drexel University, University of Pennsylvania, and Temple University Liberty Ballroom – C&D

2011 Joint Annual Meeting SEM and CORD 26 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Friday, November 18 Session 5, 8:30 – 10:30am Session 2, 10:45 – 12:15pm

Morning Block 5C Independence Ballroom – B ▪SEM Theorizing the Personal: Ethnographic Frontiers in 7:00 – 8:00 am Poetics, Politics and Spirituality Chair: Michelle Kisliuk, University of Virginia SEM Chapters Independence Ballroom – A 8:30 Lost Cause: Punk Aesthetics, the Personal and the Past in Richmond, Virginia SEM Ecomusicology SIG Michael Bishop, University of Virginia Salon 3/4 9:00 Contemplative Ethnography and the Study of Musical Performance in Religious Life Maria Guarino, University of Virginia 5A Liberty Ballroom – B, Live Video-Streaming Round Table – Sustaining Folk Arts in Philadelphia: 9:30 Playing off the Fiddle: Teaching “American” Musicking in Eastern Grassroots Perspectives on Advocacy and Intercultural Europe Work Lee Bidgood, East Tennessee State University Chair: Debora Kodish, Philadelphia Folklore Project

8:30 Ellen Somekawa, Asian Americans United 5D Independence Ballroom – C ▪SEM Lois Fernandez, ODUNDE Round Table – Keywords of Music and Motion Debora Kodish, Philadelphia Folklore Project Chair: Christina Zanfagna, Santa Clara University Dorothy Wilkie, Kulu Mele African Dance and Drum Ensemble Jeff Titon, Brown University 8:30 Christina Zanfagna, Santa Clara University Jason Stanyek, New York University Melvin Butler, University of Chicago 5B Independence Ballroom – A ▪SEM Tamara Roberts, University of California, Berkeley Zili(zo)pendwa: Dance music and nostalgia in Kenya and Martin Daughtry, New York University Tanzania Chair: Frank Gunderson, Florida State University 5E Freedom Ballroom – F ▪SEM 8:30 Rumba Kiserebuka! Evoking Embodied Temporalities through Round Table – Ethnomusicology and the Changing Job Tanzanian Zilipendwa Market: A Dialogue for Young Scholars Frank Gunderson, Florida State University Chair: Cristina Cruz-Uribe, Yale University

9:00 Youth of Many Days: Age, Music, and Nostalgia in Tanzania 8:30 Sarah Weiss, Yale University Alex Perullo, Bryant University Kathryn Metz, Rock and Roll Hall of Fame and Museum Martin Daughtry, New York University 9:30 “Sina Makosa”: Absolution in the Guilty Pleasures of Old-Time Kenyan Secular Popular Standards Jean Kidula, University of Georgia

2011 Joint Annual Meeting SEM and CORD 27 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Friday, November 18 Session 5, 8:30 – 10:30am Session 2, 10:45 – 12:15pm

5F Freedom Ballroom – G ▪SEM 5H Salon 3/4 ▪SEM Hip Hop Displacement, Diaspora and Musical Transplantation: Chair: Abimbola Cole, University of California, Los Angeles Four Canadian Case Studies Chair: Louise J Wrazen, York University 8:30 Routing the Rhythm Road Through Morocco: The Effects of US Cultural Policy on Hip Hop Entrepreneurship in Casablanca 8:30 Transplantation and Transformation: “Made in Canada” Kathak Kendra Salois, University of California, Berkeley Dance Margaret E Walker, Queen’s University 9:00 “Tupac was a Kanak!” Blackness, Belonging, and Performed Hybridity in Germany's Migrant Hip-hop Communities 9:00 The Displaced Voice: Assertions of Selfhood and Belonging Amidst Margaret R Jackson, Troy University Change Louise J Wrazen, York University 9:30 Advocating for Migrant Rights in Latina/o and African American Hip Hop Responses to Arizona State Bill 1070 9:30 Ethnography of the Small: Chinese Musical Practice in the Shanna Lorenz, Occidental College Canadian Diaspora Kim Chow-Morris, Ryerson University 10:00 Imaginaries of Exile and Emergence in Israeli Jewish and Palestinian Hip-Hop 10:00 Musical Pathways and Meanings of Place in a Small Urban David A McDonald, Indiana University Community Gordon E Smith, Queen’s University

5G Logans 2 ▪SEM Play it Forward: Revisiting the Legacy of Music for 5I Salon 5/6 ▪SEM Children Music and Dance II Chair: Patricia S Campbell, University of Washington Chair: Carol Babiracki, Syracuse University

8:30 Children's Music within the Lomax Recordings of the Association 8:30 Routes not Roots, or, The Beauty of the Dancing Dead: “Spanish” for Cultural Equity Dancers in the Nineteenth-Century World Christopher Roberts, University of Washington Anna Reidy, New York University

9:00 Music By and For Children in the Smithsonian Folkways 9:00 Dancing Sound in an Invisible Beam: An Exploration of Children's Music Collection Movement/Musical Improvisation using Soundbeam Technology Patricia S Campbell, University of Washington in an Integrated Applied Arts Context Ruth Hellier-Tinoco, University of California, Santa Barbara 9:30 Discussants Tony Seeger (University of California, Los Angeles) and Anna 9:30 Listening for the Call and Knowing When to Come In: Lomax Wood (Association for Cultural Equity) “Performance Sociability” in Mande Dance Sharon F Kivenko, Harvard University

10:00 Transcribing the Owl Dance: Examining Performance and Transcription in a Native American Community Ryan A Koons, University of California, Los Angeles

2011 Joint Annual Meeting SEM and CORD 28 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Friday, November 18 Session 5, 8:30 – 10:30am Session 2, 10:45 – 12:15pm

5J Parlor A ▪SEM 5L Independence Ballroom – D ▪SEM/CORD Local Ports/Global Currents: The Legacy of Whalers’ Music Joint Panel: Advocacy and Outreach from the Nineteenth Century to the Present Chair: Justine A. Lemos, University of California, Riverside Chair: James R Carr, University of North Carolina, Greensboro 8:30 Merge: Bridging Dance the Community: A Site-Specific Dance and Music Performance Which Used Collaborative Processes 8:30 “I Saw the Island of America”: U.S. Whalers’ Songs in the Focused On Community Building For Participating Artists As A Emergence of Hawai’ian Popular Music Means For Social Change James R Carr, University of North Carolina, Greensboro Erinn Ernst, University of Oregon

9:00 The Eskimo Hula and Indigenous Interculturalism in the Western 9:00 Conceptualizing The Relationship Between Black Music And The Arctic, Late 19th and Early 20th Centuries Contemporary Africanist Modern Dance Body As A Site for Paul Krejci, University of Alaska, Fairbanks Critical Consciousness Carl Paris, Drexel University 9:30 Whalers’ Shanties of Barrouallie, St. Vincent: Observations on a Unique Caribbean Maritime Tradition 9:30 Performing Advocacy; Women's Music and Dance in Dagbon, Daniel Lanier, Independent Scholar Northern Ghana Katharine E Stuffelbeam

5K Parlor C ▪SEM 10:00 The Politics of Dancing: Jimmy Carter, Square Dancing and New Identities, Diverging Musics: Korea's 21st Century Populism on the Campaign Trail Transcultural Adaptations Justin L Patch Chair: R. Anderson Sutton, University of Wisconsin, Madison

8:30 Covering the Musical Rainbow: General Korean Traditional Music Education and the Multicultural Dilemma Hilary V Finchum-Sung, Seoul National University

9:00 Negotiating the Local, Regional and Global in Korean Mask Dance Drama Performances Donna L Kwon, University of Kentucky

9:30 Modernity Crisscrossed: New Musical Convergence and Chinese Korean Musicians in South Korea Sunhee Koo, University of Auckland

10:00 Transnational Samulnori and the Politics of Place Katherine I. Lee, Harvard University

2011 Joint Annual Meeting SEM and CORD 29 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Friday, November 18 Session 5, 8:30 – 10:30am Session 2, 10:45 – 12:15pm

5M Freedom Ballroom – H ▪CORD 5O Logans 1 ▪CORD Intimately Political: Bodily Communications of Carnality, Dancing with Identity Empathy and Affect in Dance Practices and Criticism. Chair: Jasmine Johnson

8:30 Embodied Affects of Nationalism and Ethnicity in the Dances of 8:30 Jewish Identity Musically and Visually, Especially Examining the Fijian Diasporas in Canada Case of Sara Levi-Tanai Evadne Kelly, York University Judith Brin Ingber, Independent Scholar

9:00 Dancing in Your Seat: Reading Empathy in Print Media 9:00 Zouk Love: Texts, Bodies and Transnational Sexual Identities in Emma Doran, Ryerson/York University the Caribbean Nightlife of Paris Sabina Rossignoli, Universite Paris Descartes 9:30 It’s all in the hips: Sexual and Artistic Minority in Canadian Concert Jazz Dance 9:30 The Malaga of Samoan Dance in New Zealand: Polyfest's Shawn Newman, York University Teaching and Learning Legacies Michelle Ladwig Williams, University of Auckland

5N Salon 10 ▪CORD 10:00 Festival on the Move: Dancing Culture and Performance of Composers and Choreographers Identity Among Filipinos from the Central Philippines to Toronto, Chair: Daniela Amoroso, Federal University of Bahia, Canada Brazil Patrick Alcedo, York University

8:30 Mutual Inspiration: Choreographers and Composers at The Bennington School of the Dance (1934-42) 5P Parlor B ▪CORD Elizabeth McPherson, Montclair State University Interdisciplinary Creative Collaboration Rain Ross, The Richard Stockton College of New Jersey 9:00 Anna Sokolow and Alex North’s War Poem: A Meeting of Music, Dance, and Anti-fascism 8:30 Participants: Hannah Kosstrin, Reed College Megan Nicely, University of San Francisco and New York University 9:30 Jerome Moross, Chicago, 1937–1938: The Composer and the Elo Masing Crossover between Ballet Americana and Jazz Jean Lee Joellen Meglin, Temple University Megan Todd, Arizona State University Melissa Britt, Arizona State University 10:00 Process as Structure: the Collaboration between Anne Teresa De Renata Dalianoudi Keersmaeker and Steve Reich Roberta Sabbath, University of Nevada, Las Vegas Renate Bräuninger, University of Northampton Margot Mink Colbert, University of Nevada, Las Vegas Jane Mink Rossen, University of Copenhagen Julie Mayo Sophia Preston, University of Ulster

2011 Joint Annual Meeting SEM and CORD 30 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Friday, November 18 Session 6, 10:45am – 12:15pm Session 2, 10:45 – 12:15pm

6A Liberty Ballroom – B, Live Video-Streaming ▪SEM 6C Freedom Ballroom – H ▪CORD SEM President’s Roundtable Percussive Relations in Tap and Irish Dance Medical Ethnomusicology and HIV/AIDS in Africa Chair: Kathaleen Boche, Florida State University Chair: Gage Averill (University of British Columbia) 10:45 Tuning the Dancing: A Description of Irish Sean-nós Dancer as 10:45 Gregory Barz (Vanderbilt University) Musician Judah Cohen (Indiana University) Jean Denney Grotewohl, Texas Woman's University

Discussants: 11:15 On Taps: The Dancer/Musician Continuum and its Implications Gavin Steingo (Columbia University) for Tap Pedagogy Jennifer Kyker (University of Rochester), Katrina Richter, Settlement Music School Austin C Okigbo (Williams College) 11:45 Dancers Leading the Music: Sabar Dancing in Dakar, Senegal Respondents: Elina Seye, University of Tampere (Finland) Michael B Bakan (Florida State University) Lauren Sweetman (New York University) Brett Pyper (Klein Karoo National Arts Festival) 6D Salon 10 ▪CORD Dancing Blackness in the Early 20th Century Chair: Andrea Lujan, Columbia University 6B Independence Ballroom D ▪CORD Rethinking Music Visualization 10:45 Red, White, and Blue: Finding the Black Behind George M. Cohan’s Patriotic Success 10:45 Ruth St. Denis, Walter Benjamin, and the Mimetic Faculty Brynn Shiovitz, University of California, Los Angeles Paul Scolieri , Barnard College, Columbia University 11:15 Performing Cultural Diversity in L'Ag'Ya (1938) and Little Black 11:15 Absolutely Unmanly: The Music Visualizations of Ted Shawn and Sambo (1938): The Relationship between the Chicago Negro Unit His Men Dancers of the Federal Theatre Project and the Interracial Cultural Front Daniel Callahan, Columbia University in Depression-Era Chicago Jennifer Myers, Northwestern University 11:45 Troubling Visualisations: Mark Morris Marks the Music Stephanie Jordan, University of Roehampton 11:45 Envisioning Alberta "Bert" Whitman: Strut & Flash Dancer and Composer Margaret Morrison, Barnard College and the American Tap Dance Foundation

2011 Joint Annual Meeting SEM and CORD 31 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Friday, November 18 Session 6, 10:45am – 12:15pm Lunch Block, 12:30 – 1:30pm Session 2, 10:45 – 12:15pm

6E Logans 1 ▪CORD 12:30 – 1:30pm Masculinity/Choreography Chair: Clare Croft, University of Michigan SEM SIG for European Music Independence Ballroom – A 10:45 Marble Men: Tableaux Vivants, Mardi Gras, and Masculinity,1870-1920 SEM SIG for Jewish Music Jen Atkins, Florida State University Independence Ballroom – B

11:05 The Process of Penetration: Recontextualizing the erotic in SEM Section on the Status of Women Pâquerette Independence Ballroom – C Jessica Bonenfant, University of Michigan SEM Applied Ethnomusicology Section 11:25 Sounding Off: Exposing Fictions of Masculinity and Male Identity Freedom Ballroom – F in Ronald K. Brown’s Better Day’s Mark Broomfield, University of Texas at Austin SEM Publications Advisory Committee Parlor A 11:45 Misheard But Always Seen: Controversies over the Female Body in American Cultural Diplomacy SEM Ethics Committee Clare Croft, University of Michigan Freedom Ballroom – G

SEM Medical Ethnomusicology SIG 6F Parlor B ▪CORD Salon 3/4 Ballet in Dialogue Chair: Gretchen Alterowitz, University of North Carolina SEM SIG for the Music of Iran and Central Asia at Charlotte Salon 5/6

10:45 Silent Yet Loud: Exposing Ballet’s Bias and Queering the Rules in SEM EVIA Digital Archives Project Deborah Lohse’s "Ineffable" (2011) Parlor C Gretchen Alterowitz, University of North Carolina at Charlotte

11:15 West African Dance as Ballet 12:30 – 2:30pm – SEM Council Sherone Price, Appalachian State University Horizons Rooftop Ballroom

11:45 Giselle's Mad Scene: A Comparison and Discussion of 21st c. Modern Tradition and 19th c. Paris Opera Stagings Dawn Urista, University of Oregon

2011 Joint Annual Meeting SEM and CORD 32 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Friday, November 18 Lunch Block, 12:30 – 1:30pm Session 7, 1:45 – 3:45pm Session 2, 10:45 – 12:15pm

12:30 – 1:30pm 7A Freedom Ballroom – E, Live Video-Streaming ▪SEM Moving Heaven and Earth: Yoruba Movement Systems Independence Ballroom – D within Transatlantic Music Traditions Chair: Amanda V Villepastour, Cardiff University CORD Lecture-Demonstration: Embodying Music in Senegal: A Somatic and Diaspora Portrait 1:45 Moving Song and Singing Moves in Transatlantic Yorùbá Music Ojeya Cruz-Banks, University of Otago, New Zealand Amanda V Villepastour, Cardiff University

2:15 Dancing Bàtá: Toward a Political Economy of the Aesthetics of Freedom Ballroom – H Embodiment Debbie L Klein, Gavilan College CORD Lecture-Demonstration: Layers of Rhythm: An Exposition on Bharatanatyam Choreography and Music Co-Construction in the Contemporary Context of Chennai 2:45 Revolution 2011: Blessings and Long Life at the Feet of Oyá? Monisha Chakravarthy, The Fulbright Program Katherine J Hagedorn, Pomona College

3:15 Discussant Salon 10 Elizabeth Sayre, Swarthmore College

CORD Lecture-Demonstration: From Pitch to Plié: Music Theory for Dance Scholars and Close Movement Analysis for Music Scholars 7B Independence Ballroom – A ▪SEM Juliet McMains, Unviversity of Washington Music and the Americas Ben Thomas, Highline Community College Chair: Brenda M Romero, University of Colorado, Boulder

1:45 Online Music Compilations: Curating a Unified Latin American Logans 1 Indie Pop Movement Noraliz Ruiz-Caraballo, Kent State University CORD Lecture-Demonstration: Somatic Experiment #2: Strung Up Megan Nicely, University of San Francisco and New York University 2:15 Buena Vista Take Two: The Rise of AfroCubism Jim Brashear, New York University Aleysia K Whitmore, Brown University

2:45 Santería Music in Mexico Parlor B Kenneth Schweitzer, Washington College

Graduate Student Brown Bag Lunch Series: Graduate Student 3:15 Musical Revival and Transformation: Ragtime Piano in America Challenges Bryan S Wright, University of Pittsburgh Graduate Students: Bring your lunch and join other Graduate Students to discuss the unique challenges you all face and develop solutions for overcoming them.

2011 Joint Annual Meeting SEM and CORD 33 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Friday, November 18 Session 7, 1:45 – 3:45pm Session 2, 10:45 – 12:15pm

7C Independence Ballroom – B ▪SEM 7E Freedom Ballroom – F ▪SEM Sounds of Difference and Recognition: Music, Northern Africa and Middle East I Interculturalism, and Belonging in the European Nation-State Chair: Ruth Davis, Cambridge University Chair: Benjamin Teitelbaum, Brown University 1:45 Tears in Tahrir from Tamer: Egyptian Pop Stars and the January 1:45 New Latinos in the Old World: Music, Multiculturalism, and 25th Protest Movement Ethnogenesis in a Changing Spain Laith Ulaby, US Muslim Engagement Initiative Joshua Tucker, Brown University 2:15 At a Distance: Voice, Dance, and Display among Female Iranian 2:15 Unity Intoned: Music and the Rhetorical Paradoxes of Swedish Vocalists in Exile Radical Nationalism Farzaneh Hemmasi, Hunter College Benjamin Teitelbaum, Brown University 2:45 Playing Tunisian Music: Perspectives of Women Instrumentalists 2:45 The Influence of Paul Robeson?s Musical Legacy on Soviet and Alyson E Jones, University of Michigan Post-Soviet Racial Ideologies Adriana Helbig, University of Pittsburgh 3:15 Culture Doesn’t Happen on an Empty Stomach: Safeguarding, Capabilities, and Musical Livelihoods at Jemaa el Fnaa Square 3:15 Discussant Thomas B Beardslee, Ohio State University Timothy Rice, University of California, Los Angeles

7F Freedom Ballroom – G ▪SEM 7D Independence Ballroom – C ▪SEM African Musics II American Musics II Chair: Peter Hoesing, Florida State University Chair: Laura Risk, McGill University 1:45 A Tale of Two Mbiras 1:45 America's Musical Margins: Interculturalism in Arthur Farwell's Tony Perman, Pomona College Wa-Wan Press Katie J Graber, Independent Scholar 2:15 Gendering Creativity and Procreation: A Philosophical Exposition of Ewe/Fon Ontology of Musical Creativity and Nomenclature 2:15 Song, Social Unity, and Interracial Musical Mixture: The Case of Kofi Gbolonyo, University of British Columbia the 1909 Whiffenpoofs Joshua S Duchan, Kalamazoo College 2:45 Territoriality and Nomadism among Gabonese Music-cultural Groups 2:45 Winnicott's Potential Space in Music and Dance Sylvie Le Bomin, Museum National d'Histoire Naturelle Stephen T Miles/Margaret Eginton, The New College of Florida/Florida State University

3:15 The Chop: The Dissemination of an Instrumental Technique across North Atlantic Fiddling Traditions Laura Risk, McGill University

2011 Joint Annual Meeting SEM and CORD 34 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Friday, November 18 Session 7, 1:45 – 3:45pm Session 2, 10:45 – 12:15pm

7G Logans 2 ▪SEM 7I Salon 5/6 ▪SEM Asian Musics I Sound, Technology Chair: Andrew Weintraub, University of Pittsburgh Chair: Leslie Gay, University of Tennessee, Knoxville

1:45 Challenges of Music Sustainability in Lombok, Indonesia 1:45 Live from Second Life: Social Actualization through Musical David D Harnish, University of San Diego Participation in Virtual Worlds Trevor S Harvey, Florida State University 2:15 “Like a Jeweled Cup Without a Bottom”: Neo-Confucian Political Philosophy and Gender in the Courtly Dance- Drama of Early 2:15 All Hands On Deck: Choreographed Intimacy in the Analog Modern Ryūkyū Mixing Process James R Edwards, University of California, Los Angeles Alan Williams, University of Massachusetts, Lowell

2:45 Making Politics Serve Music: Yu Huiyong as Beijing Opera 2:45 Instruments as Technology: Co-constructing the Pedal Steel Composer and China's Minister of Culture Guitar Yawen K Ludden, University of Kentucky Tim Miller, University of North Carolina at Chapel Hill

3:15 Combining Music and Dance Analysis In a Study of Balinese 3:15 Arduino Revolution: Hacking the Way to New Sounds and Topeng Mask Dance Moveable Art with Open Source Technology June Lam, University of British Columbia Lauren Flood, Columbia University

7H Salon 3/4 ▪SEM 7J Parlor A ▪SEM American Musics III Music and the Body/Voice Chair: Paula Conlon, University of Oklahoma Chair: Katherine L Meizel, Bowling Green State University

1:45 The Case of “Crooked Tunes” in Cajun and Creole Dance Music 1:45 At One With One’s Instrument: Transcending the Body- Mark F DeWitt, University of Louisiana at Lafayette Instrument Divide Max M Schmeder, Columbia University 2:15 A New York Choir Integrates Youth: How the Young People's Chorus of NYC Serves as an Advocacy Role Model 2:15 Hearing Voices: Toward a Model for the Study of Vocality Miguel Felipe/Andre de Quadros, Mount Holyoke College/Boston Katherine L Meizel, Bowling Green State University University 2:45 Docile Bodies Improvising: Gender and Constraint in Improvised 2:45 The Arab-American Composer: Guardian of the Turath or Music and Movement Undertaker? Peter Williams, University of Kansas Hicham Chami, University of Florida 3:15 Moving New Music: Disrupting the Mind/Body Divide in Western 3:15 “Salsa Con Timba”: Cuban Musicians, Dancing Audiences and the Art Music Politics of Hybridity In Toronto John R Pippen, University of Western Ontario Brigido Galvan, York University

2011 Joint Annual Meeting SEM and CORD 35 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Friday, November 18 Session 7, 1:45 – 3:45pm Session 2, 10:45 – 12:15pm

7K Parlor C ▪SEM 7M Freedom Ballroom – H ▪CORD Asian-American Intercultures Roundtable: Sense of Place in Time and Space - The Chair: James R Ruchala, Brown University Philadanco Dance/Music Aesthetic 1:45 Brenda Dixon-Gottschild, Professor Emerita, Temple University 1:45 Winston-Salem Guru-Shishya: Virtuosity and Bi-Musicality in Multicultural America James R Ruchala, Brown University 7N Salon 10 ▪CORD Sites of Emotion; Choreography/Geography 2:15 “My Ability Simply Exceeded the Ability to Play Short Songs”: Chair: Ben Spatz, CUNY Graduate Center Professional, “Folk Ethnic,” and Idiosyncratic Approaches to the Morin Khuur in Mongolia and the United States 1:45 At the Site of Wilderness: Meredith Monk's "Facing North" (1990) Daniel S Margolies, Virginia Wesleyan College Bridget Cauthery, York University

2:45 Classical Music and the Thai Monarchy: An Expression of Thai- 2:15 Nordic Folk Dances as Imaginative Geographies ness Among Thai-American Communities in America Petri Hoppu, University of Tampere, Finland Priwan Nanongkham, Kent State University 2:45 Intersections in Music and Dance: Lessons from the Research 3:15 “It Starts with the Drum and Ends with the Drum”: Tassa Archive of Gertrude Kurath Drumming as Place Making in Central Florida Christopher Miller, Arizona State University Christopher Ballengee, University of Florida

7L Independence Ballroom – D ▪SEM/CORD 7O Logans 1 ▪CORD Joint Panel: Health and Healing Musical Embodiment in South Asia Chair: Freya Vass-Rhee, University of California, Riverside 1:45 Embodied Bracketing: Experiential Aspects of Learning Dance 1:45 A Sacred Melody and Innovative Choreography in Cambodia Technique Toni Shapiro-Phim, Bryn Mawr College Justine A. Lemos, University of California, Riverside

2:15 Kinesthetics of Crying and Soundtracks of Tears: Performing 2:15 The Dancing Orchestra: Embodiment and Experience of Music in Grief in Works by Deborah Hay and Ralph Lemon Indian Classical Dance Karen Schaffman, California State University San Marcos Elena Catalano, University of Durham, United Kingdom

2:45 Improvising Transcendence for Health and Healing: Spontaneous Sounds and Bodies in a Dance Composition Class Carlos Odria

3:15 Sound, Healing and the Body: Acoustemologies of Health in the Pacific Northwest Rodrigo Caballero

2011 Joint Annual Meeting SEM and CORD 36 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Friday, November 18 Session 7, 1:45 – 3:45pm Session 8, 4:00 – 5:30pm Session 2, 10:45 – 12:15pm

7P Parlor B ▪CORD 8A Freedom Ballroom – E, Live Video-Streaming ▪SEM Modernity Dancing Around the World The Body in Flow: Sport as Dance Chair: Sabina Rossignoli, Université Paris Descartes Chair: Jonathan M Dueck, Duke University

1:45 Closed to the Musical Rhythm: Modern Waltzing in Edwardian 4:00 The Big Dance: Sound, Gender, and Flow in Collegiate Basketball London Jonathan M Dueck, Duke University Theresa Jill Buckland, De Montfort University 4:30 To Surf is to Dance: Hawai’ian Mele and Hula and the History of 2:15 Traditionalism and Modernity: Choreography and Gender Surfing Timothy J Cooley, University of California, Santa Barbara Portrayal in the Brazilian Popular Dance Bumba-meu-boi

Meredith Watts, University of Wisconsin-Milwaukee 5:00 A Wave is A Body In Motion Simone Ferro, University of Wisconsin - Milwaukee Judy Bauerlein, California State University, San Marcos

2:45 Music, Innovation, and The Cosmopolitan Aesthetic in the Performances of Mrinalini Sarabhai and Ram Gopal 8B Independence Ballroom – A ▪SEM Andrée Grau, University of Roehampton African Musics III Ann David, University of Roehampton Chair: Alessandra Ciucci, Northeastern University

3:15 Dancing the Haitian Dyasporic (Diasporic) Imaginary: Tradition, 4:00 Dynamics of Oromo Musical and Ethnic Performativity Modernity and the Politics of Haitian Vodou Dance Performance Shawn M Mollenhauer, University of California Riverside Kantara Souffrant, Northwestern University 4:30 Modeling Lalla Mimuna: A Paradigmatic and Seriation Approach to Contour, Pitch and Durational Analysis in Gnawa Music Maisie Sum, University of British Columbia

5:00 Claiming Tradition, Claiming Modernity: The Active and Reactive Design of Ritual Among the Gnawa of Morocco Tamara D Turner, Tufts University

8C Independence Ballroom – B ▪SEM Asian Musics II Chair: Mercedes Dujunco, Bard College

4:00 Music to Survive Disasters By: Making Sense of West Sumatra's Worst Earthquake Jennifer A Fraser, Oberlin College

4:30 Hybridity in Taiwanese Aboriginal Cassette Culture Chun-bin Chen, Tainan National University of the Arts

5:00 Chang Hui-Mei’s Fusion Music and Matriarchal Cultural Resistance in Contemporary Taiwan Yuan Yu Kuan, University of Hawai’i at Manoa

2011 Joint Annual Meeting SEM and CORD 37 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Friday, November 18 Session 8, 4:00 – 5:30pm Session 2, 10:45 – 12:15pm

8D Independence Ballroom – C ▪SEM 8F Freedom Ballroom – G ▪SEM South East Asian Musics II Sounding Bodies, Moving Voices: Dance Performance in Chair: Maria Mendonca, Kenyon College the Pacific Islands Chair: Adrienne Kaeppler, Smithsonian Institution 4:00 Performing Ethnicity in Southern Shan State, Burma/Myanmar Gavin D Douglas, University of North Carolina at Greensboro 4:00 The Dancer's Voice Jane Freeman Moulin, University of Hawai'i at Manoa 4:30 Aesthetics, Political, and Cultural Concerns: Indigeneity in Mah Meri Musical Contructions 4:30 “A Wind that Penetrates the Skin”: Understanding Kiribati Music Clare S Chan, Universiti Pendidikan Sultan Idris through Dance Lisa Burke, Framingham State University 5:00 Mobilizing Affect: Ismail Marzuki and the Revolutionary Romance 5:00 Stirred Spirits, Adorned Bodies: Sound and Gesture in Chuukese Andy Hicken, Northern Arizona University Community Performances Brian Diettrich, New Zealand School of Music

8E Freedom Ballroom – F ▪SEM Gay and Queer Studies 8G Logans 2 ▪SEM Chair: Gregory Barz, Vanderbilt University Issues of Representation and Presentation in Public Culture Media Production 4:00 Acoustemologies of the Closet: Online Gamespaces and Prosthetic Chair: Clifford R Murphy, Maryland State Arts Council Technologies of Queer Expression William Cheng, Harvard University 4:00 Visiting With Neighbors: Fieldwork on Radio in Maryland Clifford R Murphy, Maryland State Arts Council 4:30 “The Disguise Will Never Work All the Way”: Realness, Queerness and Music in a Gender Performance Community 4:30 Folk Revival 2.0: Presenting and Representing Vernacular Music Sarah E Hankins, Harvard University in 2011 Nathan Salsburg, Lomax Archives/Association for Cultural 5:00 Dance Style, Masculine Identity, and the Gay Ethnographer in a Equity Suburban Brazilian Scene Mark D Swift, Washington and Jefferson College 5:00 Five Years After the Storm: Authority and Public Engagement in Radio Production Maureen Loughran, Tulane University

2011 Joint Annual Meeting SEM and CORD 38 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Friday, November 18 Session 8, 4:00 – 5:30pm Session 2, 10:45 – 12:15pm

8H Salon 3/4 ▪SEM 8J Parlor A ▪SEM Imagining Communities in Motion: Unsettling the Nation Approaching Jewish Women's Musical Repertoires through Music and Migration Chair: Judah Cohen, Indiana University Chair: Lee Veeraraghavan, University of Pennsylvania 4:00 City of Sisterly Love: The Women Cantors Network Conference As 4:00 “They’ll Call Me Freedom”: Diasporic Consciousness and Post- a Site Of Feminine Spirituality Nationalism in K’naan’s “Wavin’ Flag” Rachel Adelstein, University of Chicago Lee Veeraraghavan, University of Pennsylvania 4:30 “And One More Rose Joined the Circle”: Gender Roles, Religious 4:30 “Retour au Pays Natal”: Nostalgia, Migration, and the Surreal in Observance and Play-Party Dances Among Rural Portuguese French Caribbean Music Crypto-Jews Laura Donnelly, University of Pennsylvania Judith Cohen, York University

5:00 Rita Indiana: Transnational Simultaneity and Queer Conceptual Play in Latino Popular Music 8K Parlor C ▪SEM Ruthie Meadows, University of Pennsylvania Miscellaneous Issues in Ethnomusicology III Chair: Clara E Henderson, Indiana University

8I Salon 5/6 ▪SEM 4:00 Sounds of the Forgotten Empire: Post-Colonial Musical Teaching and Learning Music and Dance: Social and Belongings in Denmark Cultural Transmission across Modes, Genres, and Kimberly D Cannady, University of Washington Experiences Chair: Mark Y Miyake, SUNY Empire State College 4:30 The Hand of Fatima: A Film about Robert Palmer and The Master Musicians of Jajouka 4:00 Upstairs, Downstairs, Out in the Classroom: Transmission and Augusta L Palmer/Philip Schuyler, Cultural Animal/University Enculturation in Formal and Informal Contexts in the Bluegrass of Washington Music Community Mark Y Miyake, SUNY Empire State College 5:00 Amidst Walls, Wired Fences and Armored Cars: The Sound Heritage of Post-Industrial Society 4:30 Te Tumu: The Foundation: Roots of Cultural Transmission and Samuel Araujo, Universidade Federal do Rio de Janeiro Creative Process in Indigenous and Hybrid Dance Forms Nicola M Martinez, SUNY Empire State College 8L Independence Ballroom – D ▪CORD 5:00 Choreography: Transmission and Ownership Outstanding Scholarly Research in Dance Plenary Panel: Celestine Woo, SUNY Empire State College Honoring the Scholarship of Mark Franko Moderator: Sally Ann Ness, University of California, Riverside

4:00 Randy Martin, New York University Carrie Noland, University of California, Irvine Julie Malnig, Gallatin School, New York University

2011 Joint Annual Meeting SEM and CORD 39 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Friday, November 18 Evening Block, 4:30 – 11:00pm Session 2, 10:45 – 12:15pm

4:30 – 5:30pm SEM Investment Advisory Committee 8:00 – 10:00pm Indiana University Reception Salon 2 Philadelphia North

5:30 – 7:00pm CORD Awards Ceremony/Reception 8:00 – 9:00pm CORD & SEM Dance Section Dance Workshop Series Liberty Ballroom – A&B Afro-Cuban Dialogues Ticket Required: $15 per attendee Yesenia Fernandez, New York University Sponsored by Cambridge University Press Freedom Ballroom – H

5:30 – 6:30pm SEM British Forum for Ethnomusicology High Tea Party Vibrational Signals in Bhuto Dance Liberty Ballroom – D Tanya Calamoneri, Temple University Independence Ballroom – D 6:00 – 7:00pm SEM SSW/GST Cocktail Party Horizons Rooftop Ballroom 8:00 – 9:30pm Singing Dance and Sensing Sound Amy Larimer, Lehman College Salon 10 6:00 – 8:00pm SEM Society for Asian Music Membership Meeting

Independence Ballroom – A 9:00 – 10:00pm Layers of Rhythm: An Exposition on Bharatanatyam Choreography and Music Co-Construction in the 7:00 – 8:00pm Oxford University Press Reception Contemporary Context of Chennai Philadelphia Ballroom South Monisha Chakravarthy, The Fulbright Program Freedom Ballroom – F 7:30 – 8:30 pm SEM Concert Performance: Contemporary Free Improvisation (led by Jonathon Bakan) Embodying Music in Senegal: A Somatic and Salon 3/4 Diaspora Portrait Ojeya Cruz-Banks, University of Otago, New Zealand *Sponsored by Special Interest Group for Improvisation Independence Ballroom – D

7:30 – 9:30pm SEM Popular Music Section 9:00 – 11:00pm Harvard University School of Music Reception Independence Ballroom – C Independence Ballroom – A

SEM African Music Section 9:00pm – 12:00 am University of Chicago/University of Pennsylvania Logans 2 Reception Horizons Rooftop Ballroom 7:30 – 9:30pm The Drexel University Mediterranean Ensemble 10:00pm – 12:00am UCLA/SOAS/University of Washington Reception Presents “A Mostly Balkan Party . . . Philly Style” and book launch for Encountering Music and Stein Auditorium, Drexel University Campus Musicians: Essays in Honor of Robert Garfias 3215 Market St. Philadelphia South

8:00 – 10:00pm A.J. Racy and The Arabesque Music Ensemble 10:00 – 11:00pm SEM Dance Section, CORD, & Cross-Cultural in Concert SEM Dance Resources Reception Presented by Al-Bustan Seeds of Culture Salon 5/6 Trinity Center for Urban Life Open to all conference attendees and participants 22nd and Spruce Streets Ticket required.

2011 Joint Annual Meeting SEM and CORD 40 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Saturday, November 19 Session 9, 8:30 – 10:30am Session 2, 10:45 – 12:15pm

7:00 – 8:00am SEM Education Section Business Meeting 9B Independence Ballroom – A ▪SEM Horizons Rooftop Ballroom Indigenous Modernities I: Cultural Production Challenging Culture 7:00 – 8:30am Alexander Street Press Breakfast Chair: Elyse Carter Vosen, College of St. Scholastica Philadelphia Ballroom North & South 8:30 From Ethnic Nationalism to Multiculturalism: A Social History of 8:30am – 12:30pm SEM Education Section Teacher Workshop Native American Popular Music in North America Horizons Rooftop Ballroom Chris Scales, Michigan State University

9:00 Rehabilitating Mâori(ness): Performance, State, and Culture Lauren E Sweetman, New York University 9A Freedom Ballroom – E, Live Video-Streaming ▪SEM Listening to the Field: Sonic Presentations of 9:30 “Go Ask Gookom”: Refashioning Anishinaabewin in Hip Hop and Ethnographic Material Spoken Word Chair: Ben Tausig, New York University Elyse Carter Vosen, College of St. Scholastica

8:30 Playing Under Protest: Diffusion and Decay 10:00 Discussant Ben Tausig, New York University David Samuels, New York University

9:00 Audio Production as Service: Sounds and Stories in the Path of I-69 Mack Hagood, Indiana University 9C Independence Ballroom – B ▪SEM Perceiving the Intangible: Critical Perspectives of 9:30 Voice in the Box: The Politics of Affect and Acoustemology in “Intangible Cultural Heritage” in Four Asian Contexts Nagaland Chair: Ricardo Trimillos, University of Hawai’i-Manoa Senti Toy Threadgill, New York University 8:30 “Intangible Cultural Heritage” Recognition and Marginalization 10:00 Discussant of Traditional Ainu Dance in Japan Deborah Wong, University of California, Riverside Justin R Hunter, University of Hawai’i-Manoa

9:00 Constructing Heritage: Hua’er Songs from Northwestern China Man Yang, University of Hawai’i-Manoa

9:30 Marketing Cultural Heritage: Current Development of Kunqu Opera in People’s Republic of China Da Lin, University of Pittsburgh

10:00 Attenuation, Revitalization, and Transformation in an ICH Treasure: The Siberian Epic Olonkho Robin Harris, University of Georgia

2011 Joint Annual Meeting SEM and CORD 41 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Saturday, November 19 Session 9, 8:30 – 10:30am Session 2, 10:45 – 12:15pm

9D Independence Ballroom – C ▪SEM 9F Freedom Ballroom – G ▪SEM Engaging Ethnomusicology and the Health Sciences American Popular Musics Chair: Frederick J Moehn, New York University Chair: Steven Pond, Cornell University

8:30 Music and Memory, Dementia and Song: Engaging the Health 8:30 Wanda, Sting, and “Other Performance”: Perceptions of Exoticism Sciences in Research on Music, Memory and Relationships in the Early Music Movement Theresa A Allison, University of California, San Francisco; Jewish David N Kjar, Boston University Home, San Francisco 9:00 Selling Out or Buying In? MuzikMafia and Its Shift from the 9:00 You are the Music, While the Music Lasts: The Neuroscience Local to the National Commercial Music Scene Behind Social Music Production and Identity David B Pruett, University of Massachusetts Heather B White, University of California, Berkeley 9:30 Global Practices of Motown Visual and Sonic Aesthetic 9:30 Teaching Medical Ethnomusicology: Engaging the Science(s) of Rachel Goc, University of Wisconsin, Madison Healing Jeffrey W Cupchik, Eastman School of Music, University of 10:00 “With The Groove Our Only Guide We Shall All Be Moved”: The Rochester Collective Transcendence of A P-Funk Show Benjamin G Doleac, University of Alberta 10:00 Integrating Quantitative Methodology in Ethnomusicological Research: The Challenges to Moving towards Reproducible Results Dane Harwood, Independent Scholar 9G Logans 2 ▪SEM Eastern and South East Europe II 9E Freedom Ballroom – F ▪SEM Chair: Timothy Rice, University of California, Los Angeles In and Beyond Africa Chair: Eric Charry, Wesleyan University 8:30 Copyright, Circulation, and Censorship in the Republic of Georgia Brigita Sebald, University of California, Los Angeles 8:30 Millennial Carmen in Africa: Race, Class, Sexuality and Power in Karmen Geï and U-Carmen eKhayelitsha 9:00 Choreographic Encounters of an Ethnomusicological Kind: Sound, Naomi A Andre, University of Michigan Movement, Spirituality, and Community where the Balkans and Caucasus Converge 9:00 Africa and the Keyboard: The Case of African Pianism Donna A Buchanan, University of Illinois, Urbana-Champaign Kimberly Beck Seder, University of British Columbia 9:30 Making Macedonian-ness: Imagining the Past, Enduring the 9:30 “Coloureds Performing Queer, or Queer Coloureds Performing”: Present, and Idealizing the Future in the Popular and Traditional Asserting Belonging Through Queer Behavior in Cape Town, Music of Toshe Proeski South Africa Dave Wilson, University of California, Los Angeles Glenn G Holtzman, University of Pennsylvania 10:00 Ancientness, Traditionality, and Cultural Preservation in 10:00 Improvising Diaspora In and Beyond the African Continent Georgian Traditional Vocal Music Jason Robinson, Amherst College Jeremy Foutz, University of Maryland

2011 Joint Annual Meeting SEM and CORD 42 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Saturday, November 19 Session 9, 8:30 – 10:30am Session 2, 10:45 – 12:15pm

9H Salon 3/4 ▪SEM 9J Parlor A ▪SEM Music, Sound, Noise, Silence: Towards A Conceptual Eastern and South East Europe I Lexicon Chair: Timothy J Cooley, University of California, Santa Chair: Matt Sakakeeny, Tulane University Barbara

8:30 Music 8:30 To Sing “With Culture”: Movement and the Staging of Modernity Matt Sakakeeny, Tulane University in State-Socialist Albania Nicholas Tochka, Stony Brook University 9:00 Sound Thomas Porcello, Vassar College 9:00 Mobilizing Song in Polish Martial Law Andrea F Bohlman, Harvard University 9:30 Noise David Novak, University of California, Santa Barbara 9:30 Articulacy, Persuasion, and Georgian Women’s “Voiced Weeping” Lauren Ninoshvili, Barnard College 10:00 Silence Ana María Ochoa, Columbia University 10:00 Svoboda Cultura: The Sound of “Free Culture” in Czech Translation Daphne G Carr, Columbia University 9I Salon 5/6 ▪SEM Music in Oman: Interculturalism, Time, Space, and Politics in the Sultanate 9K Parlor C ▪SEM Chair: Anne K Rasmussen, College of William and Mary Music and Identity in Church Contexts Chair: Deborah Justice, Indiana University 8:30 The Musical Design of National Space and Time in Oman Anne K Rasmussen, College of William and Mary 8:30 “You Can Say Something, or You Can Sing Something”: Vocal Music in a West Philadelphia Church 9:00 Mozart in Muscat: Politics, Performance, and Patronage in Oman Nina Ohman, University of Pennsylvania Nasser Al Taee, Oman Royal Opera House 9:00 “In the World but Not of the World”: The Struggle for Cultural 9:30 African Identities, Afro-Omani Music, and the Official Identity in Christian Hip Hop" Constructions of a Musical Past Carrie A Allen, University of Houston Downtown Majid Al Harthy, Sultan Qaboos University 9:30 Balinese Church Music: Moving Toward a "Contextualized" 10:00 Discussant Worship Tradition Salwa El-Shawan Castelo-Branco, Universidade Nova de Lisboa, Dustin Wiebe, Wesleyan University Portugal 10:00 Traditional Music and Dance in Ghanaian Churches: Transformations and Problems Samuel E Nyamuame, University of Florida

2011 Joint Annual Meeting SEM and CORD 43 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Saturday, November 19 Session 9, 8:30 – 10:30am Session 2, 10:45 – 12:15pm

9L Independence Ballroom – D ▪CORD 9N Salon 10 ▪CORD The Commercial, the Popular, and the Crazed The Sonic, the Visual, and the Temporal Chair: Christopher Miller, Arizona State University Chair: Freya Vass-Rhee, University of California, Riverside

8:30 Musical Tastes in Popular Dance Practices 8:30 The Sounds (and sights) of Silence: William Forsythe’s Mary Fogarty, York University Compositions of Quiet Freya Vass-Rhee, University of California, Riverside 8:50 Oprah Feelin’: The Commercial Flash Mob’s Affective Game Mary Elizabeth Anderson, Wayne State University 9:00 The Play of Visual and Sonic Actions: Watching Dance and Music Allen Fogelsanger, New York University 9:10 When Good Adjectives Go Bad: “Lyrical Dance,” Romanticism, Kathleya Afanador, Columbia University Brain Science, and the Competition Dance Machine Jennifer Fisher, University of California, Irvine 9O Logans 1 ▪CORD An Urban Echo: Philadelphia Dance and Choir 9:30 The Politics of Korean Wave Connections Ok Hee Jeong, Temple University 8:30 From a Singer/Dancer Perspective: Implications for the University 9:50 “Crank That”: The Work of Dance Crazes as Collective Memory Ellen Gerdes, Temple University and in Mechanical Reproduction Asheley Smith, University of California, Riverside 9:00 Leah Stein Dance Company Choreographer on Working with the Choir Leah Stein, Temple University

9:30 Mendelssohn Club Choir Director on Working with Dance 9M Freedom Ballroom H ▪CORD Alan Harler, Temple University Sensing Movement-Sound Chair: Tami Gadir, University of Edinburgh 9P Parlor B ▪CORD 8:30 Finding "the Feeling" Through Movement and Music: Oriental Open Forum: Integrating Music and Dance Curriculums: Dance, Tarab, and Umm Kulthum How can we broaden teaching practices, address areas of Candace Bordelon, North Central Texas College, Texas Woman's curricular neglect, and stimulate research? University 8:30 Rebecca Lazier, Princeton University Simon Morrison, Princeton University 9:00 Using Entropy as a Measure of the Dispersal of Temporal Energy

in the Music/Dance Relation Participants: W. Eric Aikens, Miami University, Ohio Pedro Alejandro, Wesleyan University Jennie Scholick University of California, Los Angeles 9:30 Music as Movement - “Kinesthetic listening” in the Creation and Daniel Trueman, Princeton University Reception of Dance Pauline Manley Macquarie, University, Australia Stephanie Schroedter, Free University Berlin Dyane Harvey, Princeton University Tina Fehlandt, Princeton University 10:00 Dancing in a Sound Space Beth Mcpherson, Montclair State University Julie Malnig, New York University Wendy Rogers, University of California, Riverside *All Open Forums are open to observers.

2011 Joint Annual Meeting SEM and CORD 44 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Saturday, November 19 Session 10, 10:45am – 12:15pm Session 2, 10:45 – 12:15pm

10A Freedom Ballroom – E, Live Video-Streaming ▪SEM 10C Independence Ballroom – B ▪SEM South America I Klezmer Studies Chair: Dale Olsen, Florida State University Chair: Jeffrey A. Summit, Tufts University

10:45 Julio Jaramillo, the Pasillo, and the Cantina: The Construction of 10:45 Globalization and the Emergence of Individualized Musical Idiom: a National Myth in Ecuador A Case Study of Andy Statman Ketty A Wong, University of Kansas Benjamin Krakauer, University of Texas at Austin

11:15 Music and Tourism in Cusco, Peru 11:15 “Music Belongs to Everyone and No One”: On Non-Jewish Elizabeth A LaBate, Community College of Vermont Klezmer in Sweden David L Kaminsky, Harvard University 11:45 Sounding the Body, Dancing the Drum: Integrated Analysis of an Afro-Surinamese Performance Genre 11:45 Interculturalism and Musical Hybridity in Early Klezmer Corinna S Campbell, Harvard University Michael Anklewicz, York University

10B Independence Ballroom – A ▪SEM 10D Independence Ballroom – C ▪SEM Northern Africa and Middle East II South America II Chair: Svanibor H. Pettan, University of Ljubljana Chair: Tony Seeger (University of California, Los Angeles)

10:45 “In the Past There Was Tarab, Today There Is Technique”: 10:45 The Chilean Netlabel Pueblo Nuevo and the Mass-Mediation of Egyptian Violinists Between Market Forces and Nostalgia Alternative National Identity Lillie Gordon, University of California, Santa Barbara James R Bodiford, University of Michigan

11:15 Linking past and present: Makam, Ottoman music therapy, and a 11:15 Reinterpreting the Global, Reenacting the Local: Constructing the contemporary Turkish makam practice New Colombian Music Network Eve McPherson, Case Western Reserve University Simon Calle, Columbia University

11:45 Remembrances Past/Visions of the Future: Musical Collaboration 11:45 Conservation Ethnomusicology: Song Rescue of the Wachiperi between Flamencos and North African Musicians Amazonian Group Loren Chuse, Independent Scholar Holly Wissler, Independent Scholar

2011 Joint Annual Meeting SEM and CORD 45 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Saturday, November 19 Session 10, 10:45am – 12:15pm Session 2, 10:45 – 12:15pm

10E Freedom Ballroom – F ▪SEM 10G Logans 2 ▪SEM Ethnomusicologies I Ethnomusicologies II Chair: Bruno Nettl, University of Illinois at Urbana Chair: Kwasi Ampene, University of Michigan Champaign 10:45 Ethnomusicology, “World Music,” and Iconographies 10:45 Towards an Ethnomusicology of Elites and the Construction of Stephen Cottrell, City University London Elite Art Worlds Eduardo Herrera, University of Illinois at Urbana Champaign 11:15 Scenes Online: Punk, Facebook, and Historical Ethnomusicology Kathryn R Alexander, University of California, Riverside 11:15 “Sensitive Presence” as a Methodology in Ethnomusicology Anthony T McCann, University of Ulster 11:45 Listen to My Rap: We Rock Long Distance and the Creative Legacy of J.H. Kwabena Nketia 11:45 Musica scientia est? No. But Ethnomusicology? Justin Schell, University of Minnesota Benjamin E Breuer, University of Pittsburgh

10H Salon 3/4 ▪SEM 10F Freedom Ballroom – G ▪SEM Music and Movement Music and Bodies of Sound Chair: Beth K Aracena, Eastern Mennonite University Chair: Daniel Reed, Indiana University 10:45 Music that Moves: Musique dansante and the Sensory Experience 10:45 Ecological Auditory Culture: The Relationship Between of the Dancing Body Ethnographic Soundscape Composition and How We Listen to the Rebecca A Schwartz-Bishir, Independent Scholar Environment Kate Galloway, University of Toronto 11:15 Liveness Reconsidered: Sound and Concealment in Cirque du Soleil 11:15 Sign Language Music Videos: Analyzing Embodied Musicking in a Lynda Paul, Yale University Culturally Hybridistic and Technologically Mediated Audio/Visual Artform 11:45 Towards a “Natural History” of Corpus Christi Processions in the Devin M Burke, Case Western Reserve University New World Beth K Aracena, Eastern Mennonite University 11:45 Musical Theatre of the Deaf and Hearing: Understanding Musical Embodiment in a Mixed-Cast Production of Guys & Dolls Nawa Lanzilotti, Eastman School of Music

2011 Joint Annual Meeting SEM and CORD 46 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Saturday, November 19 Session 10, 10:45am – 12:15pm Session 2, 10:45 – 12:15pm

10I Salon 5/6 ▪SEM 10L Independence Ballroom – D ▪SEM/CORD Music and HIV/AIDS Joint Panel: Interculturalism Chair: Gregory Barz, Vanderbilt University Chair: Ana Paula Höfling, University of California, Los Angeles 10:45 Jump Up And...Condomize: Carnival, HIV, and the Arts in Trinidad and Tobago 10:45 “Move Me:” Radical Collaborations Between Turkish Dancers and David R Lewis, Indiana University Musicians Öykü Potuoğlu-Cook, University of California, Riverside 11:15 HIV/AIDS Communication Through the Performing Arts in Senegal Bonnie McConnell, University of Washington 11:15 Critical History and Cultural Presentation: A Dozen Years Searching for Bhangra Dance 11:45 Music and the Politics of Culture in a South African HIV/AIDS Gibb Schreffler Struggle: Implications for a “Post-Apartheid” Discourse Austin C Okigbo, Williams College 11:45 The Post Natyam Collective: Using Voice, Script, Movement and Multimedia Ketu Katrak, University of California, Irvine 10J Parlor A ▪SEM American Music and Labor Chair: Frank Gunderson, Florida State University 10M Freedom Ballroom – H ▪CORD Sensuous Forms, Sensational Heritage and Social Memory: 10:45 “Sad and Solemn Requiems”: Disaster Songs and Complicated Narratives of Creative Expressions that Move Music and Grief in the Aftermath of Nova Scotia Mining Disasters Sound Bodies in Ghana and Cuba Heather Sparling, Cape Breton University 10:45 Artistic Dialogue and Artistic Exchange through Movement 11:15 This is What Democracy Sounds Like: Mediation and Performativity Brian Jeffery, University of Alaska Anchorage in the Soundscapes of the 2011 Wisconsin Pro-Labor Protests Michael S O'Brien, Luther College 11:05 Cosmopolitan Creativity and Power in the Reshaping of Cultural Heritage: Glocalizing Artistic Processes, Sensuous Forms, and Social Memory in Ghana’s State Dance Ensembles 10K Parlor C ▪SEM Paul Schauert, University of Alaska Anchorage Games and Animals Chair: TBA 11:25 Urban Pressures, Articulations and Bodily Expressivity: Wulomei and the Embodiment of Ga Identity in Stylistic form 10:45 Inuit Games: Cultural Expressions of the Arctic Sovereignty Debate Gavin Webb, University of Alaska Anchorage Jeffrey D van den Scott, Northwestern University 11:45 They Brought the Essence of Africa – Social Memory, Sensuous 11:15 Animal Songs from Native Cultures of Western North America as Forms and Embodied Practices in Perico and Agramonte Cuba Viewed from the Perspective of Analogous Genres from Northeast Jill Flanders Crosby, University of Alaska Anchorage Asia and Arctic Europe Richard Keeling, Independent Scholar

11:45 O Bird of the Morning: Sound, Silence, and Information at the Species Boundary Rachel Mundy, Columbia University

2011 Joint Annual Meeting SEM and CORD 47 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Saturday, November 19 Session 10, 10:45am – 12:15pm Session 2, 10:45 – 12:15pm

10N Salon 10 ▪CORD 10P Parlor B ▪CORD Composing Race in Contemporary Music and Dance Technologies and Languages of Music-Dance Chair: Melissa Templeton, University of California, Chair: Karen Schupp, Arizona State University Riverside 10:45 Placing Interactive Performance 10:45 Composing whiteness: Les Ballets Jazz and Québec identity Karen Schupp, Arizona State University Melissa Templeton, University of California, Riverside Todd Ingalls, Arizona State University

11:05 Drumming in the Rust Belt: Asian American Visibility, Anti- 11:05 Gesturing across the divide: unities and disunities in creating Asian Violence, and Taiko in Michigan music-dance pieces Angela Ahlgren, Saginaw Valley State University Helen Julia Minors, Kingston University

11:25 Sonidos Negros: a Meditation on the Blackness of Flamenco 11:25 DdA: An Inclusive Reference Formatting System for Dance and Meira Goldberg, Fashion Institute of Technology, Ballet Hispanico Music Pegge Vissicaro, Arizona State University 11:45 Black Atlantic Circulations: Shifting Traces, Contemporary Dance Africa 11:45 Computerizing the Choreographic Process: Creating Dance from Esther Baker-Tarpaga, Ohio State University Simple Mathematical Patterns Annabel Clarance, Ursinus College

10O Logans 1 ▪CORD Modern Choreographers' Musicalities Chair: Hwanjung Jae, Temple University

10:45 Dancing Ambivalence: Mark Morris’ musicality in Dido and Aeneas Hwanjung Jae, Temple University

11:05 The Tragicomedy of the Blues Impulse in Urban Bush Women’s HairStories Rachel Howell, Florida State University

11:25 The Din of the Everyday: Noise in Yvonne Rainer’s Early Dances Ryan Platt, Colorado College

11:45 The Use of Soundscape in Lin Hwai-min’s Recent Works: A Cosmopolitical Perspective Kin-Yan Szeto, Appalachian State University

2011 Joint Annual Meeting SEM and CORD 48 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Saturday, November 19 Lunch Block, 12:30 – 1:30pm Session 2, 10:45 – 12:15pm

12:30 – 1:30pm 12:30 – 1:30pm

SEM SIG on Irish Music Independence Ballroom – D Independence Ballroom – A CORD Lecture-Demonstration: Health, Healing and Outreach: Dancing to Music with Wheelchair Bound Teens SEM South Asian Performing Arts Section Miriam Giguere, Drexel University Independence Ballroom – B Rachel Federman-Morales

SEM Historical Ethnomusicology SIG Freedom Ballroom – H Independence Ballroom – C CORD Lecture-Demonstration: Rite of the Butcher: Testing a Theory of Technique as Knowledge SEM Association for Korean Music Research Ben Spatz, CUNY Graduate Center Freedom Ballroom – F

Salon 10 SEM Gender and Sexualities Taskforce Freedom Ballroom – G CORD Lecture-Demonstration: Afropean Choreographies: The Economy of African Dance and Drumming in Italy Claudia Brazzale, IRW, Rutgers University/ Princeton University SEM Editorial Board Parlor A Logans 1

SEM SIG on Improvisation CORD Lecture-Demonstration: Digital Vision in the Archive: searching Salon 3/4 across collections in Digital Dance Archives (DDA) Rachel Fensham, University of Surrey

NEH Summer Institute & NEH Funding Opportunities: A Conversation with Robert Sayers, Senior Program Officer, NEH Parlor B Salon 5/6 Graduate Student Session: Balancing Performance with Academic Pursuits: A Collaborative Conversation Balancing Performance with Academic Pursuits: A Collaborative Co-sponsored by Students of SEM & CORD Conversation, Co-sponsored by Students of SEM & CORD Logans 2

2011 Joint Annual Meeting SEM and CORD 49 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Saturday, November 19 Session 11, 1:45 – 3:45pm Evening Block, 4:00pm – 12:00am Session 2, 10:45 – 12:15pm

1:45 – 3:45pm General Membership Meeting ▪SEM 4:00 – 5:30pm Seeger Lecture Liberty Ballroom – B,C&D “Complex Harmonic Movements: Politicalities of Music and Dance” Randy Martin, Tisch School of the Arts, New York University Liberty Ballroom – B,C &D 11A Independence Ballroom – D ▪CORD Plenary: State of the Profession Moderator: Marta Savigliano, University of California, 5:45 – 7:15pm SEM Banquet Riverside Horizons Rooftop Ballroom Ticket required 1:45 Thomas F. DeFrantz, Duke University Brenda Dixon-Gottschild, Professor Emerita, Temple University Andrée Grau, University of Roehampton 7:30 – 10:30pm – PhillyBloco Dance Party Barbara Sellers-Young, York University Sponsored by the University of Pennsylvania Department of Music Liberty Ballroom – A&B Ticket Required. Last minute ticket purchases available at Registration desk from 6:30 – 8:00pm.

8:00 – 10:00pm – University of California, Berkeley Reception Philadelphia Ballroom South

8:00pm – 12:00 am – "Hawai'i-Pitt Party" Philadelphia Ballroom North

2011 Joint Annual Meeting SEM and CORD 50 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Sunday, November 20 Session 12, 8:30 – 10:30am Session 2, 10:45 – 12:15pm

7:00 – 9:00am – SEM Council 12B Independence Ballroom – A ▪SEM Horizons Rooftop Ballroom Indigenous Modernities II: Changing Performance Contexts and Artistic Innovation in Indigenous Music and Dance 8:00 am – 12:30pm – SEM Board of Directors Chair: Beverley Diamond, Memorial University SEM President’s Suite 8:30 Moving Between Participation and Aesthetic Contemplation on the “Powwow Symphony Circuit” Dylan Robinson, Royal Holloway, University of London

9:00 Re-Embodying Ainu Ritual, Redressing Ainu History 12A Freedom Ballroom – E, Live Video-Streaming ▪SEM Nate Renner, University of Toronto Musical Advocacy: Mediation, Creativity, and Social Engagement 9:30 Táági Dezá ne non:wa (Three Sides of Now): Musical Innovation Chair: Kay Shelemay, Harvard University and Tradition from an Indigenous Perspective Dawn Ieriho:kwats Avery, Brown University / Montgomery College 8:30 Reimagining Oaxacan Heritage through Accordions and Airwaves in Central Valley, California 10:00 Discussant Marié Abe, Harvard University Beverley Diamond, Memorial University

9:00 Process, Network, and Knowledge: Theory and Praxis of a Grassroots Music Archive in the Afro-Colombian Hinterlands 12C Independence Ballroom – B ▪SEM Michael Birenbaum-Quintero, Bowdoin College Material Culture and Musical Labor Chair: Allen Roda, New York University 9:30 “Postcards from Paradise Weren’t Meant for Me”: Community Affiliation and Advocacy Work through South Asian American 8:30 Resounding Objects: Scripting Sounds and Making Music in Hip Hop Banaras Tabla Workshops Shalini R Ayyagari, American University Allen Roda, New York University

10:00 Discussant 9:00 Crafting Sound: Sound Systems, Skilled Labor, and Artisanship Kay Shelemay, Harvard University in Belém do Pará, Brazil Darien Lamen, University of Pennsylvania

9:30 Stickers, Strings, and Sgt. Pepper Jackets: Resources for Re- Creating the Past in the Tribute Band Scene John Paul Meyers, University of Pennsylvania

10:00 Discussant Paul Greene, Pennsylvania State University

2011 Joint Annual Meeting SEM and CORD 51 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Sunday, November 20 Session 12, 8:30 – 10:30am Session 2, 10:45 – 12:15pm

12D Independence Ballroom – C ▪SEM 12F Freedom Ballroom – G ▪SEM Irish Music Screening and Round Table – From Fieldwork to “Film- Chair: Matthew Allen, Wheaton College work”: Representing Realities Through Ethnomusicological Film 8:30 Mighty Lift and Drive: Music, Dance, and the Creation of Chair: Elizabeth Clendinning, Florida State University Effervescence at an Irish Ceili Aileen M Dillane, University of Limerick 8:30 Discussants Tim Storhoff, Florida State Univeristy 9:00 The Voice in the Flute and the Dance in the Drum: Music, Todd Rosendahl, Florida State Univeristy Movement and Meaning in Ulster Loyalist Marching Bands Sara Brown, Florida State Univeristy Gordon Ramsey, Queen’s University Belfast Kayleen Justus, Florida State Univeristy

9:30 “I Dance for ‘the Crack’!”: Expressing “Irish-ness” through Dance in a Pittsburgh Irish Pub 12G Logans 2 ▪SEM Meng Ren, University of Pittsburgh Modes of Analysis, Modes of Listening Chair: Matt J Rahaim, University of Minnesota

12E Freedom Ballroom – F ▪SEM 8:30 Microrhythms and Metric Variation in Groove-Based Dance Intercontinental Collaborations in African and African- Music of the Arab East American Dance Shayna Silverstein, University of Chicago Chair: David Pier, University of North Carolina, Chapel Hill 9:00 Provoking Modal Listening In Music 8:30 The Ugandan National Contemporary Ballet: A European-African Cornelia Fales, Indiana University Dance Collaboration in the Internet Era David Pier, University of North Carolina, Chapel Hill 9:30 World Music Theory: Issues and Possibilities Mark Hijleh, Houghton College 9:00 Dancing Postcoloniality: Dakar’s 1966 World Festival of Negro Arts and the Uses of Spectacle 10:00 Discussants Tsitsi Jaji, University of Pennsylvania Michael Tenzer, University of British Columbia Matt J Rahaim, University of Minnesota 9:30 Swinging Out in Sweden: The Herräng Dance Camp and the Emergence of a Global Subculture Chris Wells, University of North Carolina, Chapel Hill

10:00 Turn the Lights Down, Let’s Get Possessed: Afro-Dominican Religious Music in Dance Clubs Angelina Tallaj, Graduate Center of the City University of New York

2011 Joint Annual Meeting SEM and CORD 52 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Sunday, November 20 Session 12, 8:30 – 10:30am Session 2, 10:45 – 12:15pm

12H Salon 3/4 ▪SEM 12J Parlor A ▪SEM New Identities in Jazz Border Crossings and Intercultural Encounters in Chair: Ken Prouty, Michigan State University Mongolia's Contemporary Traditional Music Chair: Peter Marsh, California State University, East Bay 8:30 Jazz, Race, and the Visual Narrative: Constructing Identity through the Photography of Charles “Teenie” Harris 8:30 “Tsombon tuuraitai khüren”: The Remembering and Remaking of Colter J Harper, University of Pittsburgh a Mongolian Long-song Sunmin Yoon, University of Maryland, College Park 9:00 She’s a Japanese Jerry Lee Lewis!: Body, Mind, and Spectacle in Hiromi’s Jazz Piano Performance 9:00 “We Borrow From Others, But Our Style is Our Own”: Musical Yoko Suzuki, University of Pittsburgh Hybridity and Local Identity in Inner Mongolian Ensemble Music Charlotte D'Evelyn, University of Hawai'i, Manoa 9:30 Modeling Community in the Loft Jazz Era Michael C Heller, Harvard University 9:30 Creating Musical Encounters in Mongolia: How a Mongolian Overtone-singer Brings “The World” To His Home-town Andrew Colwell, Wesleyan University 12I Salon 5/6 ▪SEM Music and Religion I Chair: Kimasi Browne, Azusa Pacific University 12K Parlor C ▪SEM In and Out of Korea 8:30 Audible Boundary-Work: “Crossing” and “Purifying” Afro-Gaucho Chair: Keith Howard, University of London Religions through Sound and Music Marc Gidal, Ramapo College of New Jersey 8:30 Beyond Taegum: The Intercultural Dialogue of the Korean Flute and the West 9:00 Engaging Asa and Esin: Islam, Women, and Gender in Yoruba Hyelim Kim, University of London Music Olabode F Omojola, Mount Holyoke College/Five Colleges 9:00 Sounding out My P’ungmul: The Politics of the Ownership Disputes over P’ungmul between Koreans and Korean Chinese 9:30 Gospel Drive: What is With all that Repeating? Soojin Kim, Ohio State University Laurel Myers Hurst, Kent State University 9:30 Mass Games and “Sea of Blood” Operas: Ideology and the Interface between Music and Dance in North Korea Keith Howard, University of London

10:00 Preservation and Transformation: A New Generation of Mask Dance Drama Performers in Korea CedarBough T Saeji, University of California, Los Angeles

2011 Joint Annual Meeting SEM and CORD 53 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Sunday, November 20 Session 12, 8:30 – 10:30am Session 2, 10:45 – 12:15pm

12L Independence Ballroom – D ▪SEM/CORD 12N Salon 10 ▪CORD Joint Panel: Hybridity Dancers and Musicians Chair: Juliet McMains, University of Washington Chair: Jamie Jewett, Dean College

8:30 Theorizing Hybridity and Identity: the “Edge Effect” and 8:30 Dancing (a-) rhythmically: delay and anticipation “Dynamic Nucleus” in the Bharatanatyam-inspired Contemporary Gediminas Karoblis, Norweigian University of Science and Dances of Two Choreographers Technology Cheryl LaFrance, York University 9:00 Dancer as Musician/Musician as Dancer 9:00 Where is the Cumbia? Negotiating tourism, tradition and Anthony Shay, Pomona Colleges identity during street performances in Cartagena de Indias Melissa Teodoro, Slippery Rock University 9:30 The Environment of the Body: Nudity in Noémie LaFrance's Home: The Body as a Place 9:30 The Bigidi of the National Imaginary: Dance and Modernist Patricia Gay, Florida State University Reformism in Guadeloupe Jerome S Camal 10:00 Blinking Jamie Jewett, Dean College 10:00 Decentralized Dance Party Manifesto: Boomboxes, Anarchy, and the Commons Michael B MacDonald 12O Logans 1 ▪CORD Lecture-Demonstration: Archiving Dance and Music in Tantric Buddhist Ritual 12M Freedom Ballroom –H ▪CORD Roundtable: Ethnicity, Body and Culture 8:30 Joseph Houseal, Core of Culture Gerard Houghton, Core of Culture 8:30 Suzana Martins, Federal University of Bahia, Brazil Daniela Amoroso, Federal University of Bahia, Brazil Nadir Nórbrega, Federal University of Alagoas and 12P Parlor B ▪CORD Federal University of Bahia, Brazil Open Forum: Leaping into the 21st Century: Re-visioning Sandra Santana, Federal University of Bahia, Brazil Cultural Diversity through Music & Dance Curricula

8:30 Nyama McCarthy-Brown, Bowdoin College Takiyah Nur Amin, University of North Carolina at Charlotte

*All Open Forums are open to observers.

2011 Joint Annual Meeting SEM and CORD 54 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Sunday, November 20 Session 13, 10:45am – 12:15pm Session 2, 10:45 – 12:15pm

13A Freedom Ballroom – E, Live Video-Streaming ▪SEM 13D Independence Ballroom – C ▪SEM Workshop – Eastern Arab Maqam-Based Improvisation Music and Religion II *Sponsored by Special Interest Group for Improvisation AND The Chair: Denise Gill-Gürtan, Beloit College Society for Arab Music Research Leader: Scott Marcus, University of California, Santa 10:45 Sikh Performance of Memory: Chalna Chauṇkī at Dārbār Sāhib Barbara Janice F Protopapas, University of Maryland, College Park

11:15 Turning into God: Music Therapy, Melancholy, and Ottoman- 13B Independence Ballroom – A ▪SEM Turkish Healings of Psychological Dis-ease Contesting and Redefining Femininities Through Dance Denise Gill-Gürtan, Beloit College Performance in Cross-Cultural Perspective Chair: Kara Attrep, Bowling Green State University 11:45 A Sacrifice of Praise: The Challenge of Dance in African American Spirit-Filled Christianity 10:45 Strategic Remembering: Constructing, Contesting and Claiming Will Boone, University of North Carolina at Chapel Hill Femininity Through Music, Dance, and Memory in East Java Christina Sunardi, University of Washington 13E Freedom Ballroom – F ▪SEM Contemporary and Historical Japanese Issues 11:15 Listening to a Body and a Sound: Female Leading and Same-Sex Chair: Bonnie Wade, University of California, Berkeley Tango in the United States Emily J McManus, University of Minnesota 10:45 “Instilling the National Spirit”: Japanese School Songs During Wartime 11:45 Inciting the Vacunao: Shifting Gender Roles and Selective Noriko Manabe, Princeton University Notions of Tradition in Contemporary Cuban Rumba Dance Rebecca Bodenheimer, Hamilton College 11:15 Forbidden Sensuality: The Art of the Geisha Yuko Eguchi, University of Pittsburgh

13C Independence Ballroom – B ▪SEM 11:45 “Jack of All Trades”: The Geisha Musician-Dancer in the Highly Central American Musics Specialized World of the Japanese Performing Arts Chair: Francesca Rivera, University of San Francisco Kelly Natasha Foreman, Wayne State University

10:45 Ahora Soy Libre: Sandra Sandoval and Gendered Constructions of Panamanian National Identity Melissa Gonzalez, Columbia University

11:15 “Somos Chiniqueros”: The Rise and Fall of the Marimba Orquesta in Guatemala City Jack W Forbes, University of Florida

11:45 Music that Comes from the Feet: Deriving Compositional Material from the Panamanian Gallino Dance Emiliano Pardo-Tristan, Temple University / New York University

2011 Joint Annual Meeting SEM and CORD 55 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Sunday, November 20 Session 13, 10:45am – 12:15pm Session 2, 10:45 – 12:15pm

13F Freedom Ballroom – G ▪SEM 13H Salon 3/4 ▪SEM Issues in South Asia Changing Diasporas (Home and Abroad) II Chair: Peter Manuel, John Jay College and the Graduate Chair: TBA Center 10:45 The Greatest Polka-Related Financial Crime in History: The 10:45 Virtual Mridangam: Carnatic Music Education in the Internet Age Commodification of Polka Music, Class, and Ethnicity in Rohan Krishnamurthy, University of Rochester Pennsylvania’s Anthracite Coal Region Jessamyn Doan, University of Pennsylvania 11:15 The Invisible Goddess: Identity Performance in Hijra Music and Dance 11:15 Alive and Changing: Swedish and Chilean Troubadour Traditions Jeff Roy, University of California, Los Angeles of Sweden Jill A Johnson, Svenskt visarkiv, Centre for Swedish Folk Music 11:45 Dalit Sakthi: Empowering Indian Women Through Mixing and Jazz Research Untouchable Drumming with Respectable Dance Zoe C Sherinian, University of Oklahoma 11:45 Will the Real American Gamelan Please Stand Up? Jody Diamond, Harvard University/Dartmouth College

13G Logans 2 ▪SEM Music and Religious Communities 13I Salon 5/6 ▪SEM Chair: Elizabeth Tolbert, Johns Hopkins University Emergent and Urban Musics Chair: Jason Oakes, Cooper Union 10:45 “If I’m Dancing, It’s a Balinese Dance”: The Re-Appropriation of Traditional Arts in the Balinese Christian Community 10:45 Confronting the Exotic: Arrington de Dionyso’s Malaikat Dan Jeremy Grimshaw, Brigham Young University Singa and Ethnomusicology Charles Sharp, California State University Fullerton 11:15 Serving Higher Purposes: Movement and Dance of the Toronto Mass Choir 11:15 Politics of the Groove or “Free your mind; your ass will follow”: Jesse Feyen, York University Embodied Activism in United States Afrobeat Scenes Oyebade A Dosunmu, University of Pittsburgh 11:45 Music, Dancing, and Other Tools of the Devil: Forbidden Performing Arts and Anabaptist Religious Communities 11:45 How the City Sounds: Festivals and Urban Space in Matthew E Knight, University of Alberta Contemporary Berlin Michael O’Toole, University of Chicago

2011 Joint Annual Meeting SEM and CORD 56 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Sunday, November 20 Session 13, 10:45am – 12:15pm Session 2, 10:45 – 12:15pm

13J Parlor A ▪SEM 13K Independence Ballroom – D ▪CORD Miscellaneous Issues in Ethnomusicology II Plenary: Signing Off Chair: Mark Laver, University of Toronto Moderator: SanSan Kwan, University of California, Berkeley 10:45 “The Bank of Music”: Sponsorship, Corporate Amorality, and the Spectacle of Community 10:45 Mary Fogarty, York University Mark Laver, University of Toronto Habib Iddrisu, Northwestern University Stephanie Jordan, Roehampton University 11:15 Collaboration Between Performer and Composer: An Exploration Ketu Katrak, University of California, Irvine of the Creative Process of Composing Melissa Templeton, University of California, Riverside Kiku Day, University of London

2011 Joint Annual Meeting SEM and CORD 57 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Society for Ethnomusicology & Congress on Research in Dance Index Session 2, 10:45 – 12:15pm

A Beckerman, Michael ...... 20 Carr, James R ...... 29 Dean, Wade ...... 3 Abe, Marié ...... 51 Beresin, Anna R ...... 25 Caswell, Rachel ...... 5 D'Evelyn, Charlotte ...... 53 Adams, Greg C ...... 16 Berger, Harris M...... 5 Catalano, Elena ...... 36 DeWitt, Mark F ...... 35 Adelstein, Rachel ...... 39 Bidgood, Lee ...... 27 Cauthery, Bridget ...... 36 Diamond, Beverley...... 51 Aduonum, Ama O ...... 13 Binder, Eric ...... 5 Chakravarthy, Monisha ...... 33, 40 Diamond, Jody ...... 56 Afanador, Kathleya ...... 44 Birenbaum-Quintero, Michael ... 51 Chakravorty, Pallabi...... 5 Diettrich, Brian ...... 38 Agawu, Kofi ...... 13 Bishop, Michael ...... 27 Chami, Hicham ...... 35 Dillane, Aileen M ...... 52 Ahlgren, Angela ...... 48 Bodenheimer, Rebecca ...... 55 Chan, Clare S ...... 38 Dillon, Emily ...... 3 Aikens, W. Eric ...... 44 Bodiford, James R ...... 45 Charry, Eric...... 42 Dirksen, Rebecca ...... 20 Alajaji, Sylvia ...... 2 Bohlman, Andrea F ...... 43 Chen, Chun-bin ...... 37 Dixon-Gottschild, Brenda .... 36, 50 Alcedo, Patrick ...... 30 Boone, Will ...... 55 Cheng, William ...... 38 Doan, Jessamyn ...... 3, 56 Alegre, Luisa ...... 23 Bordelon, Candace ...... 44 Cherry, Christian ...... 23 Doleac, Benjamin G ...... 42 Alejandro, Pedro ...... 44 Borelli, Melissa Blanco ...... 5 Chin, Elizabeth ...... 5 Donnelly, Laura ...... 3, 39 Alexander, Kathryn R ...... 46 Bosse, Joanna L ...... 13 Chow-Morris, Kim ...... 28 Donohue, Maura ...... 5 Allen, Carrie A...... 43 Bowman, Lucas ...... 16 Chuse, Loren ...... 45 Dor, George ...... 21 Allen, Matthew ...... 26, 52 Boyer, Bill Bahng ...... 26 Ciucci, Alessandra ...... 37 Doran, Emma ...... 30 Allison, Theresa A ...... 42 Brashear, Jim ...... 33 Clarance, Annabel ...... 48 Dorf, Samuel ...... 22 Amin, Takiyah ...... 54 Bratt, Suzanne ...... 3 Clendinning, Elizabeth ...... 52 Dosunmu, Oyebade A ...... 56 Amoroso, Daniela ...... 30, 54 Bräuninger, Renate ...... 30 Cohen, Judah ...... 31, 39 Douglas, Gavin D ...... 38 Ampene, Kwasi ...... 46 Brazzale, Claudia ...... 49 Cohen, Judith ...... 39 Duchan, Joshua S ...... 34 Anderson, Mary Elizabeth ...... 44 Breuer, Benjamin E ...... 46 Colbert, Margot Mink ...... 30 Dueck, Jonathan M ...... 37 Andre, Naomi A ...... 42 Britt, Melissa ...... 30 Cole, Abimbola ...... 18, 28 Dujunco, Mercedes ...... 37 Anklewicz, Michael ...... 45 Brown, Adrienne M ...... 22 Coleman, Grisha ...... 23 Dumas, Tony ...... 24 Aplin, T. Christopher ...... 15 Brown, Sara ...... 52 Colwell, Andrew ...... 53 Aracena, Beth K ...... 46 Browne, Kimasi ...... 53 Conlon, Paula ...... 35 E Araujo, Samuel ...... 39 Browning, Barbara ...... 14 Cooley, Timothy J ...... 5, 37, 43 Edwards, James R ...... 35 Arisawa, Shino ...... 25 Buchanan, Donna A ...... 42 Cottrell, Stephen ...... 46 Eginton, Margaret ...... 34 Asante, Kariamu Welsh ...... 2 Buches, Joseph ...... 22 Croft, Clare ...... 5 Eguchi, Yuko ...... 55 Attrep, Kara ...... 55 Buckland, Theresa ...... 2, 4, 26, 37 Crosby, Jill Flanders ...... 47 Eisaei, Vahideh ...... 13 Averill, Gage ...... 5, 9, 31 Burke, Devin M ...... 46 Cruz-Banks, Ojeya ...... 33, 40 Ellorin, Bernard ...... 22 Aymami, Eva ...... 23 Burke, Lisa ...... 38 Cruz-Uribe, Cristina ...... 27 Ernst, Erinn ...... 29 Ayyagari, Shalini R ...... 51 Burns, James ...... 13 Cupchik, Jeffrey W ...... 42 Bushnell, Rebecca ...... 3 Currie, Scott ...... 20 F B Butler, Melvin ...... 27 Fales, Cornelia ...... 52 Babiracki, Carol ...... 28 D Federman-Morales, Rachel ...... 49 Bakan, Jonathon ...... 40 C D’Evelyn, Charlotte ...... 4 Fehlandt, Tina ...... 44 Bakan, Michael B ...... 20, 31 Caballero, Rodrigo ...... 36 Dalianoudi, Renata ...... 30 Felipe, Miguel ...... 25, 35 Baker-Tarpaga, Esther ...... 48 Calamoneri, Tanya ...... 40 Dalphond, Denise ...... 24 Fensham, Rachel...... 49 Ballengee, Christopher ...... 36 Callahan, Daniel ...... 18, 31 Dang, Christine ...... 18 Fernandez, Lois...... 27 Barcellos, Luiz ...... 18 Calle, Simon ...... 45 Daughtry, Martin ...... 27 Fernandez, Yesenia ...... 40 Barz, Gregory ..... 2, 3, 5, 31, 38, 47 Camal, Jerome S ...... 54 Dave, Nomi ...... 20 Ferro, Simone ...... 37 Bauerlein, Judy ...... 37 Campbell, Corinna ...... 22, 45 David, Ann ...... 37 Feyen, Jesse ...... 56 Beahrs, Robert O ...... 17 Campbell, Patricia S ...... 28 Davis, Ruth ...... 34 Finchum-Sung, Hilary V ...... 29 Beardslee, Thomas B ...... 34 Cannady, Kimberly D ...... 39 Day, Kiku ...... 57 Fisher, Jennifer ...... 44 Beaster-Jones, Jayson ...... 17 Carr, Daphne G ...... 43 de Quadros, Andre ...... 25, 35 Flood, Lauren ...... 35

2011 Joint Annual Meeting SEM and CORD 58 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Society for Ethnomusicology & Congress on Research in Dance Index Session 2, 10:45 – 12:15pm

Florine, Jane L ...... 14 H I Kidula, Jean ...... 27 Flynn, Anne ...... 5 Habib, Kenneth S ...... 24 Iddrisu, Habib ...... 19, 57 Kieswetter, Vivia K ...... 21 Fogarty, Mary ...... 44, 57 Hagedorn, Katherine J ...... 33 Ieriho, Dawn ...... Kim, Hyelim ...... 53 Forbes, Jack W ...... 55 Hagood, Mack ...... 41 Ingalls, Monique M ...... 14 Kim, Soojin ...... 53 Foreman, Kelly Natasha ...... 55 Hahn, Tomie ...... 2, 4, 16 Ingalls, Todd...... 48 Kisliuk, Michelle ...... 27 Fossum, David C ...... 25 Hairston, Monica ...... 2, 3 Ingber, Judith Brin ...... 30 Kivenko, Sharon F ...... 28 Franko, Mark ...... 4, 39 Hamera, Judith ...... 5, 21 Irving, David R M ...... 17 Kjar, David N ...... 42 Fraser, Jennifer A ...... 37 Hamill, Chad ...... 13 Klein, Debbie L ...... 33 Frichtel, Monica ...... 23 Handman, Eric ...... 5 J Kloetzel, Melanie ...... 19 Frishkopf, Michael ...... 5, 22 Hankins, Sarah E ...... 38 Jackson, Margaret R ...... 28 Knauth, Dorcinda C ...... 14 Fry, Robert...... 14 Harbert, Benjamin ...... 26 Jacobsen, Kristina ...... 18 Knerr, Kevin S ...... 5 Harkavy, Ira ...... 3 Jae, Hwanjung ...... 48 Knight, Matthew E ...... 56 G Harler, Alan ...... 22, 44 Jaji, Tsitsi ...... 52 Kodish, Debora ...... 27 Gadir, Tami ...... 22, 44 Harnish, David D ...... 35 Janeczko, Jeff ...... 15 Koo, Sunhee ...... 29 Galloway, Kate ...... 46 Harper, Colter J ...... 53 Jeffery, Brian ...... 47 Koons, Ryan A ...... 28 Galvan, Brigido ...... 35 Harris, Robin ...... 41 Jeong, Ok Hee ...... 44 Kosstrin, Hannah ...... 30 Gareiss, Nic ...... 23 Harvey, Dyane ...... 44 Jewett, Jamie ...... 54 Krakauer, Benjamin ...... 45 Gay, Leslie ...... 35 Harvey, Trevor S ...... 35 Johnson, Jasmine ...... 30 Krejci, Paul...... 29 Gbolonyo, Kofi ...... 34 Harwood, Dane ...... 42 Johnson, Jill A ...... 56 Krieger, J. Meryl ...... 21 Gerdes, Ellen ...... 44 Hayes, Eileen M...... 5 Johnston, Jonathan W ...... 24 Krishnamurthy, Rohan ...... 56 Getman, Jessica L ...... 17 Helberg, Adriana ...... 2, 3 Jones, Alisha L ...... 25 Kuan, Yuan Yu ...... 37 Gidal, Marc ...... 53 Helbig, Adriana ...... 34 Jones, Alyson E ...... 34 Kwan, SanSan ...... 57 Giguere, Miriam ...... 2, 3, 4, 18, 49 Heller, Michael C ...... 53 Jones, Jeffrey A ...... 25 Kwats, Avery ...... 51 Gill-Gürtan, Denise ...... 55 Hellier-Tinoco, Ruth...... 28 Jones-Bamman, Richard ...... 16 Kwon, Donna L ...... 29 Glasser, Jonathan ...... 22 Hemmasi, Farzaneh ...... 34 Jordan, Stephanie ...... 57 Kyker, Jennifer ...... 20, 31 Goc, Rachel ...... 42 Henderson, Clara E ...... 21, 39 Justice, Deborah ...... 14, 43 Goldberg, Meira ...... 48 Hendler, Micah ...... 25 Justus, Kayleen ...... 52 L Goldman, Danielle ...... 5 Herrera, Eduardo ...... 46 LaBate, Elizabeth A ...... 45 Goldschmitt, Kariann ...... 17 Hicken, Andy ...... 38 K LaFrance, Cheryl ...... 54 Goldstein, Ian ...... 4 Higgins, Niko ...... 16 Kaeppler, Adrienne ...... 2, 4, 26, 38 Lam, June ...... 35 Gonzalez, Anita ...... 2, 4, 26 Hijleh, Mark ...... 52 Kallberg, Jeff ...... 3 Lamen, Darien ...... 51 Gonzalez, Melissa ...... 55 Hoesing, Peter ...... 34 Kaminsky, David L ...... 45 Landau, Carolyn ...... 14 Goodman, Glenda ...... 14 Höfling, Ana Paula ...... 2, 4, 47 Kammerer, David M ...... 14 Lanier, Daniel ...... 29 Gordon, Lillie ...... 45 Holtzman, Glenn G ...... 3, 42 Kaneda, Miki ...... 24 Lanzilotti, Nawa ...... 46 Graber, Katie ...... 26 Hoppu, Petri ...... 5, 36 Kao, Josephine Amber ...... 18 Larimer, Amy ...... 40 Graber, Katie J ...... 34 Houghton, Gerard ...... 54 Kapchan, Deborah ...... 22 Latulipe, Celine...... 19 Grau, Andrée ...... 37, 50 Houseal, Joseph ...... 54 Karoblis, Gediminas ...... 54 Laver, Mark ...... 57 Greene, Paul ...... 51 Howard, Keith ...... 53 Katrak, Ketu ...... 47, 57 Lawrence, Sidra ...... 20 Greenland, Tom ...... 20 Howell, Rachel ...... 48 Kattari, Kim ...... 25 Lazier, Rebecca ...... 44 Gregory, Loribeth T ...... 14 Hunter, Justin ...... 4, 41 Katz, Laura ...... 3 Le Bomin, Sylvie ...... 34 Grimminger, Dan ...... 14 Hurley-Glowa, Susan ...... 21 Kaye, Andrew L ...... 24 Lears, Rachel ...... 18 Grimshaw, Jeremy ...... 56 Hurst, Laurel Myers ...... 53 Keeling, Richard ...... 47 Lee, Jean ...... 30 Groesbeck, Rolf ...... 14 Huskey, Sybil ...... 19 Keenan, Elizabeth K ...... 13 Lee, Katherine I...... 29 Guarino, Maria ...... 27 Hutchinson, Sydney ...... 21 Kelly, Evadne ...... 2, 4, 30 Lemos, Justine A...... 2, 4, 29, 36 Gunderson, Frank ...... 27, 47 Ketner, Michael ...... 2 Leopold, Lizzie ...... 18 Khoury, Hanna...... 3 Levine, Victoria Lindsay ...... 5

2011 Joint Annual Meeting SEM and CORD 59 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Society for Ethnomusicology & Congress on Research in Dance Index Session 2, 10:45 – 12:15pm

Lewis, David R ...... 47 Meadows, Ruthie ...... 39 O R Lie, Siv ...... 20 Meftahi, Ida ...... 23 Ó Briain, Lonán ...... 24 Rahaim, Matt J ...... 52 Lin, Da ...... 41 Meglin, Joellen ...... 30 O’Toole, Michael ...... 56 Ramsey, Gordon ...... 52 Little, Stewart ...... 5 Meizel, Katherine L ...... 35 Oakes, Jason ...... 56 Ranganathan, Sumitra ...... 17 Liu, Karen...... 24 Mendonca, Maria ...... 38 O'Brien, Michael S ...... 47 Rapport, Evan ...... 15 Lobley, Noel ...... 21 Mendoza, Zoila ...... 2, 4 Odria, Carlos ...... 36 Rathnaw, Dennis M ...... 20 Lorenz, Shanna ...... 28 Metz, Kathryn ...... 27 Ohman, Nina ...... 2, 3, 43 Reed, Daniel ...... 46 Loughran, Maureen ...... 38 Meyers, John Paul ...... 51 Okigbo, Austin C ...... 31, 47 Reed, Susan ...... 4, 26 Ludden, Yawen K ...... 35 Miles, Stephen T ...... 34 Olsen, Dale ...... 45 Reidy, Anna ...... 28 Miller, Christopher ...... 36, 44 Olson, Judith E ...... 22 Ren, Meng ...... 52 M Miller, Kiri ...... 21 Omojola, Olabode F ...... 53 Renner, Nate ...... 51 MacDonald, Michael B ...... 54 Miller, Sue ...... 15 Ostashewski, Marcia...... 13, 18 Rice, Timothy ...... 34, 42 MacLachlan, Heather ...... 22 Miller, Tim ...... 35 Owens, Evelyn ...... 3 Riggs, Kristy ...... 15 MacMillen, Ian R ...... 3, 21 Miner, Allyn ...... 2 Ozah, Marie Agatha ...... 21 Risk, Laura...... 34 Macquarie, Pauline Manley ...... 44 Minors, Helen Julia ...... 48 Ozment, Elizabeth Whittenburg . 4 Rivera, Francesca ...... 55 Madrid, Alejandro ...... 15, 17 Miyake, Mark Y...... 39 Roberts, Christopher ...... 28 Malcomson, Hettie ...... 15 Moehn, Frederick J ...... 42 P Roberts, Tamara ...... 27 Malek, Maryellen ...... 3 Mollenhauer, Shawn M ...... 37 Palmer, Augusta L ...... 39 Robertson, Marta ...... 13 Mall, Andrew T ...... 17 Moore, Robin D ...... 15 Pang, Chadwick ...... 25 Robinson, Danielle ...... 2, 4 Malnig, Julie ...... 18, 39, 44 Morelli, Sarah...... 2, 3 Paraiso, Raquel ...... 14 Robinson, Dylan ...... 51 Mamula, Stephen M ...... 24 Morrison, Simon ...... 44 Pardo-Tristan, Emiliano ...... 55 Robinson, Jason ...... 42 Manabe, Noriko ...... 55 Moulin, Jane Freeman ...... 38 Paris, Carl ...... 29 Roda, Allen ...... 51 Marcus, Scott ...... 55 Muehrer, Rachel R ...... 20 Patch, Justin L ...... 29 Rogers, Wendy ...... 44 Margolies, Daniel S ...... 36 Muller, Carol ...... 2, 3, 24 Paul, Lynda ...... 46 Romero, Brenda M ...... 33 Markovic, Alexander ...... 20 Mundy, Rachel ...... 47 Pecore, Joanna ...... 22 Rommen, Timothy ...... 2, 3 Marsh, Peter ...... 53 Muñoz, Kim Carter ...... 25 Perea, John-Carlos ...... 2, 3 Rosendahl, Todd...... 52 Masing, Elo ...... 30 Murphy, Clifford R ...... 38 Perman, Tony ...... 34 Ross, Rain ...... 30 Martin, Randy ...... 3, 39, 50 Perullo, Alex ...... 27 Rossen, Jane Mink ...... 30 Martinez, Nicola M...... 39 N Pettan, Svanibor H...... 45 Rossignoli, Sabina ...... 30, 37 Martins, Suzana ...... 54 Nanongkham, Priwan ...... 36 Phillips, Miriam ...... 2, 4, 23 Rothchild, Emily Joy ...... 3 Mason, Kaley ...... 16 Nayfack, Shakina ...... 26 Pier, David...... 52 Roubaud, Luísa ...... 22 Masserini, John ...... 19 Nekola, Anna E ...... 26 Pippen, John R ...... 35 Roy, Jeff ...... 56 Matjias, Christian ...... 18 Ness, Sally Ann ...... 2, 4, 16, 39 Platt, Ryan ...... 48 Rubin, Joel ...... 56 Mayo, Julie ...... 30 Nettl, Bruno ...... 46 Pond, Steven...... 42 Rubinoff, Kailan R ...... 17 McCann, Anthony T ...... 46 Newland, Marti ...... 17 Post, Jennifer C...... 5 Ruchala, James R ...... 36 McCarthy-Brown, Nyama ...... 54 Newman, Shawn ...... 30 Potuoğlu-Cook, Öykü ...... 47 Ruiz-Caraballo, Noraliz ...... 33 McCorkle, Brooke ...... 3 Nicely, Megan ...... 30, 33 Preston, Sophia ...... 30 Rutherford, Jane ...... 22 McConnell, Bonnie ...... 47 Ninoshvili, Lauren ...... 43 Pretlow, Ashanti ...... 4, 5 McDonald, David A ...... 28 Nnamani, Ndubuisi ...... 13 Procopio, Mary ...... 20 S McFadden, Heather ...... 5 Noland, Carrie ...... 18, 39 Protopapas, Janice F ...... 55 Sabbath, Roberta ...... 30 McGlone, Molly J ...... 26 Nooshin, Laudan ...... 13 Prouty, Ken ...... 53 Saeji, CedarBough T ...... 53 McMains, Juliet ...... 4, 33, 51 Nórbrega, Nadir ...... 54 Pruett, David B ...... 42 Sager, Rebecca D...... 20 McManus, Emily J ...... 55 Norris, Drew ...... 3, 5 Pyper, Brett S ...... 31 Salois, Kendra ...... 28 McPherson, Elizabeth ...... 30, 44 Norton, Barley ...... 2, 3 Salsburg, Nathan ...... 38 McPherson, Eve ...... 45 Nyamuame, Samuel E ...... 43 Q Samuels, David ...... 41 Mead, Ryan O ...... 16 Nye, Sean ...... 22 Quick, Sarah L ...... 18 Santana, Sandra ...... 54

2011 Joint Annual Meeting SEM and CORD 60 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Society for Ethnomusicology & Congress on Research in Dance Index Session 2, 10:45 – 12:15pm

Sarrazin, Natalie R ...... 16 Slominski, Tes ...... 26 Tavit, Elizabeth L ...... 24 Webb, Gavin ...... 47 Saurman, Todd W ...... 21 Smigel, Libby ...... 5 Teitelbaum, Benjamin ...... 34 Weinstein, Gregory ...... 21 Savigliano, Marta ...... 5 Smith, Asheley ...... 4, 5, 18, 44 Templeton, Melissa ...... 48, 57 Weintraub, Andrew ...... 35 Sayers, Robert ...... 49 Smith, Gordon E...... 28 Tenzer, Michael ...... 52 Weiss, Sarah ...... 27 Sayre, Elizabeth ...... 33 Solis, Ted ...... 13 Teodoro, Melissa ...... 54 Wells, Chris ...... 52 Scales, Chris ...... 41 Somekawa, Ellen ...... 27 Thomas, Ben...... 33 Welsh, Kariamu ...... 3 Schaffman, Karen ...... 36 Souffrant, Kantara ...... 37 Thomas, Helen ...... 5 White, Heather B ...... 42 Schauert, Paul ...... 47 Spanos, Kathleen ...... 23 Thomas, Samuel R ...... 15 Whitmore, Aleysia K ...... 33 Schell, Justin ...... 46 Sparling, Heather ...... 47 Threadgill, Senti Toy ...... 41 Wiebe, Dustin ...... 43 Scherbenske, Amanda L ...... 24 Spatz, Ben ...... 36, 49 Titon, Jeff ...... 27 Wilcken, Lois ...... 20 Scherzinger, Martin ...... 13 Spiller, Henry ...... 5 Tochka, Nicholas ...... 43 Wilkie, Dorothy ...... 27 Schmeder, Max M ...... 35 Stanyek, Jason ...... 27 Todd, Megan ...... 30 Williams, Alan ...... 35 Schofield, Katherine Butler ...... 17 Stapleton-Corcoran, Erin ...... 13 Tolbert, Elizabeth ...... 56 Williams, Michelle Ladwig ...... 30 Scholick, Jennie ...... 44 Steele, Peter ...... 17 Trimillos, Ricardo ...... 41 Williams, Peter ...... 35 Schreffler, Gibb ...... 47 Stein, Leah ...... 44 Trueman, Daniel ...... 44 Williams, Sean ...... 16 Schroedter, Stephanie ...... 44 Steingo, Gavin ...... 21, 31 Tucker, Joshua ...... 34 Wilson, Dave ...... 42 Schupp, Karen ...... 48 Stern, Carrie ...... 18 Turner, Tamara D ...... 37 Wilson, David ...... 19 Schuyler, Philip ...... 39 Stevens, Mike ...... 3 Wissler, Holly ...... 45 Schwartz, Jessica A ...... 15 Stirr, Anna...... 21 U Wolf, Juan Eduardo ...... 5 Schwartz-Bishir, Rebecca A ...... 46 Storhoff, Tim ...... 52 Ulaby, Laith ...... 34 Wong, Deborah ...... 41 Schweitzer, Kenneth ...... 33 Stuempfle, Stephen ...... 3, 5 Wong, Ketty A ...... 45 Scolieri, Paul ...... 2, 4 Stuffelbeam, Katharine E ...... 29 V Woo, Celestine ...... 39 Seachrist, Denise ...... 14 Sudirana, Wayan ...... 24 van den Scott, Jeffrey D ...... 47 Wood, Anna Lomax ...... 28 Sebald, Brigita ...... 42 Sugarman, Jane ...... 21 Vass-Rhee, Freya ...... 36, 44 Word, Melissa ...... 19 Seder, Kimberly Beck...... 42 Sum, Maisie ...... 37 Veeraraghavan, Lee ...... 3, 39 Wray, Sheron ...... 5 Seeger, Tony ...... 28, 45 Summit, Jeffrey A...... 45 Verne, Markus I ...... 13 Wrazen, Louise J ...... 28 Seeman, Sonia T ...... 20 Sunardi, Christina ...... 55 Vicente, Victor A ...... 16 Wright, Bryan S ...... 33 Seidel, Andrea Mantell ...... 18 Sutton, R. Anderson ...... 29 Villepastour, Amanda V ...... 33 Wright, Emily ...... 18 Sellers-Young, Barbara ...... 2, 4, 50 Suzuki, Yoko ...... 53 Vissicaro, Pegge ...... 48 Shapiro-Phim, Toni ...... 36 Swanston, Jessica ...... 3 Vosen, Elyse Carter ...... 41 Y Sharp, Charles ...... 56 Sweetman, Lauren E ...... 31, 41 Vriend, Laura ...... 18 Yang, Man ...... 41 Shay, Anthony ...... 5, 54 Swift, Mark D ...... 38 Yoder, Don ...... 14 Shelemay, Kay ...... 51 Sykes, Jim ...... 17 W Yon, Don ...... 24 Sherinian, Zoe C ...... 56 Szczepanski, Beth ...... 13 Wade, Bonnie ...... 55 Yoo, Kara ...... 23 Shope, Bradley G ...... 16 Szeto, Kin-Yan...... 48 Walker, Margaret E ...... 28 Yoon, Sunmin ...... 53 Silverman, Carol ...... 20 Wallner, Jessie ...... 5 Yu, Siu Wah ...... 16 Silverstein, Shayna ...... 52 T Washburne, Christopher ...... 2, 3 Sloat, Susanna ...... 14 Tallaj, Angelina ...... 52 Watts, Meredith ...... 37 Z Slobin, Mark ...... 15 Tausig, Ben ...... 41 Weaverling, Sidney ...... 16 Zanfagna, Christina ...... 27

2011 Joint Annual Meeting SEM and CORD 61 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Society for Ethnomusicology & Congress on Research in Dance Advertisements Session 2, 10:45 – 12:15pm

2011 Joint Annual Meeting SEM and CORD 62 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Society for Ethnomusicology & Congress on Research in Dance Advertisements Session 2, 10:45 – 12:15pm

2011 Joint Annual Meeting SEM and CORD 63 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Society for Ethnomusicology & Congress on Research in Dance Advertisements Session 2, 10:45 – 12:15pm

2011 Joint Annual Meeting SEM and CORD 64 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Society for Ethnomusicology & Congress on Research in Dance Advertisements Session 2, 10:45 – 12:15pm

2011 Joint Annual Meeting SEM and CORD 65 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Society for Ethnomusicology & Congress on Research in Dance Advertisements Session 2, 10:45 – 12:15pm

2011 Joint Annual Meeting SEM and CORD 66 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Society for Ethnomusicology & Congress on Research in Dance Advertisements Session 2, 10:45 – 12:15pm

2011 Joint Annual Meeting SEM and CORD 67 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Society for Ethnomusicology & Congress on Research in Dance Advertisements Session 2, 10:45 – 12:15pm

2011 Joint Annual Meeting SEM and CORD 68 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Society for Ethnomusicology & Congress on Research in Dance Advertisements Session 2, 10:45 – 12:15pm

2011 Joint Annual Meeting SEM and CORD 69 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Society for Ethnomusicology & Congress on Research in Dance Advertisements Session 2, 10:45 – 12:15pm

2011 Joint Annual Meeting SEM and CORD 70 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Society for Ethnomusicology & Congress on Research in Dance Advertisements Session 2, 10:45 – 12:15pm

2011 Joint Annual Meeting SEM and CORD 71 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Society for Ethnomusicology & Congress on Research in Dance Advertisements Session 2, 10:45 – 12:15pm

2011 Joint Annual Meeting SEM and CORD 72 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Society for Ethnomusicology & Congress on Research in Dance Advertisements Session 2, 10:45 – 12:15pm

2011 Joint Annual Meeting SEM and CORD 73 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Society for Ethnomusicology & Congress on Research in Dance Advertisements Session 2, 10:45 – 12:15pm

2011 Joint Annual Meeting SEM and CORD 74 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Society for Ethnomusicology & Congress on Research in Dance Advertisements Session 2, 10:45 – 12:15pm

2011 Joint Annual Meeting SEM and CORD 75 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Society for Ethnomusicology & Congress on Research in Dance Advertisements Session 2, 10:45 – 12:15pm

2011 Joint Annual Meeting SEM and CORD 76 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Society for Ethnomusicology & Congress on Research in Dance Advertisements Session 2, 10:45 – 12:15pm

2011 Joint Annual Meeting SEM and CORD 77 November 17 – 20, 2011 • Philadelphia, Pennsylvania

Society for Ethnomusicology & Congress on Research in Dance Hotel Map Session 2, 10:45 – 12:15pm

2011 Joint Annual Meeting SEM and CORD 78 November 17 – 20, 2011 • Philadelphia, Pennsylvania