The Naturalist on the River Amazons
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Gynoecium, Fruit and Seed Structure of Paullinieae (Sapindaceae)
Blackwell Science, LtdOxford, UKBOJBotanical Journal of the Linnean Society0024-4074The Linnean Society of London, 2005? 2005 1472 159189 Original Article FRUIT STRUCTURE OF PAULLINIEAE C. S. WECKERLE and R. RUTISHAUSER Botanical Journal of the Linnean Society, 2005, 147, 159–189. With 90 figures Gynoecium, fruit and seed structure of Paullinieae (Sapindaceae) CAROLINE S. WECKERLE* and ROLF RUTISHAUSER Institute of Systematic Botany, University of Zurich, Zollikerstrasse 107, 8008 Zurich, Switzerland Received January 2004; accepted for publication August 2004 Despite an emphasis on fruit characters in Paullinieae taxonomy, few detailed morphological and anatomical studies of the gynoecia, fruits and seeds exist. The aims of the present study were (1) to provide a detailed documentation of gynoecium, fruit and seed structure and ontogeny in selected Paullinieae taxa; (2) to determine whether the gyno- ecium, seed and seedling provide additional characters of systematic value within the tribe; and (3) to relate the structural findings to mechanisms of fruit dehiscence and dispersal within these taxa. Newly described characters of systematic value within Paullinieae are shape and surface of the obturator, type of pollen tube transmitting tract, indumentum of the inner and outer surface of the carpels, ovary wall anatomy, aril anatomy, pseudo-hilum form, seedling germination mode and structure of first leaves. The fruits of Paullinia are septifragal, and conspicuous colour contrasts between the pericarp, aril and seed in most species of this genus are suggestive of a bird dispersal syndrome. Interestingly, it appears that relatively minor structural changes are associated with switches to rodent dispersal in Paullinia sphaerocarpa and water dispersal in P. clathrata and P. -
Cavaquinho Português Em Performance Solo Rodrigues Bastos
Universidade de Aveiro Departamento de Comunicação e Arte 2018 Paulo Jorge Cavaquinho Português em Performance Solo Rodrigues Bastos Universidade de Aveiro Departamento de Comunicação e Arte 2018 Paulo Jorge Cavaquinho Português em Performance Solo Rodrigues Bastos Dissertação apresentada à Universidade de Aveiro para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Música, realizada sob a orientação científica do Doutor Paulo Maria Ferreira Rodrigues da Silva, Professor Auxiliar do Departamento de Comunicação e Arte da Universidade de Aveiro Dedico este trabalho a todas as pessoas sonhadoras que lutam por concretizar os seus mais arrojados sonhos, a todos os que acreditam no impossível e na “magia”, a todos o que apreciam e se fascinam pelas possibilidades infinitas da criação artística o júri presidente Prof. Doutor Jorge Castro Ribeiro Professor auxiliar da Universidade de Aveiro Prof. Doutor Paulo Maria Ferreira Rodrigues da Silva Professor auxiliar da Universidade de Aveiro (Orientador) Prof. Doutor Filipe Lopes Professor adjunto do Instituto Politécnico do Porto agradecimentos Agradeço à Ludmila Queirós, Bernardo e Duarte Bastos pela honra que é partilhar a vida com eles, pela alegria, inspiração constante ao longo da vida, incondicional e incansável apoio, que assim, me inspiraram e possibilitaram que este mestrado acontecesse. Agradeço ainda e particularmente à Ludmila Queirós pela ajuda em trabalhos diversos de imagem, para este projeto, por ser uma das artistas que mais admiro e que mais me inspira e abre horizontes. Aos meus pais António e Dulce Bastos por todo o apoio incondicional e dedicação das suas vidas a mim, e por me terem facultando uma educação artística. -
Brazilian Choro
The Brazilian by Tadeu Coelho and Julie Koidin Choro: Historical Perspectives and Performance Practices alanço is to choro as swing is to jazz—in both, mandatory elements to proper performance Band enjoyment of the music. Immersion in the sound of choro is imperative to playing it well. Knowledge of its origins and history is also helpful. Introduction the melody through spirited improvisations, sometimes David Willoughby, editor of the College Music Society quoting other melodies, from popular to classical styles. Newsletter, posed these questions: Should it not be a con- Although easier to decipher these performance intricacies stantly sought after goal for musicians trained in narrow via recordings, it still remains difficult—although not specialties to work together towards broader musical impossible—to catch the “twinkle” in the performer’s eye. understandings and towards the creation of a more Choro’s limited dissemination is furthered by its lack of vibrant musical culture? Should such a culture comprise accurate printed music. The vast majority of sheet music only materials imported from Western Europe? Should it publications have accompaniment that is written in a lead not synthesize musical repertories, of various kinds, from sheet format, i.e. chord symbols over melody. Without a all over the world?1 recording, it would be impossible to decipher the rhythms Throughout the world, the tradition of a country studying used in the accompaniment. The numerous errors found in its own cultural practices is not inceptive with its art. Such is the majority of publications, both in the melodic lines and the case of the choro, an indigenous music of Brazil, mostly chord symbols, further infringe on the probability of the instrumental, but at times with lyrics. -
Aula De Cavaquinho
A sua afinação varia de acordo com a região do mundo onde ele se encontra e o gênero musical a ser executado. No Brasil usamos a mesma afinação que algumas regiões de Portugal e da ilha da Madeira. Aqui como lá o cavaquinho está extremamente ligado a manifestações populares e festas. É um instrumento musical essencial à nossa cultura popular. Aula de Cavaquinho O cavaquinho é um instrumento musical originário de Braga, na região do Minho, no norte de Portugal. Contudo, talvez um instrumento parecido, que lhe deu origem, tenha sido levado até lá por imigrantes do País Basco, na Espanha. Alguns musicólogos supõem que sua origem remota é a Grécia antiga. Trata-se de um instrumento de quatro cordas, no formato de um violão, mas menor, e de som mais agudo que o dele. É tocado de forma “rasgada”, na qual o músico apenas acompanha a melodia, “rasgando” as cordas com o polegar e o indicador da mão direita em posição rígida, ou de forma “ponteada”, em que o músico sola a melodia. Desde o século XVIII o cavaquinho é um instrumento popular em Portugal, onde tem vários apelidos (entre os quais braguinha, braga, machete, machetinho ou ainda cavaco) e é usado em festas e comemorações. Chegando a Lisboa, capital portuguesa, ficou mais sofisticado e começou a acompanhar outros instrumentos, como o bandolim ou a viola, em pequenos conjuntos instrumentais chamados tunas. Na mesma época, por ser prático de transportar devido ao tamanho, o cavaquinho começou a ser divulgado nas ilhas dos Açores e da Madeira e onde Portugal teve colônias, como Cabo Verde, Angola e Moçambique. -
Brazilian/American Trio São Paulo Underground Expands Psycho-Tropicalia Into New Dimensions on Cantos Invisíveis, a Global Tapestry That Transcends Place & Time
Bio information: SÃO PAULO UNDERGROUND Title: CANTOS INVISÍVEIS (Cuneiform Rune 423) Format: CD / DIGITAL Cuneiform Promotion Dept: (301) 589-8894 / Fax (301) 589-1819 Press and world radio: [email protected] | North American and world radio: [email protected] www.cuneiformrecords.com FILE UNDER: JAZZ / TROPICALIA / ELECTRONIC / WORLD / PSYCHEDELIC / POST-JAZZ RELEASE DATE: OCTOBER 14, 2016 Brazilian/American Trio São Paulo Underground Expands Psycho-Tropicalia into New Dimensions on Cantos Invisíveis, a Global Tapestry that Transcends Place & Time Cantos Invisíveis is a wondrous album, a startling slab of 21st century trans-global music that mesmerizes, exhilarates and transports the listener to surreal dreamlands astride the equator. Never before has the fearless post-jazz, trans-continental trio São Paulo Underground sounded more confident than here on their fifth album and third release for Cuneiform. Weaving together a borderless electro-acoustic tapestry of North and South American, African and Asian, traditional folk and modern jazz, rock and electronica, the trio create music at once intimate and universal. On Cantos Invisíveis, nine tracks celebrate humanity by evoking lost haunts, enduring love, and the sheer delirious joy of making music together. São Paulo Underground fully manifests its expansive vision of a universal global music, one that blurs edges, transcends genres, defies national and temporal borders, and embraces humankind in its myriad physical and spiritual dimensions. Featuring three multi-instrumentalists, São Paulo Underground is the creation of Chicago-reared polymath Rob Mazurek (cornet, Mellotron, modular synthesizer, Moog Paraphonic, OP-1, percussion and voice) and two Brazilian masters of modern psycho- Tropicalia -- Mauricio Takara (drums, cavaquinho, electronics, Moog Werkstatt, percussion and voice) and Guilherme Granado (keyboards, synthesizers, sampler, percussion and voice). -
'Little Terrors'
Don DeLillo’s Promiscuous Fictions: The Adulterous Triangle of Sex, Space, and Language Diana Marie Jenkins A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy The School of English University of NSW, December 2005 This thesis is dedicated to the loving memory of a wonderful grandfather, and a beautiful niece. I wish they were here to see me finish what both saw me start. Contents Acknowledgements 1 Introduction 2 Chapter One 26 The Space of the Hotel/Motel Room Chapter Two 81 Described Space and Sexual Transgression Chapter Three 124 The Reciprocal Space of the Journey and the Image Chapter Four 171 The Space of the Secret Conclusion 232 Reference List 238 Abstract This thesis takes up J. G. Ballard’s contention, that ‘the act of intercourse is now always a model for something else,’ to show that Don DeLillo uses a particular sexual, cultural economy of adultery, understood in its many loaded cultural and literary contexts, as a model for semantic reproduction. I contend that DeLillo’s fiction evinces a promiscuous model of language that structurally reflects the myth of the adulterous triangle. The thesis makes a significant intervention into DeLillo scholarship by challenging Paul Maltby’s suggestion that DeLillo’s linguistic model is Romantic and pure. My analysis of the narrative operations of adultery in his work reveals the alternative promiscuous model. I discuss ten DeLillo novels and one play – Americana, Players, The Names, White Noise, Libra, Mao II, Underworld, the play Valparaiso, The Body Artist, Cosmopolis, and the pseudonymous Amazons – that feature adultery narratives. -
The Cowl Veritas
FOUNDED IN 1935 THE COWL VERITAS VOL. VI. No. 20 —Four Pages PROVIDENCE COLLEGE, PROVIDENCE, R. I., MARCH 28, 1941 5 Cents a Copy ALL STUDENTS, 18-45, TO REGISTER Novel Dances Peggy Mann To Be Featured New Selective Service Bill Passes By Clinton Aggregation Senate After Long Night Session By Ira T. Williams, '41 Are Created In accord with the passage of bill H. S. 1868 in the Senate early this Ballroom of Biltmore Ho- DOODLER morning by a 50-38 majority, all Providence College students between the tel is Scene of Junior ages of 18 and 45 must register for selective service Tuesday noon in Room 4. For Comedy The new bill does not affect those who registered last October. Prom The bill was passed after a night long session in the Senate Chambers and was vigorously protested by the opposition. Only after the third roll Toreador Specialty Will Featuring Peggy Mann, talented call was the majority sufficient to allow the bill's passage. Be Performed by An- successor to Bea Wain, and Charles In a radio speech last night Senator (Buttercup) Carroll, slapstick drum- Franklin of West Virginia, leading thony Ricci, '41 mer boy, Larry Clinton and his or- Navy Officers protagonist for the bill said, 'The chester will furnish the rhythm and country is faced with a crisis which The new dancing numbers to be entertainment in the main ballroom must be met and overcome. The featured in the forthcoming annual of the Biltmore Hotel at the Junior Show Pictures democracy of these United States is musical comedy "Uncle Tom's Ca- Prom, April 28. -
Fungal Endophytic Community Associated with Guarana (Paullinia Cupana Var. Sorbilis): Diversity Driver by Genotypes in the Centre of Origin
Journal of Fungi Article Fungal Endophytic Community Associated with Guarana (Paullinia cupana Var. Sorbilis): Diversity Driver by Genotypes in the Centre of Origin Carla Santos 1 , Blenda Naara Santos da Silva 2,3, Ana Francisca Tibúrcia Amorim Ferreira e Ferreira 2 , Cledir Santos 3,* , Nelson Lima 1 and Jânia Lília da Silva Bentes 2 1 CEB-Centre of Biological Engineering, Micoteca da Universidade do Minho, University of Minho, 4710-057 Braga, Portugal; [email protected] (C.S.); [email protected] (N.L.) 2 Postgraduate Program in Tropical Agronomy, Federal University of Amazonas, Manaus-AM 69067-005, Brazil; [email protected] (B.N.S.d.S.); [email protected] (A.F.T.A.F.eF.); [email protected] (J.L.d.S.B.) 3 Department of Chemical Sciences and Natural Resources, BIOREN-UFRO, Universidad de La Frontera, Temuco 4811-230, Chile * Correspondence: [email protected]; Tel.: +56-452-596-726 Received: 30 June 2020; Accepted: 28 July 2020; Published: 31 July 2020 Abstract: Guarana plant is a native of the Amazon region. Due to its high amount of caffeine and tannins, the seed has medicinal and stimulating properties. The guarana industry has grown exponentially in recent years; however, little information is available about associated mycobiota, particularly endophytic fungi. The present study aimed to compare the distribution and diversity of endophytic fungi associated with the leaves and seeds of anthracnose-resistant and susceptible guarana plants produced in Maués and Manaus, Amazonas State, Brazil. A total of 7514 endophytic fungi were isolated on Potato Dextrose Agar, Sabouraud and Czapek media, and grouped into 77 morphological groups. -
New Studies in Medieval Culture Ethan Knapp, Series Editor
Interventions: New Studies in Medieval Culture Ethan Knapp, Series Editor INVENTING WOMANHOOD Gender and Language in Later Middle English Writing TARA WILLIAMS THE OHio STAte UniVERsitY PRess / COLumBus A subvention to aid the publication of this volume was provided by the Medieval Academy of America. Copyright © 2011 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Williams, Tara, 1975– Inventing womanhood : gender and language in later Middle English writing / Tara Williams. p. cm. — (Interventions: new studies in medieval culture) Includes bibliographical references and index. ISBN-13: 978-0-8142-1151-9 (cloth : alk. paper) ISBN-10: 0-8142-1151-8 (cloth : alk. paper) ISBN-13: 978-0-8142-9252-5 (cd) 1. English literature—Middle English, 1100–1500—History and criticism. 2. Women in lit- erature—History—To 1500. 3. Sex role in literature—History—To 1500. 4. Motherhood in literature—History—To 1500. 5. Women and literature—History—To 1500. I. Title. II. Series: Interventions : new studies in medieval culture. PR275.W6W55 2011 820.9'3522—dc22 2010030318 This book is available in the following editions: Cloth (ISBN 978-0-8142-1151-9) CD-ROM (ISBN 978-0-8142-9252-5) Cover design by Larry Nozik Text design by Jennifer Shoffey Forsythe Type set in Adobe Garamond Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48-1992. 9 8 7 -
Paullinia Pinnata (Sapindaceae) the Plant Plant Parts Used Constituents
id5918062 pdfMachine by Broadgun Software - a great PDF writer! - a great PDF creator! - http://www.pdfmachine.com http://www.broadgun.com Paullinia pinnata (Sapindaceae) Engl.: Sweet gum Span.:Bejuco de Costillo, bejuco di Palma French: Paullinie German: Paullinie African vernacular names: Konde: Kasisi Lunda: Chifui Moshi: Mdala Shambala: Singo-lingo Zigua: lugoto The plant In the plant family Sapindaceae the genus Paullinia is very important. It contains the species P. cupana of which Guarana, a caffeine rich (4-8 %) paste is prepared from the seeds. It is cultivated in Brazil, therefore. Paullinia pinnata, is growing naturally in South Africa and Madagascar, in Brazil, Jamaica, and Domingo. It is used as an arrow and fish venom. P. pinnata is a climbing shrub, the leaves are compound with winged rhachis, inflorescences stand axillary on long stalks, and bearing paired collected tendrils with white flowers. In Zimbabwe and Zambia P. pinnata is growing in evergreen and mixed forests up to an altitude of 1200m. Plant parts used The whole plant, the leaves, the stem, the root Constituents Though the plant is growing worldwide only few investigations have been done about its chemical compounds, with the exception of caffeine. There are no informations about other alkaloids. leave root extracts Methanolic and are rich of phenolic compounds (6). air dried leaves Phytochemical investigation of the resulted in the isolation of two new flavone glycosides ß ß 1) Diosmetin -7-O-(2``-O- -D-apiofuranosyl-6``-acetyl- -D-glucopyranoside), pale yellow amorphous powder, melting point 221-223 0 C, ß ß 2) Tricetin-4`-O-methyl-7-O-(2``-O- -D-apiofuranosyl-6``-acetyl- -D- glucopyranosid), also a pale yellow powder, melting point 230-232 0C Furthermore triterpene saponines and cardiotonic catechol tannins are present (1). -
Threatened Birds of the Americas
WHITE-WINGED GUAN Penelope albipennis E1 Discovered in dry north-westernmost Peru in 1876 and generally presumed extinct for a century thereafter, this guan is now known from a small number of dry wooded valleys in the Andean foothills of Peru (chiefly in Lambayeque), where it numbers possibly less than a hundred individuals and is seriously endangered by forest clearance. DISTRIBUTION The White-winged Guan is restricted to a small area of north-west Peru, although the exact extent of its distribution there remains to be clarified; that it might or does occur in adjacent Ecuador is dealt with in the last paragraph in this section. The species was originally described from a specimen collected in December 1876 on Condesa island, 3°31’S 80°29’W, in the Santa Lucia swamps of the Tumbes river delta, Tumbes, and a second specimen was obtained a month later, January 1877, at the Hacienda Pabur, 5°15’S 80°20’W, 200 km to the south and 130 km inland, in Piura, while a third specimen from the same locality is believed to be the live-caught offspring of the second (Taczanowski 1877, 1884-1886, Vaurie 1966b, de Macedo 1978, 1979). At the time of its first discovery, the species was reported at second-hand to inhabit mangroves at the mouth of the Zarumilla (“Zurumilla”) on the border with Ecuador, and to be found in all the larger river valleys of western Peru as far south as the Chicama in La Libertad (but there was no sight record from there, contra Meyer de Schauensee 1966), in particular those at Lambayeque and “Nancho (Rio de Saña)” in adjacent Cajamarca (Taczanowski 1884-1886). -
(12) United States Patent (10) Patent N0.: US 7,267,975 B2 Strobe] Et A1
US007267975B2 (12) United States Patent (10) Patent N0.: US 7,267,975 B2 Strobe] et a1. (45) Date of Patent: Sep. 11,2007 (54) METHODS AND COMPOSITIONS Chen, J ., et al. “Termites fumigate their nests with naphthalene,” RELATING TO INSECT REPELLENTS Nature. 392:558-559 (Apr. 1998). FROM A NOVEL ENDOPHYTIC FUNGUS Daisy, B. H. et al. “Muscodor vitigenus, anam. sp. nov. an endophyte from Paullinia paullinioides, ” Mycotaxon 84:39-50. (2002). (75) Inventors: Gary Strobe], BoZeman, MT (US); Daisy, B. et a1 “Napthalene, an insect repellent, is produced by Bryn Daisy, Anchorage, AK (U S) Muscodor vitigenus, a novel endopythic fungus”, Microbiology (2002), 148, 3737-3747. (73) Assignee: Montana State University, BoZeman, Guarro, J. et al. “Developments in Fungal Taxonomy,” Clin MT (US) Microbiol Rev. 12(3):454-500, (Jul. 1999). ( * ) Notice: Subject to any disclaimer, the term of this Hawksworth, D. C. et al. “Where are the undescribed fungi?” patent is extended or adjusted under 35 Phytopath 87(9):888-891 (1987). U.S.C. 154(b) by 234 days. Heath, R. R., et al. “Development and evaluation of systems to collect volatile semiochemicals from insects and plants using a (21) App1.No.: 10/687,546 charcoal-infused medium for air puri?cation,” Journal of Chemical Ecology. 18(7):1209-1226 (1992). (22) Filed: Oct. 15, 2003 Mitchell, J. I., et al. “Sequence or Structure? A Short Review on the Application of Nucleic Acid Sequence Information to Fungal Tax (65) Prior Publication Data onomy,” Mycologist. (1995). US 2004/0185031 A1 Sep. 23, 2004 Morrill, W. L., et al.