DOCSLIB.ORG

Two Louies February 2002

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Two Louies February 2002 OREGON MUSIC / FEBRUARY 2002 REPLICATION/LABEL GUIDE photo Buko REWIND Hitting Birth 1992. photo Tom Robinson n 1988 drummer Daniel Riddle came to to add to his standard kit and joined Con-Con. The Hitting Birth Family Circus created sen- Portland with a San Francisco punk trio They got a gig and renamed the new band Hitting sory overload. “It was theater and it was rock, but I“for the cheap rent” discovering Satyricon Birth. “We didn’t want anything with ‘death’ in the it was also a very effective ritual, not dissimilar to a voodoo ceremony, or an ancient Bacchanalia rite” Hitting Birth shows were orgies of production with costumes, elaborate sets, dancers, smoke, lights and olfactory assaults of incense, flowers, candles, smudge sticks and even grinding metal. HB ruled through sound reinforced bass and percussion. and performance art project Con-Con, featuring name.” Says Riddle. David Parks joined on drums In late 1994, Daniel Riddle left Hitting Birth poets Stephen Spyrit and Kristen Kohl reading and became a focus of the act. “Crucibob” played to form King Black Acid. This month Riddle’s while accompanied by “Alpo” playing percussion bass and Keith Bornzin joined on percussion while musical vision is in theaters coast to coast via Ri- on an amplified shopping cart with a guitar pickup Rev. Rob Roy offered samples and played Wah-wah chard Gere’s new thriller “The Mothman Prophe- and an assortment of effects pedals. pedal shopping cart. cies” (See As The World Turntables) Inspired, Riddle built a junk metal drum set LL ister an editorial protest but I see they were club. Be well and thank you again. back in January with a half page. They might Duane Jarvis LETTERS hate you but they know which rag the players PO 160626 Dear Editor read. I just pick it up to see what the lawyer Nashville, TN 37216 You should sleep with Bob Olsen’s letter dude says anyway. under your pillow. (Two Dufuses Living In Matt McWherter Dear Two Louies, The Past-Letters-Jan. ’02) Portland, OR I was a bit taken aback last month read- David Corboy ing in your letters column an editor’s response Portland Dear Editor, to a reader who wrote, “Billy Rancher was at Glad Two Louies rocks on and on! Thank best a mediocre writer and player.” Your Dear Editor, you for giving me some ink in the new issue. editor’s response was “I’d have to say you’re Don’t think we readers weren’t paying at- Great to hang with Scott Gillies I must say. full of shit on that one.” Although I wouldn’t tention to that Guitar Center Pulls Their Ad Loved the piece on Greg Sage & The Wipers. I have said it like that, I agree completely. Drama in Letters (December). The corpora- have many wonderful memories of checking Betsy Hay tion fines free speech. That’s one way to reg- them out at the Earth and the Urban Noize Milwaukie, Oregon LL TWO LOUIES, February 2002 - Page 3 bodies came from Epiphone. Fender was at NAMM in a big way with more Strats and Teles and J & P basses than you could shake a stick at. If Leo Fender could decorate heaven it would look a little something like this. And let me tell you, they brought the “ A players”, the starting squad for the jam sessions that were happening in the Fender room, well, let’s just say swell just doesn’t cover the who’s who of folks who would swing by to lay down some Git-tar playing. If Fender and Gibson aren’t your cup of tea, By Steven Landsberg how about the incredible instruments and amaz- ing art guitars of Paul Reed Smith? I could spend pages telling you about the dragon inlays, but my he National Association of Music Mer way, buyers only you know. Anyway, check it out lack of eloquence with words prohibits me from chants’ trade-show. Where musical in at the web page or your local Gibson dealer. sharing how cool these guitars ARE, you need to Tstrument manufacturers schmooze retailers and superstar musicians press the flesh. I ran around NAMM this year with my buddy Tom Childs of StoneWater recording in Sherwood. We both had badges from NARAS representing the Northwest Chapter. Tom does recording, produc- ing, engineering, and he plays drums, and let ‘s just say he has “ the ear”. As we wandered from booth to booth in the Anaheim Convention Center, we ran into quite a few long time acquaintances, and met many new people. First off let me say that the NAMM show is really for the wonderful folks that own / staff / run Epiphone has many cool variations on the Les check them out, whenever, wherever can, just see your favorite local music store. It doesn’t matter if Paul including The Jack Cassady (Airplane-Hot these guitars. that store is a locally owned store that has been a Tuna) model Les Paul Signature Bass with a change Overall at NAMM acoustic fretted instru- fixture forever, or if it’s a new store that just opened or two from the Les Paul Signature Bass. Here is a ments (guitars, mandolins, things like that) were to serve the local music scene. Heck, it very well represented, The NAMM might even be a large national chain that directory showed 6 pages of opened a Portland location or two. NAMM luthiers; names like Martin, Santa is put on by those great folks that actually Cruz, Gibson, Fender, Guild, MAKE the gear that we use in our day to Takamine, Tacoma, Taylor. Speak- day lives, be it the amps to drive our speak- ing of Guitars, I scored a GRIP er- ers, the mics to record / amplify our voices gonomic (bent) pick, these picks / instruments, or even the instruments are so cool, and I have to find a themselves! Portland and the great Pacific Portland shop that stocks them! Northwest is home to some of the best And slides; glass, steel all kinds of products in the whole world, from amps slides. to guitars to boards, consoles Amps were also big news, and keyboards. And I haven’t first guitar amps, Built in model- even started to cover computer ing amps (ie: Line6 ) were all the software and hardware. From rage with the players, whether as the land of the strong coffee and outboard gear, stomp-boxes, or yummy dark beers! built into the amps or even the But the real purpose of the guitars themselves, everybody it NAMM show is to let sellers seems was showing some sort of show off their new products. modeling amp. The big boys as always have all Also big at NAMM was the groovy new toys we all love. Big pic; Jason Fineberg (NARAS-LA), Bobby Landsberg tubes. In amps, pre-amps, mics, Gibson has many new Les Paul’s photos Uncle Steve (Portland musician) and Carey Christensen (NARAS- everything had tubes. Some of the but my favorite new Les Paul, the LA) schmoozing in the Grammy booth. amps I had the good fortune to Les Paul acoustic (not to be con- Small pic; Drummer Kenny Aronoff (John Mellencamp, Bob Seger, Smashing enjoy were (in no particular or- fused with the Les Paul jumbo) Pumpkins) with Portland engineer Tom Childs. der) Kustom, Marshall (Jim the new Paul has no traditional pickups in between tidbit that you already know, the first two Les Paul Marshall was there ), Tube Works, Peavey, Yamaha, the neck and the bridge. The bridge is the pickup! solid bodies (the “log” and the “beast”) were chunks Gallien-Krueger, Vox, Hartke, Fat Cat, Gibson, The flame on this beauty was not to be believed. I of trees (4x4’s) and made with parts from the HiWatt , Sunn, Pignose, Carvin, Orange, Fender was not supposed to be in the Gibson room any- Epiphone factory! Necks and “wings” for Les’s solid Continued on page 18 Page 4 - TWO LOUIES, February 2002 TWO LOUIES, February 2002 - Page 5 for the moody duet between Cramer’s muted gui- heart/Your wallet feels just right.” tar and Kaffer’s dark electric piano pads— faintly Andrew Kaffer and Kissing Book offer intel- reminiscent of latter day Talk Talk. ligent, thoughtful music that is a testament to A rubbery piano/bass figure bounces repeti- musical austerity and prudence. While the gravity tively, motivating “Selfish” through thick waves of of Kaffer’s sphere is still inwardly directed, there is languid guitars. Hypnotic. The two instrumental evidence that his gaze has begun to be directed pieces “Set Of Numbers” and “Another Set Of outward where new impressions await him, like a Numbers” allow the band members to explore their million stars in the sky. impressive Jazz sensibilities. Especially splendid are The Holidays— The Holidays Bayer’s spectacularly subtle chops. Acoustic and Self-Produced electric guitars, reflect and refract each other in ere’s a fine new foursome who have interesting variations on “Of Nativity,” creating an spent the past several years honing anxious atmosphere of disassociation. Reske and H their material to acute sharpness, Cramer create sparkling layers of guitars on tiny before releasing this debut, seven song CD. Hav- gem “The Times Between The Times.” ing been friends nearly all their lives and musicians Bayer sets a frenetic pace on “Your Melancholy for nearly half of that time, in some ways, their Ways,” as Kaffer details the mudanities of neurosis sound would seem to be a natural extension of their upon the loss of a significant other.
Load more

Recommended publications
  • Popularjesuit
    Seattle nivU ersity ScholarWorks @ SeattleU The peS ctator 1-18-1996 Spectator 1996-01-18 Editors of The pS ectator Follow this and additional works at: http://scholarworks.seattleu.edu/spectator Recommended Citation Editors of The peS ctator, "Spectator 1996-01-18" (1996). The Spectator. 1995. http://scholarworks.seattleu.edu/spectator/1995 This Newspaper is brought to you for free and open access by ScholarWorks @ SeattleU. It has been accepted for inclusion in The peS ctator by an authorized administrator of ScholarWorks @ SeattleU. NONPROFIT ORQ US POSTAGE PAID SEATTLE,WA Spectator PERMIT NO 2783 =■=»£«■■« James Royce,SJ,BP; Wj Alice in Chains 4mM§ I "^f*) Men's B-Ball wins popular Jesuit, ISK defies rumors WvjM* - V^Jri threeina row;2-0 dies at age 81. withnew album. .^jpL- jnconference. i Sullivanbackinaction NCAA affiliation decisionrevisited OfficialdecisiondueinlateFebruary TeriAnderson change. ManagingEditor Sullivan is scheduled to present and theBoardof Trustees with his final JasonLjchtenberger decisionin regardto whatdivision SportsReporter theuniversity should align with on Feb. 22.Anofficialdecisionis due A number of memos and charts shortlythereafter. analyzingthe financial costs to run WhileSullivanhasmadeveryfew theuniversity'sintercollegiatesports public commentsas to which align- programas anNCAAaffiliate were ment he willchoose, a memo, ad- released byPresidentWilliamSulli- dressedtotheTrusteesSports Advi- van, SJ,overthepast week. soryTask Force and theIntercolle- Thedocuments, which werepre- giate Sports Advisory
    [Show full text]
  • 2L August 2003
    OREGON MUSIC / AUGUST 2003 photo Buko Black ‘N Blue’s Geffen Records hometown debut at the Memorial Coliseum. Pictured (L to R), Pete Holmes, Jaime St. James, Pat- rick Young, Jef “Woop” Warner and Tommy Thayer. The band’s fi rst release on a Metal Blade compilation included another newcomer named Metallica. David Geffen signed Black ‘N Blue to his label in ‘84 and they recorded four albums, the last two produced by KISS’ Gene Simmons. Tommy Thayer joined the KISS family at the sounding board and as a musical contributor. Over the years he co-wrote songs and produced CD and DVD projects for the band including the title montage for New Line Cinema’s “Detroit Rock City”. Last year he assumed guitarist Ace Frehley’s Spaceman persona and replaced him completely this year. Page 2 - TWO LOUIES, August 2003 TWO LOUIES, August 2003 - Page 3 Page 2 - TWO LOUIES, August 2003 TWO LOUIES, August 2003 - Page 3 with so much talent. It probably felt like a compromise working together. Not that the results ever came across that way. Had Billy’s career not been cut short one can only speculate if, or what, they might have gone on to do had they had a chance to work together in artistic maturity. If overcoming all the ambition, ego, sibling rivalry, as well as the usual artistic demons that accom- pany most musicians wasn’t enough to warrant Lenny his well earned artistic and commercial success, well, that’s just it. In the end, it just wasn’t enough. Just when all the musical potential and years of struggle were fi nally paying off in the form of a fi nancially lucrative career writing and producing music for radio and television commercials, Lenny made what I would think must have been one of his life’s toughest John Leonard Rancher: Off the Grid decisions; to follow his heart and walk away from what was becoming a hollow success to focus his efforts in was checking my voice mail the other day Lennon was murdered, or upending Asteroids the pursuit of a higher cause; saving our forests and and low and behold a voice from the past.
    [Show full text]
  • S-And Aboard Faces Major Budget Decision
    Opinlon Tutoring F~us............................+..................... -.a uua Arts Entertainment ........8 S~~S....................... 10 CIzI-c-Cifi~...................12 erward Volume 24, Number 1 Hlghline Community College Octobers 1984. Interim system corrects library privacy violation .c In a six-week period between JulyI and August 15. Griffin stated that figures on the- total cost of the undertaking were Higtrllns Library'. vidstloa of publh Disdomu~ PhOtO/SCOlT CRUEGER UfEWZ&We. .. To ald in the camplition of the pro AS far as a permanent computerized "We want to make sure that a sys solutlon to the problem,"said den. "we - jcct, the library hlred members of the system mffin d0esn.t foreseeIn. tem .like that would encompass more will continue working with the new ll- KlngCounty Work Training Students stallation In the Immediate future. "If I than just checkaut capabUities"he saM. bfary director. in hopes of finding an program. 'They did the bulk of the typ wereto guess, I'd say that we could 'Further plannlngwlllbe needed" ultimate system. 7he money used to ing and assssted the library techniclans antlclpate a computerizedsystem In Neal Allen, former HCSU Exscutlve apply and maintaln the Interim system in removal of the books and otherjobs; about two yeam" Council Chairman. who last spring for. should have been used for a final sob saldGrlffln. "I washappy with their Robert McFartand, Dean of lnsttuctlon mally brought the problem to the Soard tion.but we are excited about what Wok" said that "he hopesthe Immediate prob.of Trustees thlnks that the long term we* accomplished." GinnyHansenalsoacoundlmember When asked about how the ovmaU km of confldentisllty Ls taken care of.
    [Show full text]
  • January 1992
    VOLUME 16, NUMBER 1 FEATURES MEMPHIS DRUMMERS MIAMI SOUND MACHINE'S Though this southern city is ROBERT RODRIGUEZ experiencing a musical renais- MARK sance these days, newcomers & RAFAEL PADILLA might be surprised by some of BRZEZICKI the bands responsible for that Much of the credit for MSM's huge rebirth. In this special report, MD His work as an in-demand ses- success goes to its burning checks in with some local drum- sion player in England, as well Latin/pop rhythms. The messen- mers who are pushing as his landmark performances gers of that hot stuff are drummer the new Memphis with Big Country, Pete Rodriguez and percussionist sounds way past the Townshend, and the Cult, proved 30 Padilla. In this special story, MD city limits. Mark Brzezicki was one of the pokes its nose into the Sound • by Robert Santelli strongest drum voices of the Machine's kitchen and discovers past decade. The '90s look to be some of the secret as busy and exciting: In this recipes of their success. INSIDE exclusive interview, Mark dis- • by Robyn Flans cusses his new work with Procul 26 VIC FIRTH Harum, Big Country, and old crony Simon Townshend. A peek behind the scenes of one 20 of the industry's top drumstick • by Simon Goodwin makers—and at its dynamic namesake. • by Rick Van Horn 34 MD's YAMAHA DRUM RIG GIVEAWAY Your second chance to win a Yamaha Drum Rig worth 64 $12,400! COVER PHOTO BY EDMOND WALLACE COLUMNS Education 52 ROCK CHARTS Neil Peart: "Where's Equipment My Thing?" TRANSCRIBED BY JEFF WALD 40 PRODUCT CLOSE-UP 66 HEAD TALK Drum Workshop Departments
    [Show full text]
  • May 2001 03 Jazz Ed
    ALL ABOUT JAZZ monthly edition — may 2001 03 Jazz Ed. 04 Pat Metheny: New Approaches 09 The Genius Guide to Jazz: Prelude EDITOR-IN-CHIEF: Aaron Wrixon 14 The Fantasy Catalog: Tres Joses ASSOCIATE EDITOR: Michael Martino 18 Larry Carlton and Steve Lukather: Guitar Giants CONTRIBUTORS: 28 The Blue Note Catalog: All Blue Glenn Astarita, Mathew Bahl, Jeff Fitzgerald, Chris Hovan, Allen Huotari, Nils Jacobson, Todd S. Jenkins, Joel Roberts, Chris M. Slawecki, Derek Taylor, Don Williamson, 32 Joel Dorn: Jazz Classics Aaron Wrixon. ON THE COVER: Pat Metheny 42 Dena DeRose: No Detour Ahead PUBLISHER: 48 CD Reviews Michael Ricci Contents © 2001 All About Jazz, Wrixon Media Ventures, and contributors. Letters to the editor and manuscripts welcome. Visit www.allaboutjazz.com for contact information. Unsolicited mailed manuscripts will not be returned. Welcome to the May issue of All About Jazz, Pogo Pogo, or Joe Bat’s Arm, Newfoundland Monthly Edition! (my grandfather is rolling over in his grave at This month, we’re proud to announce a new the indignity I have just committed against columnist, Jeff Fitzgerald, and his new, er, him) — or WHEREVER you’ve been hiding column: The Genius Guide to Jazz. under a rock all this while — and check some Jeff, it seems, is blessed by genius and — of Metheny’s records out of the library. as is the case with many graced by voluminous The man is a guitar god, and it’s an intellect — he’s not afraid to share that fact honour and a privilege to have Allen Huotari’s with us.
    [Show full text]
  • Zzcalifornia Aconservatory
    a conservatory california zz EDITION 14.0 2014 – 2015 general catalog California Jazz Conservatory Academic Calendar 2014 – 2015* Spring Semester 2014 Auditions for Spring 2014 By Appointment Academic and Administrative Holiday Jan 20 First Day of Spring Instruction Jan 21 Last Day to Add / Drop a Class Jan 31 Academic and Administrative Holiday Feb 17 Spring Recess March 24 – March 30 Auditions for Fall 2014 By Appointment Last Day of Instruction May 11 Final Examinations and Juries May 12 – 16 Commencement May 17 Fall 2014 Enrollment Deposit Due On or before June 1 Fall 2014 Registration On or before August 4 Fall Semester 2014 Auditions for Fall 2014 By Appointment New Student Orientation Aug 14 First Day of Fall Instruction Aug 18 Academic and Administrative Holiday Sept 1 Last Day to Add/Drop a Class Sept 2 Academic and Administrative Holiday Nov 24 – Nov 30 CJC academic calendar Spring 2015 Enrollment Deposit Due On or before Dec 1 Spring 2015 Registration Jan 5 – 9 Last Day of Instruction Dec 7 Final Examinations and Juries Dec 8 – 14 Commencement Dec 20 Winter Recess Dec 15 – Jan 19 Spring Semester 2015 Auditions for Spring 2015 By Appointment Academic and Administrative Holiday Jan 19 First Day of Spring Instruction Jan 20 Last Day to Add / Drop a Class Feb 3 Academic and Administrative Holiday Feb 16 Spring Recess March 23 – March 29 Auditions for Fall 2015 By Appointment Last Day of Instruction May 10 Final Examinations and Juries May 11 – 15 Commencement May 16 A Z Z C J O N A S Fall 2015 Enrollment Deposit Due On or before June 1 I E Fall 2015 Registration August 3 – 7 N R R V O A D F S T E E I V * Please note: Edition 14 of the CJC 2014–2015 General Catalog C O L E N L R O E A I covers the time period of July 15, 2014 – July 14, 2015.
    [Show full text]
  • Official Biography
    Neil Zaza 212OFFICIAL BIOGRAPHY Not only has guitarist Neil Zaza helped to define the genre of melodic instrumental guitar, he has become a worldwide ambassador for the instrument itself. His melodic compositions have changed the way musicians play, and what audiences worldwide demand out of their guitar heroes. With fiery technical brilliance and breathtaking musical interpretation, Neil Zaza has defined himself as the instrumental guitarist with an unparalleled ability to combine solid, catchy songwriting with a keen melodic sense and technical fury. From his virtuoso rock solos, to laying a funk groove, to demonstrating his classical prowess by performing Bach and Mozart compositions, Zaza’s extreme versatility has been showcased worldwide in concerts, clinics, festivals, as well as on his own solo instrumental albums. Zaza has shared the bill with Joe Satriani, Steve Vai, Dweezil Zappa, Steve & Mike Porcaro (Toto), Yngwie Malmsteen, Vinnie Moore, and Andy Summers. He has performed on albums by Dweezil Zappa, Eric Carmen, Michael Stanley and also supplied guitar tracks for a Stewart Copeland-produced movie soundtrack. It all began... in Akron, Ohio, where Neil Zaza was born, and still resides. Zaza started playing guitar at the age of 10 and went on to study classical guitar at The University of Akron under renowned educator and performer Stephen Aron. Zaza began to teach guitar, and in 1987 he formed the rock band Zaza, which quickly became one of the hottest U.S. touring bands at that time. After a successful run and even a hit song “Maybe Tomorrow”, the band disbanded and a brilliant solo career began.
    [Show full text]
  • Comunicato Stampa Layne Staley Italian Tribute 2013
    www.alternative-grunge-crew.com COMUNICATO STAMPA Italy calls Seattle: Layne Staley Italian Tribute 2013 AlternativeGrunge Crew presenta tre serate di musica a tutto volume e flanella in ricordo di Layne Staley e Mike Starr degli Alice in Chains. Per il terzo anno consecutivo l’Italia ospita il benefit-show in onore di Layne Staley, carismatico e indimenticato cantante degli Alice in Chains, tragicamente scomparso il 5 aprile 2002. Il LAYNE STALEY ITALIAN TRIBUTE 2013 si terrà sabato 6 Aprile allo Spazio Aurora di Rozzano (MI), via Cavour 4. Inizio manifestazione ore 21.00. Durante la serata verrà anche ricordato Mike Starr, primo bassista e co- fondatore degli Alice in Chains, recentemente scomparso. Il LAYNE STALEY ITALIAN TRIBUTE è organizzato in collaborazione con: - EMERALD CITY MUSICIANS NETWORK (Seattle): www.facebook.com/emeraldcitymusiciansnetwork - MOQUETTE RECORDS: www.facebook.com/Moquette e con il patrocinio di: - LAYNE-STALEY.COM (sito ufficiale): www.layne-staley.com - THERAPEUTIC HEALTH SERVICES (Seattle): www.ths-wa.org L’evento è ufficialmente riconosciuto da Nancy McCallum, madre di Layne Staley e fondatrice del Layne Staley Memorial Fund presso il Therapeutic Health Services di Seattle (www.ths-wa.org). Tutti i proventi della serata vengono devoluti alla fondazione, che si occupa di attività di prevenzione e recupero dall’uso di sostanze e di sostegno a persone con problematiche psichiche e sociali. Si alterneranno sul palco del LAYNE STALEY ITALIAN TRIBUTE 2013: • THE PEOPLE NOW (Seattle): band alternative-rock di
    [Show full text]
  • Linea77 Feat. Salmo E Slait: "AK77"
    VENERDì 29 MARZO 2019 Dal 29 marzo è su tutte le piattaforme digitali "AK77", il nuovo brano dei Linea77 con i featuring d'eccezione di Salmo e Slait e la produzione di Sir Bob Cornelius Rifo (a.k.a The Bloody Beetroots). Linea77 feat. Salmo e Slait: "AK77" il nuovo singolo da oggi online Il brano vede scendere in campo i top player dei rispettivi roster INRI e MACHETE sotto la guida di uno dei nomi più significativi dell'elettronica internazionale, per un risultato destinato a scuotere le fondamenta del nuovo rock accostandolo ancora una volta al fenomeno rap. Una dichiarazione bellica che ricalca l'attitudine più genuinamente rock CRISTIAN PEDRAZZINI della band, lontana da tempo dal circo mediatico, ma capace di sconvolgere ogni tipo di pronostico con un pezzo che nulla ha di nostalgico e che, tra citazioni cinematografiche e barre letali, si delinea come la miccia iniziale di una rivoluzione inevitabile. Siamo stati in silenzio per tanto tempo. Circa 3 anni. Siamo diventati padri. Abbiamo osservato da lontano. La musica, l'Italia, le nuove [email protected] generazioni. Non avevamo piu? niente da dire e non sapevamo SPETTACOLINEWS.IT nemmeno piu? come volevamo dirlo. Il silenzio ci e? servito. Ora abbiamo le idee chiare, un nuovo suono e molta voglia di tornare insieme sul palco, e come sempre lo stiamo facendo esclusivamente per noi stessi. E' un'esigenza, un bisogno fisico e mentale. E' lo stesso stato d'animo che avevamo 25 anni fa e che semplicemente nel 2015 ci aveva abbandonato, forse troppo saturo di una storia ventennale che aveva bisogno di una scossa, di una rivoluzione.
    [Show full text]
  • Drawing Mixed Reactions on Campus Winterim Killed
    Volume 5 Number 24, April 28, 1983 r Questions Of Equity Raised "White Paper" Drawing Mixed Reactions On Campus by Dave Ryan Reactions to the Student Life freshmen enter campus and choose "Peer Advisors" may be under 10 to house two sororities. Dodson af- Committee's "White Paper" have residence." Last week, following percent. firmed that the possibility of in- been mixed. Last week the Commit- dissemination of the White Paper to According to Dean Dodson, the dependents occupying Seward Hall tee released a draft of the document the University at large, lnterf rater- White Paper included a demo- in the future may be considered. to the University and made presenta- nity Council President Cort Kinker graphic model using the size of this Following the presentation of the tions to both the Faculty and Stu- claimed that the administration is at- year's Freshman class only as a White Paper to the Faculty Senate dent Senate bodies. "The four main tempting to establish "a Greek reference point to provide an il- and the Student Senate, the Student points of the White Paper are the System where guys stand around the lustration of one possible scenario. Life Committee extended an invita- provision of a common Freshman ex- house in preppy sweaters, smoke It is likely that the actual size of the tion to all interested faculty, staff perience, the strengthening of the pipes, and discuss literary themes." Class of 1985 will differ from this and students to register for a con- academic advising system, the sup- Student Senate focused on other year's freshman population to some ference on the proposals to be held port of the Greek System in its effort aspects of the paper.
    [Show full text]
  • NW Excellence in Journalism Awards 2019
    NW Excellence in Journalism Awards 2019 TABLE OF CONTENTS (LINKS) Writing, Photo & Design Large Newsrooms Medium Newsrooms Small Newsrooms Magazines Audio Large Newsrooms Small Newsrooms Video Large Newsrooms Small Newsroom ABOUT THIS YEAR’S CONTEST The Northwest Excellence in Journalism contest is one of the largest of its kind in the nation and honors journalists across SPJ Region 10, which covers Alaska, Washington, Idaho, Montana and Oregon. All proceeds from this contest support the efforts of SPJ Western Washington and SPJ Oregon ​ ​ ​ territory chapters. In Washington, contest proceeds fund scholarships for student journalists. In Oregon, proceeds help pay for our lobbyist, who works on our behalf in Salem to improve public records law. This year’s entries were due by February 28, 2020. We’ve updated our categories and updated ​ ​ ​ the contest rules this year and added new eligibility guidelines based on feedback from our ​ members. A summary of changes and category descriptions is here. ​ ​ WRITING, PHOTO & DESIGN LARGE NEWSROOMS ARTS, ENTERTAINMENT AND LIFESTYLES Writing, Photo & Design, Large Newsroom First Place “Art Space” Amy Wang — The Oregonian/OregonLive Runner Up “Billy Rancher” Doug Perry — The Oregonian/OregonLive BREAKING NEWS REPORTING Writing, Photo & Design, Large Newsroom First Place "South Lake Union crane collapse kills 4" Staff — The Seattle Times Runner Up “Spokane climber Jess Roskelley missing and presumed killed by avalanche in Canadian Rockies; David Lama, Hansjorg Auer also presumed dead” Eli Francovich
    [Show full text]
  • 1982-07-17 Kerrville Folk Festival and JJW Birthday Bash Page 48
    BB049GREENLYMONT3O MARLk3 MONTY GREENLY 0 3 I! uc Y NEWSPAPER 374 0 E: L. M LONG RE ACH CA 9 0807 ewh m $3 A Billboard PublicationDilisoar The International Newsweekly Of Music & Home Entertainment July 17, 1982 (U.S.) AFTER `GOOD' JUNE AC Formats Hurting On AM Dial Holiday Sales Give Latest Arbitron Ratings Underscore FM Penetration By DOUGLAS E. HALL Billboard in the analysis of Arbitron AM cannot get off the ground, stuck o Retailers A Boost data, characterizes KXOK as "being with a 1.1, down from 1.6 in the win- in ter and 1.3 a year ago. ABC has suc- By IRV LICHTMAN NEW YORK -Adult contempo- battered" by its FM competitors formats are becoming as vul- AC. He notes that with each passing cessfully propped up its adult con- NEW YORK -Retailers were while prerecorded cassettes contin- rary on the AM dial as were top book, the age point at which listen - temporary WLS -AM by giving the generally encouraged by July 4 ued to gain a greater share of sales, nerable the same waveband a ership breaks from AM to FM is ris- FM like call letters and simulcasting weekend business, many declaring it according to dealers surveyed. 40 stations on few years ago, judging by the latest ing. As this once hit stations with the maximum the FCC allows. The maintained an upward sales trend Business was up a modest 2% or spring Arbitrons for Chicago, De- teen listeners, it's now hurting those result: WLS -AM is up to 4.8 from evident over the past month or so.
    [Show full text]