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The Role of Art in Enterprise
Report from the EU H2020 Research and Innovation Project Artsformation: Mobilising the Arts for an Inclusive Digital Transformation The Role of Art in Enterprise Tom O’Dea, Ana Alacovska, and Christian Fieseler This project has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 870726. Report of the EU H2020 Research Project Artsformation: Mobilising the Arts for an Inclusive Digital Transformation State-of-the-art literature review on the role of Art in enterprise Tom O’Dea1, Ana Alacovska2, and Christian Fieseler3 1 Trinity College, Dublin 2 Copenhagen Business School 3 BI Norwegian Business School This project has received funding from the European Union's Horizon 2020 research and innovation programme under grant agreement No. 870726 Suggested citation: O’Dea, T., Alacovska, A., and Fieseler, C. (2020). The Role of Art in Enterprise. Artsformation Report Series, available at: (SSRN) https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3716274 About Artsformation: Artsformation is a Horizon 2020 Research and Innovation project that explores the intersection between arts, society and technology Arts- formation aims to understand, analyse, and promote the ways in which the arts can reinforce the social, cultural, economic, and political benefits of the digital transformation. Artsformation strives to support and be part of the process of making our communities resilient and adaptive in the 4th Industrial Revolution through research, innovation and applied artistic practice. To this end, the project organizes arts exhibitions, host artist assemblies, creates new artistic methods to impact the digital transformation positively and reviews the scholarly and practi- cal state of the arts. -
Middlesex Girls Capture Region a Track Title
Deltas, YMCA Golf Mariners Page B2 Page B3 SSentinel.com Serving Middlesex County and adjacent areas of the Middle Peninsula and Northern Neck since 1896 Vol. 115, No. 9 Urbanna, Virginia 23175 • May 28, 2009 B Section Middlesex girls capture Region A track title by Larry S. Chowning (2:37.31) and fi nished second Rebecca Walker fi nished meters (13:27.49) and fourth in MHS senior Ashae Burnett in the 1600 meters (5:59.62). second in the 800 meters the 1600 meters (6:04.82). fi nished fi rst in the shot put For only the third time She did this while nursing a (2:38.19) and third in the 1600 This group of runners (35’2”) and fourth (4’6”) in the See video of since girls track was started heel injury that had sidelined meters (6:03.26), and Olivia accounted for 44 of the team’s high jump. at Middlesex High School in her for several weeks. Cloud was second in the 3200 68 total points. Junior Micah Reed scored Region A 1976, the Lady Chargers won by placing third in the shot put the Region A title last Thursday (33’5”). track meet at at West Point. The fi ve MHS girls who The Lady Chargers com- scored in the Region A meet SSentinel.com. peted against 19 schools in the will compete in the State Group regional meet and scored 68 A meet this Saturday at Radford points to win the title. Lancaster University. 20; Northumberland, 10th, was second with 58 points and Other team scores were West 18; Surry, 11th, 15; King & Northampton on the Eastern Point, 4th, 49 points; Arca- Queen, 12th, 14; Essex, 13th, Shore was third with 56 points. -
Guidelines on Communications Strategies for the Transition from Analogue to Digital Terrestrial Broadcasting
2014-2017 Guidelines ITU-D Study Group 1 Question 8/1 International Telecommunication Union Telecommunication Development Bureau Guidelines on Place des Nations CH-1211 Geneva 20 Communications Switzerland www.itu.int Strategies for the Transition from Analogue to Digital Terrestrial Broadcasting 6th Study Period 2014-2017 EXAMINATION OF STRATEGIES AND METHODS OF MIGRATION FROM ANALOGUE TO DIGITAL TERRESTRIAL BROADCASTING AND IMPLEMENTATION OF NEW SERVICES OF NEW AND IMPLEMENTATION BROADCASTING TERRESTRIAL DIGITAL TO ANALOGUE FROM AND METHODS OF MIGRATION OF STRATEGIES EXAMINATION ISBN 978-92-61-24801-7 QUESTION 8/1: QUESTION 9 7 8 9 2 6 1 2 4 8 0 1 7 Printed in Switzerland Geneva, 2017 07/2017 International Telecommunication Union (ITU) Telecommunication Development Bureau (BDT) Office of the Director Place des Nations CH-1211 Geneva 20 – Switzerland Email: [email protected] Tel.: +41 22 730 5035/5435 Fax: +41 22 730 5484 Deputy to the Director and Infrastructure Enabling Innovation and Partnership Project Support and Knowledge Director,Administration and Environmnent and Department (IP) Management Department (PKM) Operations Coordination e-Applications Department (IEE) Department (DDR) Email: [email protected] Email: [email protected] Email: [email protected] Email: [email protected] Tel.: +41 22 730 5784 Tel.: +41 22 730 5421 Tel.: +41 22 730 5900 Tel.: +41 22 730 5447 Fax: +41 22 730 5484 Fax: +41 22 730 5484 Fax: +41 22 730 5484 Fax: +41 22 730 5484 Africa Ethiopia Cameroon Senegal Zimbabwe International Telecommunication Union internationale des Union internationale des International Telecommunication Union (ITU) télécommunications (UIT) télécommunications (UIT) Union (ITU) Regional Office Bureau de zone Bureau de zone Area Office P.O. -
You Give We Act Lives Saved
2014 annual report YOU GIVE WE ACT LIVES SAVED someday is today YOU GIVE. WE ACT. LIVES SAVED. IN ESSENCE, THIS IS HOW WE GET TO SOMEDAY—THE DAY WHEN CANCER IS NO LONGER PART OF OUR LIVES. AND WE’RE WELL ON OUR WAY. THE LEUKEMIA & LYMPHOMA SOCIETY (LLS) HAS INVESTED MORE THAN $1 BILLION TO ACCELERATE INNOVATIVE, LIFE-SAVING TREATMENTS THAT ONCE WERE BEYOND OUR IMAGINATION. OUR CURES AND ACCESS AGENDA IMPACTS THE CANCER LANDSCAPE. THE END IS CLOSER WHEN ALL OF US CONCENTRATE OUR FUNDS AND EFFORTS THROUGH LLS. SOMEDAY BECOMES TODAY WHEN WE EACH DECLARE: CANCER ENDS WITH ME. THIS IS HOW WE GET TO SOMEDAY THE Harry T. MANGURIAN, JR. Foundation gave $4MM TO support LLS’S Beat AML initiative. LLS COMMITTED THE U.S. FOOD & DRUG ADMINISTRATION $79.8MM TO APPROVED THE FIRST BREAKTHROUGH RESEARCH IN THERAPY-DESIGNATED TREATMENTS FISCAL YEAR FOR BLOOD CANCER PATIENTS. 2014. LLS LAUNCHED BEAT AML, A COLLABORATION WITH OREGON HEALTH & SCIENCE UNIVERSITY TO IDENTIFY GENES THAT CAUSE AML, “MY NAME IS RHETT, AND AND WORK WITH BIOPHARMACEUTICAL CANCER ENDS WITH ME! CANCER COMPANIES TO TEST NEW AGENTS CELLS ARE THE BAD GUYS. FOR THAT TARGET THOSE GENES ALONE THREE AND A HALF YEARS, I TOOK OR IN COMBINATION TO PERSONALIZE CHEMO TO GET THE BAD GUYS OUT.” THERAPY FOR PATIENTS. RHETT KRAWITT, SURVIVOR. LLS supported 350+ BLOOD CANCER RESEARCH PROJECTS WORLDWIDE. MORE THAN 1.1 MILLION THE #1 national PEOPLE IN THE U.S. ARE LIVING corporate partner WITH, OR ARE IN REMISSION FOR LIGHT THE NIGHT, FROM, A BLOOD CANCER. -
“Canned History”: American Newsreels and The
“Canned History”: American Newsreels and the Commodification of Reality, 1927-1945 By Joseph E.J. Clark B.A., University of British Columbia, 1999 M.A., University of British Columbia, 2001 M.A., Brown University, 2004 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of American Civilization at Brown University Providence, Rhode Island May, 2011 © Copyright 2010, by Joseph E.J. Clark This dissertation by Joseph E.J. Clark is accepted in its present form by the Department of American Civilization as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date:____________ _________________________________ Professor Susan Smulyan, Co-director Date:____________ _________________________________ Professor Philip Rosen, Co-director Recommended to the Graduate Council Date:____________ _________________________________ Professor Lynne Joyrich, Reader Approved by the Graduate Council Date:____________ _________________________________ Dean Peter Weber, Dean of the Graduate School iii Curriculum Vitae Joseph E.J. Clark Date of Birth: July 30, 1975 Place of Birth: Beverley, United Kingdom Education: Ph.D. American Civilization, Brown University, 2011 Master of Arts, American Civilization, Brown University, 2004 Master of Arts, History, University of British Columbia, 2001 Bachelor of Arts, University of British Columbia, 1999 Teaching Experience: Sessional Instructor, Department of Gender, Sexuality, and Women’s Studies, Simon Fraser University, Spring 2010 Sessional Instructor, Department of History, Simon Fraser University, Fall 2008 Sessional Instructor, Department of Theatre, Film, and Creative Writing, University of British Columbia, Spring 2008 Teaching Fellow, Department of American Civilization, Brown University, 2006 Teaching Assistant, Brown University, 2003-2004 Publications: “Double Vision: World War II, Racial Uplift, and the All-American Newsreel’s Pedagogical Address,” in Charles Acland and Haidee Wasson, eds. -
Karaoke by Keysdan Comedy Artist Title 'Weird' Al Yankovic Achy Breaky Song 'Weird' Al Yankovic Achy Breaky Song Wvocal 'Weird'
Karaoke by KeysDAN Comedy Artist Title 'Weird' Al Yankovic Achy Breaky Song 'Weird' Al Yankovic Achy Breaky Song Wvocal 'Weird' Al Yankovic Addicted To Spuds 'Weird' Al Yankovic Alimony 'Weird' Al Yankovic Amish Paradise 'Weird' Al Yankovic Another Rides The Bus 'Weird' Al Yankovic Bedrock Anthem 'Weird' Al Yankovic Bedrock Anthem Wvocal 'Weird' Al Yankovic Dare To Be Stupid 'Weird' Al Yankovic Dare To Be Stupid Wvocal 'Weird' Al Yankovic Eat It 'Weird' Al Yankovic Ebay 'Weird' Al Yankovic Fat 'Weird' Al Yankovic Grapefruit Diet 'Weird' Al Yankovic Gump 'Weird' Al Yankovic Gump Wvocal 'Weird' Al Yankovic I Lost On Jeopardy 'Weird' Al Yankovic I Love Rocky Road 'Weird' Al Yankovic I Want A New Duck 'Weird' Al Yankovic It's All About The Pentiums 'Weird' Al Yankovic It's All About The Pentiums Wvocal 'Weird' Al Yankovic Like A Surgeon 'Weird' Al Yankovic Like A Surgeon Wvocal 'Weird' Al Yankovic My Bologna 'Weird' Al Yankovic One More Minute 'Weird' Al Yankovic One More Minute Wvocal 'Weird' Al Yankovic Phony Calls 'Weird' Al Yankovic Ricky 'Weird' Al Yankovic Saga Begins 'Weird' Al Yankovic She Drives Like Crazy 'Weird' Al Yankovic Smells Like Nirvana 'Weird' Al Yankovic Smells Like Nirvana Wvocal 'Weird' Al Yankovic Spam 'Weird' Al Yankovic The Saga Begins 'Weird' Al Yankovic Yoda 'Weird' Al Yankovic You Don't Love Me Anymore 2 Live Crew Me So Horny Adam Sandler At A Medium Pace (ADVISORY) Adam Sandler Ode To My Car Adam Sandler Ode To My Car (ADVISORY) Adam Sandler Piece Of S--t Car Adam Sandler What The H--- Happened To Me Adam Sandler What The Hell Happened To Me www.KeysDAN.com 501.470.6386 Karaoke by KeysDAN Comedy Bill Clinton Parody Bimbo No.5 Britney Spears Parody Oops I Farted Again CLEDUS T JUDD MY CELLMATE THINKS I'M SEXY Cheech & Chong Earache My Eye Chef Chocolate Salty Balls Chef Love Gravy Chef No Substitute, Oh Kathy Lee Chef Simultaneous Chef & Meatloaf Tonight Is Right for Love Chef & No Substitute Oh Kathy Lee Chef (South Park) Chocolate Salty Balls (P.S. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
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ARTICLE ADAPTING COPYRIGHT FOR THE MASHUP GENERATION PETER S. MENELL† Growing out of the rap and hip hop genres as well as advances in digital editing tools, music mashups have emerged as a defining genre for post-Napster generations. Yet the uncertain contours of copyright liability as well as prohibitive transaction costs have pushed this genre underground, stunting its development, limiting remix artists’ commercial channels, depriving sampled artists of fair compensation, and further alienating netizens and new artists from the copyright system. In the real world of transaction costs, subjective legal standards, and market power, no solution to the mashup problem will achieve perfection across all dimensions. The appropriate inquiry is whether an allocation mechanism achieves the best overall resolution of the trade-offs among authors’ rights, cumulative creativity, freedom of expression, and overall functioning of the copyright system. By adapting the long-standing cover license for the mashup genre, Congress can support a charismatic new genre while affording fairer compensation to owners of sampled works, engaging the next generations, and channeling disaffected music fans into authorized markets. INTRODUCTION ........................................................................ 443 I. MUSIC MASHUPS ..................................................................... 446 A. A Personal Journey ..................................................................... 447 B. The Mashup Genre .................................................................... -
The Norse Influence on Celtic Scotland Published by James Maclehose and Sons, Glasgow
i^ttiin •••7 * tuwn 1 1 ,1 vir tiiTiv^Vv5*^M òlo^l^!^^ '^- - /f^K$ , yt A"-^^^^- /^AO. "-'no.-' iiuUcotettt>tnc -DOcholiiunc THE NORSE INFLUENCE ON CELTIC SCOTLAND PUBLISHED BY JAMES MACLEHOSE AND SONS, GLASGOW, inblishcre to the anibersitg. MACMILLAN AND CO., LTD., LONDON. New York, • • The Macmillan Co. Toronto, • - • The Mactnillan Co. of Canada. London, • . - Simpkin, Hamilton and Co. Cambridse, • Bowes and Bowes. Edinburgh, • • Douglas and Foults. Sydney, • • Angus and Robertson. THE NORSE INFLUENCE ON CELTIC SCOTLAND BY GEORGE HENDERSON M.A. (Edin.), B.Litt. (Jesus Coll., Oxon.), Ph.D. (Vienna) KELLY-MACCALLUM LECTURER IN CELTIC, UNIVERSITY OF GLASGOW EXAMINER IN SCOTTISH GADHELIC, UNIVERSITY OF LONDON GLASGOW JAMES MACLEHOSE AND SONS PUBLISHERS TO THE UNIVERSITY I9IO Is buaine focal no toic an t-saoghail. A word is 7nore lasting than the world's wealth. ' ' Gadhelic Proverb. Lochlannaich is ànnuinn iad. Norsemen and heroes they. ' Book of the Dean of Lismore. Lochlannaich thi'eun Toiseach bhiir sgéil Sliochd solta ofrettmh Mhamiis. Of Norsemen bold Of doughty mould Your line of oldfrom Magnus. '' AIairi inghean Alasdair Ruaidh. PREFACE Since ever dwellers on the Continent were first able to navigate the ocean, the isles of Great Britain and Ireland must have been objects which excited their supreme interest. To this we owe in part the com- ing of our own early ancestors to these isles. But while we have histories which inform us of the several historic invasions, they all seem to me to belittle far too much the influence of the Norse Invasions in particular. This error I would fain correct, so far as regards Celtic Scotland. -
Cole Wright, Charlevoix
SThe ursdcay,t Jainouaryn 2, 2B020 CALL (989) 732-8160 [email protected] FAX (888) 854-7441 of athletes the week 2019 Year THEi BESnT OF TH E BrEST IN AeREA ATvHLETICSi FROeM 2019w JANUARY 2019 JANUARY 2019 JANUARY 2019 JANUARY 2019 JANUARY 2019 JACOB MUELLER, ELISE STUCK, ALEXIS DANFORTH, ETHAN TORNGA, JOSEE BEHLING, CHARLEVOIX CHARLEVOIX ELLSWORTH ELLSWORTH BOYNE CITY The Rayder sophomore The Rayder junior would Alexis had one of the better The Ellsworth senior just The Rambler junior had a finished with a double-double, score 24 points and haul in 15 standout performances this missed having a pair of monster game for Boyne in their netting 21 points and 14 rebounds rebounds as Charlevoix defeated season. Against Boyne Falls, double-doubles over the week, victory over East Jordan. Josee in Charlevoix’s win over Boyne the Ramblers in LMc play. Alexis dropped 34 points in finishing with 16 points and 12 finished with 19 points and hauled City. leading Ellsworth to a Conference boards against Boyne Falls in 16 boards against the Red win over the Loggers. and 22 points and nine Devils. rebounds against Harbor Light. JANUARY 2019 JANUARY 2019 JANUARY 2019 FEBRUARY 2019 FEBRUARY 2019 JACKSON RAYMOND, AIDAN BREHM, JAYDEN WEBER, JACOB MULLER ELISE STUCK, EAST JORDAN BOYNE CITY EAST JORDAN CHARLEVOIX CHARLEVOIX The Red Devil had a week to The Ramblers sophomore The Red Devil had a pair of The Rayder junior had a The Rayder junior finished remember as he had lines of 17 scored a season-high 20 points, solid performances for East game-high 22 points in with a game-high 34 points in points, five assists and four blocks knocking down four triples in the Jordan, finishing with a double- Charlevoix’s loss to Boyne City. -
Virtual ESD Testing of Automotive LED Lighting System
2018 IEEE Symposium on Electromagnetic Compatibility, Signal Integrity and Power Integrity (EMC, SI & PI 2018) Long Beach, California, USA 30 July - 3 August 2018 Technical and Abstract Reviewed Papers Pages 1-692 IEEE Catalog Number: CFP18K39-POD ISBN: 978-1-5386-6622-7 1/4 Copyright © 2018 by the Institute of Electrical and Electronics Engineers, Inc. All Rights Reserved Copyright and Reprint Permissions: Abstracting is permitted with credit to the source. Libraries are permitted to photocopy beyond the limit of U.S. copyright law for private use of patrons those articles in this volume that carry a code at the bottom of the first page, provided the per-copy fee indicated in the code is paid through Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923. For other copying, reprint or republication permission, write to IEEE Copyrights Manager, IEEE Service Center, 445 Hoes Lane, Piscataway, NJ 08854. All rights reserved. *** This is a print representation of what appears in the IEEE Digital Library. Some format issues inherent in the e-media version may also appear in this print version. IEEE Catalog Number: CFP18K39-POD ISBN (Print-On-Demand): 978-1-5386-6622-7 ISBN (Online): 978-1-5386-6621-0 Additional Copies of This Publication Are Available From: Curran Associates, Inc 57 Morehouse Lane Red Hook, NY 12571 USA Phone: (845) 758-0400 Fax: (845) 758-2633 E-mail: [email protected] Web: www.proceedings.com TABLE OF CONTENTS – TECHNICAL TUESDAY TECHNICAL PAPERS Tuesday, July 31, 2018 TU-AM-2 Computational Tools and Techniques (Sponsored by TC 9) 10:30 am - 12:00 pm Chair: Scott Piper, General Motors, Milford, MI, USA Co-Chair: Yansheng Wang, Missouri University of Science and Technology, Rolla, MO, USA 10:30 am Virtual ESD Testing of Automotive LED Lighting System ........................................................ -
"WEIRD AL" YANKOVIC: POLKAS, PARODIES and the POWER of SATIRE by Chuck Miller Originally Published in Goldmine #514
"WEIRD AL" YANKOVIC: POLKAS, PARODIES AND THE POWER OF SATIRE By Chuck Miller Originally published in Goldmine #514 Al Yankovic strapped on his accordion, ready to perform. All he had to do was impress some talent directors, and he would be on The Gong Show, on stage with Chuck Barris and the Unknown Comic and Jaye P. Morgan and Gene Gene the Dancing Machine. "I was in college," said Yankovic, "and a friend and I drove down to LA for the day, and auditioned for The Gong Show. And we did a song called 'Mr. Frump in the Iron Lung.' And the audience seemed to enjoy it, but we never got called back. So we didn't make the cut for The Gong Show." But while the Unknown Co mic and Gene Gene the Dancing Machine are currently brain stumpers in 1970's trivia contests, the accordionist who failed the Gong Show taping became the biggest selling parodist and comedic recording artist of the past 30 years. His earliest parodies were recorded with an accordion in a men's room, but today, he and his band have replicated tracks so well one would think they borrowed the original master tape, wiped off the original vocalist, and superimposed Yankovic into the mix. And with MTV, MuchMusic, Dr. Demento and Radio Disney playing his songs right out of the box, Yankovic has reached a pinnacle of success and longevity most artists can only imagine. Alfred Yankovic was born in Lynwood, California on October 23, 1959. Seven years later, his parents bought him an accordion for his birthday.