Postgraduate Prospectus Welcome from the Dean of Graduate Studies
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ACM Multimedia 2007
ACM Multimedia 2007 Call for Papers (PDF) University of Augsburg Augsburg, Germany September 24 – 29, 2007 http://www.acmmm07.org ACM Multimedia 2007 invites you to participate in the premier annual multimedia conference, covering all aspects of multimedia computing: from underlying technologies to applications, theory to practice, and servers to networks to devices. A final version of the conference program is now available. Registration will be open from 7:30am to 7pm on Monday and 7:30am to 5pm on Tuesday, Wednesday and Thursday On Friday registration is only possible from 7:30am to 1pm. ACM Business Meeting is schedule for Wednesday 9/26/2007 during Lunch (Mensa). Ramesh Jain and Klara Nahrstedt will talk about the SIGMM status SIGMM web status Status of other conferences/journals (TOMCCAP/MMSJ/…) sponsored by SIGMM Miscellaneous Also Chairs of MM’08 will give their advertisement Call for proposals for MM’09 + contenders will present their pitch Announcement of Euro ACM SIGMM Miscellaneous Travel information: How to get to Augsburg How to get to the conference sites (Augsburg public transport) Conference site maps and directions (excerpt from the conference program) Images of Augsburg The technical program will consist of plenary sessions and talks with topics of interest in: (a) Multimedia content analysis, processing, and retrieval; (b) Multimedia networking, sensor networks, and systems support; (c) Multimedia tools, end-systems, and applications; and (d) Multimedia interfaces; Awards will be given to the best paper and the best student paper as well as to best demo, best art program paper, and the best-contributed open-source software. -
Constellations Creative Arts Practice at Trinity College Dublin
CONSTELLATIONS CREATIVE ARTS PRACTICE AT TRINITY COLLEGE DUBLIN EDITED BY NICHOLAS JOHNSON & PHILIP COLEMAN 1 CONTENTS The Pregnant Box 9 The Lir 6-7 Raising the Curtain on Performance Pedagogy 10 Trinity Journal of Literary Translation 8 The Stoic Man 12 COPD Behavioural Change, Self- Management, and Peer Perspectives 13 Postcards from the Near Future 11 A rainbow in the palm of my hand 20 Samuel Beckett Laboratory 16-17 Time Present and Time Past 18 Trinity Long Room Hub 14-15 Tall Ships: Obedienta Civium Urbis Felicitas 21 Synaptic Serenades 19 Produced by the Creative Arts Practice Research Theme Steering Committee Funded by the Trinity Long Room Hub Arts and Humanities Research Institute Design and Production by Vermillion © 2015 Mapping the Former Soviet Union 25 Samuel Beckett Theatre 22-23 A PhotoVoice Project 28-29 Dynamo Island: The History and Geography of a Utopia 24 Engineering Fictions 27 Nyet! Nyet! Soviet 26 Viking Ghost Hunt / The Stoic Man 12 Haunted Planet 33 BLAST at 100 32 Border Play: TARDIGRADE 34-35 Science Gallery 30-31 Green-graphs The Long Goodbye 36 and IRIS 37 Pen & Palette 40-41 Douglas Hyde Gallery 38-39 AntiMidas, or Book of Kells Bankers in Hades 43 for iPad 42 How Do Artists Learn? 45 Centre for Literary Index of Projects by Title / Translation 44 Researchers 48 Synaptic Serenades 19 Index of Organisations / Collaborators 49 - 52 Acknowledgments 54 Courses in Creative Arts Practice Fields at TCD 53 Oscar Wilde Centre 46-47 About the Research Theme CREATIVE ARTS PRACTICE Creative Arts Practices are integrated into a range of their practices are analysed as social processes in the research activities and themes across all disciplines social sciences; they might be purveyed as content in Trinity: Humanities, Engineering, Science, and for creative technologies, as economic markers for Medicine. -
Diarmuid Ó Giolláin Directors: Christopher Fox, Patrick Griffin
IRISH SEMINAR 2014: FACULTY Executive Director: Diarmuid Ó Giolláin ■ Directors: Christopher Fox, Patrick Griffin, Declan Kiberd, Barry McCrea, Bríona Nic Dhiarmada, Robert Schmuhl. UNIVERSITY OF NOTRE DAME Joe Buttigieg John Dillon Christopher Fox Patrick Griffin Declan Kiberd Barry McCrea Amy Mulligan Bríona Nic Dhiarmada Diarmuid Ó Giolláin OUTSIDE CONTRIBUTORS Kevin Barry Guy Beiner Angela Bourke Neil Buttimer James Clifford Claire Connolly Pat Crowley Henry Glassie John Kelly Deirdre Madden Pat McCabe Vincent Morley Paul Muldoon Éilís Ní Dhuibhne Clíona Ní Gallchóir Malcolm Sen Anne-Marie Thiesse Katie Trumpener Ríonach Ní Ógáin Clair Wills Kevin Barry’s short story collection, There Are Little Kingdoms, won the Rooney Prize in 2007. He won the Sunday Times Short Story Award in 2012 and his novel City of Bohane, won the 2013 Dublin IMPAC literary award. His short fiction has appeared widely on both sides of the Atlantic, most recently in The New Yorker. His short story collection, Dark Lies the Island, appeared in 2012. Born in Limerick, he now lives in Co. Sligo. Guy Beiner is a senior lecturer in modern history at Ben-Gurion University of the Negev in Israel. He has a PhD in modern Irish history from University College Dublin and was a research fellow at Trinity College Dublin, the University of Notre Dame, Central European University and most recently at the University of Oxford. Among his publications is the prize-winning book Remembering the Year of the French: Irish Folk History and Social Memory (University of Wisconsin Press, 2007). Angela Bourke, MRIA, is Professor Emeritus in the UCD School of Irish, Celtic Studies, Irish Folklore and Linguistics, UCD. -
Youtube Buys Green Parrot Pictures 15 March 2011
YouTube buys Green Parrot Pictures 15 March 2011 quality, steadier video -- all while your video is simply being uploaded to the site?" Technology developed by Green Parrot Pictures "can do exactly this," Doig said, and has been used by major studios on films such as "Lord of the Rings," "X-Men" and "Spider-Man." "Their technology helps make videos look better while at the same time using less bandwidth and improving playback speed," Doig said. Google-owned YouTube said Tuesday that it has bought (c) 2011 AFP an Irish digital video company whose technology can help improve the quality of amateur footage submitted to the video-sharing site. Google-owned YouTube said Tuesday that it has bought an Irish digital video company whose technology can help improve the quality of amateur footage submitted to the video-sharing site. Financial details of the acquisition of Green Parrot Pictures, which was founded by Anil Kokaram, an associate professor at the engineering school of Trinity College in Dublin, were not disclosed. YouTube said in a blog post that much of the 35 hours of video uploaded to the site every minute is "beautifully shot by professionals or aspiring filmmakers." "But some of YouTube's most popular or moving videos are shot using low-quality mobile phones and video cameras," said Jeremy Doig, director of Google Video Technology. "Take, for example, videos of recent protests in Libya," Doig said. "Although emotionally captivating, they can be jerky, blurry or unsteady. "What if there was a technology that could improve the quality of such videos -- sharpening the image, reducing visual noise and rendering a higher- 1 / 2 APA citation: YouTube buys Green Parrot Pictures (2011, March 15) retrieved 24 September 2021 from https://phys.org/news/2011-03-youtube-green-parrot-pictures.html This document is subject to copyright. -
ICIP 2007 Session Index
ICIP 2007 Session Index Monday Morning MA-L1: Video Coding for Next Generation Displays MA-L2: Image And Video Segmentation I MA-L3: Video Coding I MA-L4: Image and Video Restoration MA-L5: Biometrics I MA-L6: Image and Video Storage and Retrieval I MA-P1: Stereoscopic and 3D Processing I: Coding and Processing MA-P2: Active-Contour, Level-Set, and Cluster-Based Segmentation Methods MA-P3: Image and Video Denoising MA-P4: Biometrics II: Human Activity, Gait, Gaze Analysis MA-P5: Security I: Authentication and Steganography MA-P6: Image and Video Multiresolution Processing MA-P7: Motion Detection and Estimation I MA-P8: Image and Video Enhancement Monday Afternoon MP-L1: Distributed Source Coding I: Low Complexity Video Coding MP-L2: Image And Video Segmentation II: Texture Segmentation MP-L3: Interpolation and Superresolution I MP-L4: Image and Video Modeling I MP-L5: Security II MP-L6: Image Scanning, Display, Printing, Color and Multispectral Processing I MP-P1: Image and Video Storage and Retrieval II MP-P2: Morphological, Level-Set, and Edge or Color Image/Video Segmentation MP-P3: Scalable Video Coding MP-P4: Image Coding I MP-P5: Biometrics III: Fingerprints, Iris, Palmprints MP-P6: Biomedical Imaging I MP-P7: Motion Detection and Estimation II MP-P8: Stereoscopic and 3D Processing II: 3D Modeling & Synthesis Tuesday Morning TA-L1: Distributed Source Coding II: Distributed Image and Video Coding and Their Applications TA-L2: Image and Video Segmentation III: Edge or Color Segmentation TA-L3: Stereoscopic and 3D Processing III TA-L4: -
Measuring Noise Correlation for Improved Video Denoising
MEASURING NOISE CORRELATION FOR IMPROVED VIDEO DENOISING Anil Kokaram∗, Damien Kelly, Hugh Denman, Andrew Crawford Chrome Media Group, Google Inc, 1600 Amphitheatre Parkway, Mountain View, CA 94043, USA ABSTRACT The vast majority of previous work in noise reduction for visual me- dia has assumed uncorrelated, white, noise sources. In practice this is almost always violated by real media. Film grain noise is never 1 white, and this paper highlights that the same applies to almost all 0.8 0.6 consumer video content. We therefore present an algorithm for mea- 0.4 suring the spatial and temporal spectral density of noise in archived 0.2 0 video content, be it consumer digital camera or film orginated. As an 20 15 10 15 example of how this information can be used for video denoising, the 10 5 5 spectral density is then used for spatio-temporal noise reduction in 0 0 the Fourier frequency domain. Results show improved performance 1 for noise reduction in an easily pipelined system. 0.8 0.6 Index Terms— Noise Measurement, Video Denoising, Denois- 0.4 ing, Noise Reduction, Video Noise Reduction, Wiener Filter, 3D 0.2 0 20 Fourier Transform 15 10 20 5 15 10 5 0 0 1. INTRODUCTION Fig. 1. Two examples of typical footage (Top: Consumer footage, Noise reduction for video sequences is a well studied sig- Bottom: 2K Film scan), showing on the left the blocks over which nal processing topic. The core problem is always to remove the N-PSD (shown on the right) was measured. The maximum noise noise without affecting image details. -
Teaching Fellow
Find more on our web: hipeac.net/jobs/12290 Trinity College Dublin Dublin, Ireland Teaching Fellow • Deadline: May 21, 2021 • Career levels: PostDoc • Keywords: Computer architecture, Embedded / Cyber-Physical Systems, Reconfigurable computing Trinity College Dublin Academic Posts Open We are delighted to invite applications for 2 academic posts at Trinity College with the Electronic Engineering Dept. (https://www.tcd.ie/eleceng/) in the School of Engineering. The appointments are in the area of Computational Engin- eering at the level of Asst Prof (€35,509 - €86,247, 4.5 years) and Teaching Fellow (€35,509 - €46,266, 2.5 years). Fur- ther information and applications for these posts are at jobs.tcd.ie (select Academic->Engineering). The positions are part of the new Human Capital Initiative supported by the Government of Ireland. Successful candid- ates will contribute to Computational Engineering research and teaching in the Department. This includes Signal Pro- cessing (Video, Audio, Climate), Communications, Biomedical Engineering, Media Technology and design of computa- tional hardware (FPGAs, ASICS for high throughput computation). The appointees will deliver courses in computation- al methodology including numerical software programming skills (NumPy, TensorFlow etc), computational science and engineering. The Department has a long history of strong collaboration with industry e.g. Google, YouTube, Qualcomm and is espe- cially strong in communications (connectcentre.ie) , DSP, audio/video processing (sigmedia.tv, adaptcentre.ie). The School runs a vibrant Biomedical Engineering initiative with contributions from each of the 3 disciplines including EEE. Please contact [email protected] if further context is required. Further information and applications for these posts are at jobs.tcd.ie (select Academic->Engineering). -
UNIVERSITY of DUBLIN Trinity College Calendar Part 2
UNIVERSITY OF DUBLIN Trinity College Calendar Part 2 Graduate Studies and Higher Degrees 2006/2007 This Calendar, Part 2, contains all information concerning graduate studies in Trinity College, Dublin. The College is not bound by any error in, or omission from, the following information. Euro amounts have been calculated to the nearest unit. For a definitive list of charges and fees, please consult the University of Dublin Calendar Part 1 2006/2007. DEAN OF GRADUATE STUDIES Professor Patrick John Prendergast, B.A., B.A.I., Ph.D., C. Eng., F.I.E.I., F.T.C.D. (1998) STAFF OF THE GRADUATE STUDIES OFFICE Administrative Officers: Ewa Sadowska, M.Phil. (Warsaw), M. Litt., Grad. Dip. Bus. St. (N.C.E.A.), Dip. H.E.P. Helen Thornbury, B.A. (D.C.U.), M.A. (N.U.I.) Paula McDonagh, Dip.Lang.Bus.St. Senior Executive Officer: Michelle Greally, B.A., G.D.B.S. (IT) (N.C.E.A.) Executive Officers: Anne Doyle Teresa Fox Sinead O’Carroll Jacinta Ryan Bernadette Sherlock Yvonne Taylor B.Sc. (Open) ENQUIRIES AND CORRESPONDENCE: Address: Graduate Studies Office Trinity College Dublin 2, Ireland. Tel: +353-1-896 1166 Fax: +353-1-671 2821 Email: [email protected] The Graduate Studies Office is open mornings: 10 a.m. - 12.00 noon afternoons: 2 p.m. - 4 p.m. WEB SITE The Graduate Studies Office maintains a web site: http://www.tcd.ie/Graduate_Studies/ which has links to information on all postgraduate courses and programmes listed in this Calendar, Part 2. The Graduate Studies Office local page gives further details on course development, review, supervision, thesis submission and provides downloadable copies of various forms. -
Consistent Optical Flow for Stereo Video
2010 17th IEEE International Conference on Image Processing (ICIP 2010) Hong Kong 26 - 29 September 2010 Volume 1 Pages 1 - 804 IEEE Catalog Number: CFP10CIP-PRT ISBN: 978-1-4244-7992-4 1 / 6 TABLE OF CONTENTS MA-L1: IMAGE PROCESSING FOR STEREO DIGITAL CINEMA PRODUCTION MA-L1.1: CONSISTENT OPTICAL FLOW FOR STEREO VIDEO.............................................................1 Anita Sellent, Christian Linz, Marcus Magnor, Technische Universität Braunschweig, Germany MA-L1.2: NEW VIEW SYNTHESIS FOR STEREO CINEMA BY HYBRID DISPARITY .......................5 REMAPPING Frédéric Devernay, Sylvain Duchêne, INRIA, France MA-L1.3: STEREOSCOPIC CONTENT PRODUCTION OF COMPLEX DYNAMIC .............................9 SCENES USING A WIDE-BASELINE MONOSCOPIC CAMERA SET-UP Jean-Yves Guillemaut, Muhammad Sarim, Adrian Hilton, University of Surrey, United Kingdom MA-L1.4: PATCH-BASED RECONSTRUCTION AND RENDERING OF HUMAN HEADS .................13 David C. Schneider, Anna Hilsmann, Peter Eisert, Fraunhofer HHI, Germany MA-L1.5: ISSUES IN ADAPTING RESEARCH ALGORITHMS TO STEREOSCOPIC ........................17 VISUAL EFFECTS Peter Hillman, J.P. Lewis, Sebastian Sylwan, Erik Winquist, Weta Digital Ltd, New Zealand MA-L1.6: MATTING WITH A DEPTH MAP .................................................................................................21 Francois Pitie, Anil Kokaram, Trinity College Dublin, Ireland MA-L1.7: 3D VIDEO PERFORMANCE SEGMENTATION ........................................................................25 Tony Tung, Takashi Matsuyama, Kyoto -
A Subjective Study for the Design of Multi-Resolution ABR Video Streams with the VP9 Codec
©2016 Society for Imaging Science and Technology DOI: 10.2352/ISSN.2470-1173.2016.2.VIPC-235 A Subjective Study for the Design of Multi-resolution ABR Video Streams with the VP9 Codec Chao Chen, Sasi Inguva, Andrew Rankin and Anil Kokaram, YouTube, Google Incorporated, 1600 Amphitheatre Parkway, Mountain View, California, United States Abstract Another important advantage of multi-resolution ABR Adaptive bit rate (ABR) streaming is one enabling technol- streaming is its rate-quality performance. In general, high res- ogy for video streaming over modern throughput-varying com- olution videos have better visual quality at high bit rates and low munication networks. A widely used ABR streaming method is resolution videos have better quality at low bit rate (see next to adapt the video bit rate to channel throughput by dynamically section for explanations). As shown in Figure 1, with multi- changing the video resolution. Since videos have different rate- resolution ABR streaming, users could always switch to the reso- quality performances at different resolutions, such ABR strategy lution with the best visual quality according to their available data can achieve better rate-quality trade-off than single resolution throughput[4]. ABR streaming. The key problem for resolution switched ABR is to work out the bit rate appropriate at each resolution. In this paper, we investigate optimal strategies to estimate this bit rate using Multi-resolution ABR both quantitative and subjective quality assessment. We use the Single-resolution ABR design of bitrates for 2K and 4K resolutions as an example of the Quality performance of this strategy. We introduce strategies for selecting an appropriate corpus for subjective assessment and find that at this high resolution there is good agreement between quantitative 4K and subjective analysis. -
Associate Professor in Literary Practice. Post Status: Permanent Full Time
Post Specification Post Title: Associate Professor in Literary Practice. Post Status: Permanent Full Time. School of English Department/Faculty: Faculty of Arts, Humanities and Social Sciences Trinity College Dublin, the University of Dublin Trinity College Dublin, the University of Dublin Location: College Green, Dublin 2, Ireland Reports to: Head of the School of English. Appointment will be made on the Senior Lecturer Salary: Salary Scale at a point in line with Government Pay Policy (currently €69,349–€88,512) Closing Date: 12 Noon GMT on January 12th, 2016 Interviews for this post will be held in February 2016. Post Summary The School seeks to appoint an Associate Professor of Literary Practice to teach at postgraduate and undergraduate levels in the School of English, Trinity College Dublin. The post is based in the Oscar Wilde Centre and in the School of English. The appointee will be expected to co-ordinate and teach on the MPhil in Creative Writing, to develop the profile of the Oscar Wilde Centre as teaching and research institute for Literary Practice and to contribute to undergraduate teaching in this field. The successful candidate will be an established writer with an international reputation and experience of teaching writing who would normally hold a PhD or equivalent. 7 2 Candidates wishing to discuss the post informally should contact: Ruth Archbold, School of English ([email protected]) Standard Duties of the Post: The person appointed will, under the direction of the Head of School: Offer workshops in Creative Writing and develop new areas at Masters and eventually at PhD level. -
The Life We Left Behind
The Life We Left Behind Disappearing Architecture is the title of a current exhibition at the Alma Jordan Library, featuring some of the work of artist, Jackie Hinkson. This building on the site of The UWI’s Health Education Unit at Warner Street, was once the residence of the DMO for the St. Augustine area. It was later converted into the first Law School building (run by the Council of Legal Education). For more on the exhibition, please see Page 13. PHOTO: SAFIYA ALFONSO. ECONOMY – 04 EDUCATION – 07 HONORARY Building Resilience Transforming Minds GRADUAND – 10 COTE 2012 Premium Teaching Awards Playful Science Maureen Manchouck PUBLIC HEALTH – 14 Walk for Sight Free Eye Care Symposium SUNDAY 28TH OCTOBER, 2012 – UWI TODAY 3 CAMPUS NEWS FROM THE Principal It’s Half-Marathon Day! What Sets Us Apart The ninth annual UWI SPEC Interna- Charles tional Half-Marathon presented by First Spooner Just yesterday we bid adieu to the final graduating Citizens, got off in the wee hours of this class of 2012. I am confident that our graduates will morning, and by the time you read this, do well in their chosen careers, once they continue to have faith in themselves, to be humble and open the challenge between the Kenyan athletes to learning new things and bring the focus and and the cream of Caribbean distance run- discipline they have honed at UWI to whatever ners would have been decided. tasks they may face. This year, our graduates The lead-up to this premier running totaled 3,643: 2,710 at the undergraduate level event had been rife with speculation over and 933 at the postgraduate level (a 6% increase the potency of what was deemed the here).