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January to March 2018
SOUTHERN CERAMIC GROUP NEWSLETTER www.southernceramicgroup.co.uk/ Email : [email protected] Contents Editorial • Group & Members News Welcome to the January/March edition of the SCG Newsletter. The • What’s On newsletter is published electronically quarterly to members of the South- • Hey Clay ern Ceramic Group and is more widely distributed to associated pottery • Clay Group groups. • AGM • Glaze Group Meeting Notes We always welcome your contributions to the newsletter from events to • Members Profile technical articles to profiles. This edition is a great example of the varied • Demonstrations interests of the group, we hope you enjoy the newsletter and will consider • SCG Committee contributing in the future. Keith Menear Group & Members News New Members A very warm welcome to new members: Gael Emmett from Chichester Francheska Pattisson of Winchester Trish Marshall also from Chichester Nigel Hobbs from Bordon Membership is now 152 Next Committee Meeting. The committee meets every few months or so and our next meeting will be on Next meeting. 5th March 2018, 7.15 pm at Neil’s house. "Hilston House" Hambledon Road, Denmead, Waterlooville, Hampshire PO7 6HB . If you have anything you would like to bring to our attention please contact Sandie Dixon [email protected] or any other member of the committee. 1 SOUTHERN CERAMIC GROUP NEWSLETTER What’s On Su Cloud Ceramics. Workshops January-June 2018. The beginning of a new year and the perfect time to start a new project. Is your garden in need of a focal point? I have some new workshops on offer and some old favourites, which I hope will inspire you to come and create, in my purpose built ceramic studio. -
HO060710 Sale
For Sale by Auction to be held at Dowell Street, Honiton Tel 01404 510000 Fax 01404 44165 th Tuesday 6 July 2010 Ceramics, Glass & Oriental, Works of Art, Collectables & Pictures Furniture SALE COMMENCES AT 10.00am yeer Buyers are reminded to check the ‘Saleroom Notice’ for information regarding WITHDRAWN LOTS and EXTRA LOTS SALE REFERENCE HO09 Catalogues £1.50 On View: Order of Sale: Saturday 3rd July 9.00am – 12.00 Ceramics, Glass & Oriental Monday 5th July 9.00am – 7.00pm Lots 1 - 126 Morning of Sale from 9.00am Pictures Lots 131 - 195 Works of Art & Collectables Lots 200 - 361 Carpets, Rugs & Furniture Lots 362 - 508 TUESDAY 6TH JULY 2010 Sale commences at 10am. CERAMICS, GLASS & ORIENTAL 1. A pair of bookend flower vases in Whitefriars style. 2. A bohemian style green and clear glass vase, of trumpet shape, painted with floral sprays and gilt embellishment, 17cm high. 3. A pair of overlaid ruby glass decanters with floral knop stoppers. 4. An amber and milk glass globular vase, probably Stourbridge with vertical fluted decoration, 15cm high. 5. A pair of cut glass decanters with stoppers and one other. 6. A quantity of Carnival and other moulded glassware. 7. A quantity of cut and other glass. 8. A part suite of cut glass to include tumblers and wine glasses. 9. A quantity of various drinking glasses and glass ware. 10. A pair of cut glass decanters, two other decanters and stoppers, six tumblers and five brandy balloons. 11. A collection of twenty five various glass paperweights to include millefiore style paperweights, floral weights, candlestick and others. -
The Wilman Collection
The Wilman Collection Martel Maides Auctions The Wilman Collection Martel Maides Auctions The Wilman Collection Martel Maides Auctions The Wilman Collection Lot 1 Lot 4 1. A Meissen Ornithological part dessert service 4. A Derby botanical plate late 19th / early 20th century, comprising twenty plates c.1790, painted with a central flower specimen within with slightly lobed, ozier moulded rims and three a shaped border and a gilt line rim, painted blue marks square shallow serving dishes with serpentine rims and and inscribed Large Flowerd St. John's Wort, Derby rounded incuse corners, each decorated with a garden mark 141, 8½in. (22cm.) diameter. or exotic bird on a branch, the rims within.ects gilt £150-180 edges, together with a pair of large square bowls, the interiors decorated within.ects and the four sides with 5. Two late 18th century English tea bowls a study of a bird, with underglaze blue crossed swords probably Caughley, c.1780, together with a matching and Pressnumern, the plates 8¼in. (21cm.) diameter, slop bowl, with floral and foliate decoration in the dishes 6½in. (16.5cm.) square and the bowls 10in. underglaze blue, overglaze iron red and gilt, the rims (25cm.) square. (25) with lobed blue rings, gilt lines and iron red pendant £1,000-1,500 arrow decoration, the tea bowls 33/8in. diameter, the slop bowl 2¼in. high. (3) £30-40 Lot 2 2. A set of four English cabinet plates late 19th century, painted centrally with exotic birds in Lot 6 landscapes, within a richly gilded foliate border 6. -
Specialist Collectors' Sale , Tue, 13 July 2021 9:00
Specialist Collectors' Sale , Tue, 13 July 2021 9:00 1 9ct gold charm bracelet with various novelty gold 17 Victorian silver vase of tapered cylindrical form and yellow metal charms £180-220 with embossed and pierced decoration on 2 9ct yellow and white gold bracelet with five white circular foot (lacking glass liner), by James gold double rope twist panels and yellow gold Dixon & Sons, Sheffield 1896. 11.5cm high £60- fittings. 20cm long £150-200 100 3 9ct gold circular open work ‘Ruth’ pendant on 18 Silver cigarette case with engine turned 9ct gold curb link chain. £250-300 decoration. Birmingham 1956 £60-100 4 Yellow and white metal Star of David pendant on 19 Victorian silver cased pocket watch with white 9ct gold chain £200-300 enamel dial, Roman numeral markers and subsidiary seconds dial, on silver watch chain 5 9ct gold Jewish heart shaped pendant on 18ct £40-60 gold chain £120-180 20 9ct gold flat curb link chain, 45.5cm long £150- 6 18ct gold diamond set black onyx plaque ring, 200 size L and 18ct gold signet ring, size R £80-120 21 9ct gold ball and fancy link chain, 59.5cm long 7 14ct gold wedding ring (stamped 585). Size Q £120-180 £40-60 22 Pair 9ct gold cufflinks, each oval panel engraved 8 9ct gold opal and ruby cluster ring, size N and with B and G £60-100 9ct gold emerald and opal flower head ring, size L½ £40-60 23 9ct gold heart pendant on 9ct gold chain, one other 9ct gold chain and 9ct gold watch bracelet 9 Two ladies' 9ct gold vintage wristwatches - parts £200-300 Accurist and Centaur, both on 9ct gold bracelets -
Dementia Toolkit for Small Museums
Dementia Toolkit 1 The best thing for being sad, is to learn something. That’s the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then — to learn. Learn why the world wags and wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the only thing for you. Look what a lot of things there are to learn. -T.H White, The Once and Future King 2 Introduction The first thing to say about this toolkit is that it is… well, a toolkit. It is not intended as an evaluation, or as a simple exercise in sharing best practice. This toolkit has been written to help small museums design their own wellbeing programmes, and is based on a project undertaken with that same thought in mind. It is hoped that by reading and digesting the information contained here you will gain a better understanding not only of how to undertake initiatives like this yourself, but of the important role museums play in the mental health and wellbeing of their communities. In recent times, this much discussed role has frequently been explored, with very well funded projects around the UK. -
National Sample from the 1851 Census of Great Britain List of Sample Clusters
NATIONAL SAMPLE FROM THE 1851 CENSUS OF GREAT BRITAIN LIST OF SAMPLE CLUSTERS The listing is arranged in four columns, and is listed in cluster code order, but other orderings are available. The first column gives the county code; this code corresponds with the county code used in the standardised version of the data. An index of the county codes forms Appendix 1 The second column gives the cluster type. These cluster types correspond with the stratification parameter used in sampling and have been listed in Background Paper II. Their definitions are as follows: 11 English category I 'Communities' under 2,000 population 12 Scottish category I 'Communities' under 2,000 population 21 Category IIA and VI 'Towns' and Municipal Boroughs 26 Category IIB Parliamentary Boroughs 31 Category III 'Large non-urban communities' 41 Category IV Residual 'non-urban' areas 51 Category VII Unallocable 'urban' areas 91 Category IX Institutions The third column gives the cluster code numbers. This corresponds to the computing data set name, except that in the computing data set names the code number is preceded by the letters PAR (e.g. PAR0601). The fourth column gives the name of the cluster community. It should be noted that, with the exception of clusters coded 11,12 and 91, the cluster unit is the enumeration district and not the whole community. Clusters coded 11 and 12, however, correspond to total 'communities' (see Background Paper II). Clusters coded 91 comprise twenty successive individuals in every thousand, from a list of all inmates of institutions concatenated into a continuous sampling frame; except that 'families' are not broken, and where the twenty individuals come from more than one institution, each institution forms a separate cluster. -
The Two Ages of Poole Pottery with Price Guide by Roland Head
Ceramics The Two Ages of Poole Pottery With Price Guide by Roland Head The company finally succumbed in December 2006, ending a period and both Stablers contributed greatly to a revived interest in ceramic of more than 130 years of production at the quayside in Poole. This sculpture at Poole. They created a wide range of sculptural ceramics demise seems to have had little, if any, effect on the secondary Poole and also several specially-commissioned architectural wares, such market, which remains in good health. Decorative wares produced as the Rugby School War Memorial. Of particular interest are the between 1924 and 1970 are most in demand. Most fall into two sculpted ceramic figures designed by Harold and Phoebe Stabler distinctly different categories. from around 1910 until the early 1930s. Very successful, they were produced in press-moulded form by Poole with some also being Poole Studio Ware made under license by Royal Doulton and Royal Worcester. Today, In 1958, Poole recruited Robert Jefferson as its chief designer. His good examples of these figures are fairly rare and routinely fetch work led to the introduction of new designs and techniques, and in hundreds of pounds each. The subject matter for these figures varies 1961, to the expansion and relaunch of the Poole Studio. Its output widely, with both animals and people popular choices. of boldly-painted and largely-abstract designs was formalised into the Delphis and Aegean ranges. It is the early, pre-Delphis studio Vases and Other Decorative Wares pieces that are most collectable, in particular those pieces by Tony Early decorative wares used a red earthenware body and were Morris, an artist who worked alongside Jefferson in developing the decorated with a hand-painted pattern on clear glaze over white slip. -
Cover Page the Handle Holds Various Files of This Leiden University Dissertation. Author: Krahe
Cover Page The handle http://hdl.handle.net/1887/28741 holds various files of this Leiden University dissertation. Author: Krahe, Cinta Title: Chinese porcelain and other orientalia and exotica in Spain during the Habsburg dynasty Issue date: 2014-09-18 Chinese Porcelain and other Orientalia and Exotica in Spain during the Habsburg Dynasty GENEALOGY OF THE SPANISH HABSBURG ROYAL HOUSE ROYAL HABSBURG OF THE SPANISH GENEALOGY 279 Cinta Krahe 280 Chinese Porcelain and other Orientalia and Exotica in Spain during the Habsburg Dynasty BIBLIOGRAPHY Abad Zardoya 2005 Carmen Abad Zardoya, La casa y los objetos. Espacio doméstico y cultura material en la Zaragoza de la primera mitad del Siglo XVIII, Zaragoza, 2005. Abad Zardoya 2009 Carmen Abad Zardoya, ‘ Por el bien y beneficios que de su mano hemos recibido: estudio documental de una donación de bienes muebles hecha por Tomás de Borja a su sobrino el duque de Lerma en 1608’ in Artigrama, no. 24, 2009, pp. 341-71. Addis 1970 John M. Addis, ‘Chinese Porcelain Found in the Philippines’, in Transactions of the Oriental Ceramic Society, vol. 37, 1970, pp. 17–36. Adhyatman and Ridho1984 Sumarah Adhyatman and Abu Ridho, Tempayan Martavans in Indonesia, Jakarta, 1984. (2nd ed.) Adhyatman 1987 Sumarah Adhyatman, Kendi, Jakarta, 1987. Adhyatman 1999 Sumarah Adhyatman, Zhangzhou (Swatow) Ceramics: Sixteenth to Seventeenth Centuries found in Indonesia, Jakarta, 1999. Aguado de los Reyes 1994 Jesús Aguado de los Reyes, Riqueza y Sociedad en la Sevilla del Siglo XVII, Seville, 1994. Aguado de los Reyes 1996 Jesús Aguado de los Reyes, Fortuna y miseria en la Sevilla del siglo XVII, Seville, 1996. -
NEWSLETTER Holiday Open House & Bake Sale
2013 Fall PRESERVING HISTORY Volume 35 No. 2 NEWSLETTER Holiday Open House Crow Wing County Museum & Bake Sale & Research Library Restored Sheriff’s Residence At the Museum Open to the public Friday, December 13th MISSION STATEMENT 3 –7 pm The Crow Wing County Enjoy hot apple cider/coffee Historical Society is committed to Punch & cookies preserving the history New exhibits and telling the story of Crow Wing County. STAFF Brainerd book available in the museum gift shop Pam Nelson Director/Administrator Newsletter Editor Lynda Hall Assistant Administrator Darla Sathre Administrative Assistant Experience Works Staff Lyn Lybeck Bonnie Novick 2013 FALL NEWSLETTER President’s Report It's hard to believe we are well into November with Christmas just around the corner. We have had a busy yet eventful year. Our annual meeting was a success, although there is always room for more attendees. Our museum continues to receive rave reviews from our visitors that tour our building. The remodeling has added room for more displays, thank you and Bake Sale to the staff and volunteers who worked very hard to make these improvements a reality. A special thanks to board member Ron Crocker and his son Jeff for making it all possible. OPEN TO THE PUBLIC The open house in October highlighted the unveiling of a large portrait of Lyman White. We Friday, Dec. 13 3-7 pm were fortunate to have Mayor James Wallin do the honors before a very nice crowd. Lyman White is the gentleman who is recognized as the person who actually laid out the Cider, Coffee, Punch boundaries of the city of Brainerd. -
Tunbridge Wells Museum & Art Gallery Collections Management Plan
Tunbridge Wells Museum & Art Gallery Collections Management Plan First edition August 2006 Second edition October 2012 Reviewed and revised June 2016 Collections Management Plan Executive summary Introduction The Collections Management Plan provides a framework for all collections-related aspects of the museum service. The plan aims to consolidate best practice in all aspects of collections management, and to ensure compliance with the national museum Accreditation scheme. Collections Development The Collections Development Policy aims to maintain and document appropriate formal procedures for the entry of objects to and the exit of objects from the collections. It incorporates a review of the existing collections to establish a context within which to chart their future development. It identifies gaps and potential growth areas, and provides criteria for the acceptance or otherwise of objects that may be offered to the Museum as donations, or which may appear as available for purchase. It establishes priorities for future collecting, including that of contemporary material. Documentation The documentation policy statement sets out in-house procedures established by the Museum for processing new acquisitions, cataloguing collections, recording location and movement, information retrieval, and exit and loan records. Collections care and conservation The statement on collections care and conservation aims to establish a balanced and flexible policy which combines high standards of collections care with the provision of a wide range of opportunities for people to engage with the collections. It is based on the standards set out in the checklist Benchmarks in Collection Care. Its coverage includes monitoring and control of environmental conditions, storage, handling, and remedial conservation. -
The Employment of Matter: Pottery of the Omega Workshops
Julian Stair The Employment of Matter: Pottery of the Omega Workshops Among professional artists there is … a vague idea that a man can still remain a gentleman if he paints bad pictures, but must forfeit the conven- tional right to his Esquire if he makes good pots or serviceable furniture., Pottery design in Britain at the beginning of the twentieth century was consid- ered to be in a perilous state, caught between the tail end of the Arts and Crafts movement – the ‘unornamental “ornaments” with which thoughtless people crowd their living rooms’* – and the unchecked might, or ‘decadence’,- of Stoke-on-Trent.. Christopher Dresser’s striking ceramic designs for Minton and the Linthorpe Art Pottery in the ,//0s had rarely escaped a stifling his- toricism; William de Morgan finally gave up potting to write novels in ,10+; and only a few small independent firms such as the Ruskin Pottery, which specialised in flamboyantly glazed vases in imitation of late Chinese porcelain, continued production (fig. ,., p. */). Despite the success of the Arts and Crafts movement in revitalising handicraft, pottery did not enjoy the success of other disciplines. As Alan Crawford writes, ‘pottery and weaving … before the war had been somehow less spectacular than the movement’s furniture and metalwork’.2 Although capable of embodying the immediacy of handwork, the transformation of the artist-craftsman’s sensibility into clay proved elusive. In this context, why did Roger Fry encourage the Omega Workshops to venture into the unfashionable and technically challenging -
Antiques-February-1990-Victorian-Majolica.Pdf
if It1ud!!&/ ';"(* ./J1!11L. /,0t£~ltldtiJlR~~~rf;t;t r{/'~dff;z, f!71/#/~i' 4 . !(Jf~f{ltiJ(/dwc.e. dJ /¥ C\-Cit!Ja? /Hc a4 ~- t1 . I. le/. {./ ,...."".. //,; J.(f)':J{"&Tf ,4.~'.£1//,/1;"~._L~ • ~. ~~f tn.~! .....•. ... PL IL Baseball and Soccer pitcher made by Griffen, Smith and Company, PllOeni;'Cville,Pennsylvania. c.1884. Impressed "GSH "in nlOnogram on the bottom. Height 8 inches. The Wedgwood pattern book illustration of the same design is shown in PL Ila. Karmason/Stacke collection; White photograph. PL /la. Design from one of the pattern books of Josiah Wedgwood and Sons, Barlaston, Stoke-on-Trent, England. Wedgwood Museum, Barlaston, Stoke-on-Trent, England. and Company, Josiah Wedgwood and Sons, and majolica.! New designs for majolica ceased to be made George Jones and Sons. From these books one be• in the early 1890's, and production of majolica ceased comes familiar with the style of the maker and comes early in this century. to appreciate the deliberate choice of details that gives The Minton shape books are valuable not only be• each piece its unity. cause they help date the first production of a piece but By 1836 Herbert Minton (1792- 1858) had succeed• also because they show the development of the eclectic ed his father, Thomas (1765-1836), the founder of the and revivalist styles used by Minton artists. The earli• prestigious Minton firm. In 1848 Joseph Leon Fran• est style used by the firm was inspired by Renaissance ~ois Arnoux (1816-1902) became Minton's art direc• majolica wares.Z Large cache pots, urns, and platters tor, chief chemist, and Herbert Minton's close col• were decorated with flower festoons, oak leaves, car• league.