February 20202020

Total Page:16

File Type:pdf, Size:1020Kb

February 20202020 NewsletterNewsletter FebruaryFebruary 20202020 In This Issue • Chairman’s Final Letter P3 • Jottings from Michael Shipley P4 • Nothing Quite Like a Dame P8 • LTG National Conference P11 Vol.34Vol.34 No.1No.1 FebruaryFebruary 20202020 LTG Newsletter Vol .34 No.1 February 2020 Vol. 34 No. 1 Feb 2020 LTG Diary of Events The Little Theatre Guild National Conference represents 114 member theatres Questors, Ealing April 17- 19th that control and manage their amateur theatre companies Northern Conference with an annual audience of over Chads 2020 Date tbc 650,000 patrons, and a turnover Central Conference of approximately £4 million. Norbury Theatre, Droitwich February 22nd Visit us at www.littletheatreguild.org New LTG Rep Articles for the LTG Newsletters 2020 deadlines Station Theatre, Hayling Island - Laura Duncan for copy: May 10th, Aug 12th & Nov 6th [email protected] was interesting. It appears that festival. It was good to learn of A Word from there is a mixed feeling for the the different possibilities. competitive kind of adjudication The Chairman of such as when entering a Well I’m sure we can fill a whole festival and an adjudication edition of tales of adjudicators Carlisle Green Room which is just an assessment destroying the self confidence of a particular play. Maybe we of many a budding newcomer, I attended the LTG Conference should adopt the latter at the or sending an experienced in Nantwich at the end of Green Room. actor off in a monumental sulk October and high on the list of sometimes for the kindest ‘must attend’ workshops was Within this there is scope to have of advice! Some cast can be one entitled Adjudicators - either a written adjudication affronted on account of others What do they Know? sent to the company or to have if they feel a comment is a verbal adjudication delivered unfounded and sadly this can I was there like a shot, as I on the night of the performance now easily explode onto social knew this area is a hot topic after the show. Similar to media. Not an easy job being at the moment. What I found the system used in a one act an adjudicator! Well by now some of you will know that Samuel the death of a name that IS Amateur Theatre, I French has been taken over by Concord was reassured that Samuel French would survive Theatricals Company. Fortunately the name as an imprint of Concord Theatricals. lives on at Samuel French’s Bookshop at The Royal Court Theatre. Not being familiar with the expression I don’t When I was commiserating with the staff over know how to feel about that! Little Theatre Guild of Great Britain www.littletheatreguild.org Temporary Newsletter Editor: Sandra Simpson National Secretary: 104 Albert Road West Caroline Chapman Bolton Friar’s Oak Lancs BL1 5ED 24 Mill Farm Road Hamsterley Mill Tel: 01204 843631 Tyne & Wear Email: [email protected] NE39 1NW Tel: 01207 545280 The contents of this newsletter are not necessarily Email: [email protected] the official views of the Little Theatre Guild. 2 LTG Newsletter Vol .34 No.1 February 2020 A Final Letter from the Chairman “It’s one of the tragic ironies of the theatre that this end we have negotiated only one man in it can count on steady work – valuable discounts on The Night Watchman”. So said play scripts from Samuel Tallulah Bankhead the American French, Nick Hern Books and actress of the 1920s and 1930s. Weinbergers. Depending on how many productions your The same might be said of LTG theatre puts on in a season it Chairmen who are now rotated can contribute or even meet the every three years. That is a policy cost of the LTG subscription. of which I very much approve. As this will be my last The process of negotiating Chairman’s Letter, I hope you will forgive a bit of other benefits is ongoing. reflection. A subject always under review is member The first thing to say is being LTG Chairman has been a communications. It is something very difficult to very enjoyable and rewarding experience. During my get right and like many other organisations we do term I have attended approximately 12 national and sometimes get the criticism we don’t know what is regional conferences. I can honestly say I never get going on. Sometimes it is justified but not always. bored of them. I suppose I have become a conference LTG has three main channels of communication, junkie. They have three great attractions, the people website, newsletter and yearbook. Certainly, when you meet, the stage productions and the opportunity we held relationship meetings round the country the to visit places you would probably never have visited. yearbook and newsletter were regarded as valuable The welcome at all these conferences has always and useful. It is fair to say our social media presence been very warm and friendly and the productions of needs to be developed and this is something that will a uniformly high standard which does great credit to be looked at. LTG. I now feel I qualify to become an Ambassador for Trip Advisor. Many services we provide have been an LTG feature for years and none more so than our Grey papers. The position is of course much more than being a They provide summary details and early warning conference junkie. It is being part of the national on legislation that will affect our theatres and also committee team who are constantly trying to make other related issues such as tax. These are very well positive changes in the way we operate and the received and often given as a reason for joining by benefits we can bring to our theatres. In the spirit of new members. They are constantly being added to reflection, I thought it might be interesting to detail and are reviewed on an annual basis for accuracy some of our more important initiatives. and relevance. At the start of my term, with the support and active I have been very fortunate in being supported by a involvement of the national committee, I was anxious dedicated and experienced national committee. Their we developed a Business Plan to act as a “route map” great strength is that they all remain actively involved for the next three years. This covered most of the in their own theatres. This keeps us all well grounded areas we are involved in from member benefits to and very aware of what it is like at the “coal face”. I communications and from Grey papers to finance. would like to thank each and every one of them for For each area we established a projected outcome, the support they have given me and the work they target and review date with the plan as a whole being have undertaken which has made being chairman reviewed on an annual basis. It is, therefore, very such an enjoyable experience. much a living document. I have been very fortunate to have as my Vice Chairman We have also taken the opportunity to review our Jo Matthews from Questors Theatre. Many of you will Rules and make changes as appropriate. Changes know her and be aware of her undoubted abilities and were recommended and these were approved at our knowledge of the theatre. I could not have asked for 2018 AGM at the People’s Theatre in Newcastle. The a more supportive and dedicated vice chairman. As most significant change was extending the term of under the LTG Rules she will automatically become office of the Chairman and Vice Chairman from two chairman at this year’s AGM, I have no hesitation in to three years. This has enabled longer term planning saying she will become a very worthy chairman. to become embedded and the job holders to become more familiar and confident in their positions. Finally, could I thank you all for making the last three years such an enjoyable and rewarding experience. Enhancing the benefits of LTG membership has always been a priority for the national committee. To Mike Smith 3 LTG Newsletter Vol .34 No.1 February 2020 More Jottings from Michael Shipley A short piece from the There can be a lot in a name. photographer Dafydd Jones in a If the LTGs are keen to sell the recent book, quoted in The Oldie benefits of the Guild to their recently: “I noticed how many Theatres, great! If they are of my pictures featured people ambassadors of their theatres glued to their phones. Old to the Guild, even better. The people, young people, mothers process is two-way for mutual with children, workmen, cops, benefit.” cyclists, everyone - in shops, in the streets, on the train, in Moving to page 2, the popularity galleries, in bars and restaurants, parade (or Top of the Pops) everywhere. I’ve even seen of the plays chosen in the Guild a man standing at a urinal, a was announced. The five most phone cradled in his free hand.” frequently performed authors in 1988/9 were Alan Ayckbourn, A blast from the past! William Shakespeare, Noel It’s time to look at the archives Coward, Tom Stoppard, and again, this time for November Michael Frayn. The most 1989, thirty years ago! There, frequently performed plays Booker Prize Winner on the first page, comes this were The House of Bernarda Bernadine Evaristo wrote pithy quote from the Newsletter from Ilkley Playhouse: Alba, Noises Off, Chorus of feelingly in The Guardian about Disapproval, 84 Charing Cross youth theatre work on 24th “Theatre is about taking risks Road, and On Golden Pond.
Recommended publications
  • English 252: Theatre in England 2006-2007 * [Optional Events
    English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E.
    [Show full text]
  • Cheltlf12 Brochure
    SponSorS & SupporterS Title sponsor In association with Broadcast Partner Principal supporters Global Banking Partner Major supporters Radio Partner Festival Partners Official Wine Working in partnership Official Cider 2 The Times Cheltenham Literature Festival dIREctor Festival Assistant Jane Furze Hannah Evans Artistic dIREctor Festival INTERNS Sarah Smyth Lizzie Atkinson, Jen Liggins BOOK IT! dIREctor development dIREctor Jane Churchill Suzy Hillier Festival Managers development OFFIcER Charles Haynes, Nicola Tuxworth Claire Coleman Festival Co-ORdinator development OFFIcER Rose Stuart Alison West Welcome what words will you use to describe your festival experience? Whether it’s Jazz, Science, Music or Literature, a Cheltenham Festival experience can be intellectually challenging, educational, fun, surprising, frustrating, shocking, transformational, inspiring, comical, beautiful, odd, even life-changing. And this year’s The Times Cheltenham Literature Festival is no different. As you will see when you browse this brochure, the Festival promises Contents 10 days of discussion, debate and interview, plus lots of new ways to experience and engage with words and ideas. It’s a true celebration of 2012 NEWS 3 - 9 the power of the word - with old friends, new writers, commentators, What’s happening at this year’s Festival celebrities, sports people and scientists, and from children’s authors, illustrators, comedians and politicians to leading opinion-formers. FESTIVAL PROGRAMME 10 - 89 Your day by day guide to events I can’t praise the team enough for their exceptional dedication and flair in BOOK IT! 91 - 101 curating this year’s inspiring programme. However, there would be no Festival Our Festival for families and without the wonderful enthusiasm of our partners and loyal audiences and we young readers are extremely grateful for all the support we receive.
    [Show full text]
  • Scott & Bailey 2 Wylie Interviews
    Written by Sally Wainwright 2 PRODUCTION NOTES Introduction .........................................................................................Page 3 Regular characters .............................................................................Page 4 Interview with writer and co-creator Sally Wainwright ...................Page 5 Interview with co-creator Diane Taylor .............................................Page 8 Suranne Jones is D.C. Rachel Bailey ................................................Page 11 Lesley Sharp is D.C. Janet Scott .......................................................Page 14 Amelia Bullmore is D.C.I. Gill Murray ................................................Page 17 Nicholas Gleaves is D.S. Andy Roper ...............................................Page 20 Sean Maguire is P.C. Sean McCartney ..............................................Page 23 Lisa Riley is Nadia Hicks ....................................................................Page 26 Kevin Doyle is Geoff Hastings ...........................................................Page 28 3 INTRODUCTION Suranne Jones and Lesley Sharp resume their partnership in eight new compelling episodes of the northern-based crime drama Scott & Bailey. Acclaimed writer and co-creator Sally Wainwright has written the second series after once again joining forces with Consultancy Producer Diane Taylor, a retired Detective from Greater Manchester Police. Their unique partnership allows viewers and authentic look at the realities and responsibilities of working within
    [Show full text]
  • MEDIA KIT 2017 EMBARGOED UNTIL 4PM SUNDAY 28 AUGUST 2016 Melbourne 'S Home of Theatre
    MEDIA KIT 2017 EMBARGOED UNTIL 4PM SUNDAY 28 AUGUST 2016 MElBOURNE 'S hOME OF ThEATRE MELBOURNE THEATRE COMPANY Media Release 28 AUGUST 2016 MTC Season 2017 Melbourne Theatre Company Artistic Director Brett Sheehy ao today revealed MTC’s 2017 Season – a collection of works from around the world that celebrate the art of great, live storytelling. ‘Season 2017 is one of our most exciting yet,’ Brett Sheehy said. ‘The year ahead draws together an enviable assortment of artists to present stories from France, Britain, Ireland, America, India, and, of course, Australia for a season that will bring laughter, empathy, debate and intrigue to all our lives.’ ‘In a season that celebrates and showcases live storytelling at its best, we are especially thrilled that four outstanding new Australian plays will have world premiere productions on our stages,’ Mr Sheehy said. Melbourne Theatre Company’s 2017 Season features eleven mainstage productions, an extensive Education Program and touring education production, plus a range of industry-leading initiatives including MTC’s Women in Theatre Program, NEON NEXT, MTC CONNECT and Cybec Electric. The season opens in grand period style with Garson Kanin’s 1940s Broadway classic Born Yesterday – a screwball romance directed by MTC Associate Director Dean Byrant, starring Christie Whelan Browne and Joel Jackson. The incomparable Helen Morse and Julia Blake return to the stage alongside Ursula Mills making her MTC debut in John, the latest highly acclaimed work from Pulitzer Prize-winning playwright Annie Baker, directed by MTC Associate Director Sarah Goodes. Judy Davis directs Brian Friel’s enduring work of art, Faith Healer – an extraordinary creation presented in four beautifully sculpted monologues – starring Colin Friels, Pip Miller and Alison Whyte.
    [Show full text]
  • The Danish Girl
    March-April 2016 VOL. 31 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES NO. 2 IN THIS ISSUE The Danish Girl | ALA Notables | The Brain | Spotlight on Fitness | Emptying the Skies | The Mama Sherpas | Chi-Raq | Top Spin scene & he d BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Le n more about Bak & Taylor’s Scene & He d team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified buyers ensure titles are available and delivered on time DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music shelf-ready specifications SKILLED Supportive Sales Representatives with an average of 15 years industry experience KNOWLEDGEABLE Full-time staff of A/V catalogers, backed by their MLS degree and more than 43 years of media cataloging expertise 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review The Danish Girl is taken aback. Married for six years, Einar enjoys a lusty conjugal life with Gerda—un- HHH1/2 til, one day, she asks him to don stockings, Universal, 120 min., R, DVD: $29.98, Blu-ray: tutu, and satin slippers to fill in for a miss- ing model. Sensing his delight in posing in Publisher/Editor: Randy Pitman $34.98, Mar. 1 Eddie Redmayne feminine finery, she suggests Einar attend a Associate Editor: Jazza Williams-Wood followed up his Os- party, masquerading as a cousin named Lili. Copy Editor: Kathleen L. Florio car-winning turn as What neither of them expects is that demure Lili will attract amorous attention.
    [Show full text]
  • Lesley Sharp and the Alternative Geographies of Northern English Stardom
    This is a repository copy of Lesley sharp and the alternative geographies of northern english stardom. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/95675/ Version: Accepted Version Article: Forrest, D. and Johnson, B. (2016) Lesley sharp and the alternative geographies of northern english stardom. Journal of Popular Television, 4 (2). pp. 199-212. ISSN 2046-9861 https://doi.org/10.1386/jptv.4.2.199_1 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Lesley Sharp and the alternative geographies of Northern English Stardom David Forrest, University of Sheffield Beth Johnson, University of Leeds Abstract Historically, ‘North’ (of England) is a byword for narratives of economic depression, post-industrialism and bleak and claustrophobic representations of space and landscape.
    [Show full text]
  • History in the Hands of the Contemporary Playwright 2000-2015: a Feminist Critique of Normative Historiography in British Theatre
    History in the hands of the Contemporary Playwright 2000-2015: a feminist critique of normative historiography in British theatre. Submitted by Rebecca Amy Fraser to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Drama in June 2017 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. Abstract Abstract Between 2000 and 2015 twelve of the UK’s leading producing theatres premiered twenty three plays by British playwrights where the action was set between 1882-1928. This historical period is significant; in 1882 the Married Women’s Property Act was passed and in 1928 equal enfranchisement for men and women was granted in the United Kingdom, hence, the historical period traces a shift in women’s rights from property ownership to the vote. This thesis investigates narratives within these plays and explores the development of a normative historiography that is drawn on, but predominantly left unquestioned, by playwrights as Britain’s past is reimagined. It is this normative historiography, operating in a theatrical context, which the thesis problematises and interrogates through the lens of contemporary British playwriting. This lens facilitates an exploration of the manner in which the representation of the past mirrors and/or challenges current feminist discourse and considers the cultural implications of the structures and techniques employed to retell women their history through this medium.
    [Show full text]
  • ~Lag(8Ill COMPANIES INC
    May 2001 BAMcinematek 2001 Spring Season 651 ARTS Brooklyn Philharmonic Orchestra BAM Spring Season sponsor: PH il iP M ORRIS ~lAG(8Ill COMPANIES INC. 2001 Spring Broo Iyn Academy of Music Bruce C. Ratner Alan H. Fishman Chairman of the Board Chairman, Campaign for BAM Karen Brooks Hopkins Joseph V. Melillo President Executive Producer presents Royal National Theatre Hamlet by William Shakespeare Approximate BAM Howard Gilman Opera House running time: May 30 & 31; June 1 & 2,2001, at 7:30pm 3 hours and June 2 at 2pm 15 minutes with one intermission Director John Caird Designer Tim Hatley Lighting designer Paul Pyant Music John Cameron Fight director Terry King Sound designer Christopher Shutt Company voice work Patsy Rodenburg U.S . tour general management SFX Theatrical Group/Sondra R. Katz BAM Theater sponsors: AOL Time Warner In c. and Fleet Leadership support: The Peter Jay Sharp Foundation; The Shubert Foundation, Inc.; and The Norman & Rosita Winston Foundation, Inc. Official airline for the BAM presentation of the Royal National Theatre in Hamlet British Airways The actors in Hamlet appear Additional support: The Laura Pels Foundation with the special permission of Actors' Equity Association. The American stage managers are The U.S. tour is sponsored by The American Associates of members of Actors' Equity the Royal National Theatre and The British Council. Association. Design and costumes are generously supported by Alan and Jean Horan. 25 The Players Horatio Simon Day Hamlet, Prince of Denmark Simon Russell Beale Hamlet, his father
    [Show full text]
  • Research Guide for Female Playwrights
    Royal Manitoba Theatre Centre Research Guide for Female Playwrights All plays listed in this research guide are by female playwrights, or other contributors such as translators and composers. This research guide includes all of the information needed to make an archival request at the Archives of Manitoba – the item description, date of the item and the location code. See the example below. The information in this research guide is accurate as of March 22, 2018. Please refer to the Archives of Manitoba’s Keystone Database for the most updated list of files. Records are stored onsite in the vaults of the Archives of Manitoba (200 Vaughan Street, Winnipeg) or offsite in their storage facility. The location of each file is provided in the research guide. Request forms are available at the Archives of Manitoba. All records must be viewed in the reading room at the Vaughan Street location. Request forms for records stored offsite can be submitted online. For more information, please visit the Archives of Manitoba website. Restrictions: Photographs can be viewed but cannot be copied without the permission of the theatre. Records for productions after 1998 are located at the Royal MTC building (174 Market Avenue, Winnipeg). Researchers who require access should contact [email protected]. This research guide is divided into two sections: the first includes plays with records located at the Archives of Manitoba; the second section lists plays for which records have not yet been transferred to the Archives of Manitoba (1999-2000 to 2017-2018 season). Note: Some files may contain records for more than one production.
    [Show full text]
  • A DAY by the SEA by N
    Two’s Company and Karl Sydow in association with Master Media present A DAY BY THE SEA by N. C. Hunter programme A DAY BY THE SEA by N. C. HUNTER Cast in order of speaking Director Tricia Thorns Miss Mathieson Stephanie Willson Set Designer Alex Marker governess to the children Costume Designer Emily Stuart Elinor Eddison Tatum Smith-Sperling or Lighting Designer Neill Brinkworth daughter of Frances by her first marriage Beatrix Taylor Sound Designer Candice Weaver Toby Eddison Jack Swiftor Production Manager Owen Donkin Elinor’s brother George Taylor Stage Manager /Operator Remi Bruno Smith Doctor Farley David Acton Rehearsal Stage Manager Naomi Buchanan Brooks Doctor to David Performance Stage Manager Lauren Burns David Anson David Whitworth Design Assistant Natalie Furnell Calvert Laura’s brother-in-law Costume Assistant Samina Sattar Laura Anson Susan Tracy Assistants to the production Elizabeth Holden and Jan Rae a widow Production photography Philip Gammon Frances Farrar Alix Dunmore Press Anne Mayer (020 3659 8482) recently divorced from her second husband Marketing Mel Cox, Target Live William Gregson David Gooderson a solicitor Poster & programme design Jon Bradfield Producer Graham Cowley Julian Anson John Sackville Laura’s son, in the Foreign Office Our grateful thanks to: Duncan Coombe; Paul Grimwood; Humphrey Caldwell Hugh Sachs Miller Centre Theatre for costumes; Ladies’ hair by Lynne of an official in the Foreign Office Emslie Griffin at Stars; Guy Chapman for extra marketing help; Out of Joint for rehearsal space; Phil Gammon and Tony Pescod for the boat; Jenny and Peter Parker and the Bottom Act I Group for props; Ian Black, Sadie Crowder, Angus Duke, The garden of Laura Anson’s house in Dorset.
    [Show full text]
  • Royal MTC Production History
    PRODUCTION HISTORY Historical research for this project was funded by Manitoba Culture, Heritage and Tourism. 1958-1959 SEASON Theatre 77 Series A Hatful of Rain Michael V. Gazzo October 20, 1958 - October 25, 1958 Dominion Theatre The Glass Menagerie Tennessee Williams January 19, 1959 - January 24, 1959 Dominion Theatre Ring Around the Moon Jean Anouilh and Christopher Fry March 23, 1959 - March 28, 1959 Dominion Theatre Of Mice and Men John Steinbeck May 11, 1959 - May 16, 1959 Dominion Theatre Little Theatre Series Blithe Spirit Noël Coward November 10, 1958 - November 15, 1958 Dominion Theatre Teach Me How to Cry Patricia Joudry December 8, 1958 - December 13, 1958 Dominion Theatre Born Yesterday Garson Kanin February 23, 1959 - February 28, 1959 Dominion Theatre The Diary of Anne Frank Dramatized by Frances Goodrich and Albert Hackett (Based Upon the Book, Anne Frank: Diary of a Young Girl) April 13, 1959 - April 18, 1959 Dominion Theatre Theatre for Young Audiences Cinderella Book by John Hirsch; Music & Lyrics by Neil Harris December 23, 1958 - December 30, 1958 Dominion Theatre World Premiere MTC production presented by the Children’s Theatre of Winnipeg Members’ Night Program Fumed Oak Noël Coward February 9, 1959 - February 10, 1959 Dominion Theatre Triple-billed with The Answer and No Exit The Answer Phoebe Rees February 9, 1959 - February 10, 1959 Dominion Theatre Triple-billed with Fumed Oak and No Exit No Exit Jean-Paul Sartre February 9, 1959 - February 10, 1959 Dominion Theatre Triple-billed with Fumed Oak and The Answer The Bald Soprano Eugene Ionesco April 27, 1959 - April 28, 1959 Dominion Theatre Triple-billed with The Man in the Bowler Hat and Sunday Costs Five Pesos The Man in the Bowler Hat A.A.
    [Show full text]
  • 32 Sept Spotlights.Indd
    September 2011 No. 32 | Bimonthly www.bromleylittletheatre.org FLEA IN HER EAR! (Review: page 4 - Photos Back Cover) INSIDE: SEASON Review: Flea in Her Ear | Love On The Dole PREVIEW Auditions: California Suite | Twelfth Night | Equus Previews: The Glass Menagerie | The Weir | Brassed Off 2012 Howard Wilson Tribute • Events Diary • Noticeboard What’s Inside BLT Chair 2 Playgoers’ Noticeboard 3 Key Contacts 3 Review of Flea in Her Ear 4 The D.R.A.M.A.s 6 Howard Wilson: a tribute 7 BLT’s 2012 Season 8 Audition Notices 12 Previews 14 Diary Dates 16 Claire McRandal as Raymonde in Flea in her Ear will be looking at strategies to increase as many members are aware, BLT Chair the number of set designers, set we cannot make the necessary “I said at the builders, lighting designers, lighting investment in the theatre until beginning of operators etc. we are clear that we have a my previous column in BLT, the company and charity held, its such investment worthwhile. Our Spotlights that AGM on Monday 18 July. Key points currentsufficiently lease long is up lease for torenewal make I was writing at discussed included: at the beginning of 2012 and the beginning • Artistic values remain a key lease is the key priority for the sunny day of strength at BLT. Moreover, with Boardsecuring for a the sufficiently remainder long of newthis theof the summer. first It special thanks to Pauline Armour, year. turns out I’m our aim is to increase further, • Finally, having reported on the sad afraid that it was one of the few sunny the quality and consistency of loss of Tom Pead in the previous days of the summer and I should productions through an artistic edition of Spotlights, BLT lost have stilled my pen because I clearly assurance scheme.
    [Show full text]