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AVENGERS BY THE NUMBERS On-Board Inside front cover EVERYTHING GAME OF THRONES MOVIE CATALOG Pages 36-38 © 2019 Marvel © 2019 Universal City Studios Productions LLLP. All Rights Reserved. © 2019 Paramount Pictures © 2019 Warner Bros. Ent. All rights reserved. © 2019 RJD Filmworks, Inc. All Rights Reserved. © Lions Gate Entertainment, Inc. STX Entertainment 2019 © © Amazon Studios © 2019 Disney Enterprises, inc. © 2019 STX Entertainment 2019 © © Lions Gate Entertainment, Inc. © 2019 Warner Bros. Ent. All rights reserved. July/August 2019 | 1.877.660.7245 | swank.com/on-board-movies H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H ExperienceH H H H H H H H H H H H H H H H HTHE H ADVENTURESH H H H H H H H of the AVENGERS H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Universal City Studios Productions LLLP. All Rights Reserved. © 2019 Marvel H HH H H H H H HH HH H HH HH H 2008H H H H H H HH H H H H 2008H H H H H H H H H H2010 H H H H H H H H H2011 H H H H H H H H H2011 H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel H H H H H2012 H H H H H H H H H2013 H H H H H H H H H2013 H H H H H H H H H2014 H H H H H H H H H 2014H H H H H H H H H 2015H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Columbia Pictures Industries, Inc. -
Nine Night at the Trafalgar Studios
7 September 2018 FULL CASTING ANNOUNCED FOR THE NATIONAL THEATRE’S PRODUCTION OF NINE NIGHT AT THE TRAFALGAR STUDIOS NINE NIGHT by Natasha Gordon Trafalgar Studios 1 December 2018 – 9 February 2019, Press night 6 December The National Theatre have today announced the full cast for Nine Night, Natasha Gordon’s critically acclaimed play which will transfer from the National Theatre to the Trafalgar Studios on 1 December 2018 (press night 6 December) in a co-production with Trafalgar Theatre Productions. Natasha Gordon will take the role of Lorraine in her debut play, for which she has recently been nominated for the Best Writer Award in The Stage newspaper’s ‘Debut Awards’. She is joined by Oliver Alvin-Wilson (Robert), Michelle Greenidge (Trudy), also nominated in the Stage Awards for Best West End Debut, Hattie Ladbury (Sophie), Rebekah Murrell (Anita) and Cecilia Noble (Aunt Maggie) who return to their celebrated NT roles, and Karl Collins (Uncle Vince) who completes the West End cast. Directed by Roy Alexander Weise (The Mountaintop), Nine Night is a touching and exuberantly funny exploration of the rituals of family. Gloria is gravely sick. When her time comes, the celebration begins; the traditional Jamaican Nine Night Wake. But for Gloria’s children and grandchildren, marking her death with a party that lasts over a week is a test. Nine rum-fuelled nights of music, food, storytelling and laughter – and an endless parade of mourners. The production is designed by Rajha Shakiry, with lighting design by Paule Constable, sound design by George Dennis, movement direction by Shelley Maxwell, company voice work and dialect coaching by Hazel Holder, and the Resident Director is Jade Lewis. -
English 252: Theatre in England 2006-2007 * [Optional Events
English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E. -
Cheltlf12 Brochure
SponSorS & SupporterS Title sponsor In association with Broadcast Partner Principal supporters Global Banking Partner Major supporters Radio Partner Festival Partners Official Wine Working in partnership Official Cider 2 The Times Cheltenham Literature Festival dIREctor Festival Assistant Jane Furze Hannah Evans Artistic dIREctor Festival INTERNS Sarah Smyth Lizzie Atkinson, Jen Liggins BOOK IT! dIREctor development dIREctor Jane Churchill Suzy Hillier Festival Managers development OFFIcER Charles Haynes, Nicola Tuxworth Claire Coleman Festival Co-ORdinator development OFFIcER Rose Stuart Alison West Welcome what words will you use to describe your festival experience? Whether it’s Jazz, Science, Music or Literature, a Cheltenham Festival experience can be intellectually challenging, educational, fun, surprising, frustrating, shocking, transformational, inspiring, comical, beautiful, odd, even life-changing. And this year’s The Times Cheltenham Literature Festival is no different. As you will see when you browse this brochure, the Festival promises Contents 10 days of discussion, debate and interview, plus lots of new ways to experience and engage with words and ideas. It’s a true celebration of 2012 NEWS 3 - 9 the power of the word - with old friends, new writers, commentators, What’s happening at this year’s Festival celebrities, sports people and scientists, and from children’s authors, illustrators, comedians and politicians to leading opinion-formers. FESTIVAL PROGRAMME 10 - 89 Your day by day guide to events I can’t praise the team enough for their exceptional dedication and flair in BOOK IT! 91 - 101 curating this year’s inspiring programme. However, there would be no Festival Our Festival for families and without the wonderful enthusiasm of our partners and loyal audiences and we young readers are extremely grateful for all the support we receive. -
A Review of New Historical Drama from the BBC
Eras Edition 9, November 2007 – http://www.arts.monash.edu.au/eras ‘Time-warp Television’ – A review of new historical drama from the BBC: Life on Mars, created by Mathew Graham, Tony Jordan and Ashley Pharoah, BBC, 2006. Robin Hood, created by Foz Allan and Dominic Minghella, BBC, 2006. Torchwood, created by Russell T. Davies, BBC, 2006. Robin Hood in an anorak and touting an anti-war message? Costume drama in the gritty back streets of 1970s Manchester? Clearly this is not your father’s BBC. While there is still plenty of Austen and Dickens for the purist, the BBC, long the home of waistcoats, mutton chops and empire waists, has breathed some new life into the historical drama with two series that seem to engage as much with the way we respond to history as to the historical setting itself. A cult and critical hit, Life on Mars, follows Manchester Police Detective Sam Tyler (played by John Simm) who is ‘transported’ back to 1973 after being hit by a car. Used to being a Detective Chief Inspector with expensive digs, a well-cut suit, and police-work governed by political correctness and computers, Sam finds himself demoted, dressed in a leather jacket, living in a dingy room with a Murphy-bed, and working with DCI Gene Hunt. Hunt, played with joyful relish by Philip Glenister, is the very antithesis of modern policing. He is unabashedly racist, sexist, homophobic and not above bashing the uncooperative suspect mid-interview. All guts and reaction, he is the ying to Sam’s yang, as it becomes clear that DI Tyler has lost the ability to trust his instincts. -
No Offence the Aims of This Factsheet Are to Demonstrate the Way the Theoretical Abbot Has a Long Relationship with Channel 4
Media Studies www.curriculum-press.co.uk Number 184 Applying the Theoretical Framework: No Offence The aims of this Factsheet are to demonstrate the way the theoretical Abbot has a long relationship with Channel 4. Channel 4 are a framework can be applied to the television CSP, No Offence including commercial broadcaster but they also receive some government the industrial context of No Offence and the way the programme uses funding. To receive the public money, Channel 4 has to ensure media language: that (amongst other things) its programming is innovative, offers • To position the programme as part of a genre. alternative points of view and reflects the cultural diversity of the country. • To create narrative. Channel 4 buys programming from production companies and, when • To construct representations. doing so, will consider how the programme will help support its • To appeal to audiences. remit. Programmes which fit into Channel 4’s brand identity are No Offence is one of the options available for the study of television more likely to be bought by the broadcaster. products for AQA’s AS and A Level qualifications. Having a distinctive production background and being a ‘Channel • For AS Media Studies, it is a targeted CSP and should be 4 programme’ adds to the branding of No Offence itself and helps studied considering Audience and Industry ideas. audiences know what to expect from the programme. With no other • For A Level Media Studies, it is an in-depth CSP and information about the show, audiences would assume it would have should be studied considering all areas of the framework an irreverent approach to storytelling and may provide representations – Media Language, Representation, Audience and and storylines that are unconventional. -
Scott & Bailey 2 Wylie Interviews
Written by Sally Wainwright 2 PRODUCTION NOTES Introduction .........................................................................................Page 3 Regular characters .............................................................................Page 4 Interview with writer and co-creator Sally Wainwright ...................Page 5 Interview with co-creator Diane Taylor .............................................Page 8 Suranne Jones is D.C. Rachel Bailey ................................................Page 11 Lesley Sharp is D.C. Janet Scott .......................................................Page 14 Amelia Bullmore is D.C.I. Gill Murray ................................................Page 17 Nicholas Gleaves is D.S. Andy Roper ...............................................Page 20 Sean Maguire is P.C. Sean McCartney ..............................................Page 23 Lisa Riley is Nadia Hicks ....................................................................Page 26 Kevin Doyle is Geoff Hastings ...........................................................Page 28 3 INTRODUCTION Suranne Jones and Lesley Sharp resume their partnership in eight new compelling episodes of the northern-based crime drama Scott & Bailey. Acclaimed writer and co-creator Sally Wainwright has written the second series after once again joining forces with Consultancy Producer Diane Taylor, a retired Detective from Greater Manchester Police. Their unique partnership allows viewers and authentic look at the realities and responsibilities of working within -
MEDIA KIT 2017 EMBARGOED UNTIL 4PM SUNDAY 28 AUGUST 2016 Melbourne 'S Home of Theatre
MEDIA KIT 2017 EMBARGOED UNTIL 4PM SUNDAY 28 AUGUST 2016 MElBOURNE 'S hOME OF ThEATRE MELBOURNE THEATRE COMPANY Media Release 28 AUGUST 2016 MTC Season 2017 Melbourne Theatre Company Artistic Director Brett Sheehy ao today revealed MTC’s 2017 Season – a collection of works from around the world that celebrate the art of great, live storytelling. ‘Season 2017 is one of our most exciting yet,’ Brett Sheehy said. ‘The year ahead draws together an enviable assortment of artists to present stories from France, Britain, Ireland, America, India, and, of course, Australia for a season that will bring laughter, empathy, debate and intrigue to all our lives.’ ‘In a season that celebrates and showcases live storytelling at its best, we are especially thrilled that four outstanding new Australian plays will have world premiere productions on our stages,’ Mr Sheehy said. Melbourne Theatre Company’s 2017 Season features eleven mainstage productions, an extensive Education Program and touring education production, plus a range of industry-leading initiatives including MTC’s Women in Theatre Program, NEON NEXT, MTC CONNECT and Cybec Electric. The season opens in grand period style with Garson Kanin’s 1940s Broadway classic Born Yesterday – a screwball romance directed by MTC Associate Director Dean Byrant, starring Christie Whelan Browne and Joel Jackson. The incomparable Helen Morse and Julia Blake return to the stage alongside Ursula Mills making her MTC debut in John, the latest highly acclaimed work from Pulitzer Prize-winning playwright Annie Baker, directed by MTC Associate Director Sarah Goodes. Judy Davis directs Brian Friel’s enduring work of art, Faith Healer – an extraordinary creation presented in four beautifully sculpted monologues – starring Colin Friels, Pip Miller and Alison Whyte. -
Hamlet West End Announcement
FOLLOWING A CRITICALLY ACCLAIMED & SELL-OUT RUN AT THE ALMEIDA THEATRE HAMLET STARRING THE BAFTA & OLIVIER AWARD-WINNING ANDREW SCOTT AND DIRECTED BY THE MULTI AWARD-WINNING DIRECTOR ROBERT ICKE WILL TRANSFER TO THE HAROLD PINTER THEATRE FOR A STRICTLY LIMITED SEASON FROM 9 JUNE – 2 SEPTEMBER 2017 ‘ANDREW SCOTT DELIVERS A CAREER-DEFINING PERFORMANCE… HE MAKES THE MOST FAMOUS SPEECHES FEEL FRESH AND UNPREDICTABLE’ EVENING STANDARD ‘IT IS LIVEWIRE, EDGE-OF-THE-SEAT STUFF’ TIME OUT Olivier Award-winning director, Robert Icke’s (Mary Stuart, The Red Barn, Uncle Vanya, Oresteia, Mr Burns and 1984), ground-breaking and electrifying production of William Shakespeare’s Hamlet, starring BAFTA award-winner Andrew Scott (Moriarty in BBC’s Sherlock, Denial, Spectre, Design For Living and Cock) in the title role, will transfer to the Harold Pinter Theatre, following a critically acclaimed and sell out run at the Almeida Theatre. Hamlet will run for a limited season only from 9 June to 2 September 2017 with press night on Thursday 15 June. Hamlet is produced by Ambassador Theatre Group (Sunday In The Park With George, Buried Child, Oresteia), Sonia Friedman Productions and the Almeida Theatre (Chimerica, Ghosts, King Charles III, 1984, Oresteia), who are renowned for introducing groundbreaking, critically acclaimed transfers to the West End. Rupert Goold, Artistic Director, Almeida Theatre said "We’re delighted that with this transfer more people will be able to experience our production of Hamlet. Robert, Andrew, and the entire Hamlet company have created an unforgettable Shakespeare which we’re looking forward to sharing even more widely over the summer in partnership with Sonia Friedman Productions and ATG.” Robert Icke, Director (and Almeida Theatre Associate Director) said “It has been such a thrill to work with Andrew and the extraordinary company of Hamlet on this play so far, and I'm delighted we're going to continue our work on this play in the West End this summer. -
John Simm ~ 47 Screen Credits and More
John Simm ~ 47 Screen Credits and more The eldest of three children, actor and musician John Ronald Simm was born on 10 July 1970 in Leeds, West Yorkshire and grew up in Nelson, Lancashire. He attended Edge End High School, Nelson followed by Blackpool Drama College at 16 and The Drama Centre, London at 19. He lives in North London with his wife, actress Kate Magowan and their children Ryan, born on 13 August 2001 and Molly, born on 9 February 2007. Simm won the Best Actor award at the Valencia Film Festival for his film debut in Boston Kickout (1995) and has been twice BAFTA nominated (to date) for Life On Mars (2006) and Exile (2011). He supports Man U, is "a Beatles nut" and owns seven guitars. John Simm quotes I think I can be closed in. I can close this outer shell, cut myself off and be quite cold. I can cut other people off if I need to. I don't think I'm angry, though. Maybe my wife would disagree. I love Manchester. I always have, ever since I was a kid, and I go back as much as I can. Manchester's my spiritual home. I've been in London for 22 years now but Manchester's the only other place ... in the country that I could live. You never undertake a project because you think other people will like it - because that way lies madness - but rather because you believe in it. Twitter has restored my faith in humanity. I thought I'd hate it, but while there are lots of knobheads, there are even more lovely people. -
James Strong Director
James Strong Director Agents Michelle Archer Assistant Grace Baxter [email protected] 020 3214 0991 Credits Television Production Company Notes CRIME Buccaneer/Britbox Lead Director and Executive Producer. 2021 Episodes 1-3. Writer: Irvine Welsh, based on his novel by the same name. Producer: David Blair. Executive producers: Irvine Welsh, Dean Cavanagh, Dougray Scott andTony Wood. VIGIL World Productions / BBC One Lead Director and Executive Producer. 2019 - 2020 Episodes 1- 3. Starring Suranne Jones, Rose Leslie, Shaun Evans. Writer: Tom Edge. Executive Producer: Simon Heath. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes LIAR 2 Two Brothers/ ITV Lead Director and Executive Producer. 2019 Episodes 1-3. Writers: Jack and Harry Williams Producer: James Dean Executive Producer: Chris Aird Starring: Joanne Froggatt COUNCIL OF DADS NBC/ Jerry Bruckheimer Pilot Director and Executive Producer. 2019 Television/ Universal TV Inspired by the best-selling memoir of Bruce Feiler. Series ordered by NBC. Writers: Tony Phelan, Joan Rater. Producers: James Oh, Bruce Feiler. Exec Producers: Jerry Bruckheimer, Jonathan Littman, KristieAnne Read, Tony Phelan, Joan Rater. VANITY FAIR Mammoth/Amazon/ITV Lead Director and Executive Producer. 2017 - 2018 Episodes 1,2,3,4,5&7 Starring Olivia Cooke, Simon Russell Beale, Martin Clunes, Frances de la Tour, Suranne Jones. Writer: Gwyneth Hughes. Producer: Julia Stannard. Exec Producers: Gwyneth Hughes, Damien Timmer, Tom Mullens. LIAR ITV/Two Brothers Pictures Lead Director and Executive Producer. 2016 - 2017 Episodes 1 to 3. Writers: Harry and Jack Williams. -
The 2010S John Simm – Joshua Mcguire – Ladi Emeruwa/Naeem
The 2010s John Simm – Joshua McGuire – Ladi Emeruwa/Naeem Hayat A week before opening at the Sheffield Crucible in 2010, John Simm expressed his fears about tackling Hamlet: ‘I get terrified doing theatre. And right now it’s like being at the base camp of Mount Everest thinking, Oh hell, here we go.’ Better known for his television work, most notably Life on Mars, and with only two stage roles in the last 14 years, his anxiety was understandable, especially as at the age of 40 this was his Shakespearean debut. Although he had a year to prepare, he kept a copy of the play with him all the time, and never stopped reading it, so that it seeped into him. He underlined the challenge he faced: ‘The thing most often said about Hamlet is that you don’t play him, he plays you. I didn’t really understand what that meant until I started to do it. You have to try not to approach him as a “character”. You get to play the greatest role ever written, but you’ve also got to be yourself while you’re doing it. That, to me, is what makes it so terrifying and so perfect.’ Director Paul Miller described the setting for his production as ‘timeless but vaguely nineteenth-century Eastern European’, with swords and winter coats; Tom Scutt's split-level minimalist design for the Crucible’s large thrust stage featured silver-birch trunks, at times sprinkled with snow, and Winter-Palace-style windows, evoking a Russian feel. The production gained a mostly lukewarm response, with review comments such as ‘tidy and workmanlike’, ‘blandly efficient’, ‘robustly traditional’ and ‘slow-moving’.