Grade 12 Advanced Piano
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Marquetry on Drawer-Model Marionette Duo-Art
Marquetry on Drawer-Model Marionette Duo-Art This piano began life as a brown Recordo. The sound board was re-engineered, as the original ribs tapered so soon that the bass bridges pushed through. The strings were the wrong weight, and were re-scaled using computer technology. Six more wound-strings were added, and the weights of the steel strings were changed. A 14-inch Duo-Art pump, a fan-expression system, and an expression-valve-size Duo-Art stack with a soft-pedal compensation lift were all built for it. The Marquetry on the side of the piano was inspired by the pictures on the Arto-Roll boxes. The fallboard was inspired by a picture on the Rhythmodic roll box. A new bench was built, modeled after the bench originally available, but veneered to go with the rest of the piano. The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION SEPTEMBER/OCTOBER 2005 VOLUME 42, NUMBER 5 Teresa Carreno (1853-1917) ISSN #1533-9726 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. AMICA was founded in San Francisco, California in 1963. PROFESSOR MICHAEL A. KUKRAL, PUBLISHER, 216 MADISON BLVD., TERRE HAUTE, IN 47803-1912 -- Phone 812-238-9656, E-mail: [email protected] Visit the AMICA Web page at: http://www.amica.org Associate Editor: Mr. Larry Givens VOLUME 42, Number -
Piano Manufacturing an Art and a Craft
Nikolaus W. Schimmel Piano Manufacturing An Art and a Craft Gesa Lücker (Concert pianist and professor of piano, University for Music and Drama, Hannover) Nikolaus W. Schimmel Piano Manufacturing An Art and a Craft Since time immemorial, music has accompanied mankind. The earliest instrumentological finds date back 50,000 years. The first known musical instrument with fibers under ten sion serving as strings and a resonator is the stick zither. From this small beginning, a vast array of plucked and struck stringed instruments evolved, eventually resulting in the first stringed keyboard instruments. With the invention of the hammer harpsichord (gravi cembalo col piano e forte, “harpsichord with piano and forte”, i.e. with the capability of dynamic modulation) in Italy by Bartolomeo Cristofori toward the beginning of the eighteenth century, the pianoforte was born, which over the following centuries evolved into the most versitile and widely disseminated musical instrument of all time. This was possible only in the context of the high level of devel- opment of artistry and craftsmanship worldwide, particu- larly in the German-speaking part of Europe. Since 1885, the Schimmel family has belonged to a circle of German manufacturers preserving the traditional art and craft of piano building, advancing it to ever greater perfection. Today Schimmel ranks first among the resident German piano manufacturers still owned and operated by Contents the original founding family, now in its fourth generation. Schimmel pianos enjoy an excellent reputation worldwide. 09 The Fascination of the Piano This booklet, now in its completely revised and 15 The Evolution of the Piano up dated eighth edition, was first published in 1985 on The Origin of Music and Stringed Instruments the occa sion of the centennial of Wilhelm Schimmel, 18 Early Stringed Instruments – Plucked Wood Pianofortefa brik GmbH. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
Country Airplay Chart Dated Oct
Country Update BILLBOARD.COM/NEWSLETTERS OCTOBER 12, 2020 | PAGE 1 OF 21 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Parton’s Chart Country’s New Kids Are Back On ‘Holly’-Day >page 4 The Block, And Headed To Radio Altadena Tweaks The COVID-19 quarantine for new country artists at radio ap- “Most stations seemed to tighten up, play big hit records Artist Development pears to be over. from the recent past and also uptempo, fun records that were >page 11 When the coronavirus led many Americans to self-isolate and current singles by superstars,” says Universal Music Group change the way they work, the genre’s labels placed an informal Nashville executive vp promotion Royce Risser. “The majority moratorium on introducing brand-new acts to broadcasters. of programmers felt that radio’s best strategy was to be an But the handcuffs are now off. Two of the top three of the titles escape for those who were stuck at home. If they jumped in Quartz Hill’s debuting on the Country Airplay chart dated Oct. 17 — Elvie the car, it was probably a good thing to listen to radio and just, First Hirings Shane’s “My Boy” (No. 56) and for a moment, forget about what >page 11 Larry Fleet’s “Where I Find they were seeing on television God” (No. 58) — are by artists in their homes. In that period of being worked to AM/FM radio time, hearing big hit songs from for the first time. your favorite artists was more CMT Video Finalists Likewise, TikTok phenom important than ever. -
Sibelius First Tutorials
Tutorials Edition 7.1.1 February 2012 Tutorials written by Tom Clarke. See the About Sibelius dialog for a full list of the software development team and other credits. We would like to thank all those (too numerous to list) who have provided helpful comments and suggestions for Sibelius and its documentation. Legal Notices This product is subject to the terms and conditions of a software license agreement. This guide is copyrighted © 2012 by Avid Technology Inc., (hereafter “Avid”), with all rights reserved. Under copyright laws, this guide may not be duplicated in whole or in part without the written consent of Avid. Avid, Sibelius and Scorch are registered trademarks of Avid Technology, Inc. in the USA, UK and other countries. ReWire is a trademark of Propellerhead Software and is used under license. VST is a trademark of Steinberg Soft- und Hardware GmbH. All other trademarks are acknowledged as the property of their respective owners. Product features, specifications, system requirements, and availability are subject to change without notice. Document Feedback We are always looking for ways to improve our documentation. If you have comments, corrections, or suggestions regarding our documentation, please email us at [email protected]. Contents Start here . 5 2.3 Clefs, key signatures and tuplets . 54 About the projects . 8 2.4 Marking up a score . 57 Project 1 9 2.5 Layout and formatting . 61 2.6 Exporting . 65 1.1 Opening a score . 11 1.2 Editing and inputting notes . 17 Project 3 67 1.3 Selections and copying music. 23 3.1 Writing for keyboard. -
Cipc-2021-Program-Notes.Pdf
PROGRAM NOTES First and Second Rounds Written by musicologists Marissa Glynias Moore, PhD, Executive Director of Piano Cleveland (MGM) and Anna M. O’Connell (AMO) Composer Index BACH 03 LISZT 51 BÁRTOK 07 MESSIAEN 57 BEACH 10 MONK 59 BEETHOVEN 12 MOZART 61 BRAHMS 18 RACHMANINOFF 64 CHOPIN 21 RAMEAU 69 CZERNY 29 RAVEL 71 DEBUSSY 31 PROKOFIEV 74 DOHNÁNYI 34 SAINT-SAËNS 77 FALLA 36 SCARLATTI 79 GRANADOS 38 SCHUBERT 82 GUARNIERI 40 SCRIABIN 84 HAMELIN 42 STRAVINSKY 87 HANDEL 44 TANEYEV 90 HAYDN 46 TCHAIKOVSKY/FEINBERG 92 LIEBERMANN 49 VINE 94 2 2021 CLEVELAND INTERNATIONAL PIANO COMPETITION / PROGRAM NOTES he German composer Johann Sebastian Bach was one of a massive musical family of Bachs whose musical prowess stretched over two Johann Thundred years. J.S. Bach became a musician, earning the coveted role as Thomaskantor (the cantor/music director) for the Lutheran church Sebastian of St. Thomas in Leipzig. At St. Thomas, Bach composed cantatas for just about every major church holiday, featuring a variety of different voice types Bach and instruments, and from which his famed chorales are sung to this day in churches and choral productions. As an organist, he was well known for his ability to improvise extensively on hymn (chorale) tunes, and for reharmonizing (1685-1750) older melodies to fit his Baroque aesthetic. Many of these tunes also remain recognizable in church hymnals. Just as his chorales serve as a basis in composition technique for young musicians today, his collection of keyboard works entitled The Well-Tempered Clavier serves even now as an introduction to preludes and fugues for students of the piano. -
AN -2 /9/8 No.7
AN -2 /9/8 VoL X January, 1918 No.7 to cen .. per copy Co..,.LlOltT Itl l .,. C ••CIIMDO ru •. Co. $1.00 per rear AU rt.hyl'eMl"Nd "~TQM" "" 811tOOWII C ...... M"''M''Ka J UN .. I. lICIt, ,toT Til" "on' O",ICt! AT no.Tolf, ....... UNOO Acr 0 ,. M ....c ll I. 1819. Th_ CRESCENDO 1I=1=lu BRILLIANT MANDOLIN ORCHESTRA MUSIC SINGLE PARTS CO .. BINATIONS Eaeh numbe:rl.aLtoetf«th'et,. ~ ~ _rratl..-d 'w aa,..mal.. eclat- blnaOoa. Banjo ~ In both i .a H t 1 1 AaadCNoutioa < i~ ~ < I" ~ iI ; U i~ ~o DISCOUNT ON&.IIALF OPF ! ! a ~~ i~ 00 S .. ~ ~1 :: J ! l 0 i ~ il ~ EACIf ~ Gay Chauffeur. The. March .80 .20 .20 .20 .20 .20 .20 .20 .60 .60 .40 .60 G. L. Lansing and H. F. Odell la l,",ooolaDd. Intermezzo .80 .20 .20 .20 .20 .20 .20 .20 .60 .60 .40 .60 H. A. Peck Arr. B. F. Odell La T:r.I ••ue. Muurka Hongroile .40 .80 .80 .80 .20 .80 .20 .60 .80 1.00 .60 .80 0 L. GanDe Arr. H. F. Odell Love'. Golden &Jemoriea .80 .20 .20 .20 .20 .20 .20 .20 .60 .60 .40 .60 0 ~ H. F. Odell MandoU"e . .SO .20 .20 .20 .20 .20 .20 .40 .60 .60 .40 .60 Fr. Thome Arr. B. F. Odell 11 ••qu er.der•• Tltl!. .80 .20 .20 .20 .20 .20 .20 .40 .60 .60 .'0 .60 Dorothy Wbite Pri!?i.~ · ~ ~:~~~~.nc. .80 .20 .20 .20 .20 .20 .20 .40 .60 .60 .40 .60 J . -
Montgomery Gentry Discography Free Download Tattoos and Scars Tattoos & Scars
montgomery gentry discography free download tattoos and scars Tattoos & Scars. With all of the comparisons to Southern rock legends Lynyrd Skynyrd, Marshall Tucker, Charlie Daniels, the Outlaws, and so forth, this solid, hardcore rockin' honky tonk duo and their amazing band is an entity unto themselves. Eddie Montgomery (brother of John Michael) and Troy Gentry are equal parts country music that comes from Merle Haggard, George Jones, Wynn Stewart, Dwight Yoakam, and even Hank Williams. At the same time, they play a scorching brand of rock & roll that has everything to do with the aforementioned heroes of the 1970s and the Allmans too because the blues are at the root of everything they do. This is an auspicious debut album, one that not only shows promise, but delivers the goods in the form of great songs written by a host of Nash Vegas' and Texas' finest -- if unknown new breed -- and absolutely tremendous performances. Check the hard rocking opener, "Hillbilly Shoes," with its flatpicking guitar intro supplanted by overdriven fiddles and screaming dual lead guitars. And "Trying to Survive" with its guitar, pedal steel, and piano fills is reminiscent of the feel, not sound, of Tucker's "Can't You See." It's easy to embrace Tim McGraw and a host of others who use rock & roll as way of framing their country music, but Montgomery Gentry don't use rock; they are a rock band who make country music, real country music. Check the gorgeous chorus on "Lonely and Gone" that is commenced with a heavy metal guitar intro only to become a gorgeous mid-tempo ballad. -
Social and Visual Rhetorics of Appalachian Identity
The Responsibility of Forms: Social and Visual Rhetorics of Appalachian Identity A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Carissa A. Massey June 2009 © 2009 Carissa A. Massey. All Rights Reserved. 2 This dissertation titled The Responsibility of Forms: Social and Visual Rhetorics of Appalachian Identity by CARISSA A. MASSEY has been approved for the School of Interdisciplinary Arts and the College of Fine Arts by William F. Condee J. Richard Hamilton/Baker and Hostetler Professor of Humanities Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT MASSEY, CARISSA A., Ph.D., June 2009, Interdisciplinary Arts The Responsibility of Forms: Social and Visual Rhetorics of Appalachian Identity (262 pp.) Director of Dissertation: William F. Condee Appalachians are typically represented in visual culture as homogenized: white and poor. For the rest of the country tuned into to American visual culture, Appalachia is nothing more than America’s backwoods country, crawling with hillbillies, peopled by incestuous families, and stocked with slovenly welfare abusers. In the spirit of recent Appalachian scholarship’s reclamation of Appalachian heterogeneity via challenges to what scholars have referred to as the “Appalachian Myth,” this study examines the rhetoric of Appalachian stereotypes in visual culture, observes scenarios in which they construct external and internal “others,” and theorizes the ways in which images promote prejudice, classism, and gender disparities and deny the existence of richly diverse cultural traditions within the region. The visual ephemera covered in this project are not studied or organized as artifacts in an historical taxonomy. -
A Comparison of Bluegrass Bands: 2013 Bands Versus the 1940S-1960S Bands
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2013 A Comparison of Bluegrass Bands: 2013 Bands Versus the 1940s-1960s Bands Elizabeth Rosanne Butler University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the Music Education Commons Recommended Citation Butler, Elizabeth Rosanne, "A Comparison of Bluegrass Bands: 2013 Bands Versus the 1940s-1960s Bands" (2013). Electronic Theses and Dissertations. 19. https://egrove.olemiss.edu/etd/19 This Dissertation is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. A COMPARISON OF BLUEGRASS BANDS: 2013 BANDS VERSUS THE 1940S-1960S BANDS A Dissertation presented in partial fulfillment of requirements for the degree of Doctor of Philosophy Department of Music The University of Mississippi by Elizabeth Rosanne Butler November, 2013 Copyright Elizabeth R. Butler 2013 ALL RIGHTS RESERVED ABSTRACT The present study investigated the bluegrass music genre of 2013 and compared it with bluegrass found in the 1940s and 1960s. To date, only one similar study has been identified. In 1963, L.M. Smith completed a study entitled, Bluegrass Music and Musicians: An Introductory Study of a Musical Style in Its Cultural Context. In the conclusion to his study, Smith listed five major characteristics found in the bluegrass genre: 1. “Bluegrass is hillbilly music, played by white Southern musicians for a Southern audience.” 2. “Bluegrass is not dance music and is seldom used for this purpose.” 3. -
Bruises on the Fruit
ruises onon thethe fruitfruit B A BRIEF HISTORY OF NIRVANA & THE EVOLUTION OF THEIR MUSIC by Gary Vehar From the moment Nirvana’s landmark CD Nevermind was released, the world of rock music has never been the same. I for one will always be thankful that that album came out when it did, slightly over a week before my eighteenth birthday. I was a still-wet-behind-the-ears college freshman, away from home for the first time. Just as my life was changing drastically, so was the culture. Music, politics, fashion and art underwent an enormous change as the 90’s sloughed off the last vestiges of the 80’s. Concealed as I was in the quiet town of Ellensburg, Washington, within the tiny confines of my third-floor door room, it was the change in musical guard that first caught my attention. Friends from Seattle regularly brought over dubbed tapes to share with those of us here in college, and among one batch was an advance tape for a band called Nirvana. Nevermind was already causing excitement before its official release of September 24th, 1991. Leaving my friends for the night, I couldn’t get the songs, the sounds, out of my head. About a week later I was in yet another dorm room, listening to a brutish lout rave about the same album. Even at this early date it was obvious Nirvana was crossing all boundaries, even if the fellow who owned this copy (the real CD, this time) made fun of the over-the-top screams that so captivated me. -
Nashvillemusicguide.Com 1 CD, DVD, & Tape Duplication, Replication, Printing, Packaging, Graphic Design, and Audio/Video Conversions
NashvilleMusicGuide.com 1 CD, DVD, & Tape Duplication, Replication, Printing, Packaging, Graphic Design, and Audio/Video Conversions we make it easy! Great prices Terrific turnaround time Hassle - free, first - class personal service Jewel case package prices just got even better! 500 CD Package starts at $525 5-6 business days turnaround 300 CD Package starts at $360 4-5 business days turnaround 100 CD Package starts at $170 3-4 business days turnaround. Or check out our duplication deals on custom printed sleeve, digipaks, wallets, and other CD/DVD packages Call or email today to get your project moving! 615.244.4236 [email protected] or visit wemaketapes.com for a custom quote On Nashville’s Historic Music Row For 33 Years 118 16th Avenue South - Suite 1 Nashville, TN 37203 (Located just behind Off-Broadway Shoes) Toll Free: 888.868.8852 Fax: 615.256.4423 Become our fan on and follow us on to receive special offers! NashvilleMusicGuide.com 2 NashvilleMusicGuide.com 1 Contents Letter from the Editor Editor & CEO Randy Matthews [email protected] Departments June was hectic and fun- We have made our Blues Jam a monthly event. It is be- 38 filled. Country Music ing held the third Thursday of every month at Winner's Managing Editor Amanda Andrews Summit, CMA Music in Midtown. Paris Delane and The Legend's Elite will be [email protected] 2 Editor’s Letter Festival, Bonnaroo and hosting it. The June jam was a lot of fun. Come out and Director Sales & Marketing Janell Webb 7 Writer’s Nights & BamaJam are over.