GTK-XB7 Launch Sony Music Preference in Domestic Dogs Study
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Den Svenska Enhörningen Storyn Om Spotify
Den svenska enhörningen spotify_inlaga_final.indd 1 2018-03-21 13:58 spotify_inlaga_final.indd 2 2018-03-21 13:58 Den svenska enhörningen Storyn om Spotify RASMUS FLEISCHER och PELLE SNICKARS spotify_inlaga_final.indd 3 2018-03-21 13:58 spotify_inlaga_final.indd 4 2018-03-21 13:58 Den svenska enhörningen Av Rasmus Fleischer & Pelle Snickars 2018 • 12 Kapitel, 192 sidor # KAPITEL Prolog 7 1 En enhörning föds 14 2 Nothing, zilch, zero 30 3 Beta 48 4 Launch 64 5 Alla ♥ Spotify 78 6 Störst i världen 96 7 Algoritmernas intåg 112 8 Music for every moment 126 9 Biljoner i konkurrens 148 10 Musikjätten tar sig ton 164 Epilog 183 © Rasmus Fleischer, Pelle Snickars & Mondial 2018 spotify_inlaga_final.indd 5 2018-03-21 13:58 spotify_inlaga_final.indd 6 2018-03-21 13:58 Prolog En sökning på ordet ”enhörning” på Spotify genererar en hel del träffar. Man kan exempelvis hitta kryptiska låttitlar som ”Enhör- ning på refugen” (svensk hårdrock) eller ”Upptäcka enhörningen” (någon sorts new age-aktig meditationsmusik). Där finns också mer välbekanta titlar som ”Enhörningens hemlighet” – ett inläst Tintin-album från 1974. De många sökträffarna inkluderar också ett par enhörnings-spellistor, med ett musikinnehåll som nästan alltid är gjort för barn, eller som har något drömskt och sago- likt över sig. På en spellista hittar man låtar som ”Space Unicorn Holiday” eller ”Pink Fluffy Unicorns Dancing On Rainbows”. På en annan mer välbekanta hits, åtminstone för småbarnspappor som vi, som Dolly Styles ”Unicorns & Ice Cream”. Den svenska enhörningen är en bok som handlar om Spotify och hur denna musiktjänst vuxit fram till en världsledande aktör. -
Encore Songlist
west coast music Encore Please find attached the Encore Band song list for your review. SPECIAL DANCES for Weddings: Please note that we will need to have your special dance requests, (I.E. First Dance, F/D Dance, etc) FOUR WEEKS prior to your event so that we can confirm the band will be able to perform the song(s) and so that we have time to locate sheet music and audio of the song(s). In some cases where sheet music is not available or an arrangement for the full band is needed, this gives us time to properly prepare the music. Clients are not obligated to submit a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and/or avoided. If you desire the highest degree of control (asking the band to only play within the margin of songs requested), we would ask for a minimum 80 requests from the band’s songlist. Please feel free to call us at the office should you have any questions. – West Coast Music SONGLIST: At Last – Etta James 1,2,3,4 – Plain White T’s Baby Got Back – Sir Mix A Lot 24K Magic – Bruno Mars Back at One – Boyz II Men A Thousand Years – Christina Bad Day – Daniel Powter Perri Ballad Of John & Yoko Ain’t too Proud to Beg – Bamboleo – Gipsy Kings Temptations Bang my Head – David Guetta/Sia Adventure of a Lifetime – Beast of Burden – Rolling Stones Coldplay Beautiful Day – U2 After All – Peter Cetera/Cher -
Most Requested Songs of 2009
Top 200 Most Requested Songs Based on nearly 2 million requests made at weddings & parties through the DJ Intelligence music request system in 2009 RANK ARTIST SONG 1 AC/DC You Shook Me All Night Long 2 Journey Don't Stop Believin' 3 Lady Gaga Feat. Colby O'donis Just Dance 4 Bon Jovi Livin' On A Prayer 5 Def Leppard Pour Some Sugar On Me 6 Morrison, Van Brown Eyed Girl 7 Beyonce Single Ladies (Put A Ring On It) 8 Timberlake, Justin Sexyback 9 B-52's Love Shack 10 Lynyrd Skynyrd Sweet Home Alabama 11 ABBA Dancing Queen 12 Diamond, Neil Sweet Caroline (Good Times Never Seemed So Good) 13 Black Eyed Peas Boom Boom Pow 14 Rihanna Don't Stop The Music 15 Jackson, Michael Billie Jean 16 Outkast Hey Ya! 17 Sister Sledge We Are Family 18 Sir Mix-A-Lot Baby Got Back 19 Kool & The Gang Celebration 20 Cupid Cupid Shuffle 21 Clapton, Eric Wonderful Tonight 22 Black Eyed Peas I Gotta Feeling 23 Lady Gaga Poker Face 24 Beatles Twist And Shout 25 James, Etta At Last 26 Black Eyed Peas Let's Get It Started 27 Usher Feat. Ludacris & Lil' Jon Yeah 28 Jackson, Michael Thriller 29 DJ Casper Cha Cha Slide 30 Mraz, Jason I'm Yours 31 Commodores Brick House 32 Brooks, Garth Friends In Low Places 33 Temptations My Girl 34 Foundations Build Me Up Buttercup 35 Vanilla Ice Ice Ice Baby 36 Bee Gees Stayin' Alive 37 Sinatra, Frank The Way You Look Tonight 38 Village People Y.M.C.A. -
1. Walk the Moon
Label Copy CD1 1. WALK THE MOON - Shut Up And Dance (Petricca / Ray / Waugaman / Maiman / Berger / McMahon) Published by W B Music Corp / Warner/Chappell North America Limited / Ryan McMahon Publishing Produced by Tim Pagnotta (P) 2014 RCA Records, a division of Sony Music Entertainment USRC11401949 3.17 2. Bastille – Pompeii (Smith) Published by Universal Music Publishing Ltd Produced by Mark Crew (P) 2013 Virgin Records Ltd. Licensed courtesy of Universal Music Group GBAAA1200795 3.34 3. Metro Station - Shake It (Cyrus / Musso / Healy / Improgo) Published by EMI Music Publishing Limited (MCPS/BIEM) Produced by S*A*M / Sluggo (P) 2007 Columbia Records, a division of Sony Music Entertainment USSM10800776 3.02 4. Sam Sparro - Black & Gold (Falson / Rogg) Published by EMI Music Publishing Ltd. Produced by Jesse Rogg & Sam Sparro (P) 2007 Universal Island Records Ltd. A Universal Music Company. Licensed courtesy of Universal Music Group GBUM70800413 3.30 5. Owl City - Fireflies (Young) Published by Ocean City Park (Universal Music Corp.) ASCAP / Universal/MCA Music Limited Produced by Adam Young (P) 2009 Universal Republic Records, a division of UMG Recordings, Inc. Licensed courtesy of Universal Music Group USUM70916628 3.14 6. Orson - No Tomorrow (Rachild / Astasio / Cano / Pebworth / Jen / Roentgen) Published by Universal Music Publishing Ltd. Produced by Noah Shain, Orson and Chad Rachild (P) 2006 Mercury Records Limited Licensed courtesy of Universal Music Group GBUM70500865 2.48 7. Just Jack - Starz In Their Eyes (Allsopp) Published by Just Jack Ltd./Universal Music Publishing Ltd Produced by Jack Allsopp & Jay Reynolds (P) 2006 Mercury Records Limited Licensed courtesy of Universal Music Group GBUM70604909 3.10 8. -
Musikidentiteter Inom Retailbranding
Musikidentiteter inom retailbranding – Hur förståelse för musikgenrer skapar förståelse för varumärkesidentitet Författare: Grant Murdoch Purdy Handledare: Olle Duhlin Music & Event Management Johan Plambeck Music & Event Management Examinator: Leif Rytting Ämne: Marknadsföring Nivå och termin: Kandidatuppsats, HT-2013 FÖRORD Arbetet med vår uppsats har varit intressant och lärorikt men också i allra högsta grad krävande. Uppsatsen har tagit sin tid men vi är väldigt stolta över resultatet. Ett stort tack riktas till alla som gjort vår uppsats möjlig och hjälpt oss under processen. Våra klasskamrater, våra vänner och vår familj som bidragit med motivation och stöd fram till färdigställandet. Ett speciellt tack till Olle Duhlin som haft tålamod och gett feedback under uppsatsens gång. Tack! Malmö, augusti 2013 Grant & Johan i SAMMANFATTNING Titel: Musikidentiteter inom retailbranding: Hur förståelse för musikgenrer skapar förståelse för varumärkesidentitet Författare: Grant Murdoch Purdy och Johan Plambeck Handledare: Olle Duhlin Kurs: Kandidatuppsats inom företagsekonomi, inriktning marknadsföring, HT-2013 Music & Event Management, Linnéuniversitetet Nyckelord: varumärke, retailvarumärke, varumärkesidentitet, identitet, identitetsskapande, sinnesmarknadsföring, musik, kultur, subkultur Syfte och Forskningsfrågor: Syftet med uppsatsen är att fördjupa förståelsen för musikens kulturella betydelse när den används tillsammans med ett retailvarumärkes identitet. För att nå vårt syfte har vi arbetat med följande forskningsfrågor: • Hur är musik -
Natasha Bedingfield Lends Star Power As Spokesperson for EA's Boogie Superstar for Wii
Natasha Bedingfield Lends Star Power as Spokesperson for EA's Boogie SuperStar for Wii Hot Song List Revealed That Will Have Girls Cheering for More Including Hits Made Famous By The Jonas Brothers, Britney Spears, Alicia Keys, Kanye West, Katy Perry, Fall Out Boy, and Leona Lewis LOS ANGELES, Aug 27, 2008 (BUSINESS WIRE) -- The Casual Entertainment Label of Electronic Arts, Inc. (NASDAQ:ERTS) unleashes the star power behind its upcoming Boogie(TM) SuperStar game for Wii(TM) today with the announcement of international music sensation Natasha Bedingfield as the game's featured spokesperson. Additionally, EA unveils the full Boogie SuperStar soundtrack including nearly 40 hit singles made famous by today's hottest artists. Bedingfield, who has topped the Billboard charts with number one singles and albums in both the U.S. and the U.K., has joined forces with EA to promote the game, which allows girls to perform their favorite Bedingfield songs including her current single "Angel," "Love Like This," and the title track from her new hit album Pocketful of Sunshine. "Boogie SuperStar brings to life all the fun and excitement of performing," said Bedingfield. "Being on stage is such a thrill and it's great to be a part of an EA video game that lets girls experience how much fun it is to express themselves and explore their own creativity by performing." In Boogie SuperStar, players don't just play along, they are the star of the game. Girls will have a blast belting their favorite tunes into the microphone, and performing real dance moves that are captured on screen using the Wii's motion-sensing technology. -
Bad Blood APPEARS in ROCK & POP 2018
ACCESS ALL AREAS... bad blood APPEARS IN ROCK & POP 2018 Released: 2015 Album: 1989 Label: Big machine, Republic ABOUT THE SONG ‘Bad Blood’ — from Taylor Swift’s Grammy award- winning 2014 album 1989 — was a worldwide hit, reaching No. 1 in the USA, Australia, Canada, Israel, CAUSE BABY NOW WE’VE GOT New Zealand and Scotland. Written and performed by Taylor Swift, Max Martin and Shellback, the remixed single version was released on 17 May 2015 with added verses by rapper Kendrick Lamar. Inspired by the pop BAD BLOOD scene of the 1980s, Swift described 1989 as her ‘first “ documented official pop album’. YOU KNOW IT USED TO BE Like many of her songs, Taylor Swift draws on her own experiences for inspiration in ‘Bad Blood’. The song describes the betrayal of a close friend, and the resulting breakdown of the friendship. Despite intense speculation that the friend involved could be another well-known MAD LOVE artist, Swift has always refused to name them. SO TAKE A LOOK WHAT YOU’VE DONE RECORDING AND PRODUCTION ‘Bad Blood’ was produced by Swedish songwriter, record producer and singer Max Martin, who worked with Swift on ‘Black Space’ in 2014. Martin has also written, co-written and/or produced hits for Britney Spears, Katy Perry, Maroon 5 and The Weeknd among many others. ‘Bad Blood’ was recorded at MXM Studios in Stockholm and mixed at MixStar Studios in Virginia Beach, Virginia. It was mastered at Sterling Sound in New York. COMPOSITION AWARDS ” Unusually, the song starts with a chorus, with powerhouse drums adding a stadium-anthem feel to the otherwise a cappella vocals. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P. -
Case 1:21-Cv-22825-WPD Document 1 Entered on FLSD Docket 08/03/2021 Page 1 of 25
Case 1:21-cv-22825-WPD Document 1 Entered on FLSD Docket 08/03/2021 Page 1 of 25 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF FLORIDA CASE NO.: 1:21-cv-22825 SONY MUSIC ENTERTAINMENT; SONY MUSIC ENTERTAINMENT US LATIN LLC; ZOMBA RECORDING LLC; ARISTA MUSIC; ARISTA RECORDS LLC; LAFACE RECORDS LLC; RECORDS LABEL, LLC; VOLCANO ENTERTAINMENT III LLC, Plaintiffs, v. VITAL PHARMACEUTICALS, INC. d/b/a BANG ENERGY AND JACK OWOC, AN INDIVIDUAL, Defendants. _________________________________________/ COMPLAINT AND DEMAND FOR JURY TRIAL Plaintiffs, Sony Music Entertainment; Sony Music Entertainment US Latin LLC; Zomba Recording LLC; Arista Music; Arista Records LLC; LaFace Records LLC; Records Label, LLC; and Volcano Entertainment III LLC (collectively, “Sony Music”), hereby collectively file this Complaint and Demand for Jury Trial against the defendant Vital Pharmaceuticals, Inc. d/b/a Bang Energy (“Bang”) and Bang’s Chief Executive Officer, Jack Owoc (“Owoc”) (together, the “Bang Defendants”). INTRODUCTION 1. Sony Music has been at the forefront of recorded music for nearly a century. Sony Music produces, manufactures, distributes, sells, and licenses some of the most iconic and popular sound recordings of all time, from Michael Jackson’s “Thriller”, AC/DC’s “Thunderstruck”, Bruce Springsteen’s “Born in the U.S.A.” to recent hits such as Doja Cat’s “Say So”, Lil Nas X’s “Old Town Road” and 24kGoldn’s “Mood”, to countless hits in between. Case 1:21-cv-22825-WPD Document 1 Entered on FLSD Docket 08/03/2021 Page 2 of 25 2. Bang is a brand of energy drinks and sports nutrition supplements. -
Christina Aguilera Ain't That a Kick in the Head- Dean Martin Ain't
A Thousand Years- Christina Perri Building A Mystery- Sarah McLachlan Busta Move- Young MC Ain’t No Other Man- Christina Aguilera California Girls- Katy Perry Ain’t That A Kick In The Head- Dean Martin California Love- Tupac Shakur Ain’t Too Proud To Beg- Temptations Call Me Maybe- Carly Rae Jepsen All I Want Is You- U2 Car wash- Rose Royce All Night Long- Lionel Richie Celebration- Kool and the Gang All Of Me- John Legend Chain of Fools- Aretha Franklin All Right Now- Free Club Can’t Handle Me- Flo Rida All Star- Smashmouth Cold Shot- Stevie Ray Vaughn American Boy- Estelle Come Fly With Me- Frank Sinatra American Girl- Tom Petty Counting Stars- One Republic Applause- Lady Gaga Crash- Dave Matthews Band Are You Gonna Be My Girl- Jet Crazy In Love- Beyonce Are You Gonna Go My Way- Lenny Kravitz Crazy- Gnarls Barkley At Last- Etta James Dancin’ With Myself- Billy Idol Bad Bad Leroy Brown- Jim Croce Dangerous- Akon Babylon- David Gray DJ Got Us Falling In Love- Usher Bad Girls- Donna Summers Domino- Jessie J Bad Romance- Lady Gaga Don’t Know Why- Norah Jones Badfish- Sublime Don’t Stop Believing- Journey Barracuda- Heart Don’t Stop Till You Get Enough- Michael Jackson Beast Of Burden- Rolling Stones Don’t You Want Me Baby- Human League Beautiful Day- U2 Down On The Corner- CCR Before He Cheats- Carrie Underwood Dreams- Fleetwood Mac Believe- Cher Dynamite- Taio Cruz Best Day Of My Life- American Authors Empire State Of Mind- Jay-Z/Alicia Keys Big Girls Don’t Cry- Fergie Every Breath You Take- The Police Billie Jean- Michael Jackson Everything- -
Bad Bitches, Jezebels, Hoes, Beasts, and Monsters
BAD BITCHES, JEZEBELS, HOES, BEASTS, AND MONSTERS: THE CREATIVE AND MUSICAL AGENCY OF NICKI MINAJ by ANNA YEAGLE Submitted in partial fulfillment of the requirements for the degree Master of Arts Thesis Adviser: Dr. Francesca Brittan, Ph.D. Department of Music CASE WESTERN RESERVE UNIVERSITY August, 2013 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis of ____ ______ _____ ____Anna Yeagle_____________ ______ candidate for the __ __Master of Arts__ ___ degree.* __________Francesca Brittan__________ Committee Chair __________Susan McClary__________ Committee Member __________Daniel Goldmark__________ Committee Member (date)_____June 17, 2013_____ *We also certify that written approval has been obtained for any proprietary material contained therein. TABLE OF CONTENTS List of Figures i Acknowledgements ii Abstract iii INTRODUCTION: “Bitch Bad, Woman Good, Lady Better”: The Semiotics of Power & Gender in Rap 1 CHAPTER 1: “You a Stupid Hoe”: The Problematic History of the Bad Bitch 20 Exploiting Jezebel 23 Nicki Minaj and Signifying 32 The Power of Images 42 CHAPTER 2: “I Just Want to Be Me and Do Me”: Deconstruction and Performance of Selfhood 45 Ambiguous Selfhood 47 Racial Ambiguity 50 Sexual Ambiguity 53 Gender Ambiguity 59 Performing Performativity 61 CHAPTER 3: “You Have to be a Beast”: Using Musical Agency to Navigate Industry Inequities 67 Industry Barriers 68 Breaking Barriers 73 Rap Credibility and Commercial Viability 75 Minaj the Monster 77 CONCLUSION: “You Can be the King, but Watch the Queen -
Read Razorcake Issue #48 As a PDF
RIP THIS PAGE OUT Razorcake LV D ERQD¿GH QRQSUR¿W PXVLF PDJD]LQH GHGLFDWHG WR If you wish to donate through the mail, PLEASE supporting independent music culture. All donations, subscriptions, please rip this page out and send it to: and orders directly from us—regardless of amount—have been large Razorcake/Gorsky Press, Inc. components to our continued survival. $WWQ1RQSUR¿W0DQDJHU PO Box 42129 Razorcake has been very fortunate. Why? By the mere fact that Los Angeles, CA 90042 we still exist today. By the fact that we have over one hundred regular contributors—in addition to volunteers coming in every week day—at a time when our print media brethren are getting knocked down and out. Name What you may not realize is that the fanciest part about Razorcake is the zine you’re holding in your hands. We put everything we have into Address it. We pay attention to the pragmatic details that support our ideology. Our entire operations are run out of a 500 square foot basement. We don’t outsource any labor we can do ourselves (we don’t own a printing press or run the postal service). We’re self-reliant and take great pains E-mail WRFRYHUDERRPLQJIRUPRIPXVLFWKDWÀRXULVKHVRXWVLGHRIWKHPXVLF Phone industry, that isn’t locked into a fair weather scene or subgenre. Company name if giving a corporate donation 6RKHUH¶VWRDQRWKHU\HDURIJULWWHGWHHWKKLJK¿YHVDQGVWDULQJDW disbelief at a brand new record spinning on a turntable, improving our Name if giving on behalf of someone quality of life with each spin. Donation amount If you would like to give Razorcake some