DOCSLIB.ORG

Liimmiif Bin* Hess

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Liimmiif Bin* Hess • THE EVENING STAR. Washington, D. C. A-14 SATURDAY. JANUARY 7. 19,56 crsrjlPl unu-jMKk | WHERE fssETssss?* ,, THE PASSING SHOW s fcoo-SiOo-fcM mi : ClUOlO w rVt y r AND WHEN Tho NEW ... THa 2nd ! wmhinctons nswsst live Lj iTII¦ lIK J ; ennuuu last performance Current Theater Attractions nnammaa ¦MjLjJ^jLgJdp Itch' Is Less Acute and Time of Showing Stage players!? lapafift " ftaMgjggJj National—Dark. O'Oyly Carte In a Second Version OH ' MEN! Opera Company starts January 9. L By JAY CARMODY : OH, Shubert—Dark. "Fallen An- : WOMEN!" i r> Ewell, funny TT Tom who made male loneliness such a howling gels” starts January 9. j sight in "The Seven Year litch" is back in a quick sequel, "The ip y KCSflvtD SEATS NOW ON SALC • A PSYCHIATRIST! ¦ 191 Studio—“ Oh. Men! Oh, Wom- J • Lieutenant Wore Skirts.” at the Palace. 2 MAILORDERS PILLED PKOMPTLY ¦ AVpFillllA-w J en!”; p.m. RO.ornctortNi.AM .om.im Unfortunately this one is but a faint echo of the original as f,], ." l 8:30 THE STUDIO PLAYERS Wl| is so often the case of these follow-up This not much /' * 'lx 1 WK “G ON * j Jobs. is so 1 S Screen PHONE ¦ ’ jnwRMW Jt V YIV A the quite a laugh-maker, I RESERVATIONS m fault of Mr. Ewell, who is nor of Sheree Ambassador “The Court- accepted North, Marilyn me. "LULLABY” £ who takes Mon- Martial of Billy Mitchell”; 2, I 8-4425,; | TI/OTbIIRUSQU place this ‘ THE LIEUTENANT WORE SKIRTS." roe's time in the a ‘JOth Century-Fox release, produced 4:30, 7 and 9:30 p.m. i Daring Expose Ewell affections. iby Buddy Adler, directed by Frank ™ with screenplay by Tashlin and Capitol—" Fighter”; ffi i Ft T VT L I _-17~ “SECRETS OF A MOOEL- The Indian ~ Guilt would seem to fall upon IjTashlin by Cyril Albert Beicn. musical score 3:45, 5:45, 7:45, -13th .nd t su. n.w SHOW TONIGHT! Albert Beich and Frank Tash- . Backrtdge At Loew s Palace Theater. 11:45 a.m„ 1:45. JlmH The Cast 9:45 p.m. lin. who wrote a thin, contrived | and 11:45 MARDNrI£WIS« PATRICK hates concerts _ Gregory _ Tom ¦ comedy Whitcomb Ewell Marty ”; 8:30, IN CONSTITUTION HALI. script whose weaknesses * Katy Whitcomb Sheree North Colony—“ 8:10 I SHUtttY are pretty glaring under the » Sandra Rita Moreno and 9:50 p.m. T E S , Cant. Barney Sloan Rick Jason r r P.H. coldly magnifying eye of Cinema- • Henry Gaxton Les Iremaynr Columbia—“ Count Three and \ fi 3nn ??M'I!rn2.M S!Jl l JMSEUSP Tomorrow—3:oo Scope. Cayt Priggs Alice Relnheart Lt. Sweeney Walcott Pray”; 11 a.m., 1:05, 3:10, 5:20,j It is possible that » Joan Sweeney Joan Willes 7:25, Vienna Choir Bo,* the line Sylvia 9:35 and 11:40 p.m. ' Takitoff Lewis _ Procram of works by Schubert moviegoers enjoy most in . m m ivunnrr will 1 Major Dunning .. Platt • Edward Dupont—"Dlabolique”; 11:30 !««««» rIATnUUSC ISO. tH ST J-OSOO Brahms. Mendelssohn. »nd Bchu- the Palace’s new film is that of r Suxom Date Jacqueline Fontaine UhFv LfillKIPP mann, and a costume operetta to the Mr. Curtis Arthur Q. Bryan a.m., 1:30, 3:30, 5:30, 7:35, Filmed m music of Jobann Strauss. a pretty girl upstairs ) Sam Paul Glass 9:40 J from who p.m. in Deliverv Boy Keith Vincent and 11:25 drops on Ewell with the re- Gloria Kathy Marlowe >' Roger Guys Dolls”; ifflESSEaffin: situation just r Wilkins Joe Locke I Keith’s—" and •““ ¦ mark that the is WAF Officer Bette Arlen 10:50 a.m., 1:20, 3:50, 6:25, *u*. J»*. 15—3=00 p.m. like that in a movie she saw r Sentry Franklin James 8:55 THE UMJBT-MARnAL "i-sx's: O f ftcer at Gate Maury Hill and 11:30 p.m. recently. WAP Sergeant Janice Carroll "I never saw that picture,” * WAP Dorothy Gordon Little—“Dracula”; 1:10, 3:45, Gateman Ralph Banford ¦Bg: says the deadpan hero of "The ? Chorus Girl Pat Marshall 6:20 and 8:55 p.m. Bin* Hess Comedian Sam Bagiev Seven Year Itch.” Mildred Wilkins Helene MarArthur "The Sleeping 24 HOUR AIERT" I season. Recital program of ** * * Marshall^ liimmiifUlflllULmUL B*fh d works*Vr I Tiger"; 2:25, 4:15, 6:05, 8 ill and! JtZZ. C,OOnVrAT*;EA AT;.LTBLEAV L ,,, It is the situation in which :ly brunette who plays a girl un- 9:50 p.m. 1 w* *¦»"’¦ sitn°s"so s :! 4 -*'.«. ImMlijlll.WitJflFJif *r l».in. « s”« '-= they are involved rather than ; to stay upstairs where she FIAT.-imc, IM. T JS. 4«. II40 ='~¦ • able Metropolitan _/ "The Court- m • HAYES CONXERT BUREAU the characters they play ' belongs. ' (In that A number of other at- IMartial Billy Mitchell’’: 'l l : /////7R7/|/DOORSOflNII:l« A.M. Cmpbell .l 1108 G St. N.W. is supposed make of 11:15 l Nntlonel 8-,lfil Stetnwer Plane to merry tractive humans are involved in a m.. 1.45, 4:15, 6:45, 9:15 and spectacles of the stars in the : “The Lieutenant Wore Skirts." 12 p m. new film. opportunities are even but their Deep Mr. Ewell is cast as a tele- more limited. GREATEST SINCE CHAMPAGNE Ontario "The Blue writer, Sea "; 1:25, 3:30, 5:40, 7:45 and vision which is supposed This is how it goes so often The greatest French import since champagne, that is, to be funny, who is living hap- 1 t 9:55 p.m. with sequels. which is what a great many people consider Lilo, the NEIGHBORHOOD pily with Miss North on Wore their ** a ? singer Washingtonians get Palace—" The Lieutenant 'tthm&fy Gallic and comedienne. will third wedding anniversary. Skirts”; 1:20, 3:30,i see the original star of "Can-Can” on Mon- 11:15 a.m., When he is called back to the PEN PAL—Our friend Gerry a chance to 5:35. 7:40, 9:45 and 11:50 p.m. , day night, when she opens a two-week engagement in the Films of Than Routine Merit * Air Force Reserve, she impul- . Smith who keeps a watchful eye More driveITIi,ulin ISMIUathf&tfik Embassy Hotel. ! Playhouse—“ Artists and Mod- "THE COUNTRY GlßL”—Grace Kelly and Bing Crosby in the "r sively rejoins the WAF in order ¦ on the departmental work from \ Room at the Statler 1 els”; 11:10 am.. 1:15, 3:15, 5:20, dramatic story of an actor and his thirst. i» nmy up, nn to be with him only ¦ the high seas where he works for **“ »«**«•p, to discover 7:25. 9:35 and 11:35 p.m. *IAMACAMERA”—JuIie Harris repeats her stage triumph as V after the States Navy is back . - she is hooked that he has i United Frisky a cheerfully amoral been rejected physically. again. What he objects to this PUsa— ”; 12:10, 2:10, ! Berlin waif. DnVS-Ul Theater 4, 7:55, p.m. "LOVE IS A MANY SPLENDORED THING”—At a , This is a marital mess fraught time is that our review of “Kis- 6. 9:50 and 11:50 least as por- S.?eh A!ie*ri«“.“M!J.?iu, .Jlrf!l! possibilities met” trayed here by Jennifer Jones and William Holden. nrire-in Leeated s«“.'n with . indicated a greater resigna- Trans-Lux “The Desperate C, “ which turn out “NOTORIOUS”—VinUge showing an r, not to be very funny in spite of tion to the production than his Hours"; 11:10 a.m., 1:20, 3:25, Hitchcock what actress Estr bV, A?Hj.t«'lii;d r i T?rni'n; HOLLYWOOD Hollywood had in Ingrid Bergman. ° r LM Hw’— the valiance of Mr. Ewell and own. ij |H» 5:35, 7:45, 9:55 and 12 p.m. K "THE PHENiX CITY STORY”—Documentary shoeker the blond impact of Miss North. "Jay. ole pal.” he writes, "you Holiday"; about What Warner—" Cinerama organized vice in a Southern city. “VIEW FROM eventuates, briefly, is that were dead wrong.” He winds up. By SHEILAH GRAHAM 2, 5 and 8:30 p.m. the wife to however, “THE TENDER TRAP”—Life in a New York bachelor’s apart- POMPEY’S HEAD” WAF sends the I on a happier, somewhat clnem *Bcop * Hawaii, the husband tags along, forgiving note: ment; Celeste Holm. Frank Sinatra, Debbie Reynolds. [late "THREE STRIPES IN THE SUN”—Aldo Ray some while she works he runs the “Went to Miss Etting's cinema SHOW TONIGHT: and GI bud- "ROSE OF CIMARRON” house plays bridge ("Love dies take over an impoverished Japanese orphanage. and with the life Me Or Leave Me"i ° "WERE NO ANGELS’-Humphrey Bogart a H ON feminine neighbors, etc. for a rematch and I am more Mario the Musical Boxer? heads comic trio A g?T unlikely escapees at 10 THEUXJSI^ The wife is restored to pCCHMODi10 H. of from Devil s Island. kids, 45. civilian than ever convinced it is the promising : queen in "Monte DOORS OPCN MA I status ultimately by Mario Lanza looks bored movie that most Best film of 1955 A.D. Well musical remake of “Gold- • Carlo,” with Vittorio De Sica as ' It Kiddles Under 12 Always Free. serviceable device of nature to for the here’s to a Happy Cinema 1956 !en Boy." which made a star of a worldly, cynical movie king who dramatists, namely the discov- may you f Stanley Warner Theatres SIDNEY LUST THEATEHS and have a good one Bill Holden in 1938.
Load more

Recommended publications
  • Before the Forties
    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
    [Show full text]
  • Cinema Medeia Nimas
    Cinema Medeia Nimas www.medeiafilmes.com 10.06 07.07.2021 Nocturno de Gianfranco Rosi Estreia 10 Junho Programa Cinema Medeia Nimas | 13ª edição | 10.06 — 07.07.2021 | Av. 5 de Outubro, 42 B - 1050-057 Lisboa | Telefone: 213 574 362 | [email protected] 213 574 362 | [email protected] Telefone: 42 B - 1050-057 Lisboa | 5 de Outubro, Medeia Cinema Nimas | 13ª edição 10.06 — 07.07.2021 Av. Programa Os Grandes Mestres do Cinema Italiano Ciclo: Olhares 1ª Parte Transgressivos A partir de 17 Junho A partir de 12 Junho Ciclo: O “Roman Porno” Programa sujeito a alterações de horários no quadro de eventuais novas medidas de contençãoda da propagaçãoNikkatsu da [1971-2016] COVID-19 determinadas pelas autoridades. Consulte a informação sempre actualizada em www.medeiafilmes.com. Continua em exibição Medeia Nimas 10.06 — 07.07.2021 1 Estreias AS ANDORINHAS DE CABUL ENTRE A MORTE Les Hirondelles de Kaboul In Between Dying de Zabou Breitman e Eléa Gobbé-Mévellec de Hilal Baydarov com Simon Abkarian, Zita Hanrot, com Orkhan Iskandarli, Rana Asgarova, Swann Arlaud Huseyn Nasirov, Samir Abbasov França, 2019 – 1h21 | M/14 Azerbaijão, México, EUA, 2020 – 1h28 | M/14 ESTREIA – 10 JUNHO ESTREIA – 11 JUNHO NOCTURNO --------------------------------------------- --------------------------------------------- Notturno No Verão de 1998, a cidade de Cabul, no Davud é um jovem incompreendido e de Gianfranco Rosi Afeganistão, era controlada pelos talibãs. inquieto que tenta encontrar a sua família Mohsen e Zunaira são um casal de jovens "verdadeira", aquela que trará amor e Itália, França, Alemanha, 2020 – 1h40 | M/14 que se amam profundamente. Apesar significado à sua vida.
    [Show full text]
  • The Altering Eye Contemporary International Cinema to Access Digital Resources Including: Blog Posts Videos Online Appendices
    Robert Phillip Kolker The Altering Eye Contemporary International Cinema To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/8 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Robert Kolker is Emeritus Professor of English at the University of Maryland and Lecturer in Media Studies at the University of Virginia. His works include A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg Altman; Bernardo Bertolucci; Wim Wenders (with Peter Beicken); Film, Form and Culture; Media Studies: An Introduction; editor of Alfred Hitchcock’s Psycho: A Casebook; Stanley Kubrick’s 2001: A Space Odyssey: New Essays and The Oxford Handbook of Film and Media Studies. http://www.virginia.edu/mediastudies/people/adjunct.html Robert Phillip Kolker THE ALTERING EYE Contemporary International Cinema Revised edition with a new preface and an updated bibliography Cambridge 2009 Published by 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com First edition published in 1983 by Oxford University Press. © 2009 Robert Phillip Kolker Some rights are reserved. This book is made available under the Cre- ative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence. This licence allows for copying any part of the work for personal and non-commercial use, providing author
    [Show full text]
  • Exploring Movie Construction & Production
    SUNY Geneseo KnightScholar Milne Open Textbooks Open Educational Resources 2017 Exploring Movie Construction & Production: What’s So Exciting about Movies? John Reich SUNY Genesee Community College Follow this and additional works at: https://knightscholar.geneseo.edu/oer-ost Part of the Film and Media Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License. Recommended Citation Reich, John, "Exploring Movie Construction & Production: What’s So Exciting about Movies?" (2017). Milne Open Textbooks. 2. https://knightscholar.geneseo.edu/oer-ost/2 This Book is brought to you for free and open access by the Open Educational Resources at KnightScholar. It has been accepted for inclusion in Milne Open Textbooks by an authorized administrator of KnightScholar. For more information, please contact [email protected]. Exploring Movie Construction and Production Exploring Movie Construction and Production What's so exciting about movies? John Reich Open SUNY Textbooks © 2017 John Reich ISBN: 978-1-942341-46-8 ebook This publication was made possible by a SUNY Innovative Instruction Technology Grant (IITG). IITG is a competitive grants program open to SUNY faculty and support staff across all disciplines. IITG encourages development of innovations that meet the Power of SUNY’s transformative vision. Published by Open SUNY Textbooks Milne Library State University of New York at Geneseo Geneseo, NY 14454 This book was produced using Pressbooks.com, and PDF rendering was done by PrinceXML. Exploring Movie Construction and Production by John Reich is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where otherwise noted. Dedication For my wife, Suzie, for a lifetime of beautiful memories, each one a movie in itself.
    [Show full text]
  • Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
    The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair­ banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills.
    [Show full text]
  • October 9, 2012 (XXV:6) David Miller, LONELY ARE the BRAVE (1962, 107 Min)
    October 9, 2012 (XXV:6) David Miller, LONELY ARE THE BRAVE (1962, 107 min) Directed by David Miller Screenplay by Dalton Trumbo Based on the novel, The Brave Cowboy, by Edward Abbey Produced by Edward Lewis Original Music by Jerry Goldsmith Cinematography by Philip H. Lathrop Film Editing by Leon Barsha Art Direction by Alexander Golitzen and Robert Emmet Smith Set Decoration by George Milo Makeup by Larry Germain, Dave Grayson, and Bud Westmore Kirk Douglas…John W. "Jack" Burns Gena Rowlands…Jerry Bondi Walter Matthau…Sheriff Morey Johnson Michael Kane…Paul Bondi Carroll O'Connor…Hinton William Schallert…Harry George Kennedy…Deputy Sheriff Gutierrez Karl Swenson…Rev. Hoskins William Mims…First Deputy Arraigning Burns Martin Garralaga…Old Man Lalo Rios…Prisoner Bill Bixby…Airman in Helicopter Bill Raisch…One Arm Table Tennis, 1936 Let's Dance, 1935 A Sports Parade Subject: Crew DAVID MILLER (November 28, 1909, Paterson, New Jersey – April Racing, and 1935 Trained Hoofs. 14, 1992, Los Angeles, California) has 52 directing credits, among them 1981 “Goldie and the Boxer Go to Hollywood”, 1979 “Goldie DALTON TRUMBO (James Dalton Trumbo, December 9, 1905, and the Boxer”, 1979 “Love for Rent”, 1979 “The Best Place to Be”, Montrose, Colorado – September 10, 1976, Los Angeles, California) 1976 Bittersweet Love, 1973 Executive Action, 1969 Hail, Hero!, won best writing Oscars for The Brave One (1956) and Roman 1968 Hammerhead, 1963 Captain Newman, M.D., 1962 Lonely Are Holiday (1953). He was blacklisted for many years and, until Kirk the Brave, 1961 Back Street, 1960 Midnight Lace, 1959 Happy Douglas insisted he be given screen credit for Spartacus was often to Anniversary, 1957 The Story of Esther Costello, 1956 Diane, 1951 write under a pseudonym.
    [Show full text]
  • Hdnet Movies February 2012 Program Highlights
    February 2012 Programming Highlights *All times listed are Eastern Standard Time *Please check the complete Program Schedule or www.hdnetmovies.com for additional films, dates and times HDNet Movies Sneak Previews – Experience exclusive broadcasts of new films before they hit theaters and DVD Tim and Eric’s Billion Dollar Movie Premieres Wednesday, 29th at 8:30pm followed by encore presentations at 10:15pm and 12:00am An all new feature film from the twisted minds of cult comedy heroes Tim Heidecker and Eric Wareheim ("Tim and Eric Awesome Show, Great Job")! Tim and Eric are given a billion dollars to make a movie, but squander every dime... and the sinister Schlaaang corporation is pissed. Their lives at stake, the guys skip town in search of a way to pay the money back. When they happen upon a chance to rehabilitate a bankrupt mall full of vagrants, bizarre stores and a man-eating wolf that stalks the food court, they see dollar signs-a billion of them. Featuring cameos from Awesome Show regulars and some of the biggest names in comedy today! SPOTLIGHT FEATURES – Highlighted feature films airing throughout the month on HDNet Movies See program schedule or www.hdnetmovies.com for additional listings of dates and times Demolition Man – premieres Saturday, February 11th at 7:00pm Starring Sylvester Stallone, Wesley Snipes, Sandra Bullock. Directed by Marco Brambilla Heat – premieres Thursday, February 9th at 8:00pm Starring Al Pacino, Robert De Niro, Val Kilmer, Jon Voight. Directed by Michael Mann Mr. Brooks – premieres Thursday, February 2nd at 9:05pm Starring Kevin Costner, Demi Moore, Dane Cook, William Hurt.
    [Show full text]
  • SEMESTER MOVIE TITLE CHARACTER ACTOR Sum 2007 "V
    SEMESTER MOVIE TITLE CHARACTER ACTOR Sum 2007 "V" for Vendetta "V" Hugo Weaving Fall 2006 13 Going on 30 Jenna Rink Jennifer Garner Sum 2008 27 Dresses Jane Nichols Katherine Heigl ? 28 Days Gwen Gibbons Sandra Bullock Fall 2006 2LDK (Two Lethal Deadly Killers) Nozomi Koike Eiko Spring 2006 40 Year Old Virgin Andy Stitzer Steve Carell Spring 2005 50 First Dates Henry Roth Adam Sandler Sum 2008 8½ Guido Anselmi Marcello Mastroianni Spring 2007 A Beautiful Mind John Nash Russell Crowe Fall 2006 A Bronx Tale Calogero 'C' Anello Lillo Brancato / Francis Capra Sum 2008 A Bronx Tale Sonny LoSpeecchio Chazz Palmenteri Fall 2006 A Clockwork Orange Alexander de Large Malcolm McDowell Fall 2007 A Doll's House Nora Helmer Claire Bloom ? A Few Good Men Lt. Daniel Kaffee Tom Cruise Fall 2005 A League of Their Own Jimmy Dugan Tom Hanks Fall 2000 A Perfect Murder Steven Taylor Michael Douglas ? A River Runs Through It Paul Maclean Brad Pitt Fall 2005 A Simple Plan Hank Mitchell Bill Paxton Fall 2007 A Streetcar Named Desire Stanley Marlon Brando Fall 2005 A Thin Line Between Love and Hate Brandi Lynn Whitefield Fall 2007 A Time To Kill Carl Lee Haley Samuel L. Jackson Spring 2007 A Walk to Remember Landon Carter Shane West Sum 2008 A Walk to Remember Jaime Mandy Moore ? About Schmidt Warren Schmidt Jack Nickleson Fall 2004 Adaption Charlie/Donald Nicholas Cage Fall 2000 After Hours Paul Hackett Griffin Dunn Spring 2005 Al Capone Al Capone Rod Steiger Fall 2005 Alexander Alexander Colin Farrel Fall 2005 Alice in Wonderland Alice Voice of Kathryn Beaumont
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]
  • The Meaning of the Western Movie
    sCott a. mCConnEll The Meaning of the Western Movie emember Shane, Bonanza and The Lone of the country. Ranger? In novel, film and television, west- For more than 150 years, especially since erns once ruled the range. Until the 1960s 1900 when the frontier period was ending, the Rwesterns were the most popular fiction genre and American West was revealed in the western novel. remained popular until the 1970s. In his book The Influential among these were Whispering Smith Searchers the western historian Glenn Frankel tells (Frank Spearman, 1906), Riders of the Purple Sage us that western novels “consistently outsold all gen- (Zane Grey, 1912), Destry Rides Again (Max Brand, res, including the closest competitor, the detective 1930) and True Grit (Charles Portis, 1968). With the story—whose protagonist was, after all, just another arrival of television in the United States in 1947, version of the Western hero”. Frankel notes that “of the western and its view of America dominated the 300 million paperbacks sold in 1956, one third the small screen for many years. Some of the most were westerns”. influential shows and stars during the television Western films were similarly popular. As Frankel western heyday included The Lone Ranger (star- reports, “Westerns by the mid-1950s accounted for ring Clayton Moore), Rawhide (Clint Eastwood), one third of the output of the major studios and half Bonanza (Michael Landon) and Gunsmoke (James the output of the smaller independents.” Incredibly, Arness). “well over seven thousand Westerns have been To most people, however, westerns are movies. made”. The American Film Institute (AFI) has defined Westerns were even more popular on television.
    [Show full text]
  • The Inventory of the Michael Douglas Collection #1839
    The Inventory of the Michael Douglas Collection #1839 Howard Gotlieb Archival Research Center Douglas, Michael #1839 3/31/16, 4/7/16 Preliminary Listing I. Wardrobe. A. Costumes. Box 1-2 1. “The American President.” Box 3-8 2. “Behind the Candelabra.” Box 9 3. “Disclosure.” 4. “A Perfect Murder.” 5. “Romancing The Stone.” Box 9-14 6. “The Game.” Box 15-20 7. “The In-Laws.” Box 21-25 8. “It Runs In The Family.” Box 26 9. “Jewel Of The Nile.” Box 27-32 10. “Traffic.” Box 33-37 11. “Wonder Boys.” Box 38 12. “Wall Street.” B. Hanging Costumes. Pkg. 1-2 1. “The American President.” Pkg. 3-35 2. “Behind the Candelabra.” Pkg. 36-57 3. “The Game.” Pkg. 58-78 4. “The In-Laws.” Pkg. 79-116 5. “It Runs In The Family.” Pkg. 117 6. “Wall Street.” Box 39-56 C. Personal. Pkg. 118-124 D. Hanging Personal. II. Printed Materials. A. Files. Box 57-88 1. Clippings (not on their spreadsheets). Box 88 2. General. B. Blueprints/Maps. C. Internet printouts. D. Postcards. Box 89-91 E. Magazines. Box 92-94 F. Programs. Box 95 G. Newspapers. Box 95-96 H. Reviews. Box 96 I. Clippings. J. Booklets. K. Pamphlets. L. Fliers. Box 97 M. Posters. Pkg. 125-141 N. Oversized posters. Douglas, Michael (3/31/16, 4/7/16) Page 1 of 46 III. Film and Video. Box 98-131 A. VHS. Box 131 B. 8 mm cassettes. C. Mini-DVs. Box 132 D. DV-Cams. Box 133 E. DVDs. Box 134 F.
    [Show full text]
  • The Inventory of the Dirk Bogarde Collection #923
    The Inventory of the Dirk Bogarde Collection #923 Howard Gotlieb Archival Research Center ,'.'\7\ BOGARDE, DIRK 1921 - (Derek van den Bogaerde) Purchase, February, 1989 #29A I. MANUSCRIPTS Box 1 A. BACKCLOTH; Viking, 1986, (autobiography) 1. Typescript with author's holograph revision, 13lp. (#1) 2. Index, photocopied typescript, 15 p. 3. Illustrations for book by DB: 1 original "Aunt Kitty's Room" Pen and ink with wash. Photocopies of 14 different scenes. Proof copy of 2 on 1 sheet Folder bearing holograph notes (#2) B. GENTLE OCCUPATION, Knopf, 1980, (novel) I. Typescript with author's holograph revisions, 182 p. and lp. holograph notes. {#3) Box 1/2 2. Setting copy, Typescript, some photocopied typescript, with printer's markings, 435 p. (#4,S. Box 2, #1) 3. Suggestions, Photocopy typescript, random pages, 16 p. Box 2 c. "May We Borrow Your Husband," Screenplay, 1986 (adapted by DB from Graham Greene's short story)' 1. Shooting script, mimeograph some holograph corrections, 194 p. (#2,3) 2. Scene Outline, typescript with some holograph corrections, 8-16-85(#4) 3. Additional dialogue for Stephen/Tony, carbon typescript, 2 p. Typescript, 3 p. and 2 duplicates 4. Alternate additional dialogue Stephen/Tony; carbon typescript, 3 p. 5. Letter: DB to the film's director Bob Mahoney. Photocopy TLS, 4-4-86 1 Box 2 6. 1 b/w photograph (8" x 10") of cast including DB, with note about production on verso. D. AN ORDERLY MAN, Knopf, 1983, (autobiography) 1. First draft, typescript with author's holograph revisions, 135 p. (#5) 2. First draft revision, photocopied typescript with holograph corrections, insertions, revisions, notes, captions for photographs, 150 p.
    [Show full text]