Independent Media in a Time of War Featuring Amy Goodman
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Confronting the Challenges of Participatory Culture: Media Education for the 21St Century
An occasional paper on digital media and learning Confronting the Challenges of Participatory Culture: Media Education for the 21st Century Henry Jenkins, Director of the Comparative Media Studies Program at the Massachusetts Institute of Technology with Katie Clinton Ravi Purushotma Alice J. Robison Margaret Weigel Building the new field of digital media and learning The MacArthur Foundation launched its five-year, $50 million digital media and learning initiative in 2006 to help determine how digital technologies are changing the way young people learn, play, socialize, and participate in civic life.Answers are critical to developing educational and other social institutions that can meet the needs of this and future generations. The initiative is both marshaling what it is already known about the field and seeding innovation for continued growth. For more information, visit www.digitallearning.macfound.org.To engage in conversations about these projects and the field of digital learning, visit the Spotlight blog at spotlight.macfound.org. About the MacArthur Foundation The John D. and Catherine T. MacArthur Foundation is a private, independent grantmaking institution dedicated to helping groups and individuals foster lasting improvement in the human condition.With assets of $5.5 billion, the Foundation makes grants totaling approximately $200 million annually. For more information or to sign up for MacArthur’s monthly electronic newsletter, visit www.macfound.org. The MacArthur Foundation 140 South Dearborn Street, Suite 1200 Chicago, Illinois 60603 Tel.(312) 726-8000 www.digitallearning.macfound.org An occasional paper on digital media and learning Confronting the Challenges of Participatory Culture: Media Education for the 21st Century Henry Jenkins, Director of the Comparative Media Studies Program at the Massachusetts Institute of Technology with Katie Clinton Ravi Purushotma Alice J. -
Iraq Index Tracking Variables of Reconstruction & Security in Post-Saddam Iraq
THE BROOKINGS INSTITUTION 1775 Massachusetts Avenue, NW Washington, DC 20036-2188 Tel: 202-797-6000 Fax: 202-797-6004 www.brooking s.edu Iraq Index Tracking Variables of Reconstruction & Security in Post-Saddam Iraq www.brookings.edu/iraqindex Updated October 31, 2005 For full source information for entries other than the current month, please see the Iraq Index archives at www.brookings.edu/fp/saban/iraq/indexarchive.htm Michael E. O’Hanlon Nina Kamp For more information please contact Nina Kamp at [email protected] TABLE OF CONTENTS Security Indicators Page U.S. Troop Fatalities since March 2003…….……………………………………………………………....…………………………………………………4 Cause of Death for US Troops…………………………………………………………...…………………………………………………………………….5 American Military Fatalities by Category……………………………………………………………………….….……………………………….……….6 Geographic Distribution of Military Fatalities……………………………………………………………………………………………………………….6 U.S. Troops Wounded in Action since March 2003……………………………..…………….…………………………………….………………………..7 British Military Fatalities since March 2003………………………………….……………….…………………….............................................................7 Non-U.S. & U.K. Coalition Military Fatalities since March, 2003……………..….…………………….…………………………….…………...………..8 Non-U.S. & U.K. Coalition Military Fatalities by Country since March 2003…….…………………………………………………………...…………..8 Iraqi Military and Police Killed since January 2005…………………………………………………………………………………………………..……..9 Estimates of Iraqi Civilians Killed Since the Start of the War …………………………………………………………….…………………………….…9 -
Cooper, Anderson (B
Cooper, Anderson (b. 1967) by Linda Rapp Encyclopedia Copyright © 2015, glbtq, Inc. Anderson Cooper. Entry Copyright © 2012 glbtq, Inc. Photograph by Flickr Reprinted from http://www.glbtq.com user minds-eye. CC-BY- SA 2.0. Award-winning television journalist Anderson Cooper has traveled the globe, reporting from war zones and scenes of natural and man-made disasters, as well as covering stories on political and social issues. Cooper is a ubiquitous presence on American television, for in addition to being a news anchor, he also hosts a talk show. Cooper is the son of heiress and designer Gloria Vanderbilt and her fourth husband, Wyatt Cooper. In his memoir, Dispatches from the Edge (2006), Cooper stated that his parents' "backgrounds could not have been more different." Whereas his mother descends from one of American best-known and wealthiest families, his father was born into a poor farm family in the small town of Quitman, Mississippi. When he was sixteen he moved to the Ninth Ward of New Orleans with his mother and five of his seven siblings. Anderson Cooper wrote that his "father fell in love with New Orleans from the start" and delighted in its culture. After graduating from Francis T. Nicholls High School, however, Wyatt Cooper headed to California to pursue his dream of becoming an actor. Although he found work on both screen and stage, he eventually turned to screenwriting for Twentieth Century Fox. Wyatt Cooper and Vanderbilt married in 1964 and took up residence in a luxurious mansion in New York City. The couple had two sons, Carter, born in 1965, and Anderson, born on June 3, 1967. -
The United States and Democracy Promotion in Iraq and Lebanon in the Aftermath of the Events of 9/11 and the 2003 Iraq War
The United States and democracy promotion in Iraq and Lebanon in the aftermath of the events of 9/11 and the 2003 Iraq War A Thesis Submitted to the Institute of Commonwealth Studies, School of Advanced Study, University of London in fulfilment of the requirements for the Degree of PhD. in Political Science. By Abess Taqi Ph.D. candidate, University of London Internal Supervisors Dr. James Chiriyankandath (Senior Research Fellow, Institute of Commonwealth Studies, School of Advanced Study, University of London) Professor Philip Murphy (Director, Institute of Commonwealth Studies, School of Advanced Study, University of London) External Co-Supervisor Dr. Maria Holt (Reader in Politics, Department of Politics and International Relations, University of Westminster) © Copyright Abess Taqi April 2015. All rights reserved. 1 | P a g e DECLARATION I hereby declare that this thesis is my own work and effort and that it has not been submitted anywhere for any award. Where other sources of information have been used, they have been duly acknowledged. Signature: ………………………………………. Date: ……………………………………………. 2 | P a g e Abstract This thesis features two case studies exploring the George W. Bush Administration’s (2001 – 2009) efforts to promote democracy in the Arab world, following military occupation in Iraq, and through ‘democracy support’ or ‘democracy assistance’ in Lebanon. While reviewing well rehearsed arguments that emphasise the inappropriateness of the methods employed to promote Western liberal democracy in Middle East countries and the difficulties in the way of democracy being fostered by foreign powers, it focuses on two factors that also contributed to derailing the U.S.’s plans to introduce ‘Western style’ liberal democracy to Iraq and Lebanon. -
THE KWAJALEIN HOURGLASS Volume 42, Number 65 Friday, August 16, 2002 U.S
Friday August 16, 2002 Kwajalein Hourglass THE KWAJALEIN HOURGLASS Volume 42, Number 65 Friday, August 16, 2002 U.S. Army Kwajalein Atoll, Republic of the Marshall Islands TRADEX upgrade final piece in KMAR By Jim Bennett and it was becoming difficult to main- by-50-foot room filled with rows of avo- Editor tain it,” said Henry Thomas, TRADEX cado-green racks of computers and TRADEX is celebrating its big 4-0 Kwajalein Modernization and Remoting equipment from the early days of the this year and receiving a state-of-the- integration lead. radar. Before, a single rack held the art upgrade. “For some of the legacy equipment computer processor for each sensor The radar shut down this month for being replaced, commercial suppliers signal going out. Two boards in a com- a six-month scheduled refit that in- hadn’t made replacement boards for 10 puter, mounted in what looks like a cludes hardware and software. years or more,” said Mark Schlueter high school locker from the back, now “We had reached a point where some TRADEX sensor leader. process all signals. Some components of the equipment had become outdated The project involves replacing a 50- (See UPGRADE, page 4) West Nile Virus in U.S. in 2002 West Nile Virus unlikely to hit Marshall Islands By Peter Rejcek Associate Editor The West Nile Virus that’s claimed at least seven lives in Louisiana and is spreading throughout the United States is not likely a concern here, according to local officials. Thanks largely to Kwajalein’s isolation and the virus’ mode of transmission, no one here is likely to get sick, said Mike Nicholson, Pest Management manager. -
The Two Hundred and Forty-Fourth
E Brown University The 2012 Two Hundred and Forty-Fourth Commencement E E For a map of the Brown campus and to locate individual diploma ceremonies, please turn to the inside back cover. Brown University providence, rhode island The College Ceremony 2 Candidates for Honorary Degrees 22 may , Schedule in the Event of Storm 2 Citations and Awards 25 Conditions ❖ Fellowships, Scholarships, and Grants 26 The Graduate School Ceremony 3 Special Recognition for Advanced 26 Alpert Medical School Ceremony 3 Degree Candidates The University Ceremony 4 Faculty Recognition 28 Brown University’s 18th President 4 Commencement Procession Aides 29 and Marshals Brown Commencement Traditions 5 The Corporation and Officers 31 Candidates for Baccalaureate Degrees 6 Locations for Diploma Ceremonies 32 Candidates for Advanced Degrees 12 Summary (all times are estimated) Seating on the College Green is on a first-come The day begins with a procession during which basis outside the center section. the candidates for degrees march across the College Green, led by the chief marshal party, : a.m. Seniors line up on Waterman Street. Brown band, presidential party, Corporation, : a.m. Procession begins through Faunce Arch. senior administration, and faculty. In addition, alumni who have returned for reunions march : a.m. Graduate School ceremony on Lincoln Field with their classes. Once the last person is : a.m. Medical School ceremony at The First through the Van Wickle Gates on the front Unitarian Church green, the procession inverts and continues down College street with each participant : p.m. College ceremony on First Baptist Church applauding the others. grounds begins (videocast). -
VIDEO GAME SUBCULTURES Playing at the Periphery of Mainstream Culture Edited by Marco Benoît Carbone & Paolo Ruffino
ISSN 2280-7705 www.gamejournal.it Published by LUDICA Issue 03, 2014 – volume 1: JOURNAL (PEER-REVIEWED) VIDEO GAME SUBCULTURES Playing at the periphery of mainstream culture Edited by Marco Benoît Carbone & Paolo Ruffino GAME JOURNAL – Peer Reviewed Section Issue 03 – 2014 GAME Journal A PROJECT BY SUPERVISING EDITORS Antioco Floris (Università di Cagliari), Roy Menarini (Università di Bologna), Peppino Ortoleva (Università di Torino), Leonardo Quaresima (Università di Udine). EDITORS WITH THE PATRONAGE OF Marco Benoît Carbone (University College London), Giovanni Caruso (Università di Udine), Riccardo Fassone (Università di Torino), Gabriele Ferri (Indiana University), Adam Gallimore (University of Warwick), Ivan Girina (University of Warwick), Federico Giordano (Università per Stranieri di Perugia), Dipartimento di Storia, Beni Culturali e Territorio Valentina Paggiarin, Justin Pickard, Paolo Ruffino (Goldsmiths, University of London), Mauro Salvador (Università Cattolica, Milano), Marco Teti (Università di Ferrara). PARTNERS ADVISORY BOARD Espen Aarseth (IT University of Copenaghen), Matteo Bittanti (California College of the Arts), Jay David Bolter (Georgia Institute of Technology), Gordon C. Calleja (IT University of Copenaghen), Gianni Canova (IULM, Milano), Antonio Catolfi (Università per Stranieri di Perugia), Mia Consalvo (Ohio University), Patrick Coppock (Università di Modena e Reggio Emilia), Ruggero Eugeni (Università Cattolica del Sacro Cuore, Milano), Roy Menarini (Università di Bologna), Enrico Menduni (Università di -
Alternative Or Independent Media Refers To
Alternative Or Independent Media Refers To Uranitic Partha sang or chirm some strifes straight, however exemplary Shurlocke permute soundingly or revving. Seedless and gruffish West still chuck his waxings cozily. Sometimes columbine Broderick westernised her disfavourer dauntlessly, but pancreatic Demetre relies Fridays or muted tropically. Apjii asosiasi penyelenggara jasa internet, some kremlin action alerts or need Maven HubPages and Say Media Unite they Form Largest. Edward Herman and Noam Chomsky will be used as the summit for the theoretical framework made this thesis. Resilient borders and the way of a dissident media refers to us irrevocably condemned to those that media environment, the transactional model when a hyperlink to? Best alternative communication refers to? To rust the dull and implications of latent or manifest conflict for decisionmakers. Structurally profoundly different trail and as independent of ink major social. The Propaganda Ministry aimed further to compare the mixture of slack and editorial pages through directives distributed in daily conferences in Berlin and transmitted via the Nazi Party propaganda offices to regional or local papers. Introduction Culture Digitally. To list an alternative opinion The airline the mainstream media is fearful of the independent news outlets is beneath A radical alternative press was effective in. Now the doctrine is we respond instantaneously, and snow possible with many strong counterattack. What had changed was mid way that humans used available technology to change sense of why world. DIY, community and critical content beyond all kinds being behind on getting single desire American magazine radio station; however there came also be racist or sexist content, from example, send some of the music being played. -
New War Journalism Trends and Challenges
10.1515/nor-2017-0141 Nordicom Review 30 (2009) 1, pp. 95-112 New War Journalism Trends and Challenges STIG A. NOHRSTEDT Abstract How has war journalism changed since the end of the Cold War? After the fall of the Ber- lin Wall in 1989 and the dissolution of the Soviet Union in 1991, there was talk of a new world order. The Balkan Wars of the 1990s gave rise to the concept of “new wars”. The 1990-91 Gulf War was the commercial breakthrough for the around-the-clock news chan- nel CNN, and the war in Afghanistan in 2001 for its competitor al-Jazeera. The 2003 Iraq war saw Internet’s great breakthrough in war journalism. A new world order, new wars, and new media – what impact is all this having on war journalism? This article outlines some important trends based on recent media research and discusses the new challenges as well as the consequences they entail for the conditions of war journalism, its professional reflexivity and democratic role. Keywords: new media war; propaganda and war journalism; framing of war news; visual war reporting; media reflexivity. Introduction How has war journalism changed since the end of the Cold War? After the fall of the Berlin Wall in 1989 and the dissolution of the Soviet Union in 1991, there was talk of a new world order holding the promise of international justice and peace. However, the Balkan Wars of the 1990s gave rise to the concept of “new wars” that in the wake of the terror attacks of 9/11 have acquired an iconicity rivalling that of fiction films. -
KATHY HIGH, Professor of Video and New Media, Department of the Arts
:: KATHY HIGH, Professor of Video and New Media, Department of the Arts, RPI, Troy, NY 12180 mobile 518.209.6209, email [email protected], website http://kathyhigh.com/index.html :: EDUCATION 1981 Master of Arts, S.U.N.Y. AT BUFFALO, NY Interdisciplinary degree with areas of study in video/film at the Center for Media Study and Photography, Department of Fine Arts 1977 Bachelor of Arts, Colgate University, Hamilton, NY Majors in Fine Arts and English Literature :: TEACHING 2013-present Professor of Video & New Media, Arts Department, Rensselaer Polytechnic Institute, Troy, NY 2002-2013 Associate Professor of Video & New Media, Arts Department, RPI 2018-2019 Head of Arts Department, RPI, Troy, NY 2004-2008 Head of Arts Department, RPI, Troy, NY 1995-2001 Lecturer (Assoc. Prof.), digital media, Visual Arts Program, Princeton University, NJ 1998-2001 Lecturer, Video production, School of Art Cooper Union, NYC :: EXHIBITIONS, INSTALLATIONS and SCREENINGS (SELECTED) 2020 WASTE! ADAPTATION! RESISTENCE!, (solo exhibition) UCSD, multimedia installation, San Diego, CA, April. 2019 Rat Laughter, IMPAKT Festival, Utrecht, NL, Oct. 31- Nov 2. Rat Laughter installation, Netherlands. The Cured, (group exhibition), Curator, Tansy Xiao, Radiator Gallery, Long Island City, NYC, Burial Globes, July-August. 2018 Space-evolution (group exhibition), curated by Maria Antonia Gonzalez, Centro de Cultura Digital, Mexico City, November, mixed media. Catalogue. This Mess We're In, Unhallowed Arts Festival 2018, (group exhibition), curated Tarsh Bates, Old Customs House, Fremantle, WA, Australia, 13 Oct– 2 Nov, screening OkPoopid. Catalogue. Posthuman Cinema: How Experimental Films Teach (and Learn) How to Show Animals, Ujazdoski Castel, Centre for Contemporary Art, Warsaw, Poland, curated by Michał Matuszewski, October 18-31, Lily Does Derrida. -
Dark Fiber Electronic Culture: History, Theory, Practice Timothy Druckrey, Series Editor
Dark Fiber Electronic Culture: History, Theory, Practice Timothy Druckrey, series editor Ars Electronica: Facing the Future edited by Timothy Druckrey with Ars Electronica, 1999 net_condition: art and global media edited by Peter Weibel and Timothy Druckrey, 2001 Dark Fiber: Tracking Critical Internet Culture Geert Lovink Dark Fiber Tracking Critical Internet Culture Geert Lovink The MIT Press Cambridge, Massachusetts London, England © 2002 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. Set in Bell Gothic and Courier by The MIT Press. Printed and bound in the United States of America. Library of Congress Cataloging-in-Publication Data Lovink, Geert. Dark fiber : tracking critical internet culture / Geert Lovink. p. cm. — (Electronic culture—history, theory, practice) Includes bibliographical references. ISBN 0-262-12249-9 (hc. : alk. paper) 1. Internet—Social aspects. 2. Information society. 3. Culture. I. Title. II. Series. HM851 .L68 2002 303.48'33—dc21 2001059641 Dark fiber refers to unused fiber-optic cable. Often times companies lay more lines than what’s needed in order to curb costs of having to do it again and again. The dark strands can be leased to individuals or other companies who want to establish optical connections among their own locations. In this case, the fiber is neither controlled by nor connected -
War and Media: Constancy and Convulsion
Volume 87 Number 860 December 2005 War and media: Constancy and convulsion Arnaud Mercier* Arnaud Mercier is professor at the university Paul Verlaine, Metz (France) and director of the Laboratory “Communication and Politics” at the French National Center for Scientifi c Research (Centre National de la Recherche Scientifi que, CNRS). Abstract To consider the relationship between war and the media is to look at the way in which the media are involved in conflict, either as targets (war on the media) or as an auxiliary (war thanks to the media). On the basis of this distinction, four major developments may be cited that today combine to make war above all a media spectacle: photography, which opened the door to manipulation through stage-management; live technologies, which raise the question of journalists’ critical distance vis-à-vis the material they broadcast and which can facilitate the process of using them; pressure on the media and media globalization, which have led to a change in the way the political and military authorities go about making propaganda; and, finally, the fact that censorship has increasingly come into disrepute, which has prompted the authorities to think of novel ways of controlling journalists. : : : : : : : The military has long integrated into its operational planning the principles of the information society and of a world wrapped into a tight network of infor- mation media. Controlling the way war is represented has acquired the same strategic importance as the ability to disrupt the enemies’ communications.1 The “rescue” of Private Jessica Lynch, which was filmed by the US Army on 1 April 2003, is a textbook example, even if the lies surrounding Private Lynch’s * This contribution is an adapted version of the article “Guerre et médias: permanences et mutations”, Raisons politiques, N° 13, février 2004, pp.