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Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel
Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel Suhadolnik A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Musicology) in the University of Michigan 2016 Doctoral Committee: Associate Professor Charles Hiroshi Garrett, Chair Professor David Ake, University of Miami Associate Professor Stephen Berrey Associate Professor Christi-Anne Castro Associate Professor Mark Clague © Sarah Ezekiel Suhadolnik 2016 DEDICATION To Jarvis P. Chuckles, an amalgamation of all those who made this project possible. ii ACKNOWLEDGEMENTS My dissertation was made possible by fellowship support conferred by the University of Michigan Rackham Graduate School and the University of Michigan Institute for the Humanities, as well as ample teaching opportunities provided by the Musicology Department and the Residential College. I am also grateful to my department, Rackham, the Institute, and the UM Sweetland Writing Center for supporting my work through various travel, research, and writing grants. This additional support financed much of the archival research for this project, provided for several national and international conference presentations, and allowed me to participate in the 2015 Rackham/Sweetland Writing Center Summer Dissertation Writing Institute. I also remain indebted to all those who helped me reach this point, including my supervisors at the Hatcher Graduate Library, the Music Library, the Children’s Center, and the Music of the United States of America Critical Edition Series. I thank them for their patience, assistance, and support at a critical moment in my graduate career. This project could not have been completed without the assistance of Bruce Boyd Raeburn and his staff at Tulane University’s William Ransom Hogan Jazz Archive of New Orleans Jazz, and the staff of the Historic New Orleans Collection. -
Supporting Online Material
Supplementary Materials for Distinct regimes of particle and virus abundance explain face mask efficacy for COVID-19 Yafang Cheng†,*, Nan Ma*, Christian Witt, Steffen Rapp, Philipp Wild, Meinrat O. Andreae, Ulrich Pöschl, Hang Su†. * These authors contributed equally to this work. † Correspondence to: H.S. ([email protected]) and Y.C. ([email protected]) This PDF file includes: Supplementary Text S1 to S6 Figs. S1 to S7 Tables S1 to S7 1 Supplementary Text S1. Scenarios in Leung et al. (2020) Leung et al. (2020) reported an average of 5 to 17 coughs during the 30-min exhaled breath collection for virus-infected participants (10). Taking the particle size distribution given in Fig. 2, we calculate that one person can emit a total number of 9.31e5 to 2.72e6 particles in a 30 min sampling period. Note that particles > 100 µm were not considered here, and the volume concentrations of particles in the “droplet” mode (2.44e-4 mL, with 4.29e-5 to 2.45e-3 mL in 5% to 95% confidence level) overwhelm those in the “aerosol” mode (7.68e-7 mL, with 3.37e-7 to 5.24e-6 mL in 5% to 95% confidence level). S2. Virus concentration in Leung et al. (2020) Many samples in Leung et al. (2020) return a virus load signal below the detection limit (10). Thus we adopted an alternative approach, using the statistical distribution, i.e., percentage of positive cases, to calculate the virus concentration. Assuming that samples containing more than 2 viruses (Leung et al., 2020 used 100.3# as undetectable values in their statistical analysis) can be detected and the virus number in the samples follows a Poisson distribution, the fraction of positive samples (containing at least 3 viruses) can be calculated with pre-assumed virus concentration per particle volume. -
Artist Album Label Artist Album Label
Artist Album Label Artist Album Label The Book of Dalava*#+ Songlines Shimmer# Shimmer Drop Medium 1 Transfigurations 51 The Harpoonist & the High Plains*+ Cinderland Kranky Apocalipstick Self-Released 2 52 Axe Murderer 3 The Courtneys*#+ II Flying Nun 53 Tim The Mute*+ Take My Life...Please! Kingfisher Bluez 4 Pale Red*#+ Soft Opening Self-Released 54 Twin Rains*+ Automatic Hand Self-Released 5 Louise Burns*#+ Young Mopes Light Organ 55 Alex Cuba*+ Lo Unico Constante Fontana North Avec le Soleil Sortant Mi'ens*#+ Challenger Kingfisher Bluez Pas Pire Pop Constellation 6 56 de sa bouche* 7 Mac DeMarco* This Old Dog Royal Mountain 57 Cuddle Magic Ashes/Axis Northern Spy Daniel Terrence Brasstronaut*+ S/T Unfamiliar Death Heavy Lark 8 58 Robertson*+ 9 The Evaporators*+ Ogopogo Punk Mint 59 The Prettys*+ Soiree Shake! 10 Needles//Pins*#+ Goodnight, Tomorrow Mint 60 Only A Visitor*#+ Lines Self-Released 11 Fond of Tigers*+ Uninhabit Offseason 61 House and Land# House and Land Thrill Jockey 12 Bored Décor*+ S/T Rocksalt 62 Saltland*# A Common Truth Constellation 13 Timber Timbre*# Sincerely, Future Pollution Arts & Crafts 63 Alvvays*# Antisocialites Polyvinyl 14 Devours*+ Late Bloomer (reissue) Locksley Tapes 64 Big Thief# Capacity Saddle Creek Morning Figure When Faith Healer*# Try ;-) Mint Echuta*+ Agony Klub 15 65 Absolutely Calm 16 Puzzlehead*#+ Trucks Self-Released 66 Hermitess*# Hermitess Self-Released Stubborn Persistent Do Make Say Think * Constellation Holy Hum*+ All Of My Bodies Heavy Lark 17 Illusions 67 Hurray For The Riff New Fries* -
2018 Celebrity Birthday Book!
2 Contents 1 2018 17 1.1 January ............................................... 17 January 1 - Verne Troyer gets the start of a project (2018-01-01 00:02) . 17 January 2 - Jack Hanna gets animal considerations (2018-01-02 09:00) . 18 January 3 - Dan Harmon gets pestered (2018-01-03 09:00) . 18 January 4 - Dave Foley gets an outdoor slumber (2018-01-04 09:00) . 18 January 5 - deadmau5 gets a restructured week (2018-01-05 09:00) . 19 January 6 - Julie Chen gets variations on a dining invitation (2018-01-06 09:00) . 19 January 7 - Katie Couric gets a baristo’s indolence (2018-01-07 09:00) . 20 January 8 - Jenny Lewis gets a young Peter Pan (2018-01-08 09:00) . 20 January 9 - Joan Baez gets Mickey Brennan’d (2018-01-09 09:00) . 20 January 10 - Jemaine Clement gets incremental name dropping (2018-01-10 09:00) . 21 January 11 - Mary J. Blige gets transferable Bop-It skills (2018-01-11 09:00) . 22 January 12 - Raekwon gets world leader factoids (2018-01-12 09:00) . 22 January 13 - Julia Louis-Dreyfus gets a painful hallumination (2018-01-13 09:00) . 22 January 14 - Jason Bateman gets a squirrel’s revenge (2018-01-14 09:00) . 23 January 15 - Charo gets an avian alarm (2018-01-15 09:00) . 24 January 16 – Lin-Manuel Miranda gets an alternate path to a coveted award (2018-01-16 09:00) .................................... 24 January 17 - Joshua Malina gets a Baader-Meinhof’d rice pudding (2018-01-17 09:00) . 25 January 18 - Jason Segel gets a body donation (2018-01-18 09:00) . -
Heart-Shaped Box Pdf, Epub, Ebook
HEART-SHAPED BOX PDF, EPUB, EBOOK Joe Hill | 416 pages | 01 May 2008 | Orion Publishing Co | 9780575081864 | English | London, United Kingdom Heart-shaped Box PDF Book It seemed like Hill just wanted to quickly wrap it up, no matter how many questions it either raised or left unanswered. A good old fashioned ghost story. View all 13 comments. He told biographer Michael Azerrad , "Anytime I think about it, it makes me sadder than anything I can think of. US Alternative Songs Billboard [2] [3]. October 16, Just hate our MC and pray that Georgia makes it out with the rest of us. Official Charts Company. The characters are unlika I had pretty big expectations for this novel, since it was somewhat of a happening in the horror genre and was praised by writers such as Harlan Coben and Neil Gaiman. The ghost in this story is Liam Neeson of Ghosts. I'm going to keep this spoiler free, but if you enjoyed NOS4A2, you will probably like this one as well. Thanks for telling us about the problem. New York City: Time, Inc. Unf Imagine a ghost! Aging rock star Judas Coyne spends his retirement collecting morbid memorabilia, including a witch's confession, a real snuff film and, after being sent an email directly about the item online, a dead man's funeral suit. Joe Hill surprised me with his clever plot and seemingly unlovable characters, I was turning the pages like there was no tomorrow for the last pages and didn't guess the ending. We sing together. Read more This book sucks. -
Universality and Diversity in Human Song Samuel A. Mehr1,2*, Manvir
This is a provisionally accepted manuscript. The published version will differ from it substantially. Please cite it as: Mehr, S. A., Singh, M., Knox, D., Ketter, D. M., Pickens-Jones, D., Atwood, S., Lucas, C., Egner, A., Jacoby, N., Hopkins, E. J., Howard, R. M., Hartshorne, J. K., Jennings, M. V., Simson, J., Bainbridge, C. M., Pinker, S., O'Donnell, T. J., Krasnow, M. M., & Glowacki, L. (forthcoming). Universality and diversity in human song. Science . Universality and diversity in human song Samuel A. Mehr 1,2*, Manvir Singh 3*, Dean Knox 4, Daniel M. Ketter 6,7, Daniel Pickens-Jones 8, Stephanie Atwood 2, Christopher Lucas 5, Alena Egner 2, Nori Jacoby 10, Erin J. Hopkins 2, Rhea M. Howard 2, Timothy J. O’Donnell 11, Steven Pinker 2, Max M. Krasnow 2, and Luke Glowacki 12* 1 Data Science Initiative, Harvard University 2 Department of Psychology, Harvard University 3 Department of Human Evolutionary Biology, Harvard University 4 Department of Politics, Princeton University 5 Department of Political Science, Washington University in St. Louis 6 Eastman School of Music, University of Rochester 7 Department of Music, Missouri State University 8 Portland, Oregon 9 Department of Psychology, University of California at Los Angeles 10 Max Planck Institute for Empirical Aesthetics 11 Department of Linguistics, McGill University 12 Department of Anthropology, Pennsylvania State University *Correspondence to [email protected] (S.A.M.), [email protected] (M.S.), and [email protected] (L.G.) Abstract What is universal about music across human societies, and what varies? We built a corpus of ethnographic text on musical behavior from a representative sample of the world’s societies and a discography of audio recordings of the music itself. -
Lista De Inscripciones Lista De Inscrições Entry List
LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos, -
Program Book
Thank you to our sponsors: Presenting Sponsor: Supporting Sponsors: Additional support from Struck Catering. Thank you to our sponsors: Presenting Sponsor: mechanics hall worcester, ma Supporting Sponsors: Additional support from Struck Catering. NEFA’S IDEA SWAP You put creativity fi rst. Idea Swap is NEFA’s annual event contents that provides opportunities for New 2 England-based nonprofit presenting schedule organizations to network and share 4 project ideas that may qualify for project presentations: funding from NEFA’s Expeditions part 1 grant program. 7 project presentations: Expeditions grants are made to part 2 nonprofit organizations in New 9 England and support the tour more project ideas planning or touring of high quality and innovative performing arts projects. This booklet includes projects submitted as of October 20, 2014, #NEFAIdeaSwap which have the potential to tour New We put you fi rst. England. These and other projects submitted after press time can be contact Eastern Bank is proud to support the found on nefa.org. Presentation New England Foundation for the Arts. at the Idea Swap or inclusion in adrienne petrillo this booklet does not guarantee program manager Expeditions funding support. 617.951.0010 x527 [email protected] For more information about NEFA’s daniela jacobson Expeditions program or the Idea program coordinator Swap, please visit www.nefa.org or 617.951.0010 x528 call 617.951.0010 x527. [email protected] Member FDIC hereyourefi rst.com 1 schwanze-beast schedule Sara Coffey | Vermont Performance Lab 9:30am–10:00am -
View Our Annual Review 2017
Annual Review 2017 1 We are one of Britain’s leading building conservation charities. With the help of supporters and grant- In 2017: making bodies we save historic buildings in danger of being lost forever. We carefully restore such 68,055 ‘Landmarks’ and offer them a new future by making guests stayed them available for self-catering holidays. The lettings in Landmarks income from the 200 extraordinary buildings in our care supports their maintenance and survival in our landscape, culture and society. 44 charities benefited from free breaks 15,087 visitors came along on open days 4,651 people donated to support our work PATRON TRUSTEES HRH The Prince of Wales Neil Mendoza, Chairman Dame Elizabeth Forgan Dr Doug Gurr DIRECTOR John Hastings-Bass At Tangy Mill in Kintyre Dr Anna Keay Charles McVeigh III Landmarkers live amongst Pete Smith the carefully preserved Martin Stancliffe FSA Dip Arch RIBA original hoisting and Sarah Staniforth CBE grinding machinery. 3 Our restoration of Purton Green, Within touching distance of the past Suffolk, in 1970-71 rescued it from the brink of ruination. A nation’s heritage not only illuminates its past but has the power to shape its future. That this charity has saved some 200 often crumbling structures has only been possible because Landmark’s supporters believe in a building’s potential. Most recently the Heritage Lottery Fund granted half of the £4.2m needed to save Llwyn Celyn, our medieval house in the Black Mountains. We are also grateful to specialist insurer, Ecclesiastical, who donated £200,000 to revive Cobham Dairy. -
NO TEA, NO SHADE This Page Intentionally Left Blank No Tea, NO SHADE
NO TEA, NO SHADE This page intentionally left blank No Tea, NO SHADE New Writings in Black Queer Studies EDITED BY E. Patrick Johnson duke university press Durham & London 2016 © 2016 Duke University Press All rights reserved Printed in the United States of Amer i ca on acid- free paper ∞ Typeset in Adobe Caslon by Westchester Publishing Services Library of Congress Cataloging- in- Publication Data Names: Johnson, E. Patrick, [date] editor. Title: No tea, no shade : new writings in Black queer studies / edited by E. Patrick Johnson. Description: Durham : Duke University Press, 2016. | Includes bibliographical references and index. Identifiers: lccn 2016022047 (print) lccn 2016023801 (ebook) isbn 9780822362227 (hardcover : alk. paper) isbn 9780822362425 (pbk. : alk. paper) isbn 9780822373711 (e- book) Subjects: lcsh: African American gays. | Gay and lesbian studies. | African Americans in popu lar culture. | Gays in popu lar culture. | Gender identity— Political aspects. | Sex in popu lar culture. Classification: lcc e185.625.n59 2016 (print) | lcc e185.625 (ebook) | ddc 306.76/608996073— dc23 lc rec ord available at https:// lccn . loc . gov / 2016022047 Cover art: Philip P. Thomas, Sharing Tea, 2016. © Philip P. Thomas. FOR ALL THE QUEER FOREMOTHERS AND FOREFATHERS This page intentionally left blank CONTENTS foreword Cathy J. Cohen xi acknowl edgments xv introduction E. Patrick Johnson 1 CHAPTER 1. Black/Queer Rhizomatics Train Up a Child in the Way Ze Should Grow . JAFARI S. ALLEN 27 CHAPTER 2. The Whiter the Bread, the Quicker You’re Dead Spectacular Absence and Post-Racialized Blackness in (White) Queer Theory ALISON REED 48 CHAPTER 3. Troubling the Waters Mobilizing a Trans* Analytic KAI M. -
Raja Mohan 21M.775 Prof. Defrantz from Bronx's Hip-Hop To
Raja Mohan 21M.775 Prof. DeFrantz From Bronx’s Hip-Hop to Bristol’s Trip-Hop As Tricia Rose describes, the birth of hip-hop occurred in Bronx, a marginalized city, characterized by poverty and congestion, serving as a backdrop for an art form that flourished into an international phenomenon. The city inhabited a black culture suffering from post-war economic effects and was cordoned off from other regions of New York City due to modifications in the highway system, making the people victims of “urban renewal.” (30) Given the opportunity to form new identities in the realm of hip-hop and share their personal accounts and ideologies, similar to traditions in African oral history, these people conceived a movement whose worldwide appeal impacted major events such as the Million Man March. Hip-hop’s enormous influence on the world is undeniable. In the isolated city of Bristol located in England arose a style of music dubbed trip-hop. The origins of trip-hop clearly trace to hip-hop, probably explaining why artists categorized in this genre vehemently oppose to calling their music trip-hop. They argue their music is hip-hop, or perhaps a fresh and original offshoot of hip-hop. Mushroom, a member of the trip-hop band Massive Attack, said, "We called it lover's hip hop. Forget all that trip hop bullshit. There's no difference between what Puffy or Mary J Blige or Common Sense is doing now and what we were doing…” (Bristol Underground Website) Trip-hop can abstractly be defined as music employing hip-hop, soul, dub grooves, jazz samples, and break beat rhythms. -
Le Folk (12/04/2013)
Dossier d’accompagnement de la conférence / concert du vendredi 12 avril 2013 programmée en partenariat avec le Centre Culturel de Cesson-Sévigné dans le cadre du Programme d’éducation artistique et culturelle de l’ATM. Conférence-concert “LE FOLK” Conférence de Jérôme Rousseaux Concert de Haight-Ashbury Dans son sens le plus large, la musique folk désigne l’ensemble des musiques d’un pays ou d’une région du monde en particulier, souvent de tradition orale (on parle alors de musiques "folkloriques"). S’il est lui aussi rattaché à cette dimension “traditionnelle” à travers ses pionniers, le folk auquel nous nous intéresserons lors de cette conférence qualifie plus précisément une famille musicale d’origine anglo-saxonne (la "folk music") qui a bouleversé l’échiquier des musiques actuelles à partir des années soixante, notamment à travers la personnalité charismatique de Bob Dylan. Nous parlerons ici de la parenté que la musique folk entretient avec le blues, la Afin de compléter la lecture de ce musique country, les musiques traditionnelles et les musiques populaires en dossier, n'hésitez pas à consulter général. les dossiers d’accompagnement Puis, après avoir montré qu’il s’agit d’une esthétique qui passe sans doute plus des précédentes conférences- que les autres par une suite de mouvements revivalistes, et qui porte souvent concerts ainsi que les “Bases de en elle une certaine forme de sincérité et une notion d’engagement, nous données” consacrées aux éditions constaterons que le folk, récemment associé à des approches comme le lo-fi ou 2005, 2006, 2007, 2008, 2009, en tant que composante de l’"americana", est aujourd’hui une musique à la fois 2010, 2011 et 2012 des Trans, multiforme et universelle.