R044 0 0Pted on TELEVISION

Total Page:16

File Type:pdf, Size:1020Kb

R044 0 0Pted on TELEVISION R044R0 0PtedON TELEVISION INCLUDING NOV 29 -DEC 5, 1954 THE TELEVISION INDEX VOLUME 6 NUMBER 48 PRODUCTION PROGRAMMING TALENT EDITOR: Jerry Leichter ASSOC ED: Alvin Sullum 551 FifthAvenue *New York 17 MUrray Hill 2-5910 BUS MGR: Marjorie Oxley PUBLISHED BY TELEVISION INDEX, INC. WEEKLY REPORT THIS WEEK - - NETWORK DEBUTS & HIGHLIGHTS Tuesday(30) NBC- 12:15-12:30pm EST; SPECIAL; InternationalLivestock Exposition; from WNBQ (Chi), stations indefinite. Sponsor- Charles Pfizer & Co (Feed supplements and farm products) thru Leo Burnett Co.,Inc(Chi); Acct Superv- Charles Busting; Acct Exec- Ed Thiele. Production information not available at press time. John Cameron Swayze is m.c. for a hog-judging contest, in conjunction with the International Livestock Exposition, the programoriginating from the Normandy Room of the Conrad Hilton Hotel, Chicago. Films of last year's contest will also be shown. Program pre-empts 12:15-12:30 segment of theBetty White Show this date only. See also next item. NBC- 3-4pm EST; SPECIAL; InternationalLivestock Exposition; from WNBQ(Chi), no. of stations indefinite. Sponsor- Allis-Chalmers Mfg. Co.(Tractors, Farm Equipment, Road Machinery) thru Bert S.Gittins Advertising(Milwaukee). No account or production information available. NBC farm commentator Everett Mitchell and Mal Hansen, farm service directorfor WOW & WOW-TV(Omaha) share m.c. duties for the 7th consecutiveyear for NBC -TV's telecast of the Internat- ional Livestock Exposition at Chicago'sInternational Amphitheater, with Hansen handling the arena events and Mitchell thestudio -originated features. The program will include specialreports and integrated films. The program pre-empts for one day only, the Tuesday segments ofthe following dramatic serials: The Greatest Gift, 3-3:15pm; Golden Windows,3:15-3:30pm; One Man's Family, 3:30- 3:45pm; and Concerning Miss Marlowe, 3:45-4pm. Sunday(December 5) NBC- 4-4:30pm EST; RETURN & NET CHANGE; JuvenileJury; from WRCA-TV(NY), to the net. Sustaining. Pkgr- Barry, Enright & Friendly(NY); Prod Supery By - Mike Oppenheimer; Dir- Craig Allen(tentative). Jack Barry, as host, is assisted by a panel of five youngsters, ranging in agefrom 5 to 10 years, who offer sol- utions for problems posed by visiting youngsters. Each week's panel is drawn from a pool of eight children, rotated fromweek to week.The program debuted over NBC-TV on June 19, 1951, and was seenat different periods until it moved to CBS -TV, Oct 11, 1953. Last show on CBS was Sept 14, 1954. In its new NBC spot it replaces Out on the Farm; last show Nov 20. (Beginning Jan 9, 1955, Juvenile Jury will be sponsored by Pharmaceuticals,Inc (Geritol) thru Edward Rletter Associates, Inc(NY); Acct Exec- Edward Rletter;Agcy & Comm Superv- Don its CBS run.). Blauhut. Pharmaceuticals, Inc., was sponsor of the show during - Page 203 - TRTS WEEK(More) Copyright 1954 by Television Index, Inc. Ross Reports On Television, Service Subscription Rates (U.S., Canada, Mexico): $110 per year (or $30 quarterly, minimum one year subscription). Additional or multiple subscriptions at lower rates. Service includes: Unlimited telephone and mail information service, except research; weekly reports on current television production, programming; talent movements; annual industry directories; periodic reports on special aspects of television; and The Television Index card file. THIS WEEK(Cont'd) Sundey(December 5) NBC- 5:30-6pm EST; SPECIAL; March of Medicine, LIVE & FILM; from WTVJ(Miami), 63 stations live & delayed. Second program in 1954-55 series. All credits are same as for the first program on Oct 31 (See page 188 for all credits). The Miami telecast is in connection with AMA clinical sessions and will feature a striking advance in heart surgery. OTHER NETWORK CHANGES & ADDITIONS NBC- Churchill at 80, ON FILM; SPECIAL Nov 28; Sun, 2-2:30pm EST, one time; from WRCA-TV(NY), to the net. Sustaining. Pkgr- NBC-TV(NY); Prod- Ted Mills; Dir- John Goetz; Film Ed- John Gaffney; Managing Ed- Reuven Frank; Writer- John Lynch. A special NBC-TV film review of highlights In the career of Sir Winston Churchill marking his 80th birthday, including sidelights from friends and parliamentary opponents. HallmFrk Hall of Fame - Macbeth; SPECIAL Nov 28; Sun, 4-6pm EST; from WRCA-TV(NY) in compatible color, no. of stations indefinite. Sponsor- Hall Brothers, Inc (RA-11mArk Greeting Cards) thru Foote, Cone & Belding(Chi); Acct Exec- Homer Heck; Agcy Supery & Comm Superv- Bob Simpson(NY). Pkgr- NBC-TV; NBC Exec Prod - Jack Rayel; Production & Adaptation- Maurice Evans; Stager & Dir for Evans - George Schaefer; Assoc Prods- Mildred Freed Alberg & RmmAtt iogers; NBC Prod & TV Dir- Hudson Faussett; Assoc Dir- Sutton Roley; Music Composed & Dir- Lehman Engel; Sets- Otis Riggs; Costumes- Joel Taylor.Maurice EVans and Judith Ander- son co-star in a special television production of Shakespeare's "Macbeth," the third annual presentation by Evans of these specials; the two previous produc- tions were "Hamlet" and "King Richard II." Weekend Workshop; DEBUT Nov 20; Sat, 12noon-lpm EST; WNBQ(Chi)2 also to NBC o- 1 and -o stations: WRCA-TV(NY), WNBK(Cleve), WRC-TV(Wash). Open. Pkgr- WNBQ(Chi).$ Prod- George Heineman; Dir- Paul Robirson. Jim Hamilton, assisted by Kay West - fall, explain and demonstrate -tow -to-do and major and minor maintenance and handyman problems. (Program was listed in local station section, page 201, be- cause of previously incomplete information). NEW NETWORK SPONSORSHIPS EMERSON DRUG CO (Bromo-Seltzer) will become alternate week sponsor of Chance of a Lifetime (Fri, 10-10:30pm EST) over the DuMont net, effective Dec 17, replacing P. Lorillard Co (Old Gold Cigarettes), both thru Lennen & Newell, Inc(NY). Lentheric, Inc., which became alternate sponsor on Sept 17, continues. MI/1111111U 11111 IS 11111 iiiii ila 111 iiiii 11111111111111111111 11144/11 11 01(1111111111111N 1111111111111111 111111111 1111111111111111111 41111111111/111111/1111111111 11 MIMI mimed Is of 1/111111 MIMI 11111 111111111 LOCAL STATION ACT1Vi1Y WABC-TV(Ch 7) - Dollars and Donuts,Wed, Thurs, Fri, 8:30-9pm EST, scheduled to debut New York Nov 24 (See page 201), postponed indefinitely. Tinker's Work Shop continues Mon thru Fri, 8-9am EST, as originally scheduled. KABC-TV(Ch 7) - Familiar Faces; DEBUT Nov 26; Fri, 10-10:30pm PST. Sponsor- Holt Hollywood, LA Motors and San Fernando Valley Motors thru Craig, Dean, Riley & Olsen(LA). Pkgr- Sid Crockett; Prods- Bob Olsen, Ed Becker; Dir- George Flournoy. Artist Sid Crockett does caricature sketches and actress Nina Bara provides audio clues while four guest panelists compete for high scores in attempt- ing to identify the well-known persons being sketched. The program had been seen for one year over KGO-TV(San Francisco). KABC-TV - Nitecap Theater, LIVE & FILM; DEBUT Nov 29; Mon thru Fri, 10:30pm- lam PST. Participations. Louie Quinn, disc jockey, gag writer, comedian; tells gags, stories, interviews people (Continued next page) Tr,h, I,-1. _ _ , LOCAL STATION ACTIVITY(Cont'd) KABC-TY(Ch 7) - Nitecap Theater(Continued from previous page): and sandwiches in Hollywood, LA a late movie each night. The program will be informal and off -beat. KNXT(Ch 2) - Pet Showcase; STATION CHANGE Nov 20; Sat,5:30-6pm PST. Participa- Hollywood, LA tions. Prod- Norma Serviss. Tommy Dixon m.c.'s the program which features animal acts, purebred dogs and cats and pet shop proprie- tors in the LosAngeles area. The program has previously been seen over KTLA(LA). KNXT - Fsnily Fun Time; LIVE & FILM; DEBUT Nov 22; Mon thru Fri, 9-9 :30am, 3-3:30rm PST. Participations. Wee Battersea is m.c.-host for two programs daily, the afternoon session a variation of the morning program. Be will interview well-known chefs, give news of interest to the housewife and interview audience guests during the morning show. Diana Brewster joins him for the afternoon segment, presenting fashion features and news for women.Each program will also in- clude a Walter Lantz cartoon short. The morning program replaces California Living, with Mercedes Bates, while the afternoon show replaces Movie Matinee. rormmt-Trimrinrrn 1111rnr irrnrirrurnmngrrmrrannttritrtmrnrammilnrrnrrrnmirown-nrrirmintriirnrrnrirrI IONI IOU II MB 11 IIIII II N 11111 II IIIIIIulit PRODUCTION AND PROGRAMMING NEWS FILM DIGEST: KNXT(LA) has purchased 179 Walt- NEWS & COMM: Ted Bergmann, managing dir- er Lantz cartoons for showing ector of the DuMont TV Net on the daily Space Funnies and issued a statement on Nov Wes Battersea shows. The cartoons, produced for19 denying that DuMont has contemplated, "nor Universal International, include 92 Oswald the have we any intentions of, entering into negotia- Rabbit" shorts KTTV(LA) believes it is tions" with anyone "which contemplate the dispos- marking an innovation in children's programming ition or the abandonment of the DuMont Television by presenting the Robert Cummings' My Hero series Network." On Nov 23 Mr. Bergmann made a speech as part of the Sheriff John show daily, from before a group meeting of the 4A's which indic- 5:30-6pm. The series, distributed by Official, ated the extent of DuMont's future problem in has been retitled Mr. Beanblossom. An odd dis- competing with three other networks when station tinction, not too much emphasized by KTTV, is clearances are critical. A DUMont survey shows that Cummings is replacing cartoons formerly in the top 148 market groups of the country, 14 shown in the time slot.The Cummings films weremarkets have at least 4 stations, 27 have 3 sta- previously "test run" at 7pm to get a reaction; tions, 55 markets have 2 stations and 39 have 1 the six -week test indicated a 50 per cent juven- station each. DuMont's "best estimate of the ile audience. future picture" is that a reasonable expectation would be for 24 markets to have 4 or more stations.
Recommended publications
  • 31 Days of Oscar® 2010 Schedule
    31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy
    [Show full text]
  • Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960S and Early 1970S
    TV/Series 12 | 2017 Littérature et séries télévisées/Literature and TV series Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/2200 DOI: 10.4000/tvseries.2200 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s », TV/Series [Online], 12 | 2017, Online since 20 September 2017, connection on 01 May 2019. URL : http://journals.openedition.org/tvseries/2200 ; DOI : 10.4000/tvseries.2200 This text was automatically generated on 1 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Light Shadows: Loose Adaptations of Gothic Literature in American TV Series o... 1 Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy 1 In the late 1960’s and early 1970’s, in a somewhat failed attempt to wrestle some high ratings away from the network leader CBS, ABC would produce a spate of supernatural sitcoms, soap operas and investigative dramas, adapting and borrowing heavily from major works of Gothic literature of the nineteenth and early twentieth century. The trend began in 1964, when ABC produced the sitcom The Addams Family (1964-66), based on works of cartoonist Charles Addams, and CBS countered with its own The Munsters (CBS, 1964-66) –both satirical inversions of the American ideal sitcom family in which various monsters and freaks from Gothic literature and classic horror films form a family of misfits that somehow thrive in middle-class, suburban America.
    [Show full text]
  • Season 5 Article
    N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s.
    [Show full text]
  • 2019 Annual Report Our Conservation Supporters
    2019 ANNUAL REPORT TO THE OUR CONSERVATION SUPPORTERS Partnerships with a Purpose Every piece of wetland or associated upland habitat A special thanks to our conserved by Ducks Unlimited Canada (DUC) is the result of partnerships. These partnerships are the government partners: foundation of DUC’s conservation leadership and the The governments listed below The State of Idaho reason why we so clearly envision a future for wetland have provided instrumental The State of Indiana conservation in North America. support in Canada over the The State of Kansas Today, this continent-wide network of conservation past year. staff, volunteers and supporters ensures that Ducks The Government of Canada The State of Kentucky Unlimited Canada, Ducks Unlimited, Inc., and The Government of Alberta The State of Louisiana Ducks Unlimited Mexico play leadership roles in The State of Maine international programs like the North American The Government of British Waterfowl Management Plan (NAWMP). Established Columbia The State of Maryland in 1986, NAWMP is a partnership of federal, provincial, The Government of Manitoba The State of Massachusetts state and municipal governments, nongovernmental The Government of The State of Michigan organizations, private companies and many individuals, New Brunswick all working towards achieving better wetland habitat The State of Minnesota for the benefit of waterfowl, other wetland associated The Government of The State of Mississippi wildlife and people. DUC is proud to be closely Newfoundland and Labrador The State of Missouri associated with NAWMP, one of the most successful The Government of the conservation initiatives in the world. Northwest Territories The State of Nebraska The State of Nevada The North American Wetlands Conservation Act The Government of (NAWCA), enacted by the U.S.
    [Show full text]
  • Taylor Doctoralthesis Complete
    21st Century Zombies: New Media, Cinema, and Performance By Joanne Marie Taylor A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies and the Designated Emphasis in Film Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Peter Glazer, Chair Professor Brandi Wilkins Catanese Professor Kristen Whissel Fall 2011 21st Century Zombies: New Media, Cinema, and Performance © 2011 by Joanne Marie Taylor Abstract 21st Century Zombies: New Media, Cinema, and Performance by Joanne Marie Taylor Doctor of Philosophy in Performance Studies and a Designated Emphasis in Film Studies University of California, Berkeley Professor Peter Glazer, Chair This project began with a desire to define and articulate what I have termed cinematic performance, which itself emerged from an examination of how liveness, as a privileged performance studies concept, functions in the 21st century. Given the relative youth of the discipline, performance studies has remained steadfast in delimiting its objects as those that are live—shared air performance—and not bound by textuality; only recently has the discipline considered the mediated, but still solely within the circumscription of shared air performance. The cinema, as cultural object, permeates our lives—it is pervasive and ubiquitous—it sets the bar for quality acting, and shapes our expectations and ideologies. The cinema, and the cinematic text, is a complex performance whose individual components combine to produce a sum greater than the total of its parts. The cinema itself is a performance—not just the acting—participating in a cultural dialogue, continually reshaping and challenging notions of liveness, made more urgent with the ever-increasing use of digital technologies that seem to further segregate what is generally considered real performance from the final, constructed cinematic text.
    [Show full text]
  • Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
    Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials .....................................................................................................................................
    [Show full text]
  • Cumberland Woman Trains Guide Dogs
    Christ Lutheran Church wishes you a Merry Christmas and a happy, healthy New Year! www.christgettysburg.org VOL. 117, NO. 305 GettysburG, Pennsylvania • thursday, december 24, 2020 www.gettysburgtimes.com $1.00 cumberland Conewago lowers woman trains taxes, eliminates guide dogs manager position by michael cooper-White The decision provides tax For the Gettysburg Times relief of 0.25 mill to property by adam michael More than 500 guide dog owners. The supervisors went Times Assistant Editor hopefuls are born at Guiding At its final meeting of 2020 on record as committed to a Eyes’ Canine Development Monday evening, Conewago similar reduction in 2022. Everywhere Anne Gallon Center in Patterson, New York, Township Supervisors adopt- “Taxes are lowered, and goes, a pair of eyes belonging each year. At roughly 8 weeks ed a 2021 general fund bud- spending is lowered. We’re to an adoring, obedient Labra- old they are dispersed among get with projected income of actually pretty healthy,” Chair dor Retriever puppy follow. the organization’s 1,400 vol- $3,229,132 and expenditures of It’s a great feeling. But one unteers, according to Guid- $3,099,047. (See loWers on Page a6) day in the not too distant future ing Eyes documents. Each she will need to say good-bye guide dog team costs between to her newest friend, the not yet $50,000 and $100,000, and 4-month-old Neptune. Those 170 guide dogs are placed each darryl Wheeler/ Gettysburg Times mcsherrystown admiring eyes will be the key to year. neptune, a not yet 4-month old labrador retriever, waits for guiding a new master without For 14 to 16 months, the a treat from Guiding eyes for the blind volunteer anne the gift of sight.
    [Show full text]
  • GUNSMOKE TV CAST and DETAILS Premiered
    GUNSMOKE TV CAST AND DETAILS Premiered: September 10, 1955, on CBS Rating: TV-PG Premise: This landmark adult Western centered on Marshal Matt Dillon of Dodge City. John Wayne turned down the lead, suggesting James Arness (who remained for its entire run). Originating on radio (with William Conrad as Dillon), it moved to TV in September 1955. Its popularity spawned a number of copycats, but none would enjoy the longevity (and few the consistent quality) of this classic. Airing for 20 years, it's TV's longest running prime-time drama (a record that `Law & Order' is currently chasing). Gunsmoke Cast • James Arness : Marshal Matt Dillon • Milburn Stone : Dr. Galen `Doc' Adams • Amanda Blake : Kitty Russell • Dennis Weaver : Chester Goode • Ken Curtis : Festus Haggen • Burt Reynolds : Quint Asper • James Nusser : Louie Pheeters • Charles Seel : Barney Danches • Howard Culver : Howie Culver • Tom Brown : Ed O'Connor • John Harper : Percy Crump • Dabbs Greer : Mr. Jonus • George Selk : Moss Grimmick • Hank Patterson : Hank Miller • Glenn Strange : Sam • Sarah Selby : Ma Smalley • Ted Jordan : Nathan Burke • Roger Ewing : Clayton Thaddeus `Thad' Greenwood • Roy Roberts : Mr. Bodkin • Woody Chamblis : Mr. Lathrop • Buck Taylor : Newly O'Brien • Charles Wagenheim : Halligan • Pat Hingle : Dr. John Chapman • Fran Ryan : Miss Hannah Gunsmoke Credits • Sam Peckinpah : Screenwriter Gunsmoke Directors • Harry Horner : Director Gunsmoke Guest Cast • Aaron Saxon : Basset • Aaron Spelling : Weed Pindle • Abraham Sofaer : Harvey Easter • Adam West : Hall
    [Show full text]
  • Theater Playbills and Programs Collection, 1875-1972
    Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items.
    [Show full text]
  • Putney Swope
    THE FILM FOUNDATION 2019 ANNUAL REPORT OVERVIEW The Film Foundation supports the restoration of films from every genre, era, and region, and shares these treasures with audiences through hundreds of screenings every year at festivals, archives, repertory theatres, and other venues around the world. The foundation educates young people with The Story of Movies, its groundbreaking interdisciplinary curriculum that has taught visual literacy to over 10 million US students. In 2019, The Film Foundation welcomed Kathryn Bigelow, Sofia Coppola, Guillermo del Toro, Joanna Hogg, Barry Jenkins, Spike Lee, and Lynne Ramsay to its board of directors. Each has a deep understanding and knowledge of cinema and its history, and is a fierce advocate for its preservation and protection. Preservation and Restoration World Cinema Project Working in partnership with archives and studios, The Film Foundation’s World Cinema Project has The Film Foundation has helped save over 850 films restored 40 films from24 countries to date. to date. Completed projects in 2019 included: Completed projects in 2019 included: THE CLOUD– William Wyler’s beloved classic, DODSWORTH; CAPPED STAR (India, 1960, d. Ritwik Ghatak), EL Herbert Kline’s acclaimed documentary about FANTASMA DEL CONVENTO (Mexico, 1934, d. Czechoslovakia during the Nazi occupation, CRISIS: Fernando de Fuentes), LOS OLVIDADOS (Mexico, A FILM OF “THE NAZI WAY”; Arthur Ripley’s film 1950, d. Luis Buñuel), LA FEMME AU COUTEAU noir about a pianist suffering from amnesia, VOICE (Côte d’Ivoire, 1969, d. Timité Bassori), and MUNA IN THE WIND; and John Huston’s 3–strip Technicolor MOTO (Cameroon, 1975, d. Jean–Pierre Dikongué– biography of Toulouse–Lautrec, MOULIN ROUGE.
    [Show full text]
  • NINOTCHKA (1939, 110 Min)
    February 1, 2011 (XXII:3) Ernst Lubitsch, NINOTCHKA (1939, 110 min) Directed by Ernst Lubitsch Written by Charles Brackett, Billy Wilder, Walter Reisch, Melchior Lengyel (story) Produced by Ernst Lubitsch and Sidney Franklin Cinematography by William H. Daniels Edited by Gene Ruggiero Art Direction by Cedric Gibbons Costume Design by Adrian Greta Garbo...Ninotchka Melvyn Douglas...Leon Ina Claire...Swana Bela Lugosi...Razinin Sig Ruman...Iranoff Felix Bressart...Buljanoff Alexander Granach...Kopalski Gregory Gaye...Rakonin CHARLES BRACKETT (November 26, 1892, Saratoga Springs, New National Film Registry 1990 York – March 9, 1969, Los Angeles, California) won four Academy Awards: 1946 – Best Screenplay (The Lost Weekend) – shared w. ERNST LUBITSCH (January 28, 1892, Berlin, Germany – November Billy Wilder; 1951 – Best Screenplay (Sunset Blvd.) – w. Billy 30, 1947, Hollywood, California) won an honorary Academy Wilder, D.M. Marshman Jr.; 1954 – Best Screenplay (Titanic) – w. Award in 1947. He directed 47 films, some of which were 1948 Walter Reisch, Richard L. Breen; and 1958 – Honorary Award – That Lady in Ermine, 1946 Cluny Brown, 1943 Heaven Can Wait, (“for outstanding service to the Academy”). He has 46 1942 To Be or Not to Be, 1941 That Uncertain Feeling, 1940 The screenwriting titles, some of which are 1959 Journey to the Center Shop Around the Corner, 1939 Ninotchka, 1938 Bluebeard's Eighth of the Earth, 1956 “Robert Montgomery Presents”, 1955 The Girl Wife, 1937 Angel, 1935 La veuve joyeuse, 1934 The Merry Widow, in the Red Velvet
    [Show full text]
  • Film Noir Database
    www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H.
    [Show full text]