07-2017 Index Good Short Total Song 1 36 0 36 ŠANK ROCK
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ZGODBARNICA Skripta Študijskega Krožka Zgodbarnica – Zbrala in Uredila Patricija Dodič
2018-2020 ZGODBARNICA skripta študijskega krožka Zgodbarnica – zbrala in uredila Patricija Dodič 1 (foto Manca Švara) (foto Manca Seznam avtorjev UVODNE BESEDE ���������������������������������5 Marija Šenk ��������������������������������������250 ZGODBARNIČARJI �������������������������������9 Marija Umek ������������������������������������251 Anamarija Delbello �������������������������������9 Mirko Čufar �������������������������������������253 Andreja Lenassi �����������������������������������13 Mirko Juriševič ���������������������������������254 Damijana Čermelj ������������������������������20 Nadja Dobovičnik ����������������������������255 Darja Vesna Babič �������������������������������21 Nadja Gombač ���������������������������������256 Dragica Markovič �������������������������������24 Naša mala Vezda �������������������������������259 Irena Štembergar ��������������������������������30 Robert Drgan �����������������������������������266 Irina Telban ����������������������������������������48 Savina Gorišek ����������������������������������266 Ivan Novak �����������������������������������������71 Sonja Ravbar ������������������������������������271 Matjaž Kos �����������������������������������������92 Stanko Novak �����������������������������������273 Neta Vergan ����������������������������������������96 Stojan Ržek ��������������������������������������275 Patricija Dodič ����������������������������������113 Trda Brćinka �������������������������������������288 Rafael Vončina ����������������������������������126 -
September 2020
Page: 1 Redox D.A.S. Artist List for period: 01.09.2020 - 30.09.2020 Date time: Number: Title: Artist: Publisher Lang: 01.09.2020 00:03:05 HD 028096 IT DON'T MAKE ANY DIFFERENCE TO MEKEVIN MICHAEL FEAT. WYCLEF ATLANTIC 00:03:43 ANG 01.09.2020 00:06:46 HD 002417 KAMOR ME VODI SRCE NUŠA DERENDA RTVS 00:03:16 SLO 01.09.2020 00:10:09 HD 020765 THE MIDNIGHT SPECIAL CREEDENCE CLEARWATER REVIVAL ZYX MUSIC 00:04:09 ANG 01.09.2020 00:14:09 HD 029892 ZABAVA TURBO ANGELS RTS 00:02:59 SLO 01.09.2020 00:17:06 HD 069164 KILOGRAM NA DAN VICTORY 00:03:20 SLO 01.09.2020 00:20:42 HD 015945 SOMEBODY TO LOVE JEFFERSON AIRPLANE BMG, POLYGRAM,00:02:56 SONY ANG 01.09.2020 00:23:36 HD 054272 UBRANO JAMRANJE ŠALEŠKI ŠTUDENTSKI OKTET 00:05:54 SLO 01.09.2020 00:29:31 HD 004863 RELIGIJA LJUBEZNI REGINA MEGATON 00:03:00 SLO 01.09.2020 00:32:35 HD 017026 F**K IT FLORIDA INC KONTOR 00:03:59 ANG 01.09.2020 00:36:32 HD 028307 BOBMBAY DREAMS ARASH FEAT REBECCA AND ANEELA ORPHEUS MUSIC00:02:51 ANG 01.09.2020 00:39:23 HD 029465 DUM, DUM, DUM POP DESIGN 00:04:02 SLO 01.09.2020 00:43:35 HD 025553 I WANT YOU TO WANT ME CHRIS ISAAK REPRISE 00:03:17 ANG 01.09.2020 00:46:50 HD 037378 KOM TIMOTEIJ UNIVERSAL 00:02:56 ŠVEDSKI 01.09.2020 00:49:46 HD 017718 VSE (REMIX) ANJA RUPEL DALLAS 00:03:59 SLO 01.09.2020 00:53:51 HD 012771 YOU ARE MY NUMBER ONE SMASH MOUTH INTERSCOPE00:02:28 ANG 01.09.2020 00:56:17 HD 021554 39,2 CECA CECA MUSIC00:05:49 SRB 01.09.2020 01:02:04 HD 024103 ME SPLOH NE BRIGA ROGOŠKA SLAVČKA 00:03:13 SLO 01.09.2020 01:05:47 HD 002810 TOGETHER FOREVER RICK ASTLEY -
Prijedlozi Za Nominacije
glazbena nagrada 2021. SADRŽAJ OPĆE NAGRADE STR. 4-19 SVA GLAZBENA PODRUČJA 1 (KATEGORIJE 1-3) ALBUM GODINE PJESMA GODINE NOVI IZVOĐAČ GODINE POSEBNA GLAZBENA PODRUČJA STR. 20-35 ZABAVNA, POP, ROCK, ALTERNATIVNA, HIP HOP I ELEKTRONIČKA GLAZBA 2 (KATEGORIJE 4-13) NAJBOLJI ALBUM ZABAVNE GLAZBE NAJBOLJI ALBUM POP GLAZBE NAJBOLJI ALBUM ROCK GLAZBE NAJBOLJI ALBUM ALTERNATIVNE GLAZBE NAJBOLJI ALBUM HIP HOP GLAZBE NAJBOLJI ALBUM ELEKTRONIČKE GLAZBE NAJBOLJA ŽENSKA VOKALNA IZVEDBA NAJBOLJA MUŠKA VOKALNA IZVEDBA NAJBOLJA IZVEDBA GRUPE S VOKALOM NAJBOLJA VOKALNA SURADNJA JAZZ GLAZBA STR. 36-39 (KATEGORIJE 14-16) 3 NAJBOLJI ALBUM JAZZ GLAZBE NAJBOLJA SKLADBA JAZZ GLAZBE NAJBOLJA IZVEDBA JAZZ GLAZBE TAMBURAŠKA, POP- FOLKLORNA GLAZBA I WORLD MUSIC ALBUM STR. 40-43 4 (KATEGORIJE 17-19) NAJBOLJI ALBUM TAMBURAŠKE GLAZBE NAJBOLJI ALBUM POP-FOLKLORNE GLAZBE NAJBOLJI WORLD MUSIC ALBUM 2 ARANŽMAN, PRODUCENT GODINE, SNIMKA ALBUMA STR. 44-53 (IZVAN KLASIČNE GLAZBE) 5 (KATEGORIJE 20-22) NAJBOLJI ARANŽMAN PRODUCENT GODINE NAJBOLJA SNIMKA ALBUMA KLASIČNA GLAZBA STR. 56-61 (KATEGORIJE 23-27) 6 NAJBOLJI ALBUM KLASIČNE GLAZBE NAJBOLJA SKLADBA KLASIČNE GLAZBE NAJBOLJA IZVEDBA KLASIČNE GLAZBE NAJBOLJA SNIMKA ALBUMA KLASIČNE GLAZBE NAJBOLJA PRODUKCIJA ALBUMA KLASIČNE GLAZBE SVA GLAZBENA PODRUČJA STR. 62-77 (KATEGORIJE 28-36) 7 NAJBOLJI TEMATSKO-POVIJESNI ALBUM NAJBOLJI ALBUM POPULARNE DUHOVNE GLAZBE NAJBOLJI ALBUM BOŽIĆNE GLAZBE NAJBOLJI ALBUM S RAZNIM IZVOĐAČIMA NAJBOLJI KONCERTNI ALBUM NAJBOLJI INSTRUMENTALNI ALBUM (IZVAN KLASIČNE I JAZZ GLAZBE) 3 NAJBOLJA INSTRUMENTALNA IZVEDBA (IZVAN KLASIČNE I JAZZ GLAZBE) NAJBOLJI VIDEO BROJ NAJBOLJE LIKOVNO OBLIKOVANJE 4 3 OPĆE NAGRADE SVA GLAZBENA PODRUČJA (KATEGORIJE 1-3) ALBUM GODINE 1 PJESMA GODINE NOVI IZVOĐAČ GODINE 4 Kategorija 1 / ALBUM GODINE Ovo je kategorija za albume iz svih glazbenih područja s pretežno (51% ili više) novim snimkama. -
Pdf Liste Totale Des Chansons
40ú Comórtas Amhrán Eoraifíse 1995 Finale - Le samedi 13 mai 1995 à Dublin - Présenté par : Mary Kennedy Sama (Seule) 1 - Pologne par Justyna Steczkowska 15 points / 18e Auteur : Wojciech Waglewski / Compositeurs : Mateusz Pospiezalski, Wojciech Waglewski Dreamin' (Révant) 2 - Irlande par Eddie Friel 44 points / 14e Auteurs/Compositeurs : Richard Abott, Barry Woods Verliebt in dich (Amoureux de toi) 3 - Allemagne par Stone Und Stone 1 point / 23e Auteur/Compositeur : Cheyenne Stone Dvadeset i prvi vijek (Vingt-et-unième siècle) 4 - Bosnie-Herzégovine par Tavorin Popovic 14 points / 19e Auteurs/Compositeurs : Zlatan Fazlić, Sinan Alimanović Nocturne 5 - Norvège par Secret Garden 148 points / 1er Auteur : Petter Skavlan / Compositeur : Rolf Løvland Колыбельная для вулкана - Kolybelnaya dlya vulkana - (Berceuse pour un volcan) 6 - Russie par Philipp Kirkorov 17 points / 17e Auteur : Igor Bershadsky / Compositeur : Ilya Reznyk Núna (Maintenant) 7 - Islande par Bo Halldarsson 31 points / 15e Auteur : Jón Örn Marinósson / Compositeurs : Ed Welch, Björgvin Halldarsson Die welt dreht sich verkehrt (Le monde tourne sens dessus dessous) 8 - Autriche par Stella Jones 67 points / 13e Auteur/Compositeur : Micha Krausz Vuelve conmigo (Reviens vers moi) 9 - Espagne par Anabel Conde 119 points / 2e Auteur/Compositeur : José Maria Purón Sev ! (Aime !) 10 - Turquie par Arzu Ece 21 points / 16e Auteur : Zenep Talu Kursuncu / Compositeur : Melih Kibar Nostalgija (Nostalgie) 11 - Croatie par Magazin & Lidija Horvat 91 points / 6e Auteur : Vjekoslava Huljić -
A Croácia E Sua Participação No Eurovisão: Do Apelo Pacifista Ao Reconhecimento Cultural De Uma Tradição
A Croácia e sua participação no Eurovisão: do apelo pacifista ao reconhecimento cultural de uma tradição Mauro Neves Resumo: A Croácia, juntamente com a Bósnia-Herzegovina e a Eslovênia, foi um dos primeiros países balcânicos a participar do Festival Eurovisão da Canção (Eurovisão) após a desintegração da Iugoslávia, país este que havia sido o único país do leste europeu a ter tomado parte no certame musical europeu até 1992. A entrada no Eurovisão em 1993 dessas três novas nações balcânicas, oriundas da desintegração iugoslava iniciada em 1991, deu-se em meio à Guerra da Bósnia (1992-1995), e por isso mesmo, representou a introdução de um novo imaginário dos Balcãs dentro desse programa musical de grande audiência e de longa história, de certa maneira procurando aproximar os países nascidos dessa desintegração à comunidade europeia. Após uma breve síntese histórica do Eurovisão como um todo e das participações da Iugoslávia, 27 participações entre 1961 e 1992, passaremos a analisar as 21 participações da Croácia entre 1993 e 2013, discutindo o que estas representaram não só como forma de procurar integrar o país na Europa, como também como forma de tentar criar um novo imaginário sobre o país para os próprios croatas. Palavras-chave: Eurovisão. Música popular. Imaginário nacional. Integração europeia. Abstract: Croatia in the eurovision song contest: from an antiwar message to the recognition of a cultural tradition. Croatia, together with Bosnia-Herzegovina and Slovenia, was one of the first Balkan countries to join the Eurovision Song Contest (ESC) after the Yugoslavian Wars that lead to the disintegration of Yugoslavia, the only country from East Europe to have taken part at the Festival up to 1992. -
Dijaspora Boå¡Njaä“Ka: June 2007
P P € U U 0 5 , O O 1 R R U E G G M A A K I I 1 D D H i E E B M M 0 5 , 1 N N $ A A A I www.dijasporabosnjacka.com I S U N www.bosnianmediagroup.com N : a S [email protected] S n bboossnnjjaacckkaa e O O j g g g g i 15. juni 2007. Broj 38 Godina IV Bosnian American Independent Newspaper Published by: BOSNIAN MEDIA GROUP C B B Fata Orlović, u čijem je dvorištu 1996. sagrađena pravoslavna crkva, dočekala svoju pobjedu CRKVA U KONJEVIĆ POLJU BIĆE SRUŠENA Humanitarni koncert za izgradnju džamije u Gođenju - Žepa NESEBIČNE DONACIJE BOŠNJAKA ST. LOUISA Naša švedska zvijezda U društvu sa pjesnikinjom Suvadom Bahonjić IBRAHIMOVIĆ PJESME KAO PRELAZI U MILAN?! ZNAK NADE U gradu Seattle, država Washington, održani 12. Susreti Bošnjaka Sjeverne Amerike NOVA ERA IABNA I KBSA Poslovno povezivanje građana Bosne i Hercegovine u Matici i Dijaspori: oformljenaPoslovna Asocijacija Sjeverne Amerike PLANOVI ZA BUDUĆNOST 2 15. juni 2007 bosnjacka WWoorrlldd TTrraavveell aanndd TToouurrss 5629 Gravois Ave St. Louis, MO 63116 Phone: 314-351-9355 Fax: 314-353-2966 E-mail: [email protected] www.worldtravelstl.com Mi smo jedina putnička agencija u St. Louisu koja izdaje avionske karte odmah pri uplati, jer samo mi imamo sklopljene ugovore direktno sa avionskim kompanijama. Ako želite jeftinu, brzu i efikasnu uslugu obratite se nama, bilo da se radi o avionskim kartama ili odmorima kao što su Mexico, Hawaii, Bahamas... PUTUJTE SIGURNO - NA VRIJEME - BEZ BRIGE SA MANJE PRESJEDANJA SA AVIONIMA NAJBOLJIH AVIONSKIH KOMPANIJA UZ GARANTOVANO NAJPOVOLJNIJE CIJENE Dozvolite da budemo Vaš glas! Povrede na poslu Socijalno Saobraćajne nesreće Pogreške doktora Štetne hemikalije Sanja Bakalbašić NOVA LOKACIJA NA SOUTH COUNTY 32 Fox Vally Center Arnold, MO 63010 Kancelarija otvorena samo za zakazane termine 314-621-6321 www.brownandcrouppen.com *Izbor advokata je bitna odluka i ne bi trebala biti bazirana samo na reklami Uvodnik 15. -
List-Of-Films-EN.Pdf
IndieLisboa’12 has selected 245 films (80 features and 165 shorts) from a total of 3906 submissions covering all festival sections. Portuguese cinema always has a spe- Fiction Documentary cial spotlight at the festival. This year we have selected 48 Portuguese films (10 features and 38 shorts), 24 of those among the National Competition. IndieLisboa’s 80 program is composed of 234 screenings at four thea- 110 ters: Culturgest, Cinema São Jorge, Cinema City Classic Alvalade and Cinemateca Portuguesa - Museu do Cinema. 43 11 Animation Experimental 3 International Competition The International Competition for short and feature films is composed of works that have never been publicly screened in Portugal, finished in the current year or the year before. To this section can apply first or second works - fiction, animation, docu- mentaries or experimental films. Feature Films The Kiosk Anete Melece, Switzerland/anim., 2013, 7’ Äta sova dö/Eat Sleep Die Gabriela Pichler, Sweden, fic., 2012, 104’ Má Raça/Bad Blood André Santos, Marco Leão, Portugal/fic., 2013, 19’ A Batalha de Tabatô/The Battle of Tabatô João Viana, Portugal, fic., 2013, 78’ Mademoiselle Kiki et les Montparnos/Kiki of Montparnasse Amelie Harrault, France/Belgium/anim., 2012, 14’ Eles Voltam/They Will Return Marcelo Lordello, Brazil, fic., 2012, 105’ La maison d’Olga Morgane Le Péchon, France/anim., 2012, 6’ Francine Brian M. Cassidy, Melanie Shatzky, USA/Canada/fic., 2012, 74’ Maria/Mary Mónica Lairana, Argentina/fic., 2012, 13’ Lacrau João Vladimiro, Portugal, doc./fic., 2013, -
The African Roots of Cuban Music,The Music of the Nyayo Era,Kenyans' Elusive Search for a Cultural Identity,How Afrobeat(S)
The African Roots of Cuban Music By Boima Tucker British sociologist Paul Gilroy suggested the history of culture in the Atlantic world is characterized by constant exchange. One of the most traceable elements of that exchange, is the musical connections between communities of African descent on either side of the ocean. These musical practices operate as sites of resistance, cultural retention, and social cohesion that allow us to understand some of the ways we all are formed by trans-continental processes. During the dawn of recorded music in the early part of the 20th century, Cuba—one of many New World sites of African and indigenous resistance to European colonisation and enslavement—would become a hotbed for musical export in the emerging industrialized system of music distribution. Folk musical traditions from across the island would come together in Havana’s studios, and then get dispersed around the entire Atlantic world. In the early part of the 20th Century, Cuban musical styles like son, mambo and guaguanco followed migrants and sailors out across the Atlantic, hitting radio waves in the ports of landing, and spreading throughout the interior of the countries they landed in. With its strong traces of West and Central African rhythms, this music would find legions of devoted followers on the African continent. Local artists would try their hand at recreating the sound, and start to mix elements of their own local traditions creating what we now know as Congolese rumba, soukous, mbalax, semba, kizomba, and highlife, etc. These styles, amongst many others on the continent, would go on to form the backbone of national identity in the post-independence period, their propagation supported with enthusiasm by the leaders of the new nations. -
ALL-2017 \226 Bele\236Nica
ALL-2017 Index Good Short Total Song 1 334 0 334 ŠANK ROCK - NEKAJ VEČ 2 269 0 269 LOS VENTILOS - ČAS 3 262 0 262 RUDI BUČAR & ISTRABEND - GREVA NAPREJ 4 238 0 238 RED HOT CHILLI PEPPERS - SICK LOVE 5 230 0 230 NIKA ZORJAN - FSE 6 229 0 229 CHAINSMOKERS - PARIS 7 226 1 227 DNCE & NICKI MINAJ - KISSING STRANGERS 8 226 0 226 NINA PUŠLAR - ZA VEDNO 9 200 0 200 ALICE MERTON - NO ROOTS 10 198 0 198 SKALP - HLADEN TUŠ 11 196 0 196 BQL - MUZA 12 195 0 195 KINGS OF LEON - FIND ME 13 195 1 196 RUSKO RICHIE & ROKO BAŽIKA - ZBOG NJE 14 192 0 192 ALYA - HALO 15 190 0 190 NEISHA - VRHOVI 16 185 0 185 DISTURBED - THE SOUND OF SILENCE 17 179 0 179 MI2 - LANSKI SNEG 18 175 0 175 KATY PERRY - CHAINED TO THE RHYTM 19 173 0 173 LITTLE MIX & CHARLIE PUTH - OOPS 20 172 2 174 ED SHEERAN - GALWAY GIRL 21 169 0 169 SIA - MOVE YOUR BODY 22 169 0 169 LINKIN PARK feat. KIIARA - HEAVY 23 167 0 167 ANABEL - OB KAVI 24 164 0 164 ED SHEERAN - SHAPE OF YOU 25 161 1 162 BOHEM - BALADA O NJEJ 26 158 0 158 JAN PLESTENJAK - IZ ZADNJE VRSTE 27 157 0 157 SIDDHARTA - DOLGA POT DOMOV 28 156 0 156 SELL OUT - NI PANIKE 29 156 1 157 LUKAS GRAHAM - 7 YEARS 30 153 0 153 HARRY STYLES - SIGN OF THE TIMES 31 151 0 151 ED SHEERAN - CASTLE ON THE HILL 32 151 0 151 MAROON 5 & FUTURE - COLD 33 145 0 145 LEONART - DANES ME NI 34 145 1 146 RICKY MARTIN & MALUMA - VENTE PA'CA 35 145 0 145 ED SHEERAN - HOW WOULD YOU FEEL 36 144 0 144 WEEKEND & DAFT PUNK - STARBOY 37 143 0 143 BQL - HEART OF GOLD 38 143 1 144 RAIVEN - ZAŽARIM 39 143 0 143 STING - I CAN'T STOP THINKING ABOUT YOU 40 142 0 142 -
Največkrat Predvajane Skladbe V Letu 2020 Na Radiu 94
Največkrat predvajane skladbe v letu 2020 na Radiu 94 Mesto Predv. Izvajalec in skladba 1 311 REGARD - RIDE IT 2 259 MAROON 5 - MEMORIES 3 240 ONE REPUBLIC - BETTER DAYS 4 239 TONES AND I - DANCE MONKEY 5 232 ZMELKOOW & JANEZ DOWČ - KAJ NAM FALI(2020) 6 227 TABU - NA KONICAH PRSTOV 7 215 MEDUZA & BECKY HILL & GOODBOYS - LOSE CONTROL 8 212 BILLIE EILISH - BAD GUY 9 205 SAM SMITH & NORMANI - DANCING WITH A STRANGER 10 204 ROLLING STONES - LIVING IN A GHOST TOWN 11 201 LEA SIRK - V DVOJE 12 199 THEORY OF A DEADMAN - SAY NOTHING 13 196 KYGO & WHITNEY HOUSTON - HIGHER LOVE 14 194 LEWIS CAPALDI - BRUISES 15 193 HARRY STYLES - ADORE YOU 16 193 FED HORSES - ZAHODNO DEKLE 17 188 LEVANTE - SIRENE 18 188 TOM WALKER - JUST YOU AND I 19 188 LEA SIRK - PO SVOJE 20 187 BISERI - ZA NJO 21 185 LENNON STELLA & CHARLIE PUTH - SUMMER FEELINGS 22 185 VITAVOX - RAVNO OBRATNO 23 182 NINA PUŠLAR - VČERAJ IN ZA ZMERAJ 24 181 TINKARA KOVAČ - BODI Z MANO DO KONCA 25 181 MARY ROSE - KO TAKO OBJAME 26 177 SOPRANOS - NIMAM SKRBI 27 173 ŠANK ROCK - DVIGNI POGLED 28 168 AVICII & ALOE BLAC - SOS 29 167 GROMEE - LIGHT ME UP 30 165 TOPIC feat. & A7S - BREAKING ME 31 165 MATIC MARENTIČ & V. DIMENZIJA - IZBRIŠI ME S SEZNAMA 32 163 EME & ZEEBA - SAY GOODBYE 33 162 LADY GAGA - STUPID LOVE 34 159 JAN PLESTENJAK - ČLOVEK BREZ IMENA 35 155 VITAVOX - TRIK 36 154 I.C.E. - LAHKO BI BILO LEPO 37 154 AVA MAX - SO AM I 38 151 ROBIN SCHULZ & WES - ALANE 39 150 SCORPIONS - SING OF HOPE 40 148 LOST FREQUENCIES & ZONDERLING - CRAZY 41 147 WEEKND - BLINDING LIGHTS 42 146 JONAS BROTHERS -
For the Homeland: Transnational Diasporic Nationalism and the Eurovision Song Contest
FOR THE HOMELAND: TRANSNATIONAL DIASPORIC NATIONALISM AND THE EUROVISION SONG CONTEST SLAVIŠA MIJATOVIĆ A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN GEOGRAPHY YORK UNIVERSITY TORONTO, CANADA December 2014 © Slaviša Mijatović, 2014 Abstract This project examines the extent to which the Eurovision Song Contest can effectively perpetuate discourses of national identity and belonging for diasporic communities. This is done through a detailed performance analysis of former Yugoslav countries’ participations in the contest, along with in-depth interviews with diasporic people from the former Yugoslavia in Malmö, Sweden. The analysis of national symbolism in the performances shows how national representations can be useful for the promotion of the state in a reputational sense, while engaging a short-term sense of national pride and nationalism for the audiences. More importantly, the interviews with the former Yugoslav diaspora affirm Eurovision’s capacity for the long-term promotion of the ‘idea of Europe’ and European diversities as an asset, in spite of the history of conflict within the Yugoslav communities. This makes the contest especially relevant in a time of rising right-wing ideologies based on nationalism, xenophobia and racism. Key words: diaspora, former Yugoslavia, Eurovision Song Contest, music, nationalism, Sweden, transnationalism ii Acknowledgements Any project is fundamentally a piece of team work and my project has been no different. I would like to thank a number of people and organisations for their faith in me and the support they have given me: William Jenkins, my supervisor. For his guidance and support over the past two years, and pushing me to follow my desired research and never settling for less. -
Identitet Hrvatskog Prostora U Popularnoj Glazbi
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Croatian Digital Thesis Repository Sveučilište u Zadru Odjel za geografiju Diplomski sveučilišni studij primijenjene geografije (jednopredmetni) Mario Meštrović Identitet hrvatskog prostora u popularnoj glazbi Diplomski rad Zadar, 2018. Sveučilište u Zadru Odjel za geografiju Identitet hrvatskog prostora u popularnoj glazbi Diplomski rad Student: Mario Meštrović Mentor: doc. dr. sc. Lena Mirošević Zadar, 2018. Izjava o akademskoj čestitosti Ja, Mario Meštrović, ovime izjavljujem da je moj diplomski rad pod naslovom Identitet hrvatskog prostora u popularnoj glazbi rezultat mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na izvore i radove navedene u bilješkama i popisu literature. Ni jedan dio mojega rada nije napisan na nedopušten način, odnosno nije prepisan iz necitiranih radova i ne krši bilo čija autorska prava. Izjavljujem da ni jedan dio ovoga rada nije iskorišten u kojem drugom radu pri bilo kojoj drugoj visokoškolskoj, znanstvenoj, obrazovnoj ili inoj ustanovi. Sadržaj mojega rada u potpunosti odgovara sadržaju obranjenoga i nakon obrane uređenoga rada. Zadar, 26. veljače 2018. 3 TEMELJNA DOKUMENTACIJSKA KARTICA Sveučilište u Zadru Diplomski rad Odjel za geografiju IDENTITET HRVATSKOG PROSTORA U POPULARNOJ GLAZBI Mario Meštrović Popularna glazba pokazatelj je identiteta nekog prostora. U radu su analizirani tekstovi pjesama popularne glazbe u Hrvatskoj na nacionalnoj i regionalnoj razini te se samim time on može podijeliti na dva dijela. U prvom dijelu razmatra se hrvatski nacionalni identitet, koji se u popularnoj glazbi u većoj mjeri iskazivao u razdoblju Domoviskog rata, kada je došlo do pojačanih osjećaja domoljublja i potrebe da se kroz glazbu podiže moral i ohrabruje civilno stanovništvo i hrvatske branitelje, a ostavština rata prisutna je i nakon njegovog završetka.